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Interactive Poll #Fri 13 Female Singer-Songwriters

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Poll Question: Never Fear! It's The Ladie's Turn!
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triptych View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote triptych Quote  Post ReplyReply Direct Link To This Post Posted: November 17 2020 at 07:41
Funny how no-one stated Aimee Mann.

Edited by triptych - November 17 2020 at 07:41
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Post Options Post Options   Thanks (0) Thanks(0)   Quote suitkees Quote  Post ReplyReply Direct Link To This Post Posted: November 17 2020 at 05:22
Originally posted by Nevermind Nevermind wrote:

@suitkees

Now, you're right about my first Peacock's choice - mind you, that was just the bone, this is the real meat:
Absolutely, "Survival" is much more to my liking: has still some easy going flavor, but the playing is much richer here - great groove. Her talking voice approach reminds me a bit of Paddy McAloon's I Trawl the Megahertz (although this is musically very different).
Tracy Chapman is great too, but maybe a bit too well known...

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Post Options Post Options   Thanks (0) Thanks(0)   Quote TCat Quote  Post ReplyReply Direct Link To This Post Posted: November 16 2020 at 18:23

Comments from the entries on page 2….and the best playlist continues….

George – Adia Victoria – South Gotta Change and I can understand why you enjoy this song as it is quite good, everything that I like about this style of music.  Taylor Swift – Seven is a nice change of pace for her, but it still doesn’t catch my interest much.

Kees – Rozi Plain – Inner Circle – Definitely more experimental and that’s what makes it stand out.  This is music that I want to explore.

Cristi – LP – Lost on You – Wow, now this is more my style and what a voice, especially when she takes that haunting turn towards the ending.  Quite a nice surprise and one that will be a contender for sure, if it is your final nomination, that is.

Lorenzo – Every one of your selections is excellent and any of them would be a good final nomination, but my favorite is Carmen Consoli.  Her vocals and style stand out for me more than the others.

Lewian – Since I am the one that posted the other DiFranco song, of course I also love this one.  I agree that she is quite amazing, but unfortunately, I am already too familiar with this one.  That Barbara Morgenstern track, however, blows me away.  Now you have my interest in hearing more from her.  The way she utilizes the “choir” is quite original and I love the chord progressions and how it switches so easily from major to minor chords while supporting a melody that doesn’t necessarily have to match their chords, this is a brilliant track and will be a tough one to beat.

This one is going to be a tough one....


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Post Options Post Options   Thanks (0) Thanks(0)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: November 16 2020 at 18:10
First listen where I left off, a couple of new ones and some additions to Nevermind:

Drew:  Hope you make it back in time to choose a final nomination, Drew (voting begins on Friday).  Good to see you back!  Jane Siberry “Are We Dancing Now? (Map of the World Part III” Begins with some very sporty piano and then some super-smooth, soaring, whispery vocals.  Definitely her own kind of artist, I’m certain she’s always recognizable, just from this one cut.  Some slidy concertina flows in, then some more piano, smoothing out after a brief interlude.  This song really captures new romance, the endorphins both smoothly flowing and then in bursts of energy, which sometimes border on chaotic and fading out at the end.  Nina Hagen “Naturtrane” Beautiful 12-string strumming starts this one, Nina has quite the operatic-type delivery.  You quite feel her indignation at the end of an affair, although she only mentions it as “acquaintance,” in the English translation I found.  Strings and drums back her as she soars above and about, then a tasteful electric guitar lead, as she wavers from lofty to earthy in her lament.  Tracey Thorn “Too Happy”  Plucked electric guitar leads into a self- and relationship-examination piece.  Everyone has been through these moments sometime or another.  From my perspective, it seems as though she is trying much harder than the object of her affection to keep the relationship.  Wonder if they stayed together?  Julia Holter “Words I Heard” Live in studio setting here, piano and strings.  I love this kind of a piece, melancholy, soft horns play along from time to time, this has a very “city” feeling to me, thoughtful and sophisticated.  Climax of the piece, with shimmery harmonies, making me think of church bells, somehow, then back down to the general feel to conclude. Shen Teh (Lara Reidel) “The Blue Café”  Begins with piano chords, a reminiscence song, of when a lover said goodbye.  The keys are joined with some cello (?) sliding underneath her confessional tone of voice, as she paints the portrait of the time, not specific words she can recall, but the tone, the feeling of the moment.  Drums and crashing cymbals kick in as she sings more forcefully, accepting the outcome she really doesn’t want.

Samuel: Not a problem for me bringing in Fiona Apple with “Sullen Girl,” as I’d indicated to Nevermind, as long as it’s not a smash hit piece, I’m OK with it.  I do remember Fiona Apple quite well, one of my friends even planted an apple tree in her yard and named it “Fiona.”  😊  Anyway, to the song: Begins with echo-y piano and her pretty, pretty voice singing of the damage a bad relationship can do.  Really nice imagery with the deep blue, waves and an empty shell left behind, bereft of it’s treasure.  The music swells as though it, too, is under the waves.  Solid, moody piece.

Nevermind:  Annette Peacock “Survival,” (I knew you put the first one up as sentimental for your father, and a good track it is).  Here is a spoken piece with some killer percussion, I might add.  A deep look at planetary peril and what is and isn’t being done about it, science and nature, innocence and world-weariness, the profound and the profane.  The piece is couched with that aforementioned percussion, snapping bass and electric piano.  This kind of reminds me of Jim Morrison’s “An American Prayer,” recording.  This piece is from 1979, yet here we still are, fighting this same battle.  Sigh.  Fitting end, she sings a few lines of “Silent Night.”  Tracy Chapman “Broken” There was a reason she was so successful, because she is so good at this.  Just hearing the lone guitar with her gorgeous voice gave me chills, hearing this again after a long time.   A perfect vignette of a normal, difficult life, told with compassion and honesty.

"Into every rain, a little life must fall." ~Tom Rapp
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Meltdowner Quote  Post ReplyReply Direct Link To This Post Posted: November 16 2020 at 11:45
Looks like there's someone else playing the Portuguese card this time, although I couldn't think of anyone worthwhile in this category. It's not the kind of music I look for in my own so I'm looking forward to hear your suggestions.

I don't know if she's considered too well known, but I only discovered her music last year and I heard the album dozens of times since. It's full of Mellotron so I felt at home right away.
Fiona Apple - Sullen Girl
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: November 16 2020 at 08:38
Originally posted by mathman0806 mathman0806 wrote:

Playlist for what I can play on YouTube.

https://www.youtube.com/playlist?list=PL-zzvl_w6Fx4rWIGzssuGWGQP_ze7P62s

video removed for space

Thank you so very much, George!  ClapSmileClap
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Nevermind Quote  Post ReplyReply Direct Link To This Post Posted: November 16 2020 at 08:21
Since Nicolette doesn't mind I'll after all throw the wonderful Tracy Chapman in


(Love the minimalistic arrangements on the whole album from 2002)


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Post Options Post Options   Thanks (1) Thanks(1)   Quote Nevermind Quote  Post ReplyReply Direct Link To This Post Posted: November 16 2020 at 08:05
@suitkees

Now, you're right about my first Peacock's choice - mind you, that was just the bone, this is the real meat:


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Post Options Post Options   Thanks (1) Thanks(1)   Quote mathman0806 Quote  Post ReplyReply Direct Link To This Post Posted: November 16 2020 at 05:00
Playlist for what I can play on YouTube.

https://www.youtube.com/playlist?list=PL-zzvl_w6Fx4rWIGzssuGWGQP_ze7P62s



Edited by mathman0806 - November 16 2020 at 05:02
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Post Options Post Options   Thanks (0) Thanks(0)   Quote suitkees Quote  Post ReplyReply Direct Link To This Post Posted: November 16 2020 at 04:25
3rd round of feedback

Nevermind: Nice of you to join and participate! I know Annette Peacock from her participation on the Bill Bruford album Feels Good to Me, but not as a solo artist (other than maybe a vague memory of radio back then). She has a beautiful voice, but this song is a bit too much easy-listening - it doesn't really captivate me. Rickie Lee Jones is more well known and I like her very much. This song, the drum/bass/piano flow give it a nice groove and her voice conveys some melancholic optimism. Very nice! Mafalda Veiga is a bit too much straightforward pop-rock for me, nice but forgettable. Rickie Lee Jones is my preferred one here.

BrufordFreak: Jane Siberry brings us, after an uptempo jazzy start, a rather easy going song but with many subtleties in the playing: a subtle interplay between piano and acoustic guitar in the beginning, an accordeon adding an extra flavor and a solid (changing) rythm section give a lot of musicality to this song before they lash out into some flamenco-like (?) jazz - very nice! I probably know Nina Hagen's music too well to make it a contender here, but I always loved her music and theatricality... She's always been a very special artist and this is a fantastic song. Tracey Thorn has a great voice too, and interesting lyrics, but this song moves me a bit less. Julia Holter: now this is new territory. Mixing a contemporary music ensemble feel with some pop leanings and electronics into a dreamy captivating poetic song. I don't know how to label this other than just very beautiful and very original. Like to explore more of her music! And with Shen Teh we have another great song. Nice build up, first between double-bass and piano, then with the drums going to a climax, fantastic voice. Thanks for putting these up!

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: November 15 2020 at 17:33
Thank you for your technical assist, George!  Clap
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Post Options Post Options   Thanks (0) Thanks(0)   Quote mathman0806 Quote  Post ReplyReply Direct Link To This Post Posted: November 15 2020 at 17:31
Fixed the embedding.
Originally posted by BrufordFreak BrufordFreak wrote:

I still don't feel as if I have a grasp on these "interactive polls"--plus my computer hasn't wanted to sync up with PA for a while--but I'll give it a(nother) go:

Jane Siberry - "Are We Dancing Now? (Map of the World Part III)" (1989)

Nina Hagen - "Naturträne" (1978)

Tracey Thorn - "Too Happy" (1982)

Julia Holter - "Words I Heard" (2018)

Shen Teh (Lara Reidel) - "The Blue Café" (2017)
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Nevermind Quote  Post ReplyReply Direct Link To This Post Posted: November 15 2020 at 16:43
Hahahaha -  and a true lady, alriiiight !
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: November 15 2020 at 16:27
Awwwwww, shucks.  Thank you. *curtseys*
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Nevermind Quote  Post ReplyReply Direct Link To This Post Posted: November 15 2020 at 15:40
@ Snicolette
Thank YOU for your kind, wise comments all around (and for what I understand the bearer of broad, tasteful musical preferences)
Glad to interact with you, cheers.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: November 15 2020 at 14:24
Originally posted by BrufordFreak BrufordFreak wrote:

I still don't feel as if I have a grasp on these "interactive polls"--plus my computer hasn't wanted to sync up with PA for a while--but I'll give it a(nother) go:
videos removed for space
Good to see you back!  You did some some special mentions for your entries in the last one.  Normally, you come back and "nominate" one of your pieces/songs for final voting, then we vote on them.  Sorry your computer was recalcitrant.  Looking forward to hearing your selections.


Edited by Snicolette - November 15 2020 at 14:25
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: November 15 2020 at 14:20
Originally posted by The Anders The Anders wrote:

Annika Aakjær, by the way, later recorded an album whose cover looks like this. As you can see, she pays homage to many of these "worst album covers" you will find on the internet.
Photo removed for space, but LOL
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: November 15 2020 at 14:18
First listen, pages 2 and 3, lots of additions and a couple of new posters:

Lorenzo:  Francesca Lago “Bring the Noise”  Dark electric guitar opens, joined by Francesca’s dark, confessional voice, then cello (?). I wouldn’t mess with her.  I like this one a lot, she creates a perfect atmosphere.  Interesting end choice, with the children singing the chorus.  Carmen Consoli “Geisha” Another dark, heavy intro, with an intense vocalization, great feeling of irony and contempt here in the lyrics.  Ginevra Di Marco “Terra Blu” Spare guitar and a very soaring voice, I can’t find a translation (Blue Earth, obviously), but I like the feeling of wonder in the song, without knowing the details.  Deep strings bolster her clear vocals here and piano as well.  Beautifully done, light and delicate production.  I like this the best of the 3 this time, but am still intrigued with the other two as well.  

Nevermind:  Welcome to these polls.  😊  Annette Peacock “Too Much in the Skies”  Very laid-back-cool jazz style here.  Soaring voice, beautiful love song.  I see she collaborated with Bill Bruford, extra points with me for that.  Rickie Lee Jones “A Lucky Guy,” not her big hit (“Chuck E’s In Love,” about Hollywood local, Chuck E Weiss, front man for the “The Goddamned Liars,” played small clubs there for years).  She is just so very recognizable, immediately on hearing.  This one is in her style, all the way, about making a mistake and losing the guy.  Simply dressed in some light percussion, and piano, when she does her scat thing in the middle, some tasteful guitar kicks in.  Produced with class.  Mafalda Veiga “Olha Como A Vida E Boa”  Nice live in studio setting, love the dog!!!! Portuguese is such a pretty language.  Back to the music, full band kicks in with her after the first minute, where she sets the stage for telling the story.  A wistful feel to the song.  I have a feeling she can really belt out a song, even though she doesn’t do that here, this one requires more delicacy.  Thank you for the introduction.

George:  Adia Victoria “South Gotta Change”  A more classic sort of piece, definitely enjoyed the vibe, and seeing the images of the south (lived in Nashville for 9 years).  Great message and well done.  I will be looking up more of her music, as well as Angelica’s.   Taylor Swift “Seven”  I’ll go for her being here, she stepped outside of her country/pop world and went more acoustic for this release.  I do like this a lot, a visitation of childhood and simplicity.  I will even explore more of the recording because of it, even though her usual style is way outside of what I tend to listen to. Angelica Garcia “Jicama” Here in a more rap-style, a song about claiming one’s heritage for oneself and be “seen,” by those who ignore their contributions to America.  Loved hearing her use her beautiful singing voice here and there.  Adia Victoria “Different Kind Of Love” Here more of a rock setting, with full band and live.  She’s got a great stage presence and no wonder this song was so popular with our President of Good Taste.  😊

suitkees:  Rozi Plain “Inner Circle” Kind of a walking guitar line and some squiggly guitar and horns start the piece off.   Soft voice, a very “interior” sort of piece (fittingly with the title), self-examination and examination of others as well.  The guitars and horns all dance around each other some more, swaying and bending, as the piece closes, with a hint of a jig thrown in before the end.  Lila Downes “Dignificada”  Fairly spare production with a rap portion, love hearing the Spanish and enjoyed learning about Digna Ochoa (who I looked up and read about a bit), if one can say one “enjoyed,” such a tragic end for a person of such courage.

Cristi: LP “Lost On You”  I have seen this person bandied about, definitely intriguing performer.  Such a great delivery on this sort of bluesy piece, lots of passion in her vocals.  My favourite of your three.

Mike:  Mindy Smith “One Moment More” Such a pretty, pretty voice.  Lovely, yearning love song, perfectly sung.  Nina Simone “Four Women” I did not know that I knew this song, but I do (perhaps because I never knew the title).  Absolute classic, chillingly sung as only someone like Nina Simone could do with this. Stunning and you said it, powerful.

Lewian: Ani DiFranco “Pixie”  Clipped vocals and staccato keys and drums behind her soft vocals.  She often also speaks of the disenfranchised, as in a way she does here again, with a person determined to enjoy herself despite the world she finds herself in.  Barbara Morgenstern “Angel’s Whisper” Definitely striking atmospheric performance video all in “concert black,” with the choir clapping and singing in a ghostly/angelic way.  Her accompaniment on the piano is minimal, yet perfect for the piece, the sax (and a little bit of electronic keyboard) perfectly underscores the music in just the right places to the crescendo ending.  Two from Suzanne Vega “Small Blue Thing” and “Wooden Horse”  As noted, I know of her very much for my voting purposes, but she is fantastic and I enjoyed revisiting her here, you picked two great songs to showcase her.

"Into every rain, a little life must fall." ~Tom Rapp
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Post Options Post Options   Thanks (1) Thanks(1)   Quote BrufordFreak Quote  Post ReplyReply Direct Link To This Post Posted: November 15 2020 at 14:18
I still don't feel as if I have a grasp on these "interactive polls"--plus my computer hasn't wanted to sync up with PA for a while--but I'll give it a(nother) go:

Jane Siberry - "Are We Dancing Now? (Map of the World Part III)" (1989)
https://www.youtube.com/watch?v=i-FyGJFH2kU&ab_channel=JaneSiberry-Topic

Nina Hagen - "Naturträne" (1978)
https://www.youtube.com/watch?v=weIkm62xZvo&ab_channel=lizzybabe666

Tracey Thorn - "Too Happy" (1982)
https://www.youtube.com/watch?v=npr2DNYkdCs&ab_channel=EcstasyWine

Julia Holter - "Words I Heard" (2018)
https://www.youtube.com/watch?v=BaaWJ2P4oDg&ab_channel=KEXP

Shen Teh (Lara Reidel) - "The Blue Café" (2017)
https://www.youtube.com/watch?v=E8Aia-8qHAk&ab_channel=ShenTeh-Topic

Drew Fisher
https://progisaliveandwell.blogspot.com/
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Post Options Post Options   Thanks (0) Thanks(0)   Quote The Anders Quote  Post ReplyReply Direct Link To This Post Posted: November 15 2020 at 14:05
Annika Aakjær, by the way, later recorded an album whose cover looks like this. As you can see, she pays homage to many of these "worst album covers" you will find on the internet.


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