Interactive Poll #Fri 13 Female Singer-Songwriters |
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triptych
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Funny how no-one stated Aimee Mann.
Edited by triptych - November 17 2020 at 07:41 |
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suitkees
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Absolutely, "Survival" is much more to my liking: has still some easy going flavor, but the playing is much richer here - great groove. Her talking voice approach reminds me a bit of Paddy McAloon's I Trawl the Megahertz (although this is musically very different). Tracy Chapman is great too, but maybe a bit too well known...
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The razamataz is a pain in the bum |
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TCat
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Comments from the entries on page 2….and the best playlist continues…. George – Adia Kees – Rozi Plain – Cristi – LP – Lost on You – Wow, now this is more my style and what a voice, especially when she takes that haunting turn towards the ending. Quite a nice surprise and one that will be a contender for sure, if it is your final nomination, that is. Lorenzo – Every one of your selections is excellent and any of them would be a good final nomination, but my favorite is Carmen Consoli. Her vocals and style stand out for me more than the others. Lewian – Since I am the one that posted the other DiFranco song, of course I also love this one. I agree that she is quite amazing, but unfortunately, I am already too familiar with this one. That Barbara Morgenstern track, however, blows me away. Now you have my interest in hearing more from her. The way she utilizes the “choir” is quite original and I love the chord progressions and how it switches so easily from major to minor chords while supporting a melody that doesn’t necessarily have to match their chords, this is a brilliant track and will be a tough one to beat. This one is going to be a tough one.... |
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Snicolette
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First listen where I left off, a couple of new ones and some additions to Nevermind:
Drew: Hope you make it back in time to choose a
final nomination, Drew (voting begins on Friday). Good to see you back! Jane Siberry “Are We Dancing Now? (Map of the
World Part III” Begins with some very sporty piano and then some super-smooth,
soaring, whispery vocals. Definitely her
own kind of artist, I’m certain she’s always recognizable, just from this one
cut. Some slidy concertina flows in,
then some more piano, smoothing out after a brief interlude. This song really captures new romance, the
endorphins both smoothly flowing and then in bursts of energy, which sometimes
border on chaotic and fading out at the end.
Nina Hagen “Naturtrane” Beautiful 12-string strumming starts this one,
Nina has quite the operatic-type delivery.
You quite feel her indignation at the end of an affair, although she
only mentions it as “acquaintance,” in the English translation I found. Strings and drums back her as she soars above
and about, then a tasteful electric guitar lead, as she wavers from lofty to
earthy in her lament. Tracey Thorn “Too
Happy” Plucked electric guitar leads
into a self- and relationship-examination piece. Everyone has been through these moments
sometime or another. From my
perspective, it seems as though she is trying much harder than the object of
her affection to keep the relationship.
Wonder if they stayed together?
Julia Holter “Words I Heard” Live in studio setting here, piano and
strings. I love this kind of a piece,
melancholy, soft horns play along from time to time, this has a very “city”
feeling to me, thoughtful and sophisticated.
Climax of the piece, with shimmery harmonies, making me think of church
bells, somehow, then back down to the general feel to conclude. Shen Teh (Lara
Reidel) “The Blue Café” Begins with
piano chords, a reminiscence song, of when a lover said goodbye. The keys are joined with some cello (?)
sliding underneath her confessional tone of voice, as she paints the portrait
of the time, not specific words she can recall, but the tone, the feeling of
the moment. Drums and crashing cymbals
kick in as she sings more forcefully, accepting the outcome she really doesn’t
want. Samuel: Not a problem for me bringing in Fiona Apple with “Sullen Girl,” as I’d indicated to Nevermind, as long as it’s not a smash hit piece, I’m OK with it. I do remember Fiona Apple quite well, one of my friends even planted an apple tree in her yard and named it “Fiona.” 😊 Anyway, to the song: Begins with echo-y piano and her pretty, pretty voice singing of the damage a bad relationship can do. Really nice imagery with the deep blue, waves and an empty shell left behind, bereft of it’s treasure. The music swells as though it, too, is under the waves. Solid, moody piece. Nevermind: Annette Peacock “Survival,” (I knew you put the first one up as sentimental for your father, and a good track it is). Here is a spoken piece with some killer percussion, I might add. A deep look at planetary peril and what is and isn’t being done about it, science and nature, innocence and world-weariness, the profound and the profane. The piece is couched with that aforementioned percussion, snapping bass and electric piano. This kind of reminds me of Jim Morrison’s “An American Prayer,” recording. This piece is from 1979, yet here we still are, fighting this same battle. Sigh. Fitting end, she sings a few lines of “Silent Night.” Tracy Chapman “Broken” There was a reason she was so successful, because she is so good at this. Just hearing the lone guitar with her gorgeous voice gave me chills, hearing this again after a long time. A perfect vignette of a normal, difficult life, told with compassion and honesty. |
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"Into every rain, a little life must fall." ~Tom Rapp
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Meltdowner
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Looks like there's someone else playing the Portuguese card this time, although I couldn't think of anyone worthwhile in this category. It's not the kind of music I look for in my own so I'm looking forward to hear your suggestions. I don't know if she's considered too well known, but I only discovered her music last year and I heard the album dozens of times since. It's full of Mellotron so I felt at home right away. Fiona Apple - Sullen Girl
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Snicolette
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Thank you so very much, George!
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"Into every rain, a little life must fall." ~Tom Rapp
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Nevermind
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Since Nicolette doesn't mind I'll after all throw the wonderful Tracy Chapman in (Love the minimalistic arrangements on the whole album from 2002) |
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Nevermind
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@suitkees Now, you're right about my first Peacock's choice - mind you, that was just the bone, this is the real meat: |
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mathman0806
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Playlist for what I can play on YouTube.
https://www.youtube.com/playlist?list=PL-zzvl_w6Fx4rWIGzssuGWGQP_ze7P62s Edited by mathman0806 - November 16 2020 at 05:02 |
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suitkees
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3rd round of feedback
Nevermind: Nice of you to join and participate! I know Annette Peacock from her participation on the Bill Bruford album Feels Good to Me, but not as a solo artist (other than maybe a vague memory of radio back then). She has a beautiful voice, but this song is a bit too much easy-listening - it doesn't really captivate me. Rickie Lee Jones is more well known and I like her very much. This song, the drum/bass/piano flow give it a nice groove and her voice conveys some melancholic optimism. Very nice! Mafalda Veiga is a bit too much straightforward pop-rock for me, nice but forgettable. Rickie Lee Jones is my preferred one here. BrufordFreak: Jane Siberry brings us, after an uptempo jazzy start, a rather easy going song but with many subtleties in the playing: a subtle interplay between piano and acoustic guitar in the beginning, an accordeon adding an extra flavor and a solid (changing) rythm section give a lot of musicality to this song before they lash out into some flamenco-like (?) jazz - very nice! I probably know Nina Hagen's music too well to make it a contender here, but I always loved her music and theatricality... She's always been a very special artist and this is a fantastic song. Tracey Thorn has a great voice too, and interesting lyrics, but this song moves me a bit less. Julia Holter: now this is new territory. Mixing a contemporary music ensemble feel with some pop leanings and electronics into a dreamy captivating poetic song. I don't know how to label this other than just very beautiful and very original. Like to explore more of her music! And with Shen Teh we have another great song. Nice build up, first between double-bass and piano, then with the drums going to a climax, fantastic voice. Thanks for putting these up! |
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The razamataz is a pain in the bum |
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Snicolette
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Thank you for your technical assist, George!
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"Into every rain, a little life must fall." ~Tom Rapp
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mathman0806
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Fixed the embedding.
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Nevermind
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Hahahaha - and a true lady, alriiiight !
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Snicolette
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Awwwwww, shucks. Thank you. *curtseys*
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"Into every rain, a little life must fall." ~Tom Rapp
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Nevermind
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@ Snicolette Thank YOU for your kind, wise comments all around (and for what I understand the bearer of broad, tasteful musical preferences) Glad to interact with you, cheers.
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Snicolette
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Good to see you back! You did some some special mentions for your entries in the last one. Normally, you come back and "nominate" one of your pieces/songs for final voting, then we vote on them. Sorry your computer was recalcitrant. Looking forward to hearing your selections.
Edited by Snicolette - November 15 2020 at 14:25 |
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"Into every rain, a little life must fall." ~Tom Rapp
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Snicolette
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"Into every rain, a little life must fall." ~Tom Rapp
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Snicolette
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First listen, pages 2 and 3, lots of additions and a couple of new posters:
Lorenzo: Francesca Lago “Bring the Noise” Dark electric guitar opens, joined by
Francesca’s dark, confessional voice, then cello (?). I wouldn’t mess with
her. I like this one a lot, she creates
a perfect atmosphere. Interesting end
choice, with the children singing the chorus.
Carmen Consoli “Geisha” Another dark, heavy intro, with an intense
vocalization, great feeling of irony and contempt here in the lyrics. Ginevra Di Marco “Terra Blu” Spare guitar and a very soaring voice, I
can’t find a translation (Blue Earth, obviously), but I like the feeling of
wonder in the song, without knowing the details. Deep strings bolster her clear vocals here
and piano as well. Beautifully done,
light and delicate production. I like
this the best of the 3 this time, but am still intrigued with the other two as
well. Nevermind: Welcome to these polls. 😊 Annette Peacock “Too Much in the Skies” Very laid-back-cool jazz style here. Soaring voice, beautiful love song. I see she collaborated with Bill Bruford, extra points with me for that. Rickie Lee Jones “A Lucky Guy,” not her big hit (“Chuck E’s In Love,” about Hollywood local, Chuck E Weiss, front man for the “The Goddamned Liars,” played small clubs there for years). She is just so very recognizable, immediately on hearing. This one is in her style, all the way, about making a mistake and losing the guy. Simply dressed in some light percussion, and piano, when she does her scat thing in the middle, some tasteful guitar kicks in. Produced with class. Mafalda Veiga “Olha Como A Vida E Boa” Nice live in studio setting, love the dog!!!! Portuguese is such a pretty language. Back to the music, full band kicks in with her after the first minute, where she sets the stage for telling the story. A wistful feel to the song. I have a feeling she can really belt out a song, even though she doesn’t do that here, this one requires more delicacy. Thank you for the introduction. George: Adia Victoria “South Gotta Change” A more classic sort of piece, definitely enjoyed the vibe, and seeing the images of the south (lived in Nashville for 9 years). Great message and well done. I will be looking up more of her music, as well as Angelica’s. Taylor Swift “Seven” I’ll go for her being here, she stepped outside of her country/pop world and went more acoustic for this release. I do like this a lot, a visitation of childhood and simplicity. I will even explore more of the recording because of it, even though her usual style is way outside of what I tend to listen to. Angelica Garcia “Jicama” Here in a more rap-style, a song about claiming one’s heritage for oneself and be “seen,” by those who ignore their contributions to America. Loved hearing her use her beautiful singing voice here and there. Adia Victoria “Different Kind Of Love” Here more of a rock setting, with full band and live. She’s got a great stage presence and no wonder this song was so popular with our President of Good Taste. 😊 suitkees: Rozi Plain “Inner Circle” Kind of a walking
guitar line and some squiggly guitar and horns start the piece off. Soft
voice, a very “interior” sort of piece (fittingly with the title),
self-examination and examination of others as well. The guitars and horns all dance around each
other some more, swaying and bending, as the piece closes, with a hint of a jig
thrown in before the end. Lila Downes
“Dignificada” Fairly spare production
with a rap portion, love hearing the Spanish and enjoyed learning about Digna
Ochoa (who I looked up and read about a bit), if one can say one “enjoyed,”
such a tragic end for a person of such courage. Cristi: LP “Lost On You” I
have seen this person bandied about, definitely intriguing performer. Such a great delivery on this sort of bluesy
piece, lots of passion in her vocals. My
favourite of your three. Mike: Mindy Smith “One Moment More” Such a pretty,
pretty voice. Lovely, yearning love
song, perfectly sung. Nina Simone “Four
Women” I did not know that I knew this song, but I do (perhaps because I never
knew the title). Absolute classic,
chillingly sung as only someone like Nina Simone could do with this. Stunning
and you said it, powerful. Lewian: Ani DiFranco “Pixie”
Clipped vocals and staccato keys and drums behind her soft vocals. She often also speaks of the disenfranchised,
as in a way she does here again, with a person determined to enjoy herself
despite the world she finds herself in.
Barbara Morgenstern “Angel’s Whisper” Definitely striking atmospheric
performance video all in “concert black,” with the choir clapping and singing
in a ghostly/angelic way. Her
accompaniment on the piano is minimal, yet perfect for the piece, the sax (and
a little bit of electronic keyboard) perfectly underscores the music in just
the right places to the crescendo ending.
Two from Suzanne Vega “Small Blue Thing” and “Wooden Horse” As noted, I know of her very much for my
voting purposes, but she is fantastic and I enjoyed revisiting her here, you
picked two great songs to showcase her. |
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BrufordFreak
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I still don't feel as if I have a grasp on these "interactive polls"--plus my computer hasn't wanted to sync up with PA for a while--but I'll give it a(nother) go: https://www.youtube.com/watch?v=i-FyGJFH2kU&ab_channel=JaneSiberry-Topic Nina Hagen - "Naturträne" (1978) https://www.youtube.com/watch?v=weIkm62xZvo&ab_channel=lizzybabe666 Tracey Thorn - "Too Happy" (1982) https://www.youtube.com/watch?v=npr2DNYkdCs&ab_channel=EcstasyWine Julia Holter - "Words I Heard" (2018) https://www.youtube.com/watch?v=BaaWJ2P4oDg&ab_channel=KEXP Shen Teh (Lara Reidel) - "The Blue Café" (2017) https://www.youtube.com/watch?v=E8Aia-8qHAk&ab_channel=ShenTeh-Topic |
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Drew Fisher
https://progisaliveandwell.blogspot.com/ |
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The Anders
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Annika Aakjær, by the way, later recorded an album whose cover looks like this. As you can see, she pays homage to many of these "worst album covers" you will find on the internet. |
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