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Joined: July 20 2009
Location: Tucson, AZ USA
Status: Offline
Points: 7265
Posted: August 13 2011 at 21:05
Dialing it back to about 1971-2 gives us a bunch. Wishbone Ash, Captain Beyond, Deep Purple (arguably), Bloodwyn Pig, Led Zep, Jethro Tull, Pink Floyd etc.
Joined: December 25 2008
Status: Offline
Points: 374
Posted: August 10 2011 at 03:38
desistindo wrote:
But i have to say that blues is sometimes "anti-prog", cause is a genre too much tide in rigid scales, so you can run from the circular structure.
yes, it is . traditional blues songs use 12-bar or 16-bar I-IV-V chord progression, and most of blues songs have pretty the same structure.
progressive rock is not that simply defined, it's very various and flexible, and there is no such thing as "prog rock chord progression" . that's why all this topic arisen.
but what, if would song started from 12-bar blues progression, then developed into complex piece with mix of classical and jazz-inspired soloing and tempo/key changes, and then reverted back to I-IV-V. I'd call that "progressive blues rock" then
p.s when I wrote this, Artur Brown's Kingdom Come come to mind. Galactic Zoo Dossier is very much prog-rock, but blues roots are everywhere
Joined: August 17 2005
Location: United States
Status: Offline
Points: 4659
Posted: August 09 2011 at 06:31
I don't think most folks here would consider this progressive, but by the same token many hardcore Delta or urban blues fans wouldn't consider it proper blues either.
Joined: March 12 2005
Location: Neurotica
Status: Offline
Points: 166178
Posted: August 08 2011 at 21:28
ghost_of_morphy wrote:
Actually, prog blues would be embodied by Captain Beefheart.
Absolutely. Sadly, not for everyone.
Dig me...But don't...Bury me I'm running still, I shall until, one day, I hope that I'll arrive Warning: Listening to jazz excessively can cause a laxative effect.
Joined: July 03 2010
Location: Coho Country
Status: Offline
Points: 1302
Posted: August 08 2011 at 11:59
Steamhammer. Especially Mk.II and Mountains. Thier last album as a trio, Speech(1972) was proto-metal/heavy prog/space-psych endeavour similar to that of Hawkwind. Steve Joliffe (Tangerine Dream) appeared on Mk. II (1969) with his sax and flute and the addition of drummer Mickey Bradley took the band more to a prog/blues/jazz fusion.
Joined: December 25 2008
Status: Offline
Points: 374
Posted: August 08 2011 at 11:06
silverpot wrote:
Floyd, definately.
yes, that's a good example don't mention short songs (lot of them are blues-influenced), but even long suites like Echoes and Shine On Your Craze Diamond have bluesy feeling (thanks to Mr Gilmour)
Regarding early Fleetwood Mac,.....there wasn't any influence of prog from Mr. Jeremy Spencer. He utterly hated "In the Court of the Crimson King" He was one of those prog haters by nature. If anything sounded close to prog elements the credit would fall into the arms of Kirwan and Green. The closest Spencer ever came to prog in any sense of the word was when he did a cover of a NICE song which he played quietly on piano and gave it a flow of Folk influence.
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