Lingua Ignota: Sinner Get Ready (2021)

Saperlipopette! wrote: Logan wrote: The problem is that that youtube code you used between the tube tags, DWvWM52pmZE&t=0s, has the time stamp, &t=0s", Without it as DWvWM52pmZE it works. And I manually add the tube and url tags, by the way. I done exactly the same with these two last videos as I've always done. This is the code I used: https://www.youtube.com/watch?v=DWvWM52pmZE Is that somehow the wrong now, or do something weird happen to it when I post here (as with my regular links)?

You can see when quoting or editing your posts.

With your last embed attempt it is, and I'm breaking the tube tags with spaces so one can see it as text, [TUBE] mpfxWktjEKA&t=0s[/TUBE ] and [TUBE ]DWvWM52pmZE&t=0s[/ TUBE], so both have the &t=0s timestamp in the identifier. I'm guessing you are copying that. It may be affected by your browser, settings, I would think certain habits when watching the video then copying.... I sometimes get extra code, but I manually delete it before posting and I don't know if you manually tag the videos and urls as I do or if you use the post editor to do that (I keep the WYSIWYG post editor turned off in forum preferences usually as it gives me issues).   If I were you, I would try posting DWvWM52pmZE with the tube tags, so without any spaces, this: [ tube]DWvWM52pmZE[ /tube]

Edited by Logan - September 25 2023 at 06:25

The problem is that that youtube code you used between the tube tags, DWvWM52pmZE&t=0s, has the time stamp, &t=0s", Without it as DWvWM52pmZE it works. And I manually add the tube and url tags, by the way.   



Anyway, listening now, thanks very much.

Edited by Saperlipopette! - September 25 2023 at 06:23

HolyMoly wrote: Saperlipopette! wrote: HolyMoly wrote: Been meaning to get this album. The prior album sure packed a whallop. Hard to say I enjoy it, because actually enjoying such an outpouring of rage and pain would be perverse in a way, but it’s great art. Yes it is. But I've always been attracted art "such as this" - whatever that means. It has to feel genuinely authentic, and I prefer that it's performed by people with an amazing gift and extraordinary talent. Kristin Hayter is undoubtly 100% all of that. I can say that I enjoy a psychological relief through the open expression of strong emotions... without feeling like a pervert:) Btw: I don't think it's possible for Sinner Get Ready to dissapoint you It is a good feeling in the cathartic sense, though I’ve never been through close to the pain she went through. I just don’t want to presume to empathize with it all. I feel the pain, but I can’t really understand the pain because I’ve never been through it.

Saperlipopette! wrote: Logan wrote: I listened to the whole Sinner Get Ready album followed by the whole Caligula album, and wow! Quite the experience; I was mesmerised. Musically, I think it does relate to various music quite well that I have been into of late as well and both albums connected with me immediately and held my attention. I was kind of hoping this was something you'd connect with. I've seen her music compared to Diamanda Galas, Anna Von Hauswolff, Swans... but to me it's really a totally immersive experience like nothing else before (but those artists mentioned can all be uniquely immersive as well. Swans in particular). With Lingua Ignota it seems I don't really seperate the art from the artist, but feel emotionally invested way beyond the music.    -Anyway, now you need to hear the rest of her output too.

I was getting those same reference points to other artists, as well as Nico (especially for The Marble Index) on Caligula. I had played Swans' excellent out-of-print live album Omniscience (1992) before playing the Lingua Ignota albums, and there are sort of rather disturbing meets beautiful Jarboe folk vibes that they have in common. And she, like Swans, employs the bits where folsky Americans are talking about things. Just mentioning because it might have connected even more immediately as something I wanted to listened to, and in full, immediately.

I appreciated both album so very much, and listened to Caligula again. On the next try I took in more of the lyrics. Obviously tragic, and anger and sadness are being expressed. The screaming is an element that didn't take away enough of my appreciation for the music to stop listening when it started. When the Clockwork Orange theme was on, which is music that resonates so much with me and is fitting for the themes, I was rather wishing not to hear the screaming. I could appreciate the screaming, and it is part of the overall experience. And there is such beauty of its king in the album, and I trend to like contrast. I really appreciate the neofolk/ folk horror / religious elements -- Sinner Get Ready hooked this sinner. I have a big thing for religious themed folk horror (The Wicker Man, The Witch, The Apostle, The Third Day etc.) I definitely will be listening to her other music.

suitkees wrote: So I got to listen to the whole Sinner Get Ready and all the adjectives mentioned above apply. It is a very singular work and very beautiful - you can be happy because I discovered this artist thanks to your post. Thank you! And, added to the "to buy" list. I also listened to the first three tracks of Caligula, but got a bit put off by the screaming... (and the lyrics are very violent, indeed, but I could get over that, since it's part of the concept).

Wonderful!

Edited by Saperlipopette! - June 26 2022 at 06:33