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Pink Floyd: Roger Waters' Peak Singing Voice |
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rogerthat ![]() Prog Reviewer ![]() Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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"Gilmour yells his lyrics in Comfortably Numb? What did I just say about not listening to the same music?" I know. ![]() ![]() ![]() Actually, with exceptions like Don't Leave Me Now, Waters is better off not singing and resorting to that mean sounding speakeasy. When he does try to sing full out like The Trial, it's annoying (at least for me). I can put up with him on Nobody Home but even there when he goes Ooh Babe towards the end, it sounds whiny because he has a very weak high register. While Waters sang the second half (including last verse) of Dogs in the studio with gusto, Gilmour frequently sang the whole thing live. Gilmour has sung most of the Floyd repertoire from at least Meddle through to Wall many times live. One song where Gilmour did maybe pull too much chest is Time. If you take the recent Pompeii performance, he is having to holler it out because he never learnt to sing with a mixed voice. Off topic, but I would rate Gabriel and Collins both as better singers than either of them. |
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Sean Trane ![]() Special Collaborator ![]() Prog Folk Joined: April 29 2004 Location: Heart of Europe Status: Offline Points: 20436 |
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While David claimed not understanding Roger's lyrics and concepts, he was participating to Rick Davies' no less complicated Brother Where You Bound, which Waters could've easily written as well
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MortSahlFan ![]() Forum Senior Member ![]() Joined: March 01 2018 Location: US Status: Offline Points: 3075 |
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Those are all Roger's lyrics on "Echoes".. Credits include music and lyrics. Rick contributed the Cm-Gm. For a guy with a huge ego, he gave most of the best songs for David to sing. I always thought "the one who sings is the one who wrote" until I became involved with publishing... Roger was pretty generous, with all the other 3 doing solo albums/tour while Rog saved his best for the entire band, even giving Nick Mason a free credit on "Speak To Me" (which turned out to equal millions of $$ for Nick, who did nothing on the track) and the entire band for "Time" when it was Roger who came in with the F#m-A-E-F#m.. I know Roger is making the ticking sound by plucking the high frets of his bass while muted, as well as coming into the verse too soon on purpose, because of the song's theme. Maybe Nick Mason was credited for roto-toms. I'd be very curious to know who did what on my favorite song of all-time.
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Mortte ![]() Forum Senior Member ![]() Joined: November 11 2016 Location: Finland Status: Offline Points: 5538 |
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Sean Trane ![]() Special Collaborator ![]() Prog Folk Joined: April 29 2004 Location: Heart of Europe Status: Offline Points: 20436 |
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Well, it's not like communism didn't exist in the UK (far from it), but having one of them in a prog middle class/public school origined band is kind of rare. But inside Floyd, outside Mason's race car collection, I wouldn't say that anyone played the extravagant superstar, which is maybe why some called them faceless.
Wouldn't Echoes be one of them?? Unless, of course, it's Rick Wright's lyrics... But we've seen in his two solo albums that his lyrics were no better than Dave's. |
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MortSahlFan ![]() Forum Senior Member ![]() Joined: March 01 2018 Location: US Status: Offline Points: 3075 |
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Name the 3 songs Gilmour wrote lyrics for when they were together... "Fat Old Sun" "The Narrow Way" (which he asked Roger to finish, but it wasn't part of the Ummagumma theme).. and "Childhood's End".
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Mortte ![]() Forum Senior Member ![]() Joined: November 11 2016 Location: Finland Status: Offline Points: 5538 |
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Sean Trane ![]() Special Collaborator ![]() Prog Folk Joined: April 29 2004 Location: Heart of Europe Status: Offline Points: 20436 |
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I don't know where you get this idea from, but it's the first time I hear of Waters writing 97% of Floyd material pre-TFC. even in The Wall, he doesn't get to those numbers.
Well, about Roger's lyrics, obviously Rick & Dave were of awfully bad faith in the 80's & 90'zs, since unlike some, Waters' texts are easily understood by most, though the album's concept might escape a lot of mainstreamers . As for not understanding why Waters was not living the rich life, I guess Waters' communist upbringing escaped them. AQs for Polly's lyrics, they're not laughable per se, but totally forgettable and, in 90% of the cases, pointless, but not laughable. I guess it was part of the war or words.
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Mortte ![]() Forum Senior Member ![]() Joined: November 11 2016 Location: Finland Status: Offline Points: 5538 |
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Dellinger ![]() Forum Senior Member ![]() ![]() VIP Member Joined: June 18 2009 Location: Mexico Status: Offline Points: 12816 |
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I remember reading about Gilmour having similar feelings. I think he would say he didn't understand how they could make so much money by being a rock bands, while other people with as I would understand it, more merits (like his own parents, being scientists) had more modest income. Also, Gilmour has done his own share of donations, I particularly remember him selling a house (as I understand it a rather expensive one, I guess in London) in benefit of the homeless, since he said he didn't need it. |
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Dellinger ![]() Forum Senior Member ![]() ![]() VIP Member Joined: June 18 2009 Location: Mexico Status: Offline Points: 12816 |
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I still don't agree with the idea that Waters wrote most of the music in Floyd... at least not before The Wall. He did indeed write some of the great songs from the band, but many others were written by Wright and Gilmour. Echoes was a collaboration, and as I read onces, the main structure was written by Wright. Time was a collaboration too, The Great Gig in the Sky is all Wright, Us and Them is written by Wright (with lyrics by Waters, of course, and that's what I understand makes it look like he might have written more music than he actually did), Shine on was a collaboration, Wish you were Here was written by Gilmour, as far as I understand, as well as Dogs (perhaps the best song on Animals, and taking nearly half of the album). And even on The Wall there's Comfortably Numb, one of the favourite Floyd songs, and mostly written by Gilmour. Of course, I do love Brain Damage / Eclipse, Welcome to the Machine, Pigs, Sheep, just to name a few, a lot too. |
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Mortte ![]() Forum Senior Member ![]() Joined: November 11 2016 Location: Finland Status: Offline Points: 5538 |
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MortSahlFan ![]() Forum Senior Member ![]() Joined: March 01 2018 Location: US Status: Offline Points: 3075 |
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Waters not only wrote 97% of the lyrics, but he wrote most of the music, and would hand the song over to David to sing (which I thought was a good idea).. As time went by, Roger sang more and more. To reply to a few comments about Roger's talking, he plays characters/roles (Doctor, Judge, etc)... I think Waters/Gilmour was the best/most complementary duo in music.. I also think their best work ended with "The Wall", though I like a few songs here and there, especially "Pros and Cons" and for Gilmour, "On An Island"... I think Waters was more important to the band, but think Gilmour always made it better with his fantastic vocals/guitar.
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ReactioninG ![]() Forum Senior Member ![]() ![]() Joined: November 26 2017 Location: Massachusetts Status: Offline Points: 156 |
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I think the most angered I ever got was when I read two interviews around the same time from Rick and Gilmour where they said they didn't "get" Roger's lyrics, the same ones they sang every night in the 80s and 90s and later. Millions (Billions?) of PF fans "get" PF lyrics and how important they are, yet Gilmour and Wright claim they don't. Either just trying to anger Waters or they are idiots without a hint of attachment to MEANING in music. I think its probably they were trying to get to Waters.
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Mortte ![]() Forum Senior Member ![]() Joined: November 11 2016 Location: Finland Status: Offline Points: 5538 |
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Guldbamsen ![]() Special Collaborator ![]() ![]() Retired Admin Joined: January 22 2009 Location: Magic Theatre Status: Offline Points: 23104 |
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Somewhere around Careful With That Axe Eugene. Not really a fan of his shout-singing, but it does work well in between Gilmour and Wright's angelic vocals. On his own it just gets too much for me. Sorta like micing up an old grumpy man.
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Sean Trane ![]() Special Collaborator ![]() Prog Folk Joined: April 29 2004 Location: Heart of Europe Status: Offline Points: 20436 |
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mmmhhh!!!.. Should it be noted that the grand/mainstream public doesn't seem to have the slightest problem with Waters (or Cohen's >> it was me that mentioned him) vocals.... ![]() It seems that only in the Gilmour-Waters 80's feud, the Daviders complained about Roger's taking over the Floyd reigns, but that opinion only happened after the would-be break-up and ensuing battle
of course Gilmour's a great singer ![]() As for the rivalries, I'd say that both the Gabe/Collins and Waters/Gilmour were fan-only stuff. FTM, I'd guess that in the other two cases (Lennon/Maca and Hodgson/Davies the songs they wrote separately determined who sings it. This may be difficult to grasp since John & Paul signed together, whereas it was more obvious in Supertramp, especially from Crime onwards (though School was written by both). The Supertramp situation was a bit more complicated prior to Crime, because David-Palmer James also sang on the debut, and Rick Davies almost not. I'm not even sure there was an issue before Roger left the band, but he complained that the band kept doing his songs, which were too personal for him to hear sung by someone else. However, how can one hate Hodgson's singing, though??
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Dellinger ![]() Forum Senior Member ![]() ![]() VIP Member Joined: June 18 2009 Location: Mexico Status: Offline Points: 12816 |
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I do like Collins singing better than Gabriel's.
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ReactioninG ![]() Forum Senior Member ![]() ![]() Joined: November 26 2017 Location: Massachusetts Status: Offline Points: 156 |
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The thing is with this we do have apples and oranges with PF, and the Beatles as well (especially the Beatles), but Genesis there is one guy completely displacing another and singing the former guy's songs for him in concert. That's a tough debate, with pros and cons. I don't think Gabriel could do great on a lot of Collins tracks. Collins packs a lot of heartfelt emotions into the later Genesis tracks, and eventually got better than Gabriel, IMO *controversy*. Worth a separate thread. With Hodgson vs Davies... my god.... how I hate Hodgson and love Davies.... why in the world wasn't Davies just singing all their songs from day 1? My favorite album from them is Brother Where You Bound.
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ReactioninG ![]() Forum Senior Member ![]() ![]() Joined: November 26 2017 Location: Massachusetts Status: Offline Points: 156 |
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Don't get me wrong, Gilmour is a great singer, especially if you were to give him any old song versus Waters trying it. I think Waters in his peak singing years was more effective at relaying the message of PF songs at that point. No way Gilmour should have had more vocals on Final Cut. Roger is the only person who could sing that material and his OWN material that he was writing at the time were vastly inferior. They ended up on About Face... Final Cut fit too well together to tag on any of that stuff, even as backing tracks. Could have even have cut his vocals in half on the Wall and it would have worked fine (though I don't think it would be necessarily better, and Comfortably Numb is almost unthinkable without Gilmour, remember, though, for stuff like Young Lust, the band actually tried out Roger's Sexual Revolution, and he had a lot more of that in the cache). I agree them sharing vocals was often effective. They contrast nicely. All in all, I think Animals-Final Cut period exhibited a very special vocal presence at the peak of his powers and that was Waters.
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