Actually, I found it a little baffling that on the earlier thread I was practically the only one keeping it going, and now everyone’s weighing in on this new one .

Anyway, how about I poop these:

Midnight Oil – Arctic World (the proggiest track on Diesel and Dust; a few earlier ones came close, esp. Surfing With a Spoon on their first album, circa 1977)

Poco – Crazy Eyes.  Surprisingly elaborate piece by a band usually dismissed as lightweight country-rock.

Quicksilver Messenger Service – The Fool.  Their magnum opus, IMO, and a surprisingly complex tune full of subtleties and unexpected melodic turns.

Neil Young.  No less than three tracks from “Harvest” lean in that direction: There’s a World, A Man Needs a Maid, and Words (Between the Lines of Age).  I always thought that the arrangement in There’s a World could have inspired Mother Russia by Renaissance.

Allman Brothers Band – In Memory of Elizabeth Reed.  Play it back-to-back with Lady Fantasy by Camel, and tell me what you hear.

Several by Stories: Darling, Hey France, Please,Please, Words, Bridges, Soft Rain, Hard When You’re So Far Away, Stories Untold, and Earthbound/Freefall.

The Church is already on PA as prog related, but Afterimage, the last track on "Magician Among the Spirits," wouldn't sound out of place on an Anthony Phillips album.

Creedence Clearwater Revival – Rude Awakening #2.  Whoever heard of sustained organ chords on a CCR album??

Alice Cooper – Titanic Overture from their first, "Pretties for You."  With mellotron and everything.  A real Get Out of Here song.

Shawn Phillips – “L” Ballade.  Features beautiful orchestral arrangement by Paul Buckmaster.

Roy Wood: his first solo record, “Boulders,” is quirky, idiosyncratic and stylistically all over the place, as is the norm for him.  The two tracks closest to prog are, IMO, Nancy Sing Me a Song and Dear Elaine, both of which would have fit in on the first ELO album.

Cream: “Wheels of Fire” has several: As You Said, White Room, Passing the Time, Pressed Rat and Warthog, Those Were the Days and my single favorite Cream tune, Deserted Cities of the Heart.  From “Disraeli Gears”: Dance the Night Away, World of Pain, Blue Condition.  From “Goodbye”: Badge, What a Bringdown, Anyone for Tennis.