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Visitor13
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Joined: February 02 2005
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Topic: Hackett or Petrucci? Posted: January 25 2007 at 17:29 |
Ivan_Melgar_M wrote:
Visitor13 wrote:
I'd love to get a classical guitarist's opinion of Hackett's classical stuff and a jazz guitarist's of his jazz stuff.
Then again, the fact that Hackett can play classical on a (at the very least) decent level already speaks volumes about his ability and talent. I haven't heard his jazz stuff, but I'm more skeptical here, as I don't think you can really dabble in jazz (neither can you dabble in classical, but I think Hackett does more than merely to dabble there) You can play jazzy-sounding licks, but little more than that, IMO... but I'm certainly not writing Hackett's jazz abilities off here.
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Well Visitor, Steve's Hackett's Midsummer's Night Dream with thew Royal Philharmonic Orchestra was considered one of the top 10 Classical albums of 1997 by the demanding Classical critc.
That means something.
If you want a Classical expert opinion, it's only necassary to say that Yehudi Menuhim was so impressed with Hackett's performance of the Four Seasons by Vivaldi that used Steve's music as the theme to his television documentary From Kew To The Findhorn Foundation and he was even more demanding than the Classical critic and an expert..
Iván |
Haha, that is just awesome.
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Chus
Prog Reviewer
Joined: October 16 2006
Location: Venezuela
Status: Offline
Points: 1991
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Posted: January 24 2007 at 20:30 |
MajesterX wrote:
Ivan_Melgar_M wrote:
[QUOTE=MajesterX]I have an idea, everyone just shut the hell up!!
If you don't like the the thread, you can avoid it, it's your choice, but nobody has to shut a debate simply because blah blah blah blah....... | Honesty, did you think I was serious in that post?? You really need to get a sense of humour my friend in this place, with all respects. I guess I'm just the type of person that likes to make silly over-dramatic rants because they are annoyed. Just PLEASE never dissect my ever words like they're a poor dead pigeon in a school biology class, it's more formal to quote me and THEN talk about what I said and how it's wrong than to pick and my every syllable. In all seriousness, I see them both as equals, Hackett is better at emotional more classical based playing while Petrucci better at more technical more metal based playing. Personally I like a combination between technicality and emotion. I think players like Daniel Gildenlow, Mikael Akerfeldt, Alex Lifeson and Steve Howe bring that to the table in their own unique way. Cheers! |
Sorry didn't read that .. but you have to be careful, perhaps you could raise another DT war or ELP war for rants like these
Gotta go get my paycheck for DT bashin'
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Jesus Gabriel
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Chus
Prog Reviewer
Joined: October 16 2006
Location: Venezuela
Status: Offline
Points: 1991
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Posted: January 24 2007 at 20:22 |
MajesterX wrote:
I have an idea, everyone just shut the hell up!! The reason I hate this place is because people just bash Dream Theater all day long and praise the classic prog bands which I don't find to be that great. Ivan- WE GET IT! You don't need to continue fighting! We know you wish Petrucci was dead and in the ground in an unmarked grave while you reign as prime minister and play with the wizards in Peter Gabriel's lyrics in the magical utopia of Hackett-land where any non-atmospheric feelings are illegal as people burn Iron Maiden records while wearing capes. You've proven your point! You said " I doubt Petrucci would play classical guitar as perfect as classically-trained guitarists". I doubt Hackett would play metal guitar as perfectly as guitarists who play demanding heavy metal. You have not mentioned that Hackett has not touched Metal playing. Sorry for the rant, but this sounds more like Policy Debate than a stupid poll on a progressive rock forum. |
You just love deforming one's idea. I said he couldn't play as perfect classical guitar BECAUSE HE HAS A MORE EMPHASIS ON ELECTRIC GUITAR. You think we get paid for bashing DT and this is all a conspiracy? We try to write as objectively as possible about DT, and the fact that they're all superb players, but is it bad that we just don't like it?
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Jesus Gabriel
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Ivan_Melgar_M
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Posted: January 24 2007 at 20:13 |
Honestly you did sounded very serious, at least for Progismylife (Who I never talked with) and me,but if it all was a joke, no harm has been done (Well, even if it's serious, no harm has been done anyway).
Iván
Edited by Ivan_Melgar_M - January 24 2007 at 20:25
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MajesterX
Forum Senior Member
Joined: December 30 2005
Status: Offline
Points: 513
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Posted: January 24 2007 at 20:06 |
Ivan_Melgar_M wrote:
[QUOTE=MajesterX]I have an idea, everyone just shut the hell up!!
If you don't like the the thread, you can avoid it, it's your choice, but nobody has to shut a debate simply because blah blah blah blah.......
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Honesty, did you think I was serious in that post?? You really need to get a sense of humour my friend in this place, with all respects. I guess I'm just the type of person that likes to make silly over-dramatic rants because they are annoyed. Just PLEASE never dissect my ever words like they're a poor dead pigeon in a school biology class, it's more formal to quote me and THEN talk about what I said and how it's wrong than to pick and my every syllable. In all seriousness, I see them both as equals, Hackett is better at emotional more classical based playing while Petrucci better at more technical more metal based playing. Personally I like a combination between technicality and emotion. I think players like Daniel Gildenlow, Mikael Akerfeldt, Alex Lifeson and Steve Howe bring that to the table in their own unique way. Cheers!
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The T
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Posted: January 24 2007 at 19:44 |
You are all wrong since you didn't include Green Day's guitar player and mastermind in the poll.....
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bluetailfly
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Joined: January 28 2005
Location: United States
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Points: 1383
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Posted: January 24 2007 at 18:15 |
Ivan_Melgar_M wrote:
MajesterX wrote:
I have an idea, everyone just shut the hell up!!
If you don't like the the thread, you can avoid it, it's your choice, but nobody has to shut a debate simply bexcause you don't like it, specially when nobody has been insulting or offensive.
The reason I hate this place is because people just bash Dream Theater all day long and praise the classic prog bands which I don't find to be that great.
Nobody is bashing Dream Theater here, nobody has said Petrucci is a bad guitar player, it's a simple conversation and argumented opinions abiut degrees of skills...NOTHING ELSE.
If you want to listen people saying how much they love Dream Theater and how they believe it's the best band of the world, there are plenty of fan clubs, people gives their opinion, like it or not.
But why are you so angry aboput a place you hate so much in your own words?
Ivan- WE GET IT! You don't need to continue fighting!
- I'm not fighting or haven't fought a single time, just gave arguments.
- I didn't started this thread and if people reply politely as has happened until now, I won't shut up.
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I have said several times I can understand people believing Petrucci is better but neither I agree neither I have offended anybody.
We know you wish Petrucci was dead and in the ground in an unmarked grave while you reign as prime minister and play with the wizards in Peter Gabriel's lyrics in the magical utopia of Hackett-land where any non-atmospheric feelings are illegal as people burn Iron Maiden records while wearing capes. You've proven your point!
First, I have nothing against Petrucci, saying I don't believe he's in the level of versatility and acomplishments is only expressing my opinions as I wouldn't feel offended when people compares Hackett, Howe or anybody with most surely technically superior players as Segoivia or Paco de Lucía in the acustic, Flamenco and classical fields.
For your information, I'm one of the obnes who insisted more in the addition of Iron Maiden because I believe they are puioneers of P¨rog Metal and a superb band, so it's very unlikely I would burn an album of one of my favorite bands (You may ask Ghost Rider about this or simply read my posts).
Haven't said or implied that a single time, haven't even mention Petrucci lacks of skills a single time, something that has been said several times about Hackett, but believe me, neither I work for Hackett neither I receive a dime, I just give my opinions and that you won't stop them.
You said " I doubt Petrucci would play classical guitar as perfect as classically-trained guitarists". I doubt Hackett would play metal guitar as perfectly as guitarists who play demanding heavy metal.
Yes you're right, Hackett is not a metal guitar player, but again, the poll was made about this two musicians, I didn't placed the rules neither asked the question.
I'm talking aspecificly about general skills, versatility, recognition and a couple issues more, and I have given arguments and quotes for each one.
You have not mentioned that Hackett has not touched Metal playing.
You're right, because HE DOESN'T PLAY METAL, I would be lying if I said.
Sorry for the rant, but this sounds more like Policy Debate than a stupid poll on a progressive rock forum.
If it's so stupid...Why are you wasting your time and showing your anger in it when you have at least 100 other open threads to give your opinion in?
Iván
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This is hilarious... I wish I could see this acted out on a stage...
Edited by bluetailfly - January 24 2007 at 18:25
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"The red polygon's only desire / is to get to the blue triangle."
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Ivan_Melgar_M
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Joined: April 27 2004
Location: Peru
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Posted: January 24 2007 at 18:02 |
MajesterX wrote:
I have an idea, everyone just shut the hell up!!
If you don't like the the thread, you can avoid it, it's your choice, but nobody has to shut a debate simply because you don't like it, specially when nobody has been insulting or offensive.
The reason I hate this place is because people just bash Dream Theater all day long and praise the classic prog bands which I don't find to be that great.
Nobody is bashing Dream Theater here, nobody has said Petrucci is a bad guitar player, it's a simple conversation and argumented opinions about degrees of skills...NOTHING ELSE.
If you want to listen people saying how much they love Dream Theater and how they believe it's the best band of the world, there are plenty of fan clubs, people gives their opinion, like it or not.
But why are you so angry about a place you hate so much in your own words?
Ivan- WE GET IT! You don't need to continue fighting!
- I'm not fighting or haven't fought a single time, just gave arguments.
- I didn't started this thread and if people reply politely as has happened until now, I won't shut up.
-
I have said several times I can understand people believing Petrucci is better but neither I agree, neither I have offended anybody.
We know you wish Petrucci was dead and in the ground in an unmarked grave while you reign as prime minister and play with the wizards in Peter Gabriel's lyrics in the magical utopia of Hackett-land where any non-atmospheric feelings are illegal as people burn Iron Maiden records while wearing capes. You've proven your point!
First, I have nothing against Petrucci, saying I don't believe he's in the level of versatility and acomplishments is only expressing my opinions as I wouldn't feel offended when people compares Hackett, Howe or anybody with most surely technically superior players as Segoivia or Paco de Lucía in the acustic, Flamenco and classical fields.
It would be completely stupid to hate a person who I haven't talked with in my life.
For your information, I'm one of the members who has insisted more in the addition of Iron Maiden and supported it from the start when people was harrasing Raf, not only because I believe they are pioneers of Prog Metal but also a superb band, so it's very unlikely I would burn an album of one of my favorite bands (You may ask Ghost Rider about this or simply read my posts).
Haven't said or implied that a single time, haven't even mention Petrucci lacks of skills a single time, something that has been said several times about Hackett, but believe me, neither I work for Hackett neither I receive a dime, I just give my opinions and that you won't stop them.
That I don't like Dream Theater.. it's true I have never hidden it, but I don't like a lot of King Crimson, VDGG and never been able to fully understand Gentle Giant, what's wrong with that, I knoew what I like and I say it publicly despite the sub-genre, era or approach, I also asked for the inclusion of bands like Fantomas, Miranda Sex Garden, OSIBISA, Elmer Gantry's Velvet Opera (As a fact I have included all them except Fantomas) and none is remotely Symphonic or Classic Prog.
You said " I doubt Petrucci would play classical guitar as perfect as classically-trained guitarists". I doubt Hackett would play metal guitar as perfectly as guitarists who play demanding heavy metal.
Yes you're right, Hackett is not a metal guitar player, but again, the poll was made about this two musicians, I didn't placed the rules neither asked the question.
I'm talking specificly about general skills, versatility, recognition and a couple issues more, and I have given arguments plus quotes for each one.
You have not mentioned that Hackett has not touched Metal playing.
You're right, because HE DOESN'T PLAY METAL, I would be lying if I said he did, despite I believe somngs like Musical Box or The Knife (Not written but performed by him) have already some metalic elements and aggressive guitar playing.
Sorry for the rant, but this sounds more like Policy Debate than a stupid poll on a progressive rock forum.
If it's so stupid...Why are you wasting your time and showing your anger in it when you have at least 100 other open threads to give your opinion in?
Iván
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Edited by Ivan_Melgar_M - January 24 2007 at 18:18
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progismylife
Forum Senior Member
Joined: October 19 2006
Location: ibreathehelium
Status: Offline
Points: 15535
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Posted: January 24 2007 at 16:41 |
MajesterX wrote:
I have an idea, everyone just shut the hell up!!
The reason I hate this place is because people just bash Dream Theater all day long and praise the classic prog bands which I don't find to be that great.
Ivan- WE GET IT! You don't need to continue fighting!
We know you wish Petrucci was dead and in the ground in an unmarked grave while you reign as prime minister and play with the wizards in Peter Gabriel's lyrics in the magical utopia of Hackett-land where any non-atmospheric feelings are illegal as people burn Iron Maiden records while wearing capes. You've proven your point!
You said " I doubt Petrucci would play classical guitar as perfect as classically-trained guitarists". I doubt Hackett would play metal guitar as perfectly as guitarists who play demanding heavy metal.
You have not mentioned that Hackett has not touched Metal playing.
Sorry for the rant, but this sounds more like Policy Debate than a stupid poll on a progressive rock forum.
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That rant was a bit uncalled for. First you say you hate this place ( ), second you start saying some things about Ivan which are untrue and unnecessary to prove your point ( ) and third you call polls stupid ( ).
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MajesterX
Forum Senior Member
Joined: December 30 2005
Status: Offline
Points: 513
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Posted: January 24 2007 at 16:37 |
I have an idea, everyone just shut the hell up!!
The reason I hate this place is because people just bash Dream Theater all day long and praise the classic prog bands which I don't find to be that great.
Ivan- WE GET IT! You don't need to continue fighting!
We know you wish Petrucci was dead and in the ground in an unmarked grave while you reign as prime minister and play with the wizards in Peter Gabriel's lyrics in the magical utopia of Hackett-land where any non-atmospheric feelings are illegal as people burn Iron Maiden records while wearing capes. You've proven your point!
You said " I doubt Petrucci would play classical guitar as perfect as classically-trained guitarists". I doubt Hackett would play metal guitar as perfectly as guitarists who play demanding heavy metal.
You have not mentioned that Hackett has not touched Metal playing.
Sorry for the rant, but this sounds more like Policy Debate than a stupid poll on a progressive rock forum.
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Chus
Prog Reviewer
Joined: October 16 2006
Location: Venezuela
Status: Offline
Points: 1991
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Posted: January 24 2007 at 13:25 |
Ivan_Melgar_M wrote:
Chus wrote:
I heard some of those pieces of AMND and they sounded quite easy to play, as opposed to pieces like "Sevilla" by Albeniz or "Estudio Remembranza" by Segovia. now those are tough mothers. I'm not going to jump into the conclusion that Hackett lacks technical skill because I haven't heard him trying to play pieces quite like them (as yet). |
Try:
1.- Steve Hackett Live Archive 05 CD England; United Kingdom. Track Listing Intro, Japonica, Andante In C, Tribute To Segovia,
3.- <A><FONT face="verdana, arial, helvetica" color=black size=2>Steve Hackett</A> - <FONT face="verdana, arial, helvetica" color=black size=2>Live Archive 05. Dble CD, £9.50 <FONT face="verdana, arial, helvetica" size=1>( <FONT face="verdana, arial, helvetica" color=#000000 size=1>Camino - CAMCD36) <!-- MATT: ,, //--> Double disc set recorded at the Queen Elizabeth Hall in South London in 2005, featuring Hackett in his acoustic mode accompanied by his flute-playing brother John and keyboardist Roger King. Material stems from the works of classical composers such as Ravel and Segovia, as well as three tracks from Genesis days, 'After The Ordeal', 'Horizons' and 'Firth Of Fifth', his first excursion into classical music 'Bay Of Kings' from 1984, from his 2004 release 'Metamorpheus' and of course the by now mandatory 'Hands Of The Priestess' from the seminal 'Voyage Of The Acolyte' opus. Not to mention plenty of storyteling and raconteuring from the man himself- good enough reason to shell out your hard-earned, wethinks.
<FONT face=Verdana size=1>
<FONT face=Verdana size=1>
5.- A rare acoustic performance at the Teatro Metropolitan in Palermo, Sicily. Hackett, accompanied only by keyboardist Julian Colbeck, presents material from his two highly acclaimed acoustic albums together with some Genesis favourites and a selection of previously unheard material. Includes pieces unavailable elsewhere such as such as Steve's interpretations of "Cinema Paradiso" and Vivaldi's "Concerto in D"
Check it he has not only played Segovia but also Ravel, Bach, Vivaldi, etc etc etc-
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I'll check 'em out when I get the chance, thanks
Ivan_Melgar_M wrote:
BTW: It's probably not hard to say that Midsummer's Night Dream is easy after Hackett, wrote it, played it and recorded it with the Royal Philharmonic Orchestra alone as a soloist, but he did it before and believe me, the Classical critics are not benevolent with Rock stars playing their holy music, by the contrary they are very hard, and despite this fact he was acclaimed by that hard critic. |
Not denying his composing skills (which is really a hard part); I just won't say he's a great guitarist for what I'd heard him play so far... yet again perhaps I need to listen more of his classical work and the suggested material above. I'll do it as soon as money comes around plenty
Ivan_Melgar_M wrote:
<FONT face=Arial size=2>However Steve's greatest musical flowering was to come with the 1997 release on EMI Classics of " <FONT face=Arial color=#800080 size=2>A Midsummer Night's Dream<FONT face=Arial size=2>" - a series of original compositions for classical guitar and orchestra inspired by the play. The album fulfilled another of Steve's ambitions - to record with The Royal Philharmonic Orchestra - and put him in the UK's classical Top 10!
<FONT face=Arial size=2>
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BTW II: Hackett didn't hired the Royal Philharmonic Orchestra, he was invited by EMI Classical division. [IMG]height=17 alt=LOL src="smileys/smiley36.gif" width=17 align=absMiddle>
This is an album which was recorded in 1997 as Steve was invited to do a show with the Royal Philharmonic Orchestra. The music was all composed by Steve Hackett.
The album was originally released by EMI Classical, but sold out rapidly. It has been unavailable for years. |
That's a bit harder. [IMG]height=17 alt=Wink src="smileys/smiley2.gif" width=17 align=absMiddle>
Sasquamo wrote:
Take a Petrucci lick and hand it to Hackett, and he would be immediately lost. Hand a Hackett like to Petrucci and he would play it perfectly, but you would say he wasn't playing it with the same emotion or he played it "too perfectly" or something like that. |
Sasquamo, guitar players as Hackett, Howe, Mc'Laughlin, Di Meola, etc won't get lost with anything.
In my case I'm talking about music and achievements Hackett has reached, Yehudi Menuhin doesn't choose Hackett's music because he's a nice guy, Menuhim was probably the most iconic classical Director and violin player of the XXth Century, and guys like him don't take risks.
In your case you're guessing that Hackett would get lost and that his music would be easilly played by Petrucci, I could also say that Petrucci wouldn't work an atmosphere remotely as Hackett, but that would be guessing.
I try to talk about facts and achievements that are documented.
I know I'm a fan of Hackett's work, but it is about time, he was the most ignored guitar virtuoso of the big 5 bands until he left Genesis and people discovered how really great he is, well I believe he must be credited.
Iván |
I doubt Petrucci would play classical guitar as perfect as classically-trained guitarists. Then again, haven't heard him so I won't judge that quickly, but he himself was trained differently.
Edited by Chus - January 24 2007 at 13:27
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Jesus Gabriel
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Ivan_Melgar_M
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Joined: April 27 2004
Location: Peru
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Posted: January 23 2007 at 23:08 |
Chus wrote:
I heard some of those pieces of AMND and they sounded quite easy to play, as opposed to pieces like "Sevilla" by Albeniz or "Estudio Remembranza" by Segovia. now those are tough mothers. I'm not going to jump into the conclusion that Hackett lacks technical skill because I haven't heard him trying to play pieces quite like them (as yet). |
Try:
1.- Steve Hackett Live Archive 05 CD England; United Kingdom. Track Listing Intro, Japonica, Andante In C, Tribute To Segovia,
3.- Steve Hackett - Live Archive 05. Dble CD, £9.50 (Camino - CAMCD36)
Double disc set recorded at the Queen Elizabeth Hall in South London in 2005, featuring Hackett in his acoustic mode accompanied by his flute-playing brother John and keyboardist Roger King. Material stems from the works of classical composers such as Ravel and Segovia, as well as three tracks from Genesis days, 'After The Ordeal', 'Horizons' and 'Firth Of Fifth', his first excursion into classical music 'Bay Of Kings' from 1984, from his 2004 release 'Metamorpheus' and of course the by now mandatory 'Hands Of The Priestess' from the seminal 'Voyage Of The Acolyte' opus. Not to mention plenty of storyteling and raconteuring from the man himself- good enough reason to shell out your hard-earned, wethinks.
5.- A rare acoustic performance at the Teatro Metropolitan in Palermo, Sicily. Hackett, accompanied only by keyboardist Julian Colbeck, presents material from his two highly acclaimed acoustic albums together with some Genesis favourites and a selection of previously unheard material. Includes pieces unavailable elsewhere such as such as Steve's interpretations of "Cinema Paradiso" and Vivaldi's "Concerto in D"
Check it he has not only played Segovia but also Ravel, Bach, Vivaldi, etc etc etc-
BTW: It's probably not hard to say that Midsummer's Night Dream is easy after Hackett, wrote it, played it and recorded it with the Royal Philharmonic Orchestra alone as a soloist, but he did it before and believe me, the Classical critics are not benevolent with Rock stars playing their holy music, by the contrary they are very hard, and despite this fact he was acclaimed by that hard critic.
However Steve's greatest musical flowering was to come with the 1997 release on EMI Classics of "A Midsummer Night's Dream" - a series of original compositions for classical guitar and orchestra inspired by the play. The album fulfilled another of Steve's ambitions - to record with The Royal Philharmonic Orchestra - and put him in the UK's classical Top 10!
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BTW II: Hackett didn't hired the Royal Philharmonic Orchestra, he was invited by EMI Classical division.
This is an album which was recorded in 1997 as Steve was invited to do a show with the Royal Philharmonic Orchestra. The music was all composed by Steve Hackett.
The album was originally released by EMI Classical, but sold out rapidly. It has been unavailable for years. |
That's a bit harder.
Sasquamo wrote:
Take a Petrucci lick and hand it to Hackett, and he would be immediately lost. Hand a Hackett like to Petrucci and he would play it perfectly, but you would say he wasn't playing it with the same emotion or he played it "too perfectly" or something like that.
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Sasquamo, guitar players as Hackett, Howe, Mc'Laughlin, Di Meola, etc won't get lost with anything.
In my case I'm talking about music and achievements Hackett has reached, Yehudi Menuhin doesn't choose Hackett's music because he's a nice guy, Menuhim was probably the most iconic classical Director and violin player of the XXth Century, and guys like him don't take risks.
In your case you're guessing that Hackett would get lost and that his music would be easilly played by Petrucci, I could also say that Petrucci wouldn't work an atmosphere remotely as Hackett, but that would be guessing.
I try to talk about facts and achievements that are documented.
I know I'm a fan of Hackett's work, but it is about time, he was the most ignored guitar virtuoso of the big 5 bands until he left Genesis and people discovered how really great he is, well I believe he must be credited.
Iván
Edited by Ivan_Melgar_M - January 23 2007 at 23:15
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White Shadow
Forum Senior Member
Joined: August 20 2006
Location: United States
Status: Offline
Points: 259
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Posted: January 23 2007 at 22:15 |
Ivan_Melgar_M wrote:
I fail to see a convincing argument against most of my statements, but I may be wrong ads anybody.
Lystmaler wrote:
Petrucci only Metal or Prog Metal" That statement is incorect. He has played "Classical Guitar" and "Acustic non Classical guitar" as you put it.
"Never seen Petrucci do that, maybe but not sure."
He play's a nice variety of styles in the official bootlegs where Dream Theater cover full albums with his own gear and equipment. The most recent one was a cover of Pink Floyd's Dark Side of the Moon.
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But where is that wonderful material, how abundant it is, how many officiakl abums has he written and composed? Playing one or two tracks is nothing, I'm talking about real official albums, and I'm not talking about one or two songs in bootlegs, Hackett has done excellent albums and DVD's.
Sasquamo wrote:
It doesn't matter if Hackett has played in those genres, it's a matter of whether he plays them well. I have my doubts with his abilities in jazz and fusion. Also, just because you've never heard Petrucci play different doesn't mean he hasn't. I have a feeling he could pull off many different styles very well, it's something that comes from being very, very good. |
The reality is that all Hackett albums except maybe one (POP material) are good, he has consistently released solid albums, so he does it well, that's one part.
His jazz material in his Archives is outstanding, his solo material with his brother in Jazz and Fusion is outstanding (Can't remember the name of his DVD).
And please everyboy talks about having a feeling of Petrucci being able to do different things, if he was able he would had do it, maybe he can, maybe not, but he has not proved being remotely a versatile musician.
Sasquamo wrote:
I fail to see how making music for other bands makes you better. |
No, Hackett was not making music for other bands, he joined members of Asia, King Crimson, Genesis /Well himself and Chester), took masterpieces from all this bands made new arrangements and played music by this bands and his oewn material (Played by this great musicians) for his own album called Tokyo Tapes, which is credited to him, not to the other guys.
Sasquamo wrote:
Being an innovator doesn't always make you good at your innovation. And besides, since when do you have to make up a new way of playing to gain credibility. Maybe Petrucci doesn't use innovative techniques, but he plays innovative music, that's enough for me. |
Yes it makes you good, it makes you be the man everybody will follow (not the follower), you need to have a special skill to adapt a technique from one genre to another, that's what Chuck Berry did adapting Jazz and Blues techniques and practilly co-creating Rock, that's what Hackett did and made him so special, so different, everybody being able to play Rock using tapping technique owes it to Hackett.
Hackett used the tapping technique for first time in an aclaimed performance done in The Return to the Giant Hogweed and used it successfully during all his career, inspired musicians as Brian May, Alex Lifeson and according to some places even the same Petrucci.
Sasquamo wrote:
Come on, you're really not being fair here. Ever thought that maybe Petrucci doesn't want to play with anyone else? Another flaw with your list is that it's made up of what seems to be entirely musicians from 30 years ago who were around when Hackett was in his prime. Now if Petrucci were to play with modern musicians in his generation, would you call them first-level musicians. Not to mention that playing with famous people doesn't mean you're good, it just means you're very well-known and popular |
Alone maybe not, but added too vairous elements it makes you:
1.- Able to adapt your style to any musician, and I'm not talking about second class session musicians that will follow you for the money, I'm talking of making the arrangements for the style of musicians as famous as you, you don't go to Steve Walsh, Ian Mc'Donald or Tony Levin and tell them how to play, you need to adapt your style to them as much as they need to adapt their style to you.
You won't go with Sally Oldfield like Pink Floyd with Claire Torry (Great work by Floyd BTW) and tell her "do what you want and follow us improvising", Sally won't risk her name, she needs to see something solid and clear in black and white plus consifder it worth to risk her name.
The same with Brian May, Phil Ehart, Paul Carrack, Tom Fowler, John Wetton, Richie Havens, etc. They will ask you hey pal, what do you have to offer us and we'll see....and if your stuff is not good doesn't matter how Mr. nice guy you are, they won't join you.
2.- It makes you respected not popular, this guys are famous musicians with a name that won't join you because you're the cool musician or the popular pal, they won't join a nobody puting their careers in risk unless they know you're good enough to boost their own careers.
3.- It makes you confident enough in your skills not to be afraid to play with musicians who may take the glory for you, it's easy to play with unknown musicians and take the glory, it's hard to play with famous musicians and still take the glory.
In other words it doesn't make you worst not playing with them, but makes you more skilled, confident and repected by your peers to call them and receive an inmediate answer or being called by them as in the case of Peter Banks, being accepted by a band with a name like Genesis without being known and replace a capable guitar player like Anthony Phillips.
Sasquamo wrote:
Well, the biggest problem I have with this is all the evidence you put forward to support an argument that comes simply down to playing tastes. Seems to me like you act as if choosing the better guitarist is like a scientific endeavor, finding lots of information and evidence to help form an opinion. I find it easier to just decide who I like better. |
No that's not true, being skilled is not a scientific endeavor but:
1.- Boosting a band when you join them and the band loosing their quality when you leave.
2.- Being probably the most versatile musician in Prog scenario with own succesful compositionss and arrangements.
3.- Being confident to recruit skilled and famous musicians for your albums
4.- Being accepted by the elite of the musicians.
5.- Being innovative.
6.- Having a prolific career with lets say 90% of your albums good or great
7.- Being invited by other musicians to join them.
8.- Dare to form a band with the best musicians in your own instrument like his works with Brian May or GTR with Steve Howe his closest rival.
Are all signs of how good you are.
Art is not a scoience, but you don't achieve everything Hackett has achieved in a competitive and non popular genre withoiut being only a good or even a great and popular musician, it makes you be siomebody very special.
BTW: I'm not talking about improvising despite he does excellent improvisations playing Genesis tracks in acustic versions alone in Tokyo Tapes, Somewhere in South America plus each and every DVD he has,
He plays strong Jazz Fusion material in MOMENTUM (Specially "A Bed, A Chair And A Guitar") , also with his briother (Again I can't remember the name of the DVD) and in his 70's, 80's and 90's Archives also did a tour playing jazz variations on his themes in Barcelona and Madrid during 2005 with his brother John and Roger King on the keyboards.
Hackett hardly will improvise, not because he's unable, he has proved to be absolutely able, but because he's a musician who studies the pieces, rarely enters in a competition trying to prove how better he is, he passed from being the obscure guy sitted in a corner but leading the band to the center of the attention, always playing what is necesary for the band or the album without requiring of many solos.
It's easy to notuice the guy making wonderful solos, that's the intention with the solos being noticed, but doing them rarely and still being noticed is harder because you're sacrificing your own bright for the music and still can't avoid being noticed.
There are Universities that claim Mr Hackett is part of their curriculum , he doesn't write books but is studied and gave lectures at Brunel University, Jazz East, Basstech, Drumtech and the Powerhouse Group of Music Schools, that also means something.
Iván
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White Shadow
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Posted: January 23 2007 at 22:09 |
Ivan_Melgar_M wrote:
akin wrote:
Hackett in Genesis was not that good mainly because he didn't have many spots as the band was keyboard driven. But man, check his solo stuff. The classical songs are fantastic.
Hackett was not good in Genesis, HACKETT WAS PERFECT FOR GENESIS.
Genesis music required a person able to create atmospheres, he was the support of the band along with Banks, many of the sounds that most people believe are keyboards are in fact created by Hackett with his unique style before the MIDI guitar was invented.
Remember Hackett's performance in The Return of the Giant Hogweed is historical, nobody ever before dared to bring the tapping technique to Rock, he was the predecessor.
The prove of how good he was in Genesis is that when he left, the band lost everything, not even Gabriel's departure caused so much damage to Genesis musically.
I heard a Gabriel interview about Hackett's audition and he said that while all the other guitar players were doing speed masturbation and trying to be the new Hendrix or Santana (there is only one Hendrix and Santana), Hackett started working on atmospheres and they decided for him inmediately.
Hackett in the other hand says that he noticed that Genesis music required more depth and atmosphere, it was easy for him to make an amazing solo to impress the band (Most bands would had hired a flashy guitar player more easily) but he heard Genesis music, knew what was missing there and added it, took the risk and was hired, that's what a real musician does.
IMO Hackett is more responsible of the Genesis trademark sound than Banks, Banks is the composer but Steve added what the band was lacking of.
So Hackett wins by a mile.
There we agree.
Iván
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Chus
Prog Reviewer
Joined: October 16 2006
Location: Venezuela
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Posted: January 23 2007 at 19:05 |
Ivan_Melgar_M wrote:
Visitor13 wrote:
I'd love to get a classical guitarist's opinion of Hackett's classical stuff and a jazz guitarist's of his jazz stuff. Then again, the fact that Hackett can play classical on a (at the very least) decent level already speaks volumes about his ability and talent. I haven't heard his jazz stuff, but I'm more skeptical here, as I don't think you can really dabble in jazz (neither can you dabble in classical, but I think Hackett does more than merely to dabble there) You can play jazzy-sounding licks, but little more than that, IMO... but I'm certainly not writing Hackett's jazz abilities off here. |
<FONT face="Georgia, Times New Roman, Times, serif" size=4>Well Visitor, Steve's Hackett's Midsummer's Night Dream with thew Royal Philharmonic Orchestra was considered one of the top 10 Classical albums of 1997 by the demanding Classical critc.
<FONT face="Georgia, Times New Roman, Times, serif" size=4>
<FONT face="Georgia, Times New Roman, Times, serif" size=4>That means something.
<FONT face="Georgia, Times New Roman, Times, serif" size=4>
<FONT face="Georgia, Times New Roman, Times, serif">If you want a Classical expert opinion, it's only necassary to say that Yehudi Menuhim was so impressed with Hackett's performance of the Four Seasons by Vivaldi that used Steve's music as the theme to his television documentary From Kew To The Findhorn Foundation and he was even more demanding than the Classical critic and an expert..
<FONT face="Georgia, Times New Roman, Times, serif" size=4>Iván |
I heard some of those pieces of AMND and they sounded quite easy to play, as opposed to pieces like "Sevilla" by Albeniz or "Estudio Remembranza" by Segovia. now those are tough mothers. I'm not going to jump into the conclusion that Hackett lacks technical skill because I haven't heard him trying to play pieces quite like them (as yet).
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Jesus Gabriel
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Sasquamo
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Joined: September 26 2006
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Posted: January 23 2007 at 17:14 |
Ivan_Melgar_M wrote:
Sasquamo wrote:
Uhhhh, because by no means could Hackett play the stuff Petrucci does.
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Ehm, I don't see any except incredibly high speed, Hackett can do almost anything and as a fact has done it.
Iván |
Take a Petrucci lick and hand it to Hackett, and he would be immediately lost. Hand a Hackett like to Petrucci and he would play it perfectly, but you would say he wasn't playing it with the same emotion or he played it "too perfectly" or something like that.
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The T
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Posted: January 23 2007 at 15:11 |
Ivan_Melgar_M wrote:
Visitor13 wrote:
I'd love to get a classical guitarist's opinion of Hackett's classical stuff and a jazz guitarist's of his jazz stuff. Then again, the fact that Hackett can play classical on a (at the very least) decent level already speaks volumes about his ability and talent. I haven't heard his jazz stuff, but I'm more skeptical here, as I don't think you can really dabble in jazz (neither can you dabble in classical, but I think Hackett does more than merely to dabble there) You can play jazzy-sounding licks, but little more than that, IMO... but I'm certainly not writing Hackett's jazz abilities off here. |
<FONT face="Georgia, Times New Roman, Times, serif" size=4>Well Visitor, Steve's Hackett's Midsummer's Night Dream with thew Royal Philharmonic Orchestra was considered one of the top 10 Classical albums of 1997 by the demanding Classical critc.
<FONT face="Georgia, Times New Roman, Times, serif" size=4>
<FONT face="Georgia, Times New Roman, Times, serif" size=4>That means something.
<FONT face="Georgia, Times New Roman, Times, serif" size=4>
<FONT face="Georgia, Times New Roman, Times, serif">If you want a Classical expert opinion, it's only necassary to say that Yehudi Menuhim was so impressed with Hackett's performance of the Four Seasons by Vivaldi that used Steve's music as the theme to his television documentary From Kew To The Findhorn Foundation and he was even more demanding than the Classical critic and an expert..
<FONT face="Georgia, Times New Roman, Times, serif" size=4>Iván |
Now, and only NOW, I may start to accept the possibility of HAckett "winning" this useless poll (well, which poll isn't, specially mine ).... If you said Menuhin said so, I'll shut the hell up.
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Ivan_Melgar_M
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Posted: January 23 2007 at 09:50 |
Visitor13 wrote:
I'd love to get a classical guitarist's opinion of Hackett's classical stuff and a jazz guitarist's of his jazz stuff.
Then again, the fact that Hackett can play classical on a (at the very least) decent level already speaks volumes about his ability and talent. I haven't heard his jazz stuff, but I'm more skeptical here, as I don't think you can really dabble in jazz (neither can you dabble in classical, but I think Hackett does more than merely to dabble there) You can play jazzy-sounding licks, but little more than that, IMO... but I'm certainly not writing Hackett's jazz abilities off here.
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Well Visitor, Steve's Hackett's Midsummer's Night Dream with thew Royal Philharmonic Orchestra was considered one of the top 10 Classical albums of 1997 by the demanding Classical critc.
That means something.
If you want a Classical expert opinion, it's only necassary to say that Yehudi Menuhim was so impressed with Hackett's performance of the Four Seasons by Vivaldi that used Steve's music as the theme to his television documentary From Kew To The Findhorn Foundation and he was even more demanding than the Classical critic and an expert..
Iván
Edited by Ivan_Melgar_M - January 23 2007 at 10:13
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Visitor13
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Posted: January 23 2007 at 03:19 |
I'd love to get a classical guitarist's opinion of Hackett's classical stuff and a jazz guitarist's of his jazz stuff.
Then again, the fact that Hackett can play classical on a (at the very least) decent level already speaks volumes about his ability and talent. I haven't heard his jazz stuff, but I'm more skeptical here, as I don't think you can really dabble in jazz (neither can you dabble in classical, but I think Hackett does more than merely to dabble there) You can play jazzy-sounding licks, but little more than that, IMO... but I'm certainly not writing Hackett's jazz abilities off here.
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Atavachron
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Posted: January 22 2007 at 23:47 |
The question is:
White Shadow wrote:
My friend of lesser looks and musical tastes and I quarrel a lot. Who, is the better guitarist, musician, and who had the better band? Also, who makes the btter music? Hackett hands down for me. Just my opinion. |
It seems hard at first because though Petrucci is far less refined and wide-ranging than Hackett, Petrucci would probably win a competition on chops only. But the question says 'better guitarist, musician, and who had the better band'-- Well, the better all-around guitarist is Hackett, the more versatile and knowledgable musician is Hackett, and for better band Hackett wins again. Hmm...could the winner be Steve Hackett?
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