Pink Floyd's prog period |
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AFlowerKingCrimson
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Posted: November 29 2021 at 14:33 |
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Yes, everyone has their own opinion. I'm basing mine on just the things I have seen on prog websites and maybe the rush forum. FBN and COS had some very proggish moments on it (By tor and the snow dog is actually the only real prog track on FBN) and so did 2112 but the 2112 suite was the most prog sounding thing they have done up to that point. On the other end, Signals seems to be the beginning of the new wave period. Still, very proggish but different.
Edited by AFlowerKingCrimson - November 29 2021 at 21:04 |
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dr wu23
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They had a prog period.....?
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One does nothing yet nothing is left undone.
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Rednight
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"It just has none of the qualities of your work that I find interesting. Abandon [?] it." - Eno
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siLLy puPPy
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Sacro_Porgo
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I can see that I suppose. My art rock meter tends to go off on stuff like Peter Gabriel's Melt, David Bowie's Berlin Trilogy and Scary Monsters, and even King Crimson's 80s stuff. So I could see an argument for The Wall as a move into art rock, though I think theft that it's a massive double concept album with an intense narrative story is a pretty prog move on its face. Yeah there are definitely arguments to be made for ITCOTCK not being the first prog album, but it's like arguing Black Sabbath isn't the first metal album. There's probably enough evidence to make a good argument, but it really goes against the popular interpretation of the history of rock and roll, and kind of downplays the massive importance of those two records. ITCOTCK may not actually be the first prog album, but it sure feels like it.
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Porg for short. My love of music doesn't end with prog! Feel free to discuss all sorts of music with me. Odds are I'll give it a chance if I haven't already! :)
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Progishness
Forum Senior Member Joined: December 10 2020 Location: Planet Rhubarb Status: Offline Points: 2565 |
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As a self confessed Floyd nutter I classify The Wall & Final Cut albums as rock operas - as they have elements in common with works such as Tommy and Quadrophenia. The DG led era is more AOR. Whereas Piper is pure psychedelia. Everything else is pretty much prog. [Just my opinion.]
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Easy Money
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First album up to "Dark Side of the Moon" are the albums I like, what genre they are is up to someone beside myself.
Edited by Easy Money - November 05 2021 at 18:10 |
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Sean Trane
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Saucerful to Final Cut. |
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let's just stay above the moral melee
prefer the sink to the gutter keep our sand-castle virtues content to be a doer as well as a thinker, prefer lifting our pen rather than un-sheath our sword |
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Cristi
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Saucerful to The Wall
their debut, although never a favorite of mine, was pretty groundbreaking and unique when it came out.
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someone_else
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Exactly what I think.
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TheLionOfPrague
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I agree with the majority, Atom Heart Mother - Animals is right. I'd include Ummagumma and The Wall too.
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I shook my head and smiled a whisper knowing all about the place
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Progosopher
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I would include The Wall as Prog. It functions like The Lamb Lies Down - it tells a story through shorter pieces, but in the long run, it is the sequencing that creates its progginess rather than the individual songs. A person may extract a single favorite song and enjoy it, but to get the full experience you need to listen to the entire album. The Wall has three songs that became hits, we all know what they are, and they are great by themselves, but to listen to them in context makes their quality shine that much brighter.
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The world of sound is certainly capable of infinite variety and, were our sense developed, of infinite extensions. -- George Santayana, "The Sense of Beauty"
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moshkito
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Hi, I think a bit differently ... but yeah, all the way to THE WALL, however I do not think of this stuff as "progressive", as much as I do the continuing evolving ability of the band to show their IMAGES, that in the early days AFTER Syd, were done with sound effects, and were a big part of their QUADRAPHONIC sound experience, in that the vignettes moving around in various ways, made you feel like you were in the middle of it all ... something that later RW's version of THE WALL completely ignored and went for the cheap version, which took the "reality" out of the real thing and into the "imagine" atmosphere of the concept piece. All in all, sometimes I think that the use of the word "progressive" or "prog" is over stated and over done, and not as meaningful to the music itself as one might think. For me, PF is a wonderful band, but I don't know that I ever considered them "progressive" specially when compared to many other bands in Europe that were doing far more adventurous things MUSICALLY, while PF stuck to making sure their idea of "visuals" could be seen to the audiences, which became a massive show starting with DSOTM.
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suitkees
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Is it important? I mean, does the (sub-)genre label you stick on it alter your appreciation of the music? Not for me, anyway, but I'm curious to know more of the motivation behind this questioning... (if it is not about appreciation, there might be another reason why this differentiation has a function that I don't see...)
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Deadwing
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Maybe The Wall and The Final Cut could be seen more as an Opera Rock album instead of prog, but the rest is all 100% prog
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AFlowerKingCrimson
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I see the first two albums as psych with hints of prog. As for Ummagumma it's more experimental. The live album could maybe be considered prog but the solo pieces are just too weird to be prog. I'm not even sure I would call them psych.
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Progishness
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Ummagumma ---> Animals is probably their core prog period, and possibly also including Saucerful.
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"We're going to need a bigger swear jar."
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Lewian
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If Ummagumma doesn't count as prog, I don't know what does. For me personally pretty much everything would qualify, but then I'm not the best to argue genre boundaries anyway, because I don't care much about them. Still, any serious list of clearly prog PF albums must include Ummagumma.
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Blacksword
Prog Reviewer Joined: June 22 2004 Location: England Status: Offline Points: 16130 |
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AHM - Animals IMO.
For me, Floyd were obviously prog rock, but I consider it a much broader genre than many seem to. IMO prog was about breaking rules and experimenting. To do that, the musicians didn't have to be classically trained virtuoso's. They just needed an imagination and a willingness to break the conventions of rock music. By definition Floyd were prog rock, as they done this routinely and in a far more dramatic and experimental way than the likes of Bowie and Roxy Music, who often merely dabbled (to excellent effect obviously) |
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Ultimately bored by endless ecstasy!
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Cristi
Special Collaborator Crossover / Prog Metal Teams Joined: July 27 2006 Location: wonderland Status: Online Points: 43500 |
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well put!
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