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Hawkwise View Drop Down
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Direct Link To This Post Posted: June 15 2008 at 22:04
Ah now that all depends on what you call  Psychedelic Shocked  
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Direct Link To This Post Posted: June 15 2008 at 21:41
Originally posted by PinkPangolin PinkPangolin wrote:


The Beatles built Psychedelia


They did?  Really?  No, I don't think so.  The Beatles, despite being one of the greatest bands ever, built very little.  They were uniquely brilliant and innovative songwriters but to say they built psychedelia is historically way off.  Along with Blues, Jazz and Rock'nroll, Psychedelic Rock is an almost purely American offspring, springing out of the U.S. Folk scene in the early/mid 1960s--  the Byrds, Grateful Dead (then called Warlocks), Jefferson Airplane, Big Brother, all birthed psych rock which then quickly spread to England.  It amazes me this is so often forgotten.  In fact I'll go a step further, along with Brian Wilson and the other artist I mentioned, the U.S, was instrumental in creating Prog and produced some of its first protomorphs.



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Direct Link To This Post Posted: June 15 2008 at 20:58
Originally posted by someone_else someone_else wrote:

No doubt about the British hegemony in symphonic prog and prog folk: Genesis, Yes, ELP, Gentle Giant, King Crimson, Jethro Tull, Traffic and afterwards Iona. 
 
 
What hegemony?
 
Have you ever counted how many British Symphonic bands are there and how many Italian?
 
Italian are 3 times more if I'm not weong, the problem is that most English speaking audience only care for music sung in their language and made in their continent, some great bands like PFM, Banco and Le Orme had to translate their albums to even be taken in account.
 
Just imagine Symphonic without:
  1. PFM
  2. Le Orme
  3. Banco del Mutuo Soccorso
  4. Focus
  5. Kansas
  6. Anglagard
  7. Par Lindh Project
  8. Triana
  9. Triumvirat
  10. Bacamarte

It wouldn't be the same, and there are outstanding bands as Frágil (Perú), Abbhama (Indonesia), Nautilus (Switzerland) or Petrus Castrus (Portugal) that very few ever heard about,

Or a very prolific scenario as French Theatric Symphonic, with bands as Ange, Mona Lisa or Atoll.
 
So that hegemony is only popularity.I love British Symphonic, but I love Symphonic from othrer countries too, and if I don't get the lirycs, I search for a translation.
 
My 2 cents.
 
Iván


Edited by Ivan_Melgar_M - June 15 2008 at 21:05
            
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Direct Link To This Post Posted: June 15 2008 at 20:37
Originally posted by Rocktopus Rocktopus wrote:

The only controversial bit is that what you write make you look like a typical englishspeaking cultural ignorant. 
 
Could you at least ONCE try to pretend to be a social human being and not insult a person because they dare not to agree with your superior knowledge?
 
Oh sorry... You said you don't know what to write without being insulting to people who haven't heard what you have heard....
 
I guess who the ignorant is... And not about music, which is just meaningless sh*t in the end, but about HUMAN LIFE.
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Direct Link To This Post Posted: June 15 2008 at 18:43
In terms of prog, past and present, I'd say:

1. British
2. German
3. Italian
4. Swedish
5. Canadian (mostly Quebec)
6. French (mostly Magma Wink)
7. American

after that it gets too difficult


Edited by Bluesaga - June 15 2008 at 18:44
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Direct Link To This Post Posted: June 15 2008 at 18:29
The Krautrock scene goes back to 1967, before anyone would have thought of prog, and they were working on something similar already then. Bands like Guru Guru, Amon Düül (not yet separated into I and II back then) or Tangerine Dream did this kind of music before the famous "ITCOTCK" came out; they just didn't get an album out. But once "Psychedelic Underground" had come out the other bands dared to publish an album too because it could definitely not be worse than "Psychedelic Underground". It is a horrible album, but nevertheless a milestone in the history of prog; without it it would probably have taken a lot longer before Krautrock bands started publishing albums.
Now if you said the best symphonic albums are from the UK I might perhaps agree, though especially the Italian scene could rival you there. But for me the best scene is the Krautrock scene (up until 1974 or 1975). So many fantastic albums there; only very few British bands can compete with it (though some certainly do). Granted, most of the bands never made it big; in terms of success the Krautrock scene can't compete with the British scene at all. And most of the bands definitely don't fall under "symphonic" in any way. But in terms of "good music" they can definitely compete!


Edited by BaldFriede - June 15 2008 at 19:08


BaldJean and I; I am the one in blue.
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Direct Link To This Post Posted: June 15 2008 at 17:47
Originally posted by micky micky wrote:

Originally posted by Garion81 Garion81 wrote:

Originally posted by micky micky wrote:

Clap damn right Rocktopus... if it weren't for the Brits and Americans sh*tting on the rest of world.. everyone else would still be living in mud huts and hunting for their dinners in the woods LOL

*munch munch munch*
 
You're having too much fun.  LOL
 
 


I live for fun my friend.. and ..well.. stirring things up a bit.  Beats dicussing concept albums that aren't.. or greatest f**king Camel albums that aren't LOL
 
Certainly funner than game 4 of the NBA fianls.  Angry
 
Damn  Celtics Ouch
 
 
 


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Direct Link To This Post Posted: June 15 2008 at 17:38
^ Thumbs%20Up Truer words never better spoken.
I appreciate you took the time to look at the link.  That was from a show they did 6 months before Leftoverture was recorded and released.  I don't expect the rest of the world to like them but don't diminish their influence on people in the US how many people came to prog through them.  That is why they have a legacy here. 
As for the vocals remember this band started in 1974 (they formed in this lineup in 1973)  they pioneered that vocal sound even if you don't like them don't lump them in with others from the later part of the decade that, well, imitated their vocals and watered down the music and had a lot of radio hits. 
 
 
 
 


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Direct Link To This Post Posted: June 15 2008 at 17:30
Its all good, be damn boring  world if we all liked the same stuff, and what could we argue about then ?


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Direct Link To This Post Posted: June 15 2008 at 17:25
Originally posted by Hawkwise Hawkwise wrote:

Originally posted by Garion81 Garion81 wrote:

Originally posted by Hawkwise Hawkwise wrote:

How do you know i know nothing about Them ?   and do you have to know about a band ? to Like or not Like there Music ?  I Listen if i like, i like if i don't i don't  , may not need to Know the History or who played what or who came from where  , ether you like it or you don't ,  Kansas  nope not for me, AOR rubbish
 
You don't need to insult eitherWink
 
To bad maybe check this out if that doesn't convince you nothing will:
 

 Wasn't  to bad until he started Singing ,  then it just gets Cheesier  and Cheesier 
Would been much better without the Vocals  , yeah they can play no denying that , but just doesn't do it for me
No Edge to it
 
 
Fair enough and thanks for checking it out. 
Smile
 
 
BTW what you wrote  is pretty much how I feel about Neo prog in general. 
 
 


Edited by Garion81 - June 15 2008 at 17:28


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Direct Link To This Post Posted: June 15 2008 at 17:08
Originally posted by Garion81 Garion81 wrote:

Originally posted by Hawkwise Hawkwise wrote:

How do you know i know nothing about Them ?   and do you have to know about a band ? to Like or not Like there Music ?  I Listen if i like, i like if i don't i don't  , may not need to Know the History or who played what or who came from where  , ether you like it or you don't ,  Kansas  nope not for me, AOR rubbish
 
You don't need to insult eitherWink
 
To bad maybe check this out if that doesn't convince you nothing will:
 

 Wasn't  to bad until he started Singing ,  then it just gets Cheesier  and Cheesier 
Would been much better without the Vocals  , yeah they can play no denying that , but just doesn't do it for me
No Edge to it
 
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Direct Link To This Post Posted: June 15 2008 at 17:05
No doubt about the British hegemony in symphonic prog and prog folk: Genesis, Yes, ELP, Gentle Giant, King Crimson, Jethro Tull, Traffic and afterwards Iona.
In the progressive electronic branch, Germany has more credits: TD, Klaus Schulze, ...
 
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Direct Link To This Post Posted: June 15 2008 at 16:57
Originally posted by micky micky wrote:

Originally posted by Garion81 Garion81 wrote:

Originally posted by micky micky wrote:

Clap damn right Rocktopus... if it weren't for the Brits and Americans sh*tting on the rest of world.. everyone else would still be living in mud huts and hunting for their dinners in the woods LOL

*munch munch munch*
 
You're having too much fun.  LOL
 
 


I live for fun my friend.. and ..well.. stirring things up a bit.  Beats dicussing concept albums that aren't.. or greatest f**king Camel albums that aren't LOL
 
LOLLOL 
Best line of the day
 
 


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Direct Link To This Post Posted: June 15 2008 at 16:56
Originally posted by Hawkwise Hawkwise wrote:

How do you know i know nothing about Them ?   and do you have to know about a band ? to Like or not Like there Music ?  I Listen if i like, i like if i don't i don't  , may not need to Know the History or who played what or who came from where  , ether you like it or you don't ,  Kansas  nope not for me, AOR rubbish
 
You don't need to insult eitherWink
 
To bad maybe check this out if that doesn't convince you nothing will:
 


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Direct Link To This Post Posted: June 15 2008 at 16:50
Originally posted by Garion81 Garion81 wrote:

Originally posted by micky micky wrote:

Clap damn right Rocktopus... if it weren't for the Brits and Americans sh*tting on the rest of world.. everyone else would still be living in mud huts and hunting for their dinners in the woods LOL

*munch munch munch*
 
You're having too much fun.  LOL
 
 


I live for fun my friend.. and ..well.. stirring things up a bit.  Beats dicussing concept albums that aren't.. or greatest f**king Camel albums that aren't LOL
The Pedro and Micky Experience - When one no longer requires psychotropics to trip
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Direct Link To This Post Posted: June 15 2008 at 16:49
How do you know i know nothing about Them ?   and do you have to know about a band ? to Like or not Like there Music ?  I Listen if i like, i like if i don't i don't  , may not need to Know the History or who played what or who came from where  , ether you like it or you don't ,  Kansas  nope not for me, AOR rubbish


Edited by Hawkwise - June 15 2008 at 16:54
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Direct Link To This Post Posted: June 15 2008 at 16:48
Originally posted by micky micky wrote:

Clap damn right Rocktopus... if it weren't for the Brits and Americans sh*tting on the rest of world.. everyone else would still be living in mud huts and hunting for their dinners in the woods LOL

*munch munch munch*
 
You're having too much fun.  LOL
 
 


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Direct Link To This Post Posted: June 15 2008 at 16:47
Originally posted by Hawkwise Hawkwise wrote:

Originally posted by Garion81 Garion81 wrote:

I am so tired of the USA getting crapped on in threads like this.  I grew up in Orange County, California in the 70's graduating High School in 1974.  We had 5 bands playing symphonic progressive rock from 1972-1978 never getting signed. (ask Micky I gave him samples of some of the bands practice tapes) I remember a concert where all 5 played at and it drew 5000 kids and none of these groups had a deal.   That was 5 bands in one small part of the country.  I contend most American prog died on the vine and was never signed because the music industry was already consolidating the avenues of styles.  (The only real experimental music in the US came out of the 67-70 Psychedelic bands and other The Doors, The Byrds and Touch but even still much of this music was still processed for hit radio) The only reason we had Kansas was because they had drawn Don Kirshner's notice BEFORE Kerry Livgren joined the band.  It was Livgren that added the symphonic elements to the group.  It was a total fluke. Before people criticize this band I have heard more people in the US say their first introduction to prog, several dozen in the last year or so,  was through Kansas. Maybe they were not influential on an international level but here they certainly were. 
 
(For all of you who say they were a copy cat band I suggest you pick up an album called Proto-Kaw Early Recordings From Kansas 1971-3 and see how much earlier some of the songs the famous Kansas recorded were actually written and hear how Livgren was using more experimental music with no synths or mellotrons)  
 
I would put up the recordings of Happy the Man against any band from Europe in the 70's as well.  They may well have the most Euro sounding of all the American groups. 
 
No we were not well represented in the 70's on record but the current wave of bands are as good or better than anything out there now. I put IZZ, Echolyn, Helmet of Gnats, Frogg Cafe, Umphreys McGee up as more of progressive band than PT.  The Tanget is an international band with a terrible singer so don't try to get British ownership there.  As for cheese there is nothing cheesier than Neo in my mind.  Galahad (British) anyone? Wink
 
That said it was the Britsih who popularized the sound.  Whether or not it is the best is entirely subjective. 
 
I am not trying cause a war but at I am least trying to defend and educate what was going on in the US in the 70's
 
 
Kansas wasn't  that  called  AOR  Adult Orientated Rock   along with the likes of Journey and Styx 
Sorry but Kansas where never in the same league as any the Prog Bands from the UK and Europe ,
Funny enough i just bought  Leftouerture  on Vinyl (in Bargain bucket 4 bucks)  and i would say is a very week
sounding  album , sounds like a band trying to be Prog but just not getting it (what ever it is ?)  what lets it down the most is the very poor Vocals the Vocals  just have no  Character  to them  and lyrically its poor to
Just not  in the Same League as the Prog from the UK and Europe
 
Typical response from someone who knows nothing about them.
 
There is enough information on this site about thier "worthiness" look it up I am not wasting my time anymore.
 
EDIT
Here if this doesn't convince you nothing ever will:
 
 
 


Edited by Garion81 - June 15 2008 at 16:55


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Direct Link To This Post Posted: June 15 2008 at 16:26
What have we learned so far?

- British prog isn't 'the best' because we can't agree what 'the best' means
- Other countries had, and some still have, vibrant prog scenes
- British prog is still the reference point (we call it 'classic' prog, and other scenes are either 'experimental' or 'derivative')

My, aren't we doing well?
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Direct Link To This Post Posted: June 15 2008 at 16:18
...failing that, we Prog them back to the Stone Age. Wink LOL
 
During the 70s the a lot of the music played on late-night radio and shown on The Old Grey Whistle Test tv programme was American - European and British progressive music was only a part of the 'serious' music scene at the time
 
I agree that much of the current prog produced in the UK is weak, but there is still some good music being produced (To-Mera, The Noun, Immune, Thieves' Kitchen, Whimwise, Secret Garden...)
What?
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