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Joined: May 13 2007
Location: Europe
Status: Offline
Points: 37575
Posted: May 16 2017 at 11:08
SteveG wrote:
Dean wrote:
SteveG wrote:
Dean wrote:
SteveG wrote:
The whole myth and the accompanying warped bigoted stereotypes of the hippie culture is mostly that. A myth. Most Americans were either in college to avoid the draft or actually drafted for the war, while a very tiny group ran off to Canada. The tune in, turn on and drop out crowd was a small part of the population that was intimately aligned with the anti war/anti draft movement. You know, the 4 people shot in Ohio in 1970 (way after the hippie scene was supposed to be dead, another myth) by the American National Guard while they protested the insane, illegal and immoral war in Vietnam. Shot and killed after placing flowers in the gun barrels of the Guardsmen's riffles. But why be concerned, even 45 years later. After all, they were only mimicking useless wastrels and embraced their hippy values. You know, the people that supposedly cared little about and contributed nothing to society. Right?
Edit: Btw, it was psychedelic rock that vanished in 1968, not hippies.
And the myth continues - the four people murdered in the Kent State shootings were students not hippies. The hippy movement brought the anti-war message to the fore but it didn't own the monopoly on it. The Student unrest that occurred in the late sixties and early seventies was not a part of the hippy movement but in some ways was a reaction to the indifference of society as a whole to the message it preached. Sure there is correlation, but we should be wary of drawing direct conclusions from that because what those students were protesting about in America wasn't the same as they were protesting about in Paris and Munich.
The myth continues, if you care to keep perpetuating it. To make myself clearer, strike out the line in my post " After all, they were only mimicking useless wastrels and embraced their hippy values. You know, the people that supposedly cared little about and contributed nothing to society. Right?" and insert "These students were only mimicking useless wastrels and embraced their hippy values. You know, the people that supposedly cared little about and contributed nothing to society. Right?"
It's kind of silly to mimic one's self isn't it? But you are correct. I'm speaking of American student demonstrators only.
And the mythinformation continues. I took your original comment to be a flippant rejoinder due to the implied sarcastic tone of the language used, but since you have altered that I now dispute your claim all together as I don't see that they were mimicking anything of the sort nor had they adopted any hippy values. And while on the subject of perpetuating myths, nor were they shot and killed after placing flowers in the gun barrels of the Guardsmen's riffles. While such incidents of putting flowers in gun barrels did happen, it didn't at Kent State on May 4th 1970 and the most iconic of those occurred 300 miles away in 1967 (and no one got shot as a consequence of doing it) - also it is highly improbable that any students would have got close enough to the guardsmen to do it on that day without being bayoneted first, as had happened on the previous day.
However, none of this is particularly relevant to the topic other than as an illustration of how memory isn't quite as exact as we'd like it to be.
Dean, if the flowers in the gun barrels as metaphor flew over your head, then I'm afraid that you will not see the generalized wide spread peaceful behavior of the students as a whole. That whole being part of their culture. The counter culture of which the hippies and students actually shared. And that's no myth, as much as you wish it to be.
Bullsnot.
" You know, the 4 people shot in Ohio in 1970 (way after the hippie scene was supposed to be dead, another myth) by the American National Guard while they protested the insane, illegal and immoral war in Vietnam. Shot and killed after placing flowers in the gun barrels of the Guardsmen's riffles. " - was a statement of presumed fact, not a bloody metaphor - if you meant it as a metaphor at the time you wrote it then that was not made clear until now - and frankly I simply cannot see it even after you've claimed that it was. Also, it was a protest against Nixon's announced invasion of Cambodia, not Vietnam, unless that was a sodding metaphor too.
If you do nothing else today, read the accounts of the Kent State massacre as I have this afternoon, and not just on Wikipedia either - read more than one article because even an event as well known as this is shrouded in inaccuracies and misreporting.
Joined: April 11 2014
Location: Kyiv In Spirit
Status: Offline
Points: 20604
Posted: May 16 2017 at 10:21
Dean wrote:
SteveG wrote:
Dean wrote:
SteveG wrote:
The whole myth and the accompanying warped bigoted stereotypes of the hippie culture is mostly that. A myth. Most Americans were either in college to avoid the draft or actually drafted for the war, while a very tiny group ran off to Canada. The tune in, turn on and drop out crowd was a small part of the population that was intimately aligned with the anti war/anti draft movement. You know, the 4 people shot in Ohio in 1970 (way after the hippie scene was supposed to be dead, another myth) by the American National Guard while they protested the insane, illegal and immoral war in Vietnam. Shot and killed after placing flowers in the gun barrels of the Guardsmen's riffles. But why be concerned, even 45 years later. After all, they were only mimicking useless wastrels and embraced their hippy values. You know, the people that supposedly cared little about and contributed nothing to society. Right?
Edit: Btw, it was psychedelic rock that vanished in 1968, not hippies.
And the myth continues - the four people murdered in the Kent State shootings were students not hippies. The hippy movement brought the anti-war message to the fore but it didn't own the monopoly on it. The Student unrest that occurred in the late sixties and early seventies was not a part of the hippy movement but in some ways was a reaction to the indifference of society as a whole to the message it preached. Sure there is correlation, but we should be wary of drawing direct conclusions from that because what those students were protesting about in America wasn't the same as they were protesting about in Paris and Munich.
The myth continues, if you care to keep perpetuating it. To make myself clearer, strike out the line in my post " After all, they were only mimicking useless wastrels and embraced their hippy values. You know, the people that supposedly cared little about and contributed nothing to society. Right?" and insert "These students were only mimicking useless wastrels and embraced their hippy values. You know, the people that supposedly cared little about and contributed nothing to society. Right?"
It's kind of silly to mimic one's self isn't it? But you are correct. I'm speaking of American student demonstrators only.
And the mythinformation continues. I took your original comment to be a flippant rejoinder due to the implied sarcastic tone of the language used, but since you have altered that I now dispute your claim all together as I don't see that they were mimicking anything of the sort nor had they adopted any hippy values. And while on the subject of perpetuating myths, nor were they shot and killed after placing flowers in the gun barrels of the Guardsmen's riffles. While such incidents of putting flowers in gun barrels did happen, it didn't at Kent State on May 4th 1970 and the most iconic of those occurred 300 miles away in 1967 (and no one got shot as a consequence of doing it) - also it is highly improbable that any students would have got close enough to the guardsmen to do it on that day without being bayoneted first, as had happened on the previous day.
However, none of this is particularly relevant to the topic other than as an illustration of how memory isn't quite as exact as we'd like it to be.
Dean, if the flowers in the gun barrels as metaphor flew over your head, then I'm afraid that you will not see the generalized wide spread peaceful behavior of the students as a whole. That whole being part of their culture. The counter culture of which the hippies and students actually shared. And that's no myth, as much as you wish it to be.
Joined: May 13 2007
Location: Europe
Status: Offline
Points: 37575
Posted: May 16 2017 at 08:40
SteveG wrote:
Dean wrote:
SteveG wrote:
The whole myth and the accompanying warped bigoted stereotypes of the hippie culture is mostly that. A myth. Most Americans were either in college to avoid the draft or actually drafted for the war, while a very tiny group ran off to Canada. The tune in, turn on and drop out crowd was a small part of the population that was intimately aligned with the anti war/anti draft movement. You know, the 4 people shot in Ohio in 1970 (way after the hippie scene was supposed to be dead, another myth) by the American National Guard while they protested the insane, illegal and immoral war in Vietnam. Shot and killed after placing flowers in the gun barrels of the Guardsmen's riffles. But why be concerned, even 45 years later. After all, they were only mimicking useless wastrels and embraced their hippy values. You know, the people that supposedly cared little about and contributed nothing to society. Right?
Edit: Btw, it was psychedelic rock that vanished in 1968, not hippies.
And the myth continues - the four people murdered in the Kent State shootings were students not hippies. The hippy movement brought the anti-war message to the fore but it didn't own the monopoly on it. The Student unrest that occurred in the late sixties and early seventies was not a part of the hippy movement but in some ways was a reaction to the indifference of society as a whole to the message it preached. Sure there is correlation, but we should be wary of drawing direct conclusions from that because what those students were protesting about in America wasn't the same as they were protesting about in Paris and Munich.
The myth continues, if you care to keep perpetuating it. To make myself clearer, strike out the line in my post " After all, they were only mimicking useless wastrels and embraced their hippy values. You know, the people that supposedly cared little about and contributed nothing to society. Right?" and insert "These students were only mimicking useless wastrels and embraced their hippy values. You know, the people that supposedly cared little about and contributed nothing to society. Right?"
It's kind of silly to mimic one's self isn't it? But you are correct. I'm speaking of American student demonstrators only.
And the mythinformation continues. I took your original comment to be a flippant rejoinder due to the implied sarcastic tone of the language used, but since you have altered that I now dispute your claim all together as I don't see that they were mimicking anything of the sort nor had they adopted any hippy values. And while on the subject of perpetuating myths, nor were they shot and killed after placing flowers in the gun barrels of the Guardsmen's riffles. While such incidents of putting flowers in gun barrels did happen, it didn't at Kent State on May 4th 1970 and the most iconic of those occurred 300 miles away in 1967 (and no one got shot as a consequence of doing it) - also it is highly improbable that any students would have got close enough to the guardsmen to do it on that day without being bayoneted first, as had happened on the previous day.
However, none of this is particularly relevant to the topic other than as an illustration of how memory isn't quite as exact as we'd like it to be.
Joined: April 11 2014
Location: Kyiv In Spirit
Status: Offline
Points: 20604
Posted: May 16 2017 at 07:35
Dean wrote:
SteveG wrote:
The whole myth and the accompanying warped bigoted stereotypes of the hippie culture is mostly that. A myth. Most Americans were either in college to avoid the draft or actually drafted for the war, while a very tiny group ran off to Canada. The tune in, turn on and drop out crowd was a small part of the population that was intimately aligned with the anti war/anti draft movement. You know, the 4 people shot in Ohio in 1970 (way after the hippie scene was supposed to be dead, another myth) by the American National Guard while they protested the insane, illegal and immoral war in Vietnam. Shot and killed after placing flowers in the gun barrels of the Guardsmen's riffles. But why be concerned, even 45 years later. After all, they were only mimicking useless wastrels and embraced their hippy values. You know, the people that supposedly cared little about and contributed nothing to society. Right?
Edit: Btw, it was psychedelic rock that vanished in 1968, not hippies.
And the myth continues - the four people murdered in the Kent State shootings were students not hippies. The hippy movement brought the anti-war message to the fore but it didn't own the monopoly on it. The Student unrest that occurred in the late sixties and early seventies was not a part of the hippy movement but in some ways was a reaction to the indifference of society as a whole to the message it preached. Sure there is correlation, but we should be wary of drawing direct conclusions from that because what those students were protesting about in America wasn't the same as they were protesting about in Paris and Munich.
The myth continues, if you care to keep perpetuating it. To make myself clearer, strike out the line in my post " After all, they were only mimicking useless wastrels and embraced their hippy values. You know, the people that supposedly cared little about and contributed nothing to society. Right?" and insert "These students were only mimicking useless wastrels and embraced their hippy values. You know, the people that supposedly cared little about and contributed nothing to society. Right?"
It's kind of silly to mimic one's self isn't it? But you are correct. I'm speaking of American student demonstrators only.
This message was brought to you by a proud supporter of the Deep State.
Joined: May 13 2007
Location: Europe
Status: Offline
Points: 37575
Posted: May 16 2017 at 06:35
Tom Ozric wrote:
Dean, I can't fathom the thought of your lengthy responses on a (barely Progressive) album by a band you don't even really like. I dare you to start your thoughts on Slayer ! They're more Prog than the Beatles could ever hope to be !!
I'm interested in the history of Progressive Rock, its foundation and its development. This is because we never think about documenting history as it happens so have to reinvent and rediscover it through a haze of half-memories, myth and rose-tinted nostalgia long after. When a claim is made about a subject I want to test the robustness of that claim - seeing if it stands-up to close scrutiny and has any documented evidence to support it that can be checked and ratified. When so much of what we know is based upon hearsay, reported anecdotes and huge slice of received wisdom I respond to unsubstantiated claims by researching the story behind that looking for the vestiges of truth and reality. If the claim holds up then I'm more inclined to believe it, but if it doesn't then I become interested in the source of the claim than the claim itself because it is just possible that there is a vestige of truth behind each of these misremembered anecdotes. For example it was once claimed that many Prog musicians were classically trained when closer examination revealed this to be far from the truth: very few of them ever received any formal music training, let alone in Classical Music. Yet once that myth has been dispelled we can then look at where the origins of classical music influence in Prog Rock really came from. If no one challenges these claims, however credible they sound, then the stories will enter into the "history" as undeniable fact. When people say Sgt Pepper is important I want to know how and why it is important and that means researching into something that I don't have a great deal of personal affection for but was alleged to be of huge influence to music from that time and since that I do like.
The other reason is I'm an opinionated arsehole who has something to say on practically every subject under the sun.
As to Slayer... Reign in Blood and Seasons in the Abyss are undeniably two of the preeminent albums in Thrash Metal that had a measurable impact on Heavy Metal in general but (compared to Metalicacaca or Megadeaf) perhaps not so much on Prog Metal directly, which I believe is closer to Death Metal than Thrash Metal in its stylistic origins. I've seen Slayer twice now and was bored to tears both times so I'd much rather listen to Tori Amos's cover of Raining Blood than Slayer's original but then that's to be expected as I've always preferred other forms of extreme metal to thrash.
Now, are there any other rock and or metal music genres you'd like me to comment upon?
Joined: September 03 2005
Location: Olympus Mons
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Points: 15916
Posted: May 16 2017 at 05:17
Dean, I can't fathom the thought of your lengthy responses on a (barely Progressive) album by a band you don't even really like. I dare you to start your thoughts on Slayer ! They're more Prog than the Beatles could ever hope to be !!
Joined: May 13 2007
Location: Europe
Status: Offline
Points: 37575
Posted: May 16 2017 at 04:55
SteveG wrote:
The whole myth and the accompanying warped bigoted stereotypes of the hippie culture is mostly that. A myth. Most Americans were either in college to avoid the draft or actually drafted for the war, while a very tiny group ran off to Canada. The tune in, turn on and drop out crowd was a small part of the population that was intimately aligned with the anti war/anti draft movement. You know, the 4 people shot in Ohio in 1970 (way after the hippie scene was supposed to be dead, another myth) by the American National Guard while they protested the insane, illegal and immoral war in Vietnam. Shot and killed after placing flowers in the gun barrels of the Guardsmen's riffles. But why be concerned, even 45 years later. After all, they were only mimicking useless wastrels and embraced their hippy values. You know, the people that supposedly cared little about and contributed nothing to society. Right?
Edit: Btw, it was psychedelic rock that vanished in 1968, not hippies.
And the myth continues - the four people murdered in the Kent State shootings were students not hippies. The hippy movement brought the anti-war message to the fore but it didn't own the monopoly on it. The Student unrest that occurred in the late sixties and early seventies was not a part of the hippy movement but in some ways was a reaction to the indifference of society as a whole to the message it preached. Sure there is correlation, but we should be wary of drawing direct conclusions from that because what those students were protesting about in America wasn't the same as they were protesting about in Paris and Munich.
Joined: April 11 2014
Location: Kyiv In Spirit
Status: Offline
Points: 20604
Posted: May 16 2017 at 04:16
Dean wrote:
timothy leary wrote:
dean wrote:
There is a hell of a lot of tosh written about the Sixties, none of it particularly accurate and most of it exaggeration and hearsay. The adage "if you can remember the sixties, you weren't there" (or paraphrases thereof) being the biggest fib of all - if you were there and can't remember them then your testimony is questionable at best. The vast majority of the record buying youth were not hippies or freaks (those wastrels were hardly likely to be buying records anyway), they were normal folk who either went to school clutching copies of Record Mirror and The New Musical Express or had regular day jobs so they could earn money to spend in record shops and fashionable boutiques, and attend gigs in evenings and weekend. [There was a lot more to the gig scene back then than just the big-name venues and festivals that get remembered now]. Those are the youth who bought Sgt. Pepper, and they are the record-buying public that made those 'underground' albums popular. Can they remember the Sixties? Of course they bloody can. Did they recognise Sgt. Pepper as something special? Of course they bloody did. What we can say about them with a fair degree of accuracy is, like us die-hard prog fans today, they were incredibly knowledgeable of the music scene at the time. They read the weekly music papers and magazines from cover-to-cover because that was all there was, copies of each publication would get passed around common rooms, staff canteens and youth clubs. And they listened to the radio. While a lot of hot air and noise is made about FM stations in the US, most of that is inconsequential because it was too localised - tiny stations broadcasting line-of-sight transmissions to a limited audience. Here in the UK underground music was on national radio (albeit late at night but that's the only time this knowledgeable record-buying youth would listen to it anyway) with programmes such as The Perfumed Garden and Top Gear playing the kind of music that wouldn't get broadcast on daytime programming but was widely reported in all the weekly music papers. While a teenager growing up in the sticks would be unable to see their favourite underground band playing live in The Marquee or The Roundhouse in London, they could hear them on the radio and read about them in the music press and thus buy their albums in Woolworths and Our Price.
This is true. It was not the hippies living on the streets of the East Village and crashing in "crash pads" who were buying the record albums. Where would they have kept them. As the who so aptly put it they were "air conditioned gypsies". It was the rich kids from Long Island who had the bucks to buy and the bedrooms to keep albums. Concerts were another thing altogether. The "wastrel" hippies could always scrape together a couple of bucks to stand in line at the Fillmore East with the rich kids from Long Island and get in an see some top notch music. So the "wastrel" hippies did have quite a bit of influence on the music scene in America. I know because I was there and vaguely remember it.
That's interesting additional information Steven, and of course that is true, especially at free festivals where the "wastrels" only had to worry about getting the cash for their next fix (joke! ). At all the ticketed open-air festivals I've ever attended the hippies (and latterly, travellers & crusties) who could not afford a ticket would create a sort of vicus community outside the fenced-off festival where they'd stage their own free version of the festival with bands like Hawkwind playing from a flatbed truck - even the counterculture had a counterculture as observed in the linked article from the underground newspaper International Times, illustrated by the quote: "performing to a motley collection of drug-crazed idiot dancers, anarchists and Hells Angels " [sic].
However, how much influence those hippies had on the scene is peripheral in some degrees and germane in others because they defined the image and attitude of the acid-fuelled unwashed, psychedelic, peace and love, hippy scene but that was exploited and commercialised for a wholly different audience who only really experienced the hippy ideology vicariously through listening to the music and aping the tie-dyed fashions. The vast majority of music fans in the sixties were not stoned out of their gourds on psychedelic hallucinogens but that's not to say they weren't as pissed as newts on cheap alcohol. Those not-quite 'straights' but not really hippies would eschew acid and mescaline for beer and the occasional toke, bought all the psychedelic freak out albums we know so well and brought a level of success to the bands that endless touring never could.
It is this sanitised, generally non-political, post-hippy audience, who morphed into the post-hippy Freak Scene of the (very) late sixties and early seventies [related to, but not to be confused with, the Freaks of the mid-sixties], that popularised psychedelic pop and rock. By then (post 1968) the hippy movement was dead and buried (or if not wholly dead then it certainly smelt that way ) and hippy strongholds like Haight-Ashbury were sliding into decline while others such as New York's East Village and London's Ladbroke Grove continued to thrive as the counterculture underground scene adapted to the change.
To carry on The Who-isms, and being (at a guess) 5 or so years younger than you and Steve (and probably Doug), I'm talking about my g-generation, because in music (specifically back then) a five year age-gap is a chasm with many bridges - Sgt Pepper was a cornerstone album that happened during your youth whereas for me it was the foundation stone laid at the start of it.
The whole myth and the accompanying warped bigoted stereotypes of the hippie culture is mostly that. A myth. Most Americans were either in college to avoid the draft or actually drafted for the war, while a very tiny group ran off to Canada. The tune in, turn on and drop out crowd was a small part of the population that was intimately aligned with the anti war/anti draft movement. You know, the 4 people shot in Ohio in 1970 (way after the hippie scene was supposed to be dead, another myth) by the American National Guard while they protested the insane, illegal and immoral war in Vietnam. Shot and killed after placing flowers in the gun barrels of the Guardsmen's riffles. But why be concerned, even 45 years later. After all, they were only mimicking useless wastrels and embraced their hippy values. You know, the people that supposedly cared little about and contributed nothing to society. Right?
Edit: Btw, it was psychedelic rock that vanished in 1968, not hippies.
Edited by SteveG - May 16 2017 at 04:32
This message was brought to you by a proud supporter of the Deep State.
Joined: May 13 2007
Location: Europe
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Posted: May 16 2017 at 02:28
timothy leary wrote:
dean wrote:
There is a hell of a lot of tosh written about the Sixties, none of it particularly accurate and most of it exaggeration and hearsay. The adage "if you can remember the sixties, you weren't there" (or paraphrases thereof) being the biggest fib of all - if you were there and can't remember them then your testimony is questionable at best. The vast majority of the record buying youth were not hippies or freaks (those wastrels were hardly likely to be buying records anyway), they were normal folk who either went to school clutching copies of Record Mirror and The New Musical Express or had regular day jobs so they could earn money to spend in record shops and fashionable boutiques, and attend gigs in evenings and weekend. [There was a lot more to the gig scene back then than just the big-name venues and festivals that get remembered now]. Those are the youth who bought Sgt. Pepper, and they are the record-buying public that made those 'underground' albums popular. Can they remember the Sixties? Of course they bloody can. Did they recognise Sgt. Pepper as something special? Of course they bloody did. What we can say about them with a fair degree of accuracy is, like us die-hard prog fans today, they were incredibly knowledgeable of the music scene at the time. They read the weekly music papers and magazines from cover-to-cover because that was all there was, copies of each publication would get passed around common rooms, staff canteens and youth clubs. And they listened to the radio. While a lot of hot air and noise is made about FM stations in the US, most of that is inconsequential because it was too localised - tiny stations broadcasting line-of-sight transmissions to a limited audience. Here in the UK underground music was on national radio (albeit late at night but that's the only time this knowledgeable record-buying youth would listen to it anyway) with programmes such as The Perfumed Garden and Top Gear playing the kind of music that wouldn't get broadcast on daytime programming but was widely reported in all the weekly music papers. While a teenager growing up in the sticks would be unable to see their favourite underground band playing live in The Marquee or The Roundhouse in London, they could hear them on the radio and read about them in the music press and thus buy their albums in Woolworths and Our Price.
This is true. It was not the hippies living on the streets of the East Village and crashing in "crash pads" who were buying the record albums. Where would they have kept them. As the who so aptly put it they were "air conditioned gypsies". It was the rich kids from Long Island who had the bucks to buy and the bedrooms to keep albums. Concerts were another thing altogether. The "wastrel" hippies could always scrape together a couple of bucks to stand in line at the Fillmore East with the rich kids from Long Island and get in an see some top notch music. So the "wastrel" hippies did have quite a bit of influence on the music scene in America. I know because I was there and vaguely remember it.
That's interesting additional information Steven, and of course that is true, especially at free festivals where the "wastrels" only had to worry about getting the cash for their next fix (joke! ). At all the ticketed open-air festivals I've ever attended the hippies (and latterly, travellers & crusties) who could not afford a ticket would create a sort of vicus community outside the fenced-off festival where they'd stage their own free version of the festival with bands like Hawkwind playing from a flatbed truck - even the counterculture had a counterculture as observed in the linked article from the underground newspaper International Times, illustrated by the quote: "performing to a motley collection of drug-crazed idiot dancers, anarchists and Hells Angels " [sic].
However, how much influence those hippies had on the scene is peripheral in some degrees and germane in others because they defined the image and attitude of the acid-fuelled unwashed, psychedelic, peace and love, hippy scene but that was exploited and commercialised for a wholly different audience who only really experienced the hippy ideology vicariously through listening to the music and aping the tie-dyed fashions. The vast majority of music fans in the sixties were not stoned out of their gourds on psychedelic hallucinogens but that's not to say they weren't as pissed as newts on cheap alcohol. Those not-quite 'straights' but not really hippies would eschew acid and mescaline for beer and the occasional toke, bought all the psychedelic freak out albums we know so well and brought a level of success to the bands that endless touring never could.
It is this sanitised, generally non-political, post-hippy audience, who morphed into the post-hippy Freak Scene of the (very) late sixties and early seventies [related to, but not to be confused with, the Freaks of the mid-sixties], that popularised psychedelic pop and rock. By then (post 1968) the hippy movement was dead and buried (or if not wholly dead then it certainly smelt that way ) and hippy strongholds like Haight-Ashbury were sliding into decline while others such as New York's East Village and London's Ladbroke Grove continued to thrive as the counterculture underground scene adapted to the change.
To carry on The Who-isms, and being (at a guess) 5 or so years younger than you and Steve (and probably Doug), I'm talking about my g-generation, because in music (specifically back then) a five year age-gap is a chasm with many bridges - Sgt Pepper was a cornerstone album that happened during your youth whereas for me it was the foundation stone laid at the start of it.
Joined: December 13 2011
Location: United States
Status: Offline
Points: 2111
Posted: May 15 2017 at 10:32
I don’t look at Sgt. Pepper as ‘prog’ per se. It does have many fascinating creative touches, but this doesn’t mean it’s ‘prog’. I’d wager that The Moody Blues’ pinnacle album Days of Future Passed was much more ahead of it’s time than Sgt. Pepper.
“Music is enough for a lifetime but a lifetime is not enough for music.” - Sergei Rachmaninov
There is a hell of a lot of tosh written about the Sixties, none of it particularly accurate and most of it exaggeration and hearsay. The adage "if you can remember the sixties, you weren't there" (or paraphrases thereof) being the biggest fib of all - if you were there and can't remember them then your testimony is questionable at best. The vast majority of the record buying youth were not hippies or freaks (those wastrels were hardly likely to be buying records anyway), they were normal folk who either went to school clutching copies of Record Mirror and The New Musical Express or had regular day jobs so they could earn money to spend in record shops and fashionable boutiques, and attend gigs in evenings and weekend. [There was a lot more to the gig scene back then than just the big-name venues and festivals that get remembered now]. Those are the youth who bought Sgt. Pepper, and they are the record-buying public that made those 'underground' albums popular. Can they remember the Sixties? Of course they bloody can. Did they recognise Sgt. Pepper as something special? Of course they bloody did. What we can say about them with a fair degree of accuracy is, like us die-hard prog fans today, they were incredibly knowledgeable of the music scene at the time. They read the weekly music papers and magazines from cover-to-cover because that was all there was, copies of each publication would get passed around common rooms, staff canteens and youth clubs. And they listened to the radio. While a lot of hot air and noise is made about FM stations in the US, most of that is inconsequential because it was too localised - tiny stations broadcasting line-of-sight transmissions to a limited audience. Here in the UK underground music was on national radio (albeit late at night but that's the only time this knowledgeable record-buying youth would listen to it anyway) with programmes such as The Perfumed Garden and Top Gear playing the kind of music that wouldn't get broadcast on daytime programming but was widely reported in all the weekly music papers. While a teenager growing up in the sticks would be unable to see their favourite underground band playing live in The Marquee or The Roundhouse in London, they could hear them on the radio and read about them in the music press and thus buy their albums in Woolworths and Our Price.
This is true. It was not the hippies living on the streets of the East Village and crashing in "crash pads" who were buying the record albums. Where would they have kept them. As the who so aptly put it they were "air conditioned gypsies". It was the rich kids from Long Island who had the bucks to buy and the bedrooms to keep albums. Concerts were another thing altogether. The "wastrel" hippies could always scrape together a couple of bucks to stand in line at the Fillmore East with the rich kids from Long Island and get in an see some top notch music. So the "wastrel" hippies did have quite a bit of influence on the music scene in America. I know because I was there and vaguely remember it.
Joined: May 13 2007
Location: Europe
Status: Offline
Points: 37575
Posted: May 15 2017 at 05:51
SteveG wrote:
ExittheLemming wrote:
Thatfabulousalien wrote:
Holy f**k, that album is more prog than Crimson where until Lizard!
They definitely beat Crimson, no question.
Hmmm, so Keith Emerson invented prog?
Dean wrote:
Rednight wrote:
^Definitely not Blue Phantom as I remember the group's name being in Italian. Your second suggestion just might be it (I'm expecting a call back from a friend to verify it). Thanks for the assist, regardless.
It really, really, doesn't matter. If you can't remember it and Mike hasn't guessed it then its value as the first of anything is precisely zero even if your mate does come back with a likely name. Being chronologically the first counts for nothing other than being a mildly interesting footnote in the annals of European pop music history.
Not sure if you have followed the thread since inception but as Dean has correctly pointed out, doing something first is pretty much irrelevant when it comes to 'chroniciling' popular culture
Really? Has Dean’s opinion regarding the lack of importance in regards to priority become a incontestable fact? This type of the “throw the baby out with the bath water” reasoning has resulted in many inane PA threads or polls such as Pink Floyd v. Hawkwind. Pink Floyd came first and influenced later bands like Hawkwind and Tangerine Dream. Floyd are the inspiration of said groups. Just because there is no smoking gun as to when and where the term progressive rock originated, that is no reason to treat known milestones with the same attitude. Priority does matter as Syd Barret's version of Floyd was the inspiration for psychedelic space rockers to follow, from Hawkwind to Tangerine Dream. To deny his genius in both innovation and influence is a disservice to both his accomplishments and standing in prog. And this is coming from someone who does not worship at the alter of Syd as you and Dean seem to do.
Not important? My arse. Its time to kick this mentality to the curb where it belongs, instead of embracing it, let alone agreeing with it. Popular culture may difficult to chronicle at times, but that standard does not apply to popular art.
That's not what I said and Iain has interpreted my opinion correctly. An obscure Italian band that no one has heard of may have produced something that we later recognise as being earlier than Sgt Pepper but it's impact was negligible at the time - this makes it an interesting footnote in the time-line but not an important album in the chronology of popular culture or Progressive Rock.
The reason why Barratt's Floyd is so important relates back to underground scene that I mentioned in my overlong treatise and specifically the scene that was centred around Ladbroke Grove, Portabello Road and Notting Hill Gate. That geographical location is not only associated with Hawkwind and other "Clearwater Productions" bands such as High Tide, but also with early Floyd, Quintessence and many of the Canterbury Scene bands, along with mainstream favourites such as Cream and Hendrix; it was also a regular hang-out for various Beatles while recording in Abbey Road (2 miles away). It was also the home of Island Records and SARM studios, and a cheap area for starving musicians to live in. So it was essentially the epicentre of the underground Psych scene in London and the spiritual birthplace of Prog Rock, therefore chronology of they bands that frequented the Notting Hill area is the chronology of Prog Rock (up to 1970 at least).
Joined: April 11 2014
Location: Kyiv In Spirit
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Posted: May 15 2017 at 04:10
ExittheLemming wrote:
Thatfabulousalien wrote:
Holy f**k, that album is more prog than Crimson where until Lizard!
They definitely beat Crimson, no question.
Hmmm, so Keith Emerson invented prog?
Dean wrote:
Rednight wrote:
^Definitely not Blue Phantom as I remember
the group's name being in Italian. Your second suggestion just might be
it (I'm expecting a call back from a friend to verify it). Thanks for
the assist, regardless.
It really, really, doesn't matter. If you can't remember it and
Mike hasn't guessed it then its value as the first of anything is
precisely zero even if your mate does come back with a likely name.
Being chronologically the first counts for nothing other than being a
mildly interesting footnote in the annals of European pop music history.
Not sure if you have followed the thread since inception but as Dean has correctly pointed out, doing something first is pretty much irrelevant when it comes to 'chroniciling' popular culture
Really? Has Dean’s opinion regarding the lack of importance in regards to priority become a incontestable fact? This type of the “throw the baby out with the bath water” reasoning has resulted in many inane PA threads or polls such as Pink Floyd v. Hawkwind. Pink Floyd came first and influenced later bands like Hawkwind and Tangerine Dream. Floyd are the inspiration of said groups. Just because there is no smoking gun as to when and where the term progressive rock originated, that is no reason to treat known milestones with the same attitude. Priority does matter as Syd Barret's version of Floyd was the inspiration for psychedelic space rockers to follow, from Hawkwind to Tangerine Dream. To deny his genius in both innovation and influence is a disservice to both his accomplishments and standing in prog. And this is coming from someone who does not worship at the alter of Syd as you and Dean seem to do.
Not important? My arse. Its time to kick this mentality to the curb where it belongs, instead of embracing it, let alone agreeing with it. Popular culture may difficult to chronicle at times, but that standard does not apply to popular art.
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Joined: April 05 2006
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Posted: May 14 2017 at 10:08
In regards to the album's significance to a site that archives Prog, I think that it really does matter. And for that matter, I'd say that your opinion matters too (at least people's opinions here on such matters matter to me, but I have a rather dull life). :)
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Posted: May 13 2017 at 15:35
Dean wrote:
Rednight wrote:
^Definitely not Blue Phantom as I remember the group's name being in Italian. Your second suggestion just might be it (I'm expecting a call back from a friend to verify it). Thanks for the assist, regardless.
It really, really, doesn't matter. If you can't remember it and Mike hasn't guessed it then its value as the first of anything is precisely zero even if your mate does come back with a likely name. Being chronologically the first counts for nothing other than being a mildly interesting footnote in the annals of European pop music history.
You nailed it, AFlowerKingCrimson. It was indeed le stelle di Mario schifano! Thanks for clearing that up and helping to set straight an important part of European prog music history.
"It just has none of the qualities of your work that I find interesting. Abandon [?] it." - Eno
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