80s King Crimson |
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MrMHead
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Posted: September 26 2022 at 18:32 |
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I was actually turned on to "In the Court" about a year before Discipline. So I was all hot and ready for the new evolution after digging through the back catalog.
They didn't disappoint. |
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No Civilization here. Tried it on but it would not fit.
Seems only a thin veneer. A little rubbing and it comes off quick. - The Bears |
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projeKct
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^ Well, thanks for sharing. Very interesting interview.
The KC segment starts around 57:00. Edited by projeKct - September 21 2022 at 20:56 |
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johnobvious
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I know this thread is pretty much dead but Marc Maron just did a great podcast with Belew. I never realized that Fripp hired AB and told him he had to write all the songs and lyrics and do the arrangements, while Fripp played overlord. Well, I figured the last part. |
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Biggles was in rehab last Saturday
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luismausanchez
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Discipline is undoubtedly King Crimson's best 80's album. That album hooked immediately, but it took me a while to appreciate TOAPP and Beat.
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TheLionOfPrague
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Discipline is very good. Not entirely sold on TOAPP and Beat, though they're alright.
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I shook my head and smiled a whisper knowing all about the place
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Grubert
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Discipline is a Crimson masterpiece
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SteveG
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I never got into the 80s era KC, but the musicianship was certainly top notch and they were much better live, imho.
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cstack3
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Welcome to PA, we look forward to your wondrous stories!! I also saw the band a few times (I think four), missing the "Beat" tour due to a torrential rain that flooded out the outdoor venue, Poplar Creek, where they were performing. Sad! I did see Discipline, 3 of a Perfect Pair, Thrak and one other that escapes me. It wasn't traditional Crimson music exactly, but very high-energy and contemporary. Fripp and Belew were pioneers with the use of the Roland guitar synth technology, so they did some amazing things. Levin also brought the Chapman Stick front and center to rock, and Bruf held it down on the drum! Damn fine times!
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I am not a Robot, I'm a FREE MAN!!
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Crane
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Absolutely fascinating, thanks for sharing! |
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“Art is the recognition of the universal presence of God.” —Ernest Hello
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AFlowerKingCrimson
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Wow, I never knew "absent lovers" was the name of a song (in this case instrumental so technically not really a song). I just listened to it on youtube and it sounds really good. Beat would have been a better album if this was on there instead of "two hands" or "waiting man."
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sevenfour
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It was a big deal, Crimson back together with new music. We saw this band six times.
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cstack3
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Fripp has always thrived on experimentation, and the "Discipline" period continued that trend.
"Discipline" was inspired by Bob's period of study of Blavatsky, Bennett and Gurdjieff. His "Guitar Craft" project was based very much on personal and community discipline - I was bassist for one of his earliest Guitar Craft graduates, Alonzo "Lon" Jones of Tulsa, OK. There was a lot going on with that music & its presentation this is not apparent unless you knew the man's history. In 1974, Robert Fripp—leader of the progressive rock group King Crimson—had a spiritual experience in which “the top of [his] head blew off.” He became a student of J. G. Bennett, himself a former student of G. I. Gurdjieff, at Sherborne House in Gloucestershire, and remains a member of the Bennett Foundation to this day. When Fripp returned to the music industry, it was with an approach that favored disciplined and geometric compositions over the jagged improvisation of the earlier period. This article explores the influence of Gurdjieff and Bennett’s teaching upon Fripp and his work, and his apparent attempts to realize the former’s idea of “objective art” through his music. I pay particular attention to the development of Guitar Craft, in which Fripp applies Gurdjieff’s techniques through the teaching of the guitar. I argue that Fripp’s teaching is a little examined scion of the Gurdjieff lineage, and a case study of discrete cultural production. Edited by cstack3 - May 11 2021 at 01:03 |
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I am not a Robot, I'm a FREE MAN!!
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AFlowerKingCrimson
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What now?
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projeKct
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Hmmmm... Favorite tracks from this period? Well, ALL OF THEM! Really! Well, I'm not a big fan of "Requiem", but it works anyway. These albums are so creative! So unique! Do you know anything like that elsewhere?
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BrufordFreak
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Like others here, the three albums were important and essential to my prog-ness in the glam-techno-crazed 80s. Adrian Belew is a genius but, in my opinion, a little too upbeat and high energy for me and the Crimson style. There is so much on Discipline that is Earth-shatteringly amazing, I feel personally slighted when I read people's reviews/opinions that seem to miss it's innovations. I've even tried to make a case that the extraordinary song "Discipline" should be the theme song for the whole Math Rock thing--anybody who's seen it performed live can attest to the high art concentration that the four individual's performing it had to sustain to pull it off. "Thela Hun Jingeet" is a performance art masterpiece--should be credited with starting the whole podcast thing. "Matte Kudasai" is a genius lovesong fusing Japanese sounds with Western perspective. "The Sheltering Sky" is a master class in spatial reverence. "Elephant Talk" is pure fun--to hear, sing along with, dance to. It's an amazing intro to the sonic genius of Belew's guitar playing. "Frame By Frame" is so shocking for each of its four instrumentalists' displays that you can't help but be thrown off balance--until Adrian and the b vox bring it together. And that ChapmanStick! And last, but not least, the crazed and silly (Belew) but musically (Bruford) brash (Bruford) and daring (Bruford) threads are pure entertainment.
The other two albums are kind of 2.0 and 2.1 versions of Discipline though each have super high points. |
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Drew Fisher
https://progisaliveandwell.blogspot.com/ |
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Manuel
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I've always considered these three albums this way, as a collective work, very closed related, and very inventive (for the time), with a new musical direction from the previous era. Not the best, but quite good and interesting, certainly worth listening.
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Rednight
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"It just has none of the qualities of your work that I find interesting. Abandon [?] it." - Eno
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uduwudu
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Discipline is a game changing album. They'd established a new frame and spent a couple of records redeveloping the ideas and extending some. New song ideas refreshed Crimson. And introduced, me anyway, to the Chapman Stick. Beautiful, energetic, neurotic, controlled chaotic... Outstanding. And as for the live stuff....
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verslibre
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!!!!
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verslibre
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I love 'em. Discipline is a perfect album, not a note or flam or bend out of place. Beat is the sequel, and, needless to say, essential. Three of a Perfect Pair is likewise essential: I love "Sleepless," "Industry" and "Nuages." This shocks some people, but I hold the '80s iteration of King Crimson on par with the albums with Wetton! Belew and Levin were clearly what Bob and Bill needed to get the cart rolling again.
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