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Dick Heath View Drop Down
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Direct Link To This Post Topic: Pink Floyd or King Crimson
    Posted: November 03 2004 at 12:03

I've taken the liberty to ask a professional rock historian and author to take a gander at the correspondence associated with this thread, and offer a more studied opinion. Further an author who is researching the early days of British progressive rock and written the definitive book on King Crimson, In The Court of King Crimson, i.e. Sid Smith.

This is Sid's succinct response:

When I think of ITCOKC in terms of its influence, it’s nearly always the structure and its unity of presentation that comes to mind as much as the material.  It remains a remarkably focussed piece of work; nothing dissipates its impact.  Even the circumspect and ephemeral Moonchild improvisation is an essential, coherent aspect of the album’s lucidity.  Whilst other bands limber up and develop a sense of their own identity, Crimson seemingly arrived fully-formed.  With their very first album, Crimson had refined the various cultural and social influences of the late sixties - the zeitgeist even - into a powerful, unified and original statement. 

 

In doing so, they created a blueprint that others would then adapt to their own needs and dialects; Yes, Genesis, VDGG, Gracious, etc. 

 

After their psychedelic debut, Floyd was a band in flux.  Barrett’s departure was cathartic and the upheaval is reflected in the unsettled and slightly muddled follow-up, Saucerful of Secrets.  Of course, the live Floyd was a different kettle of fish as the Massed Gadgets suite and the first album of Ummagumma ably demonstrates.  As for the studio, it’s not really until Atom Heart Mother that the whole shebang finally starts clicking into place. 

 

Putting aside whether one considers Crimson or Floyd prog (at the time we viewed Floyd as rock and Crimson as something different – prog rock as we understand it today was a term that was still someway off being invented.), I would however concede that Floyd have probably had a greater impact and influence on bands than Crimson given the huge disparity of sales between the two bands. 

 
Best wishes,


Sid
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sigod View Drop Down
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Direct Link To This Post Posted: November 03 2004 at 10:37

.........anyway, King Crimson are better.

That's my objective, unbiased opinion.

I must remind the right honourable gentleman that a monologue is not a decision.
- Clement Atlee, on Winston Churchill
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Direct Link To This Post Posted: November 03 2004 at 09:55

Originally posted by Velvetclown Velvetclown wrote:

Some info please? When was the tape recorder invented? When was it first commercially used?

In 1798

 

AD or BC

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Direct Link To This Post Posted: November 03 2004 at 09:47
 WHAT A POLL...I DON'T KNOW TO WHOM I WOULD GIVE MY VOTE...THEIR MUSIC IS SIMPLY THE GREATEST AND THE MOST CLASSIC EVER WRITTEN IN PROG HISTORY...SO I WOULD PASS...BOTH ARE GREAT. PERIOD
Democracy=A form of government in which the supreme power is vested in the people...

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Direct Link To This Post Posted: November 03 2004 at 07:57
wait, you mean all my wax cylinders are behind the times?
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Direct Link To This Post Posted: November 03 2004 at 07:16
Some info please? When was the tape recorder invented? When was it first commercially used?

In 1798
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Direct Link To This Post Posted: November 02 2004 at 14:43
"remaining on the tape, copy and paste them in place digitally."

ANALOG IS THE BEST!
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Dick Heath View Drop Down
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Direct Link To This Post Posted: November 02 2004 at 13:35
Originally posted by Certif1ed Certif1ed wrote:

Before that, Karlheinz Stockhausen experimented with tape loops and electronica way back in the 1940s, as did Berio and a whole troupe of electronic avante-garde composers - so it wasn't that new.

 

Some info please? When was the tape recorder invented? When was it first commercially used?

 

I ask this because live recordings were originally made by cutting a disc (a vibrating needle into a suitable soft wax) - the legendary Benny Goodman Carnegie Concert recorded in 1938 was apparently cut onto huge 30" discs, two at a time so there was no gap in recording when one disc had to be replaced with a fresh one. (CBS issued a brilliant double CD of the complete concert in the early 90's based on this recording method). And I believe the BBC recorded a lot of its comedy shows in the 50's by cutting  discs, with tape recorders being introduced later in that decade. I also believe (but needs confirming), wire recorders were used in the 40's by the military, through the medium of magnetisable steel wire. However, Elvis Presley's earliest recordings were on tape - there was a long article a long time ago on how the recording engineers tackling the  remastering of a greatest hits CD, had a major problem due to drop-out, since the ferric powder bonded to the cellulose tape had partially fallen off. To solve the problem of  drop-out during the vocals the engineers had to go find identically sounding words or vowels or consonents remaining on the tape, copy and paste them in place digitally.

 

 



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Direct Link To This Post Posted: November 02 2004 at 12:54

Crimson were more influential in forming the prog sound. Their 69 debut changed the world of music as far as I'm concerned.  In 69, Pink Floyd were still trying to come up with their sound. And it wasn't really till "Meddle" that they achieved that.  Of course, by that time Crimson was on the way to something totally different.

THIS IS ELP
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Direct Link To This Post Posted: November 02 2004 at 11:59
Originally posted by Certif1ed Certif1ed wrote:

er I think you'll find that loads of groups were experimenting at that time and before! The Byrds "8 Miles High" being the oft-cited 1st example of psychedelia, and the offspring "United States of America" experimented with all sorts of instrumentation.

Before that, Karlheinz Stockhausen experimented with tape loops and electronica way back in the 1940s, as did Berio and a whole troupe of electronic avante-garde composers - so it wasn't that new.

...you said "arguably"

 

yeah....... i said it was the only song to really ever do it effectively. Sure, there was always progressive music, but for the most part it is utterly boring or unlistenable before that period.. It's really the first (mainstream) song to effectively take randomness and create a sort of organized feel, and other bands have since tried doing the same but it sounds miserable. My point was that they were one of, if not the only bands to do this succesfully, i didnt even mention that they were the first example of psychedelia , which they werent

something pretentious
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Direct Link To This Post Posted: November 01 2004 at 16:35
King Headache for sure 
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Direct Link To This Post Posted: November 01 2004 at 16:33

er I think you'll find that loads of groups were experimenting at that time and before! The Byrds "8 Miles High" being the oft-cited 1st example of psychedelia, and the offspring "United States of America" experimented with all sorts of instrumentation.

Before that, Karlheinz Stockhausen experimented with tape loops and electronica way back in the 1940s, as did Berio and a whole troupe of electronic avante-garde composers - so it wasn't that new.

...you said "arguably"

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the musical box View Drop Down
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Direct Link To This Post Posted: November 01 2004 at 11:46

Pink Floyd for sure. Although many believe King Crimson made the first prog rock album, Pink Floyd was experimenting long before anyone else. "Saucerfull of Secrets" is a perfect example of this, the orgy of sound effects and "music" was the first of its kind and is arguably the only effective one to date.

something pretentious
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Direct Link To This Post Posted: November 01 2004 at 08:45
Originally posted by sigod sigod wrote:

I love Floyd to bits but (and I'm sure this comes as no surprise), the Crims for me are the quintessential prog band. There is a case to say that Floyd were experimenting with prog by way of psychedelia but at the same time Fripp was doing similar things with Giles, Giles & Fripp albums around the same time.

To be fair however, KC & PF were approaching the prog genre at opposite ends so If I'm being REALLY  honest, I'd call it a draw.  

 

GGF's The Brondesbury Tapes  is an ear-opener, recordings from sessions, rehearsals, experiments, outtakes etc.,  it is essentially a work-in-progress album recorded about  a year before ITCOTCK. Former Fairport singer Julie Dyble collaboration, especially singing a demo(?) for I Talk To The Wind, with which  we are more familiar having Gregg Lake's voice, does suggest Krimson could have gone off in a different direction, perhaps rock with more of a folk feel. The liner notes are some assistance in knowing a little of what was going on 67 to 68.

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Direct Link To This Post Posted: November 01 2004 at 06:46

I love Floyd to bits but (and I'm sure this comes as no surprise), the Crims for me are the quintessential prog band. There is a case to say that Floyd were experimenting with prog by way of psychedelia but at the same time Fripp was doing similar things with Giles, Giles & Fripp albums around the same time.

To be fair however, KC & PF were approaching the prog genre at opposite ends so If I'm being REALLY  honest, I'd call it a draw.  

I must remind the right honourable gentleman that a monologue is not a decision.
- Clement Atlee, on Winston Churchill
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Direct Link To This Post Posted: November 01 2004 at 04:55
If you read some of Fripp's liner notes on various KC CDs he vehmently denies that the Crimmers are prog! However I think In The Court got the ball rolling for prog. There are other early Crimson albums during that shaky first three years such as Lizard, In The Wake which also were instrumental in setting the stage. Ilove Floyd but never really considered them prog
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Direct Link To This Post Posted: November 01 2004 at 04:46
Originally posted by gdub411 gdub411 wrote:

Ok...fair enough Mr Heath.But with all due respect  let me present the question this way:

Could Pink Floyd exist without any of those bands and King Crimson of course that you listed? Undoubtably yes since they predated all but Soft machine and Soft machine was considered the 2nd act during those times.

Now could have those bands exist without Pink Floyd Maybe, but one cannot be too sure of that either which leads me to once again come to the conclusion that the biggest influence on Prog was Pink Floyd.

 

It is clear we are going to continue to disagree - something like eye (ear) of the beholder??? But please answer my question: which bands did Floyd influence before they did Meddle or DSOTM, i.e. before 73 or so?? Machine had far more influence on European bands in that period, and I would argue spawned the sub- genre of RIO.

> Soft Machine was considered the 2nd act during those times. depends on who agreed to go first - at one of those Roundhouse gig the played simultaneous at each end of the hall!! And of course Machine toured the US some time before Floyd.

I think a problem here with people having quite distinct ideas about history and developments, stems from the quality of writing on the subject of early day prog. This has ranged from poor (inaccurate, thirdhand, incomplete) to a few being excellent (but usually the subject matter is very selective). However, but can you name a critical  book that actually puts things into a chronological order, especially the first 10 years? Too many opt for the encyclopaedic entry approach (i.e. bands listed in alphabetal order, with little inter-connectivity) or erudite  essays (e.g. Holme Hudson's and McCann's books). What we need is a well researched book by somebody who was there at the time - Krimson biographer Sid Smith was most certainly doing that, however, he is currently finishing a project on musicians from the NE of England. (I even got pulled in by Smith to describe the record retail side in the late 60's).  The Syd Barrett biog Lost In The Woods and Graham Bennett's forthcoming Soft Machine (and I must stop plugging this) give some clues, but obvious both are mainly focussed on the named subject, rather than giving an unbiassed analysis/review of the times.



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Direct Link To This Post Posted: October 31 2004 at 22:33

There is a problem here, for most of the people (including myself), In the Court of the Crimson King was the first 100% progressive Rock album, probably the one that defined the genre and that means something.

But Pink Floyd is the encyclopedia of the genre, each album represents a step in the evolution from British Psicodelia into Prog' Rock as we know it today and even to a more radio friendly form, specially after Roger left. Pink Floyd is the history of Prog' Rock in one band. 

I believe King Crimson went too far after two or three albums (Only my opinion), so Pink Floyd represents really the spirit of Prog' music, not without some doubts I will have to stay with Floyd.

Iván



Edited by ivan_2068
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Direct Link To This Post Posted: October 31 2004 at 21:24
i heard of floyd before i heard of king crimson, but
that doesn't really mean that they had more of an
influence, just means that they had more
pop-sensibilities. i haven't really read into the
subject so i'm not really sure. i would give it to floyd,
but as above.
*Remember all advice given by Asuma is for entertainment purposes only. Asuma is not a licensed medical doctor, psychologist, or counselor and he does not play one on TV.*
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Direct Link To This Post Posted: October 31 2004 at 21:12
I would say Pink Floyd had the greater influence overall, with KC being a more important band to the prog genre. Almost everyone knows who Pink Floyd is, whereas King Crimson enjoys less broad appeal and awareness.
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