Hello, ProgArchivists! I urge you to give a listen to a real
gem of an album: Mad Crayon’s Preda
(2009). An AMAZINGLY well engineered/produced RPI album that contains music
from so many different influences—blues, jazz, funk, lounge, R&B, heavy prog,
symphonic, rock, pop, eclectic, and, of course, RPI. A virtual cornucopia of
styles and sounds. Inside I hear similarities to Retrospective, Tony Levin
projects, Uriah Heep, PFM, 70’s/80’s jazz fusion, XII Alfonso, Xang, Ozric
Tentacles, and, especially, in the first half, Riverside. The album contains
OUTSTANDING sound, mix, musicianship (piano/keys, fretless and synthesized
basses, drums, acoustic & electric guitars), lead and harmonizing vocals,
composition and structure.
Not knowing much Italian, I am unable to comment on
the lyrical content, but I so enjoy hearing musicians sing in their own native tongue.
I seriously think that this surprisingly overlooked
collection of songs may be one of the best albums to have been released in the
past 30 years! Seriously! If you haven’t heard this album I really think you have
missed—must I say it: a prog masterpiece! (See my detailed review on this
site.)