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alan_pfeifer View Drop Down
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Direct Link To This Post Topic: Emotional Breakdown
    Posted: August 04 2005 at 16:18

The end of Cygnus....Vismund Cygnus from the new Mars Volta album is a pretty big spine-tingler.  The solo beforehand is such an amazing buildup.

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Direct Link To This Post Posted: August 04 2005 at 16:09
The cresendo that beings about halfway through Gnidrolog - I Could Never Be A Soldier , eventually builds up to a thrilling climax, amazing when the saxaphones come in.
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Direct Link To This Post Posted: August 04 2005 at 16:03

There are many such moments indeed, but the one that sticks most in my mind is the ending of Epitaph, with Greg Lake's wistful voice fading out among the waves of majestic Mellotron sounds. Another one is Martin Barre's fantastically heavy guitar cutting in at the beginning of Jethro Tull's My God - when Anderson sings "So lean upon Him gently/ And don't call on him to save...".

On a completely different note, as someone earlier on mentioned Kate Bush, I'd say Pull Out the Pin is an extremely moving, haunting song  with very deep subject matter (the point of view of a Vietcong in the Vietnam war).

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Direct Link To This Post Posted: August 04 2005 at 13:28

Saga - Images......the closing instrumental with Michael Sadler's haunting, bellowing "aaaahhhhh".  Very powerful....

The small piano solo in the middle section of Phish's 'Waste'.....

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Direct Link To This Post Posted: August 04 2005 at 13:25



Edited by Tony R
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Direct Link To This Post Posted: August 04 2005 at 13:21

The most powerful emotional responses for me has came from FRANK ZAPPA's recordings. The sudden atavistic bellowings in them, to be exact.

EMUUKHA!

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Direct Link To This Post Posted: August 04 2005 at 13:17
Originally posted by Pseud0 Pseud0 wrote:



comus - drip drip: "yes htis will be your last physical communion, il be gentle, il be gentle..."


This caught my attention.

It is exactly this moment (and the way it continues) that gives me mostly chills from this album. It is vulgar but beautiful at the same time. Probably my favourite song from a brilliant album.




Edited by geezer
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Direct Link To This Post Posted: August 04 2005 at 12:41

On PLAYING THE GAME from The Power and The Glory by Gentle Giant....

The first bass movement right after the 1st and 3rd verses - the bit after the vocals go "I'll play the game and never ever lose".......goose bump central!

I can't remember what I said
I lost my head.

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Direct Link To This Post Posted: August 04 2005 at 12:23
Magma's work actually gives me chills, very powerful vocal performances, if you like Zeuhl that is.
"It's amazing that we've been able to put up with each other for 35 years. Most marriages don't last that long these days."

-Chris Squire
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Direct Link To This Post Posted: August 04 2005 at 11:59
Originally posted by chopper chopper wrote:

Blimey, is this the first mention of The Carpenters on this site? .

It's certainly the first one that hasnt either been derogatory or mentioned bulimia........

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Direct Link To This Post Posted: August 04 2005 at 07:56

Blimey, is this the first mention of The Carpenters on this site? It is a nice solo tho'

I would add the end of The Remembering, also the "Like a dreamer" bit in the middle.

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Direct Link To This Post Posted: August 04 2005 at 07:13
Originally posted by arcer arcer wrote:

Alex's fantastic solo on 'Different Strings'

http://home.earthlink.net/~mita2112/audio/different-strings- end.mp3

without the fade-out...

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Direct Link To This Post Posted: August 04 2005 at 07:10

OK, couple of odd ones here.

The Carpenters' Goodbye To Love - One of the finest guitar solos ever on such a sappy love song. As Terry Wogan said on the radio once 'If you don't air guitar along to this, there's something wrong with you'.

Also when I listen to Marillion's Script For A Jester's Tear, it evokes nostalgia of a time I didn't even exist....very odd

And I know it's the most overplayed, overblown piece of garbage, but the final solo of Comfortably Numb still does it for me.

Stevie Ray Vaughan's Little Wing is incredible, far more soulful than Hendrix original piddley 2 minutes 21 seconds version.

Yep, nice evocative music :)

Also One For The Vine makes me drop what I'm doing and actively listen.

I'm so prog, I clap in 9/8
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Direct Link To This Post Posted: August 04 2005 at 07:02

There are tons of awesome moments...

how about

The arrival of the distorted guitar on Rush's 'In the End'

Alex's fantastic solo on 'Different Strings'

The moment the drums kick back in after the eerie monosynth solo on 'Jacob's Ladder'

The intro piano on Yes' Awaken always gives me a shiver and the harp interlude in the middle is just really sweet

The bit at the beginning of Genesis' 'Turn it on Again' where the offtime stab brings in the drums - so cool

Definitely go along with the moment the guitar arrives after the choral section of L'Isola di Niente. Huge sound.

The bit in Porcupine Tree's 'Last Chance to Evacuate Planet Earth' where the song changes from the acoustic guitar part to the instrumental coda, there's a guitar thing there that sounds amazing.

I adore the spanish guitar part of Floyd's 'Is There Anybody Out There' the little violin flourishes in it are just beautiful. And then, followed by Nobody Home... what a double whammy.

at the moment I'm really loving the acending vocals and slide guitar section of Farewell to Shadowlands by Glass Hammer - it's brilliant.

Those are just off the top of my head, there are hundred of others - the opening synth pulse of 'Tom Sawyer', the syth arpeggios on the live version of Genesis' Fading Lights, the synth interlude in the middle of Il Banchetto, for some reason the section that begins 'Everyone would gather on the 24th of May, sitting in the sand to watch the fireworks display' from Rush's 'Lakeside Park'. The drums and bass on the intro to 'Watcher of the Skies', so much expectation in them, the first time I heard I thought, 'oh yes, where is this going to go?!' The piano mid-section of 'South Side of the Sky', the whole Wurm section to Starship Trooper, for the guitar sound and Squire's massively distorted, tremolo'd bass. The burbling Moog that cuts across the mix at the start of the second verse of 'Roundabout', when the synths start to kick in Supertramp's 'Fool's Overture' or the end section 'Crime of the Century' with all those strings and piano and that descending whatever it is that signals the closing section of the song. When the drums and bass kick in on Spock's Beard's 'June'

 

Far too many.... thank the good lord

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Direct Link To This Post Posted: August 04 2005 at 04:48

Originally posted by richardh richardh wrote:

Kate Bush 'The Man With The Child In Eyes'.I've never heard such a hauntingly beautifull and emotional song.

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Direct Link To This Post Posted: August 04 2005 at 04:40

Gilmour's solo on Comfortably Numb. Sometimes I can't of anything more emotional.

I;m sure there are a thousand other things but this is ny no1.

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Direct Link To This Post Posted: August 04 2005 at 03:47
Awaken by Yes is the ultimate 'goosebump' song
IMO. The choir, the awesome church organ.

I don't care if it's pseudy - listening to this song can
be a spiritual experience!
"It's 1973, almost dinnertime and I'm 'aving 'oops!" - Gene Hunt
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Direct Link To This Post Posted: August 04 2005 at 03:29
Genesis Stagnation (particuraly the section with acoustic guitars and mellotron) never fails to give me goosbumps.
"He that believeth on me, as the scripture hath said, out of his belly shall flow rivers of living water"
              John 7:38
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Direct Link To This Post Posted: August 04 2005 at 03:22
pretty much everything gives me goosebumps lol 
lately:

camel - lady fantasy - "saw you riding on a moonbeam, saw you walking ona whirlpool"
opeth - white cluster: "Cloak-captured sighs of relief
As the primal touch brought me back
And the last sight I did see is still here
Beckoning right behind me"
jethro tull - thick as a brick: when the strings come in at the very end
comus - drip drip: "yes htis will be your last physical communion, il be gentle, il be gentle..."
lots more


Edited by Pseud0
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Direct Link To This Post Posted: August 04 2005 at 03:04

There are many 'goose bump moments in prog, Tony. More - 'per band' if you like - than any other genre of popular music. Thats why I listern to it. I have been told I am 'over' emotional!! 

In your quote you mention 'empathy' and that may be a key word in my appreciation of prog. Its the connection you make with the songwriter, through their ability to strike that chord within you. It's as if 'they know' ...

I couldn't list all those great moments. There are so many, and I'm sure I've listed them before. One of those magic moments thats really getting me recently is this part of 'The Revealing Science of God' from Topographic Oceans, by Yes:

They move fast, they tell me,
But I just can't believe that I can feel it
There's someone, to tell you,
amidthe challenge we look around in unison with you

Getting over overhanging trees
Let them rape the forest
Thoughts would send our fusion
Clearly to be home

Getting over wars we do not mean
Or so it seems so clearly
Sheltered with our passion
Clearly to be home

 

The Mellotron, the Moog phrases, working alongside Andersons lyrics equates to pure magic. The imagery is superb, and the shivers really go down the spine. Yes were masters at creating such atmospheres! 'Turn of the Century' is also among Yes's finest moments IMO. The ultimate tear jerker minus the Cheese you may expect from less imaginative, less progressive artists.

 

Other 'goose bump' masters:

 

Genesis
Floyd
Rush
Marillion
Rennaisance...

Ultimately bored by endless ecstasy!
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