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Topic ClosedWhy don't most people love our beloved music?

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rogerthat View Drop Down
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Direct Link To This Post Posted: May 18 2011 at 09:15
Originally posted by Henry Plainview Henry Plainview wrote:

 
Originally posted by rogerthat rogerthat wrote:

Originally posted by Alitare Alitare wrote:

I never said music didn't exist. I said the inherent 'goodness' or 'badness' of music does not exist.

But you had earlier asked the question that how can a toddler wailing on a toy piano be called objectively bad music? My point is it would not even be music if he was just banging keys randomly, so the question of whether it is good or bad music does not arise.  Within the realm of whatever IS music, we cannot prove what is inherently bad or good music, I agree. You will, on the other hand, get most people to agree that the same toddler playing some 'musical' crap with horrible tones is terrible music. That is not proof but it is highly persuasive and most music discourse goes around on persuasion, not proof.

I would call a toddler playing an instrument poorly music. It's not music that I want to listen to, but that doesn't mean nobody finds value in it. Who am I to say that they're wrong? If we say playing an instrument poorly is not music, what is the exact cut off point of skill that makes it noise versus music? If you can't define that then I think the term is useless.

To be honest, I'm not sure that music exists at all, and I know that sounds silly but there it is. 


I still disagree.  If it's not in any melody or rhythm whatsoever (regardless of how correctly or not the melody or rhythm is reproduced), it is not music.  It's not a question of making mistakes or lack of skill so you are confusing the issue here. If an actual song is played badly, it's still music. But if the sounds don't constitute any kind of musical pattern whatsoever, it is just sound.  So, it's not a question of skill and trying to find a cut off point for it, there must necessarily be some music being made from the playing. And I have no objection if somebody does find value in it, possibly the kid and his parents would. But that somebody finds value in it does not also make it music either.  It's your wish if you want to get semantic about it, but music as sensed by human ears is completely different from other sounds, there is no scope for confusion here. I don't even believe that if an actual kid banged totally random keys on the piano, people would say that the kid is playing something.  But if you want to argue for the sake of arguing, it's your choice.
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Direct Link To This Post Posted: May 18 2011 at 08:09
I say we throw some pearls at the swine who don't like our beloved music. Tongue
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Direct Link To This Post Posted: May 18 2011 at 00:21
Originally posted by Henry Plainview Henry Plainview wrote:

Well I do believe in free will. ;-) I would make a distinction between the organization of sound by cosmic forces and the organization of sound by the human brain. If you think that cosmic forces count as organized sound, then yes, everything is music, but I think it's a bit simpler and smarter to say sound intentionally organized by human beings and presented as music.

But if someone wants to call those things music, I don't actually care.

Neither do I, I just like to argue. I happen to not believe in free-will. I don't believe in lack of free-will, either. If it's there, it's there, and my belief of it won't change a damn thing, but if we don't control the way our brains were built through birth, the overall flow and balance of chemicals in our body, and how our environment/genetics/brainwashing/parents conditioned us to believe or think, then why is anyone held accountable for anything? 
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Direct Link To This Post Posted: May 18 2011 at 00:17
Well I do believe in free will. ;-) I would make a distinction between the organization of sound by cosmic forces and the organization of sound by the human brain. If you think that cosmic forces count as organized sound, then yes, everything is music, but I think it's a bit simpler and smarter to say sound intentionally organized by human beings and presented as music.

But if someone wants to call those things music, I don't actually care.
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Direct Link To This Post Posted: May 18 2011 at 00:01
Originally posted by Henry Plainview Henry Plainview wrote:

 
Originally posted by rogerthat rogerthat wrote:

Originally posted by Alitare Alitare wrote:

I never said music didn't exist. I said the inherent 'goodness' or 'badness' of music does not exist.

But you had earlier asked the question that how can a toddler wailing on a toy piano be called objectively bad music? My point is it would not even be music if he was just banging keys randomly, so the question of whether it is good or bad music does not arise.  Within the realm of whatever IS music, we cannot prove what is inherently bad or good music, I agree. You will, on the other hand, get most people to agree that the same toddler playing some 'musical' crap with horrible tones is terrible music. That is not proof but it is highly persuasive and most music discourse goes around on persuasion, not proof.

I would call a toddler playing an instrument poorly music. It's not music that I want to listen to, but that doesn't mean nobody finds value in it. Who am I to say that they're wrong? If we say playing an instrument poorly is not music, what is the exact cut off point of skill that makes it noise versus music? If you can't define that then I think the term is useless.

To be honest, I'm not sure that music exists at all, and I know that sounds silly but there it is. 

It's either random noise or arranged noise, and if you don't believe in free will, it's all arranged noise. Surely there was a series of discernible events which led to that car horn, yes? So wasn't it arranged? Your wife wakes up too late to get ready for drunken church bingo and you zip out to the car. She hasn't finished curling her hair and you've got five minutes left before you miss out on the free vodka shots. You slam on the horn in hopes of shocking her to a hasty end. Thus, this car horn was an arranged sound. A tree falling in the woods: surely the tree's fall wasn't magic. It fell because of physics and circumstances surrounding it. Thus, the falling tree sound was arranged. Why, then, is it not 'music'?
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Direct Link To This Post Posted: May 17 2011 at 23:57
 
Originally posted by rogerthat rogerthat wrote:

Originally posted by Alitare Alitare wrote:

I never said music didn't exist. I said the inherent 'goodness' or 'badness' of music does not exist.

But you had earlier asked the question that how can a toddler wailing on a toy piano be called objectively bad music? My point is it would not even be music if he was just banging keys randomly, so the question of whether it is good or bad music does not arise.  Within the realm of whatever IS music, we cannot prove what is inherently bad or good music, I agree. You will, on the other hand, get most people to agree that the same toddler playing some 'musical' crap with horrible tones is terrible music. That is not proof but it is highly persuasive and most music discourse goes around on persuasion, not proof.

I would call a toddler playing an instrument poorly music. It's not music that I want to listen to, but that doesn't mean nobody finds value in it. Who am I to say that they're wrong? If we say playing an instrument poorly is not music, what is the exact cut off point of skill that makes it noise versus music? If you can't define that then I think the term is useless.

To be honest, I'm not sure that music exists at all, and I know that sounds silly but there it is. 
if you own a sodastream i hate you
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Direct Link To This Post Posted: May 17 2011 at 21:00
Originally posted by Slartibartfast Slartibartfast wrote:

I totally reject the notion that you can't dance to prog.  The Catherine Wheel,  Fred Frith's various dance albums.  You just have to be creative.  Hell, square dancing can be interesting even if you don't care for the music.

OK, maybe you CAN dance to some of it (even LTIA Part 2!), but would you WANT to?   

Also, the girls like to go "Ooh, Ooh!" for cute, studly guys, who can be somewhat hard to find in the prog arena (present company excluded of course). 

This is what folks seem to be listening to, right now!


Ugh!!  
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Direct Link To This Post Posted: May 17 2011 at 15:32
I totally reject the notion that you can't dance to prog.  The Catherine Wheel,  Fred Frith's various dance albums.  You just have to be creative.  Hell, square dancing can be interesting even if you don't care for the music.
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: May 17 2011 at 15:24
It's quite simple, actually....you can't dance to it (unless you want to end up looking like a lurching spastic or something!)

Fripp's foray into dance began with "Exposure" and reached its zenith with "League of Gentlemen."  At his Chicago gig, he insisted on a dance floor in front of the stage. 

Of course, all of us Fripp geeks immediately crowded onto the floor & crowded up at the stage!!  Dancing?  Nope, not one!!  Cry  Sorry, Robert!!  

As I see it, the lack of danceable rhythms is the real reason why prog tends to be a guy's sport.  Rarely, prog songs made it into the disco (I think "Sledgehammer" was one).  Look at the effort that David Bowie and others made to produce danceable product.  
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Direct Link To This Post Posted: May 17 2011 at 15:12
Originally posted by Vibrationbaby Vibrationbaby wrote:

Yoy mean Issa? I can deal with Jane. She's harmless. Sort of like Kate Bush meets Sara McLachlan.Thing about Diana is that I realy liked herwhen she started out but she doesn't really do any original material. I think she's on a one woman show tour right now. Just her on piano. No band. Don't know what she sees in Elvis Costello. Escapes me. You would expect her to be with someone like Jon Bon Jovi. That wouldn't siuprise me. I can't see what La Toya sees in Bob either. I mean if I was a woman I don't think I'd be flirting with Bob. Can you imagine being a woman and having to adopt to his rigidity. Wacko.
I don't have any of her albums but just a couple of guest appearances on other peoples albums.
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: May 17 2011 at 15:01
Yoy mean Issa? I can deal with Jane. She's harmless. Sort of like Kate Bush meets Sara McLachlan.Thing about Diana is that I realy liked herwhen she started out but she doesn't really do any original material. I think she's on a one woman show tour right now. Just her on piano. No band. Don't know what she sees in Elvis Costello. Escapes me. You would expect her to be with someone like Jon Bon Jovi. That wouldn't siuprise me. I can't see what La Toya sees in Bob either. I mean if I was a woman I don't think I'd be flirting with Bob. Can you imagine being a woman and having to adopt to his rigidity. Wacko.


Edited by Vibrationbaby - May 17 2011 at 15:07
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Direct Link To This Post Posted: May 17 2011 at 14:49
How about Jane Siberry?
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: May 17 2011 at 14:40
Originally posted by Vibrationbaby Vibrationbaby wrote:

Sometimes I have no choice but to listen to Céline's catcalls. I often meet a friend in Place Ville Marie for coffee in the morning and they play this goddam Céline Dion repeating sampler overthe PA. It is really f**king annoying. In Montréal you have to look at her ugly face in the newspapers on almost a daily basis. It used to be a lot worse but that flame has been passed on to Lady Gaga. When Céline calved those latest two little freaks it was everywhere. Just makes you want to drink your own diareah. Believe me thare are a lot of Céline haters in Québec, it' s not only me. That creepy pedophile manager husband / manager always says that they won't accept any cheap criticism, but they still get plenty of it .

Sarah McLachlan I can tolerate sometimes. But when this Lilith Fair militant women's lib crap came out I started to throw up. I have to admit unlike Céline she can sing. She does have a grasp of whatshe's doing with her mezzo-soprano voice but her songs are just too wishy washy. As far as Canadian female vocalists that I'll listen to. Lee Aaron ( Karen Greening ) Met her once, Alanah Myles and Pamela Morgan .I''ll even listen to Rita McNeil and Anne Murray. Randy Bachman is a real good Canadian female vocalist too.

 
I just made caca in my trousers reading this.....thanks for that LOLLOL!!
 
I do enjoy Diana Krall on occasion......(so do my eyes)
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Direct Link To This Post Posted: May 17 2011 at 13:46
Thanks Vibrationbaby. You seem to love those speed demons as well huh? ;)

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Direct Link To This Post Posted: May 17 2011 at 13:27
^^
Nice Avatar. NASA Lockheed SR-71A Blackbird.
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Direct Link To This Post Posted: May 17 2011 at 12:52
  The answer is sooo simple. They don't like it because it's geeky and nerdy. It's dificult, as Tarkovsky and Bela tar are in cinema. People are tired, they like easy sounds so their brain do less work.  

Edited by oracus - May 17 2011 at 12:57

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Direct Link To This Post Posted: May 17 2011 at 11:38
As much as I absolutely loathe Celine, it's not like she's a sheer abysmal drop from the hideously overrated Diana Ross.  Just what all are we going to tick off as "not music"? LOL  But I do get where his irritation comes from. In my country too, people are still hung up on Celine Dion...as such on mid 80s to early 90s pop and rock music that listeners in the West have grown out of but India still can't get enough of. Dead  I mean Celine, Def Leppard, Bon Jovi, GNR, Bryan Adams, even Aqua.  Dead
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Direct Link To This Post Posted: May 17 2011 at 11:12
Originally posted by Vibrationbaby Vibrationbaby wrote:

Originally posted by giselle giselle wrote:

The big danger in clinging to a genre like this, is it can make you think you are in an elite, and creates in you a kind of snobbery which looks down on other forms of music. That of course, is rubbish - music is music is music. As we've seen from many discussions on here, forming a genre makes the devotees argue long and hard about what Prog is or isn't, when really it should just be about a group of people tending to enjoy the same kind of music. Prog isn't better or worse than other forms of music, it just is a particular way of playing and approaching the subject. That fact often gets lost in people's obsessive lack of distinction between their own very personal taste and musical quality.


I agreewith you as long as Céline Dion is not included in this thing we call music.
 
I'm not a fan of Celine Dion either, but that definition is more to do with 'you' than 'we'.
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Direct Link To This Post Posted: May 17 2011 at 10:48
In a very personal way, I classify music as "Music to dance to" and "Music to listen to".
Most people prefer "Music to dance to", which does not require much attention to details, just a nice beat and a catchy tune, not giving much importance to content.
"Music to listen to" on the other hand, has rich compositions, complex arrangements, elaborate orchestration, and requires attention while listening to it, to fully appreciate it. This type of music is for the intellectually inclined type of people, which is not the case for most of the human race, and is quite difficult for the average person to relate to.
"Music to listen to" includes classical, jazz, prog, and other genres which focus on composition, not on the beat, and is largely ignored by the music industry and general public, but it's highly appreciated by their fans. Most of it stands the test of time, unlike the vast majority of popular music of yesterday and today. 
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Direct Link To This Post Posted: May 17 2011 at 10:23
Originally posted by Slartibartfast Slartibartfast wrote:

Originally posted by Vibrationbaby Vibrationbaby wrote:

Originally posted by giselle giselle wrote:

The big danger in clinging to a genre like this, is it can make you think you are in an elite, and creates in you a kind of snobbery which looks down on other forms of music. That of course, is rubbish - music is music is music. As we've seen from many discussions on here, forming a genre makes the devotees argue long and hard about what Prog is or isn't, when really it should just be about a group of people tending to enjoy the same kind of music. Prog isn't better or worse than other forms of music, it just is a particular way of playing and approaching the subject. That fact often gets lost in people's obsessive lack of distinction between their own very personal taste and musical quality.


I agreewith you as long as Céline Dion is not included in this thing we call music.
I don't listen to Dion.  Why do I get the funny feeling that you do and this is why you hate her stuff so much. LOL
A side question, what do you think about Sarah McLachlan?



Didn't she do an all-Tom Waits cover album? I hate her almost as much as Sheryl Crow and Rod Stewart for that.
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