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mono
Forum Senior Member
Joined: May 12 2005
Location: Paris, France
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Points: 652
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Topic: Prog drumming equipment Posted: January 03 2011 at 07:04 |
if you're not a drummer to begin with, then you're asking the wrong question. Step 1: unless you're quite rich, BUY A BASIC CHEAP KIT AND LEARN TO PLAY :) I think you'll figure out much of the rest by yourself later on...
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https://soundcloud.com/why-music Prog trio, from ambiant to violence
https://soundcloud.com/m0n0-film Film music and production projects
https://soundcloud.com/fadisaliba (almost) everything else
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topographicbroadways
Forum Senior Member
Joined: May 20 2010
Location: Australia
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Points: 5575
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Posted: January 02 2011 at 10:34 |
forget the kit what you need is a spinning drum riser with several smoke machines attached
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Triceratopsoil
Forum Senior Member
Joined: April 03 2010
Location: Canada
Status: Offline
Points: 18016
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Posted: January 01 2011 at 19:59 |
there's no "right" equipment, try a lot of sh*t and see what sounds good to you
p.s. jazz kits are better
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brightflightbird
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Joined: December 20 2010
Location: Uniontown
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Points: 8
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Posted: January 01 2011 at 19:47 |
I guess I just want to have a sound similar to the stuff I play. I need to upgrade from the set I have now but I don't want to waste money on the wrong thing.
but yeah I definitely need a cowbell...
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Icarium
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Joined: March 21 2008
Location: Tigerstaden
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Points: 34055
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Posted: January 01 2011 at 12:39 |
a gong is rudementaryy
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stonebeard
Forum Senior Member
Joined: May 27 2005
Location: NE Indiana
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Points: 28057
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Posted: January 01 2011 at 12:16 |
brightflightbird wrote:
Let's pretend that one day I wake up and say: "I want to become a symphonic prog drummer". Where do I begin from an equipment standpoint? Particularly the right drum heads for symphonic prog. Any recommendations? Thanks in advance.
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Drum heads? It doesn't matter that much. The tuning is more important, but you just have to try kinds and figure out what you like. Generally, get thinner heads on the resonant sides, and probably coated or oil between layers for the batter. That's what I like anyway. The snare is different with the batter head a lot of the time, and it's better to customize it more. My advice is to get some Remo Ambassadors or Evans heads, which I'm using now. Look up online tutorials and make sure you get the tuning right. The snare can go from terrible to Gavin Harrison tightness with just a bit of know-how.
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Slartibartfast
Collaborator
Honorary Collaborator / In Memoriam
Joined: April 29 2006
Location: Atlantais
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Points: 29630
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Posted: January 01 2011 at 11:58 |
Starhammer wrote:
irrelevant wrote:
^ And a decent kit. |
The kit is irrelevant
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the cow bell is essential
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Released date are often when it it impacted you but recorded dates are when it really happened...
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The Neck Romancer
Forum Senior Member
Joined: June 01 2010
Location: Brazil
Status: Offline
Points: 10185
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Posted: January 01 2011 at 11:16 |
irrelevant wrote:
^ And a decent kit. |
The kit is irrelevant
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irrelevant
Collaborator
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Joined: March 07 2010
Location: Australia
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Posted: January 01 2011 at 06:53 |
^ And a decent kit.
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The Neck Romancer
Forum Senior Member
Joined: June 01 2010
Location: Brazil
Status: Offline
Points: 10185
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Posted: January 01 2011 at 06:38 |
Gongs, temple blocks, tubular bells, a marimba, tablas and assorted hand drums on the left side of the kit, a trigger because the church bell was too big for the stage, a mbira, a couple of timpanis, 16 chimes, a bell tree, concert toms, an array of cowbells and a big truck.
Edited by Starhammer - January 01 2011 at 06:39
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brightflightbird
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Joined: December 20 2010
Location: Uniontown
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Points: 8
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Posted: January 01 2011 at 03:40 |
Let's pretend that one day I wake up and say: "I want to become a symphonic prog drummer". Where do I begin from an equipment standpoint? Particularly the right drum heads for symphonic prog. Any recommendations? Thanks in advance.
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