From the powerful opening track, Colla e Gesso it would appear we're in for a heavy rock, seventies style album with its powerful guitar riffing, pleasing Hammond organ and solid rhythm section. It doesn't take long however to realise that Filoritmia have more up their sleeves as they move through varying themes while maintaining the overall power of the song. Senza Sale confirms this being a more diverse piece and while it contains a heavier mid section is overall a more reflective track over its eight and half minutes. The instrumental Non E Festa seems to be a nod to fellow countrymen PFM taking its cue from their song E Festa.

L'uomo Che Torna is the most diverse track yet as it shifts from delicate light and shade into powerful riffing and an acoustic guitar driven finale overlaid with tastefully melodic soloing, the band proving they have the musical chops to deal with subtle textures as well as the heavier rocking moments. Godo continues the trend of shifting and inventive rhythms and starts as one of the heavier tracks until a piano led section shifts things down a couple of gears before moving into a lengthy guitar solo.

Il Sogno Del Fotografo has them in a more playful mood with a lighter feel and complex rhythmic patterns that never sit still. Halfway the mood changes into a piano led section with a darker feel. Questo returns to heavy rock territory and while it's decent enough is not one of the best tracks.

They save the longest for last with the ten minute Manifesto. Starting with the heaviest riff on the album it moves into an enthralling guitar dominated instrumental section and after a short return to vocals it's into more dynamic instrumental work.

With Passaggi, Filoritmia have come up trumps with a pleasing album of heavy prog, and while they are placed in the RPI genre here on PA, their music transcends such barriers and is likely to have a broader appeal to prog fans who don't usually listen to Italian prog.