Early British Prog vs American. Discuss. |
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SteveG
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Edited by SteveG - March 25 2021 at 14:36 |
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AFlowerKingCrimson
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To me fusion and jazz rock isn't necessarily the same as prog. I suppose it depends on where you want to draw the line though. Edited by AFlowerKingCrimson - March 25 2021 at 14:59 |
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nick_h_nz
Collaborator Prog Metal / Heavy Prog Team Joined: March 01 2013 Location: Suffolk, UK Status: Offline Points: 6737 |
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I have, and neither says there wasn’t US prog before Kansas..... 🙄 |
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Nogbad_The_Bad
Forum & Site Admin Group RIO/Avant/Zeuhl & Eclectic Team Joined: March 16 2007 Location: Boston Status: Offline Points: 21227 |
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I'm the fifth one and I'm referring to that time period having more proggy prog not the start point, I also refer to RTF, WR, Miles Davis, BS&T before that. For the third one thats psycho paul so you're just lucky he didn't call Kansas neo.
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Ian
Host of the Post-Avant Jazzcore Happy Hour on Progrock.com https://podcasts.progrock.com/post-avant-jazzcore-happy-hour/ |
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AFlowerKingCrimson
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See the third and fifth posts in this thread.
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nick_h_nz
Collaborator Prog Metal / Heavy Prog Team Joined: March 01 2013 Location: Suffolk, UK Status: Offline Points: 6737 |
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No one has said there wasn’t US prog before Kansas! 😄 I sincerely doubt there is a single person on this forum who believes US prog began with Kansas.... |
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AFlowerKingCrimson
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There was definitely US prog before Kansas(first album 74)or Happy the Man(first released album in 77). There was Polyphony who had an ELP sounding album in 1971 called "without introduction." There were others also.
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SteveG
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Psychedelic Paul
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In that case, I won't bother listing American Prog Line albums beginning with the letter "B"
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Spaciousmind
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Lol, I might try that sometime!
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SteveG
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I'm listening to A Rainbow in Curved Air right now with a good cigar and cup of coffee with a shot of Sambuca. Pure Bliss. Cuing up In C next.
Edited by SteveG - March 25 2021 at 07:11 |
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Sean Trane
Special Collaborator Prog Folk Joined: April 29 2004 Location: Heart of Europe Status: Offline Points: 20401 |
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You could take the problem in reverse. Post whatever thread iabout the XYZ band in the non-prog music discussion and 90% of the prog or not debate could disappear... and the 10% bitching left would be about why you didn't post it in the prog topics |
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let's just stay above the moral melee
prefer the sink to the gutter keep our sand-castle virtues content to be a doer as well as a thinker, prefer lifting our pen rather than un-sheath our sword |
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Nogbad_The_Bad
Forum & Site Admin Group RIO/Avant/Zeuhl & Eclectic Team Joined: March 16 2007 Location: Boston Status: Offline Points: 21227 |
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Paul, please do not clutter up this excellent thread with a whole bunch of lists with youtube lists that have bugger all to do with the ongoing discussion. Thank You.
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Ian
Host of the Post-Avant Jazzcore Happy Hour on Progrock.com https://podcasts.progrock.com/post-avant-jazzcore-happy-hour/ |
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nick_h_nz
Collaborator Prog Metal / Heavy Prog Team Joined: March 01 2013 Location: Suffolk, UK Status: Offline Points: 6737 |
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I mentioned In C already (and my love for last year’s interpretation of it from David Harrow), but I thought I’d mention Annette Peacock, too. I came to her via Mick Ronson’s solo album, “Slaughter...” where he covered the title track of “I’m the One”, and his cover of “Love Me Tender” is definitely more a cover of Peacock’s version of the song from that same album, than Presley’s. Mick then went on to play on the next Peacock album. (And, of course, fellow Bowie musician, Mike Garson played on “I’m the One”.) It was Bowie who brought me to Peacock; and to VU, Reed and Cale. It was Bowie who brought me to Van der Graff Generator. It was Bowie who brought me to Eno; and to King Crimson. He was my lead into a lot of prog, I guess.... |
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Crane
Forum Senior Member Joined: September 08 2011 Location: Rhode Island Status: Offline Points: 411 |
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I brought this up in a proto-prog thread. Sounds like prog to me: https://youtu.be/lscRNsyEzs4
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“Art is the recognition of the universal presence of God.” —Ernest Hello
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Psychedelic Paul
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*A* selection of classic American prog albums from the Prog Line channel.
1976: ALBATROSS - Albatross (Symphonic Prog • United States) - https://www.youtube.com/watch?v=QaBZNBUOPdk 1980: ALSHIA - Alshia (Progressive Rock • United States) - https://www.youtube.com/watch?v=zrioMKTbdng 1980: ANOTHER WORLD PRODUCTION - The End of the Age (Progressive Rock • United States) - https://www.youtube.com/watch?v=7cctfgc3VJE 1985: ARIEL - Perspectives (Jazz-Rock • United States) - https://www.youtube.com/watch?v=EPb6SYUIFJg 1981: ASHBY-OSTERMANN ALLIANCE - Ashby-Ostermann Alliance (Jazz-Rock • United States) - https://www.youtube.com/watch?v=PaK_QJ2zxXg 1981: ASTRE - Foresight (Symphonic Prog • United States) - https://www.youtube.com/watch?v=rhp506ca84A 1984: AUDIO VISION - Images (Eclectic Prog • United States) - https://www.youtube.com/watch?v=WsdL4qmxoHo 1982: AURORA BOREALIS - Aurora Borealis with Mitch Dematoff (Jazz-Rock • United States) - https://www.youtube.com/watch?v=BIcxoPjEqhQ 1976: AUSTIN ROBERTS & ADVENT - Eight Days (A Personal Journey) (Progressive Rock • United States) - https://www.youtube.com/watch?v=tQ-GO9VcYms |
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Spaciousmind
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The problem is you can't ever discuss these artists and what was good about them without having to feel worried about being inappropriate, as you worry about someone jumping on you stating this don't fit here it belongs someplace else. So what made these artist great and why did proggers listen to them as well? It's a classic misrepresentation of true history as you see all the time in books, tv and internet. If you wish to separate the US with Europe then perhaps the difference was as simple as heavy guitar centered progressiveness versus less heavy guitar centered progressiveness, it's probably not any more complicated than that. Nick
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nick_h_nz
Collaborator Prog Metal / Heavy Prog Team Joined: March 01 2013 Location: Suffolk, UK Status: Offline Points: 6737 |
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If prog is an attitude not a genre, then In C and 4’33” are both prog compositions. Prog AF! 🤘🏻 Rattle (which released David Harrow’s In C last year) is a jazz and classical label, but much of the music is very progressive even if people might not think of it as prog. They’ve released so much wonderful music over the years, and much of it is prog in my eyes (or, rather, ears). |
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omphaloskepsis
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Perhaps it partly comes down to speech and accents?
To my ear, English, Irish, Welsh, and Scots accents seem more melodious than American accents. Maybe a lifetime of speaking melodic UK accents seeps into the music?
Edited by omphaloskepsis - March 25 2021 at 06:16 |
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Crane
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I think ‘In C’ is proto-prog in that it represents the opening of avant garde concepts to the possibility of their performance by rock musicians, in that ‘In C’ deliberately leaves undetermined its instrumentation. If I wanted to push this idea further I’d say ‘4’33”’ is an even earlier example.
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“Art is the recognition of the universal presence of God.” —Ernest Hello
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