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Direct Link To This Post Topic: Progressive rock. By definition
    Posted: March 30 2006 at 01:38
Originally posted by Peter Peter wrote:

The "problem" here is that too many are taking the word "progressive," re music, in a literal sense. Sure, there are many non-prog artists who "progressed" in their sound over time, or who caused music to "progress" by doing something notably different or ground-breaking, yet "progressive" rock refers more to an era, a sound, and an accepted core of bands from that era (Genesis, Yes, ELP, Crimson, etc), as well as modern bands whose sound hearkens back to that era. Thus, though "neo prog" acts such as IQ and Pendragon aren't really breaking any new ground, but musically referencing an earlier era (in that sense, they are "retrogressive"), they are still classed as "progressive" bands.

The Clash "progressed" in their sound, yes, and early punk acts such as Iggy and the Stooges, MC5, etc were ground-breaking, and caused rock to "progress" in a new direction, but they are not accepted as "progressive" rock, per se.

As I've maintained many times, the term "progressive," as used on this site, and in the music industry, is thus misleading, and runs counter to the dictionary. It is now outdated (its meaning was more literal in the early 70s), and very hard to define in any broadly-accepted sense. Many here, like yourself, seem to take it literally (I notice this interpretation most often among younger members, and those for whom English is a second language), while others, such as myself, view the term more in its historical, more subjective/sound-based sense.

Hence the endless confusion and debate. The word has outlived its usefulness, and is being made to describe too many vastly different musical forms. It is now even being retroactively applied to older bands that were never originally viewed as "progressive" rock bands.Confused

Text alone is inadequate to fully describe music (sound and emotion) at the best of times, and one word ("progressive") is woefully inadequate, and even misleading, to embrace all that is gathered here. "Progressive," as a means to categorize music (and art resists too-specific categorization, as a single piece or artist can transcend/embrace different categories) is therefore all but useless. (Note that better musicians commonly do NOT label their output via category -- they will maintain that they make their own, unique category.)Stern Smile

Thus, when discussing "progressive" music with another person, you first need to ascertain what each of you means by the word. Smile


Very good post. If you just take progressive literally, then Nirvana is more progressive than Symphony X because Nirvana went in a whole new direction while Symphony X simply altered the Dream Theater defined sound. I think of progressive rock as a genre, not the literal tearm "progressive"
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Direct Link To This Post Posted: March 29 2006 at 16:59
Originally posted by micky micky wrote:

Originally posted by Aaron Aaron wrote:

nicely done micky, i like it!!

Aaron



I'd be lying to take credit for it.. plus I'm not that smart hahahah. It's from a book on Progressive Rock. 

Micky, don't take merit out of you, because the only way to use a good quote is knowing were to search for it.

At least 30 persons have posted in this thread, but you are the only one that found it, it deserves a lot of credit.

When I started to study Laws a Proffessor told us that he would give an F to anyone who was only able to give definitions and exact articles by memory, the laws are written in books, and the real skill is knowing what book to search, how to analyze the article, understand the meaning and know when to use it.

Good work!!!!!

Iván

            
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Direct Link To This Post Posted: March 29 2006 at 16:47
Originally posted by Aaron Aaron wrote:

nicely done micky, i like it!!

Aaron



I'd be lying to take credit for it.. plus I'm not that smart hahahah. It's from a book on Progressive Rock. 
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Direct Link To This Post Posted: March 29 2006 at 13:23

nicely done micky, i like it!!

Aaron

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Direct Link To This Post Posted: March 28 2006 at 21:52
^^^
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Direct Link To This Post Posted: March 28 2006 at 21:40
my favorite definition.. though probably a bit narrow with regard the death of progressive rock.... then again... how progressive is 'modern' prog anyway.....could it be...regressive

"Progressive Rock was an outgrowth of 1960's experimental rock and fuses the looseness of rock with the rigid structure and discipline of classical music, along with various jazz, folk, and in some instances, neo-classical styles. Progressive Rock musicians exhibited both individual and ensemble virtuosity and used instruments that were both archaic e.g. lutes, harpsichords, and poised at the cutting edge of 1970�s technology, e.g. Moog and ARP synthesizers. Compositions were lengthy and exhibited both harmonic and metric complexity; lyrics dealt with matters relating to the spiritual quest and other �profound� matters; and album cover art alternately depicted middle earth fantasyscapes and futuristic imagery taken from science fiction. The most significant works of progressive rock were recorded between 1969-1977, with the peak output occurring between 1971-1976. Although primarily an English phenomenon, significant progressive rock groups also originated out of Continental Europe, with a particularly fertile scene in Italy. Finally, and most importantly progressive rock was inextricably intertwined with the 1960�s counterculture, and as the philosophical, social, and cultural underpinnings of the counterculture faded out in the mid-late 1970�s, so too did progressive rock."
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Direct Link To This Post Posted: March 28 2006 at 21:17
Progressive is any form of music that pushes boundaries further and challenges the listener more than conventional commercial music tends to , which is why I consider many classical artists, jazz artists even some blues artists as progressive. Progressive isn`t a genre its a statement and when we look towards Rock trends, Progressive Rock is Rock tends to think a little bigger (complex time signatures , weird or unconventional scales so on ) and expressive atmospheres and more.
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Direct Link To This Post Posted: March 28 2006 at 20:35
Originally posted by Aaron Aaron wrote:

yeah, progressive in general is a confusing term, but art rock just sounds pretentious

i couldnt imagine telling people i listen to art rock

Aaron

Well, this music is pretensious in nature.

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Direct Link To This Post Posted: March 28 2006 at 20:17

 Aaron
prog bands went out of their way not to make pop music, at least by pop standards

Never a truer word spoken. As for "fighting pop music", I really don't think that is the case. After all doesn't there need to be competition in order for a fight too happen?

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Direct Link To This Post Posted: March 28 2006 at 19:55
Originally posted by alan_pfeifer alan_pfeifer wrote:

I truly think music critics should have stuck with Art Rock.  Why it changed remains a mystery to me, does anyone have any ideas?


Probaly because it spontaneously causes any non-insane person to lose interest in it immediately and they can move on.

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Direct Link To This Post Posted: March 28 2006 at 19:52

yeah, progressive in general is a confusing term, but art rock just sounds pretentious

i couldnt imagine telling people i listen to art rock

Aaron

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Direct Link To This Post Posted: March 28 2006 at 19:50
I truly think music critics should have stuck with Art Rock.  Why it changed remains a mystery to me, does anyone have any ideas?
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Direct Link To This Post Posted: March 28 2006 at 19:46

todays "prog" bands may be not as progressive (as in pushing music's boundaries) as the prog bands from the classic prog period, but it sure is hell is more progressive than the pop sh*t that his been put out since prog rock was born to the pop sh*t that is on the radio today.  most people that hear prog from today just don't get it, just like they won't get the bands from back in the day

some forms of music have just developed, grundge isnt progressive, it just sort of happened, prog bands went out of their way not to make pop music, at least by pop standards, and those that fused the two should rot in the deepest darkest depths of hell

we are still fighting pop music, maybe forever, as long as bands are producing music that push the ideals of pop, then it's progressive (if it's influenced by 70s prog)

that was a whole lot of nonsense, goodbye

Aaron

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Direct Link To This Post Posted: March 28 2006 at 19:44

I'm tempted to use the same quote Louis Armstrong used to define jazz: "If you have to ask, you ain't never gonna know."

 

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Direct Link To This Post Posted: March 28 2006 at 17:31

Originally posted by Paulieg Paulieg wrote:

ART.

 

        Correct      

When the world is sick
Can't no one be well
But I dreamt we were all
beautiful and strong

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Direct Link To This Post Posted: March 28 2006 at 17:21
Peter Said

The "problem" here is that too many are taking the word "progressive," re music, in a literal sense. Sure, there are many non-prog artists who "progressed" in their sound over time, or who caused music to "progress" by doing something notably different or ground-breaking, yet "progressive" rock refers more to an era, a sound, and an accepted core of bands from that era (Genesis, Yes, ELP, Crimson, etc), as well as modern bands whose sound hearkens back to that era. Thus, though "neo prog" acts such as IQ and Pendragon aren't really breaking any new ground, but musically referencing an earlier era (in that sense, they are "retrogressive"), they are still classed as "progressive" bands.

 

I couldn't agree more. I used the progressive word in heavy context because that seems to be the way it's done here. A wide sweeping generalization of the word progressive. For me Progressive is like psychedelic. It applies to one period of time-no more. I said in an earlier comment that I feel progs time line is 68-79. Thats debatable I'm sure, but I really don't feel that modern bands like Porcupine Tree, Dream Theatre etc, are prog. Not that they are bad bands, they just are not of that era.

By the way, I'm 38 and English is my mother tongue.

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Direct Link To This Post Posted: March 28 2006 at 15:28
Progressive Rock for me covers too wide a spectrum for me. Allow me to qualify this:

Gabriel era Genesis were probably the archetypal English prog rock band insofar as there were some very English qualities to their music - pastoral, humorous and whimsical. Post 'Wind and the Wuthering' (the second album with Collins taking lead vox), very little Genesis output was what I consider to be progressive either in genre or in the true sense of the word. Fair enough, one could argue that Burning Rope (And Then There Were Three), Duke's Travels (Duke) and Abacab and Dodo (Abacab) have their prog moments, but clearly, to those in the know, they were more an exercise in trying to maintain the interest of the old faithful whilst the majority of new output was gradually entertaining a wider, younger audience more inclined to buy singles than albums. Ally this to Collins' solo success and it's not hard to understand why anything over 5 minutes long on a Genesis album after 1981 turned out to be just a long song as opposed to a prog rock epic.

King Crimson's 'In the Court of the Crimson King' is widely regarded as being the first prog rock album, although some Beatle's fetishists will try and persuade all and sundry that Sgt. Pepper was the first, based solely on the fact that it's a concept album. Personally, I think that theory is a load of biased bull$h!te and I concur with the Crimson theory as it appears to mark a shift from 60s psychedelia to (what was to become) 70s prog. The Crims' use of the mellotron was far more impressive than any of the other groups involved in the first wave of Prog Rock and showed them as the true innovators that they continue to be to this day. Bear in mind too that the Crims are one of the few prog rock groups to 'progress' without a recognised keyboard wizard.

Don't forget Yes - pretentious, overblown, complex virtuosity and utterly brilliant; Emerson, Lake and Palmer - classically diverse and futuristic; Pink Floyd - symphonic, melodic and socialist anthems - one begins to realise that the true worth and value of progressive rock remains unsung. All of these BIG FIVE were completely different in style, composition, format and execution, yet the 'progressive' genre does each of them a disservice as it groups all of them together under one umbrella thus diluting the readers' attention; in essence, each of them are worthy of a genre of their own.
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Direct Link To This Post Posted: March 28 2006 at 14:58

Originally posted by NaturalScience NaturalScience wrote:

Thus, when discussing "progressive" music with another person, you first need to ascertain what each of you means by the word. Smile

exactly, the word "progressive" itself can be deceving in music conversation, there's a difference between "Progressive Rock" and "Progressive Spirit in Rock", my point somewhat in that other thread was that there has been "progressive spirit" in rock music of other forms beyond the heyday of the Prog Rock genre,

I suppose it continues on to this day though not as easy to indentify since you can always point back to a band/artist who have already covered similar grounds years back,

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Direct Link To This Post Posted: March 28 2006 at 14:55

Caravan's definition sounds accurate to me.

Its about the complexity and the progressivness of the music itself, within each composition, and not about music as a whole. 

Its also not about what a band or artist does in their career.

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Direct Link To This Post Posted: March 28 2006 at 13:34
Originally posted by Peter Peter wrote:

(Copied from another thread):

Witchwoodhermit wrote:
MC5 are often concidered as progressive (in a punk sense). Their offical debut was in 1969. Their harsh, blistering, no holds barred approach to rock was well beyond their years. MC5 didn't care about the rules when they played, they just did it! As loud and raw as they seemed fit. Part of the same school as the Stooges and the Velvet Underground, reflecting right back to Blue Cheer perhaps. MC5 and it's few contemperaries deserve it's own place in the PROGRESSIVE development of rock.

The "problem" here is that too many are taking the word "progressive," re music, in a literal sense. Sure, there are many non-prog artists who "progressed" in their sound over time, or who caused music to "progress" by doing something notably different or ground-breaking, yet "progressive" rock refers more to an era, a sound, and an accepted core of bands from that era (Genesis, Yes, ELP, Crimson, etc), as well as modern bands whose sound hearkens back to that era. Thus, though "neo prog" acts such as IQ and Pendragon aren't really breaking any new ground, but musically referencing an earlier era (in that sense, they are "retrogressive"), they are still classed as "progressive" bands.

The Clash "progressed" in their sound, yes, and early punk acts such as Iggy and the Stooges, MC5, etc were ground-breaking, and caused rock to "progress" in a new direction, but they are not accepted as "progressive" rock, per se.

As I've maintained many times, the term "progressive," as used on this site, and in the music industry, is thus misleading, and runs counter to the dictionary. It is now outdated (its meaning was more literal in the early 70s), and very hard to define in any broadly-accepted sense. Many here, like yourself, seem to take it literally (I notice this interpretation most often among younger members, and those for whom English is a second language), while others, such as myself, view the term more in its historical, more subjective/sound-based sense.

Hence the endless confusion and debate. The word has outlived its usefulness, and is being made to describe too many vastly different musical forms. It is now even being retroactively applied to older bands that were never originally viewed as "progressive" rock bands.Confused

Text alone is inadequate to fully describe music (sound and emotion) at the best of times, and one word ("progressive") is woefully inadequate, and even misleading, to embrace all that is gathered here. "Progressive," as a means to categorize music (and art resists too-specific categorization, as a single piece or artist can transcend/embrace different categories) is therefore all but useless. (Note that better musicians commonly do NOT label their output via category -- they will maintain that they make their own, unique category.)Stern Smile

Thus, when discussing "progressive" music with another person, you first need to ascertain what each of you means by the word. Smile



Peter, this is an excellent analysis, it captures my sentiments exactly. 
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