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Eetu Pellonpaa View Drop Down
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Direct Link To This Post Topic: England - Garden Shed
    Posted: November 10 2005 at 04:54
I copied it from one of my friends dads vinyl on a casette nearly ten years ago, but I haven't yet listened it! Maybe I should...  
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Direct Link To This Post Posted: November 08 2005 at 17:09
Originally posted by Trotsky Trotsky wrote:

I have heard it ... here's my review of Garden Shed ... three stars ... but most people have a higher opinion of it than I do ... curious to know what you think of it guys ... am I being too harsh?

This one-off album from the final days of the golden age of progressive rock is often cited as one of the great lost albums. I don't think it is. I think it's a good album that's worth getting if you stumble upon it, but hardly the sort of thing one should undertake a life-long quest in search of. With liberal doses of Yes, Genesis and Supertramp shining through England's music, Garden Shed is a strongly symphonic, but not particularly original, and occasionally lightweight affair.

The album is centered around two stong epics. The closing 16 minute cut Poisoned Youth is an engrossing composition with a percussive intro, a dark synth-laden vocal segment, a racing piano powered portion, some threatening organ work, polka-inflections and a series of daring melodies. It is reasonably impressive without being even remotely endearing.

The 13 minute Three Piece Suite is another attention grabber, with Robert Webb's organic keyboards flavouring the superbly flowing piece, in a manner reminiscent of the style of Italy's Locanda Delle Fatte (in fact I draw a strong correlation between the two bands, as both came out with their only album in 1977 as classic prog was dying, and have a similar sound, although I think that Locanda Delle Fatte's album is a far more exciting work).

Of the shorter songs, the jerky Paraffinalea makes the biggest impression, while the pastoral Yellow (despite some excellent Steve Hackett inspired guitar) and disjointed Midnight Madness are pleasant, but forgettable ... which is probably an understatement when it comes to describing the minute-long All Alone.

Like a few bands that worked in the late 70s (Happy The Man, Kayak and Breathless-era Camel come to mind), England have a sound and style that I suspect will appeal more to neo-prog fans that those expecting meaty classic progressive rock.



Yep, definitely too harsh. Along with the two UK albums and Drama and Gryphon's Treason this is the great swansong of English prog and is a tremendous album. To associate it with neo-prog is also a misnomer IMHO (actually I am slightly insulted by that )
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Direct Link To This Post Posted: November 07 2005 at 22:22

I have heard it ... here's my review of Garden Shed ... three stars ... but most people have a higher opinion of it than I do ... curious to know what you think of it guys ... am I being too harsh?

This one-off album from the final days of the golden age of progressive rock is often cited as one of the great lost albums. I don't think it is. I think it's a good album that's worth getting if you stumble upon it, but hardly the sort of thing one should undertake a life-long quest in search of. With liberal doses of Yes, Genesis and Supertramp shining through England's music, Garden Shed is a strongly symphonic, but not particularly original, and occasionally lightweight affair.

The album is centered around two stong epics. The closing 16 minute cut Poisoned Youth is an engrossing composition with a percussive intro, a dark synth-laden vocal segment, a racing piano powered portion, some threatening organ work, polka-inflections and a series of daring melodies. It is reasonably impressive without being even remotely endearing.

The 13 minute Three Piece Suite is another attention grabber, with Robert Webb's organic keyboards flavouring the superbly flowing piece, in a manner reminiscent of the style of Italy's Locanda Delle Fatte (in fact I draw a strong correlation between the two bands, as both came out with their only album in 1977 as classic prog was dying, and have a similar sound, although I think that Locanda Delle Fatte's album is a far more exciting work).

Of the shorter songs, the jerky Paraffinalea makes the biggest impression, while the pastoral Yellow (despite some excellent Steve Hackett inspired guitar) and disjointed Midnight Madness are pleasant, but forgettable ... which is probably an understatement when it comes to describing the minute-long All Alone.

Like a few bands that worked in the late 70s (Happy The Man, Kayak and Breathless-era Camel come to mind), England have a sound and style that I suspect will appeal more to neo-prog fans that those expecting meaty classic progressive rock.

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Direct Link To This Post Posted: November 07 2005 at 19:42

It's a very good album. More like Genesis.

I think the second releases consists of unfinished demos for a second album.

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Direct Link To This Post Posted: November 07 2005 at 19:31
Have you heard that album? IMO it's a true masterpiece, I would put it in my top 20, beside early Genesis and Yes . Does anybody know what happened to that band later? Why did they not continue to realease new albums?
And is the album from the 1997 any good?
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If you choose not to decide
You still have made a choice
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