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YESESIS View Drop Down
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Direct Link To This Post Posted: August 05 2017 at 15:33
Wow, too many responses to get to all of them here but thank you all for your input. 
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Direct Link To This Post Posted: August 05 2017 at 15:32
Originally posted by Kepler62 Kepler62 wrote:

Occasionally i Try to listen to Love Beach hoping that there is something that I might have missed . I always start with side two but when I flip it over I just can't get even halfway through the title track Love Beach so I just skip to Canario and say to myself, " Yep, still sh*t".

Haha, yeah it's not good. Although I like The Gambler, Canario, and a lot of side two. 
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Direct Link To This Post Posted: August 05 2017 at 15:28
Originally posted by ExittheLemming ExittheLemming wrote:

All that is wonderful and utterly deplorable about Prog is manifest in ELP (and that's why they should be a salutary deterrent to anyone even attempting 'earnest' on this site) : Unimpeachable virtuosity wedded to musical substance, grandiose musical structures, unfettered musical ambition, faux symphonic rigour, pyrotechnical panto theatrics, supply teacher lyricism, tongue in cheek bombast, 'everything louder than everything else' dynamics and a huge slice of 'devil may care' chutzpah. I love 'em to bits and hope that Lester Bangs continues to relish their work from whatever corner of Hell he is consigned, shackled in front of a PA system blasting out their entire discography for eternity (with In the Hot Seat repeated twice each time for ironic emphasis)

Yep, they are awesome. 

Also, how about the title track from Love Beach played continuously on loop lol(although I don't even know who this Lester Bangs is). 
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Direct Link To This Post Posted: August 05 2017 at 15:20
Originally posted by M27Barney M27Barney wrote:

KE9. First Impression is as good as it gets for ELP...shortly behind is PAAE and Tarkus (title track)....A lot of the other stuff is very poor by comparison. I'm not too keen on the stuff before Tarkus.... nor any stuff after BSS.
Yes & genesis 1970-1977 have far more quality and consistency.
I would recommend - The Par Lindh project - Gothic Impressions - thats very ELP in parts and It's a brilliant CD!

I'll have to check that out then, thanks. Also cool avi. 
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Direct Link To This Post Posted: August 05 2017 at 15:13
Originally posted by Tom Ozric Tom Ozric wrote:

Just been Capcha'd several times this eve for posting extended responses. Captcha can get f**ked. I'm not bothering with nothing but few word replies......(dirty c**ts.......)

I feel your pain buddy. But you shouldn't lose your whole post. Just click back one screen and do the test again.. if you click all the way back to your post then it'll be gone and lost. For me, even if it says I don't have access to the page(or whatever it says), I just click back one and do the test again(without losing anything). 
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Direct Link To This Post Posted: August 05 2017 at 15:09
Originally posted by Dellinger Dellinger wrote:

From Oldfield you might want to add his latest, Return to Ommadawn, to the list. Also wonderful and the closest he has come to his 70's magic since... well, the 70's. Actually, listening to that one it's like a time machine brought that album to be released just now after recording it back then. I don't think many artists have been so succesful at trying to recapture their golden days decades after (including Oldfield himself with previous attempts) Also, Songs from distant Earth is a wonderful instrumental album, even though that one didn't try to recreate his 70's sound, but be something new. He's got many other instrumental albums, but I haven't got them all yet.

Awesome, thanks for the further suggestions! 


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Direct Link To This Post Posted: August 04 2017 at 21:20
Originally posted by YESESIS YESESIS wrote:

Originally posted by Dellinger Dellinger wrote:

Oh yeah, one more thing, for the Genesis loving part, you might want to check out Big Big Train's English Electric albums. I really loved those ones, and they had that feel from Genesis, without ripping them off. Though, actually, given the sound they achieved, I would love if they would make a tribute album of classic Genesis.


I do love my classic Genesis.. ANY Genesis tbh.  Yeah wow, thanks a lot for all of these great suggestions in all these posts tonight. A lot to digest lol. And that Mike guy sounds great.. 4 albums in a row of pure instrumental magic. Mercy, that sounds fantastic to me. And that Catherine of Aragon performed by almost the CTTE lineup.. anything done by that version of Yes has to be good! So thanks again for all your suggestions.. looks like a whole lot of terrific stuff here for me to discover.. 


From Oldfield you might want to add his latest, Return to Ommadawn, to the list. Also wonderful and the closest he has come to his 70's magic since... well, the 70's. Actually, listening to that one it's like a time machine brought that album to be released just now after recording it back then. I don't think many artists have been so succesful at trying to recapture their golden days decades after (including Oldfield himself with previous attempts) Also, Songs from distant Earth is a wonderful instrumental album, even though that one didn't try to recreate his 70's sound, but be something new. He's got many other instrumental albums, but I haven't got them all yet.
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Direct Link To This Post Posted: August 04 2017 at 21:15
Originally posted by AFlowerKingCrimson AFlowerKingCrimson wrote:

Originally posted by Dellinger Dellinger wrote:

Originally posted by AFlowerKingCrimson AFlowerKingCrimson wrote:

I just looked it up and "Criminal Record" is not entirely instrumental. There's vocals on one track and a choir on others. Six wives which I am familiar with has vocals but no singing per se just "oohs and ahhs" from some of the same singers who were on Pink Floyd's dark side of the moon which explains why the background wordless vocals sound similar. Still I suppose we could call Six wives instrumental. 

If you do a search on here I believe you can still find some good threads on instrumental prog. 



I hadn't noticed that thing about shared singers on 6 Wives and Dark Side... I'll have to check it out. It's a nice anecdotes (good for the Obscure Prog Facts that was around for a good time a while ago).


Well only two singers were the same for both sessions(Liza Strike and Barry St. John)but you can still hear strong similarities in the backing vocals nonetheless. 


I guess I'll have to pay attention to that aspect next time I listen to those albums... specially 6 Wives.
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Direct Link To This Post Posted: August 04 2017 at 15:29
Originally posted by Tom Ozric Tom Ozric wrote:

C'mon, Japanese trio of beautiful ladies, Ars Nova, are a great substitute for ELP. Throw in a bit of Goblin and Balletto Di Bronzo and there you have it !!
 
Check my big list of recommends in this thread. Wink
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Direct Link To This Post Posted: August 04 2017 at 14:50
Occasionally i Try to listen to Love Beach hoping that there is something that I might have missed . I always start with side two but when I flip it over I just can't get even halfway through the title track Love Beach so I just skip to Canario and say to myself, " Yep, still sh*t".
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Direct Link To This Post Posted: August 04 2017 at 14:25
C'mon, Japanese trio of beautiful ladies, Ars Nova, are a great substitute for ELP. Throw in a bit of Goblin and Balletto Di Bronzo and there you have it !!

Edited by Tom Ozric - August 04 2017 at 14:26
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Direct Link To This Post Posted: August 04 2017 at 11:54
^ Also, try the Agentinian band Nexus. 
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Direct Link To This Post Posted: August 04 2017 at 09:40
Originally posted by M27Barney M27Barney wrote:

I would recommend - The Par Lindh project - Gothic Impressions - thats very ELP in parts and It's a brilliant CD!
 
I concur, and the next two are even better: Mundus Incompertus, and Veni Vidi Vici.
 
A decade later, Par Lindh returned with a new album and line-up for Time Mirror, which is also good.
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Direct Link To This Post Posted: August 04 2017 at 07:21
All that is wonderful and utterly deplorable about Prog is manifest in ELP (and that's why they should be a salutary deterrent to anyone even attempting 'earnest' on this site) : Unimpeachable virtuosity wedded to musical substance, grandiose musical structures, unfettered musical ambition, faux symphonic rigour, pyrotechnical panto theatrics, supply teacher lyricism, tongue in cheek bombast, 'everything louder than everything else' dynamics and a huge slice of 'devil may care' chutzpah. I love 'em to bits and hope that Lester Bangs continues to relish their work from whatever corner of Hell he is consigned, shackled in front of a PA system blasting out their entire discography for eternity (with In the Hot Seat repeated twice each time for ironic emphasis)
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Direct Link To This Post Posted: August 04 2017 at 06:20
I think the old U.S. Cotillion vinyl pressings had a much 'beefier' and heavy sound to them. Could be my overactive imagination though.
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Direct Link To This Post Posted: August 04 2017 at 05:50
Originally posted by Cosmiclawnmower Cosmiclawnmower wrote:


My Favourite ELP lp (by miles) is the self titled first lp, vinyl on the original pink Island label.. and I really like Tarkus. I like Trilogy too but to a slightly lesser extent. My main problem with Brain salad surgery is the production; its very tinny and harsh with limited mid range and an odd metallic sheen over the whole thing.. I understand that perhaps that was intentional for Karn Evil 9 and fits into the futuristic theme but it just makes it almost unlistenable to my ears.. I admit, this is listening to original vinyl on a reasonable spec set up, not a re-mastered version. I briefly worked with a guy who in a previous position worked for ELP in logistics in the 70's and we went to see them on the Black Moon tour and it was a seriously good show and re-kindled my interest in their early lps. And, yes, I thought some of the Emerson, Lake and Powell lp was very good too..


I also don't like the production on BSS. It sounds like a transistor radio turned up loud. It baffles me that some people think it sounds great. It has no balls.

As for ELPowell. I have a 'complex' relationship with that album. There are some dynamite tracks on ELPowell; The Score, Touch & Go and The Miracle, but then they also butchered Holst and for some wierd reason recorded a version of The Locomotion.. I guess they were just having fun.
Ultimately bored by endless ecstasy!
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Direct Link To This Post Posted: August 04 2017 at 05:45
ELP are great. Their Works albums and Love Beach were on the cheezy side, but still had some great material.
Love Black Moon !!!
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Direct Link To This Post Posted: August 04 2017 at 05:42
Just been Capcha'd several times this eve for posting extended responses. Captcha can get f**ked. I'm not bothering with nothing but few word replies......(dirty c**ts.......)


Edited by Tom Ozric - August 04 2017 at 05:42
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Direct Link To This Post Posted: August 04 2017 at 05:07
KE9. First Impression is as good as it gets for ELP...shortly behind is PAAE and Tarkus (title track)....A lot of the other stuff is very poor by comparison. I'm not too keen on the stuff before Tarkus.... nor any stuff after BSS.
Yes & genesis 1970-1977 have far more quality and consistency.
I would recommend - The Par Lindh project - Gothic Impressions - thats very ELP in parts and It's a brilliant CD!
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Direct Link To This Post Posted: August 04 2017 at 05:04
I never was an ELP fan. They have top skills and I like Lake as a singer a lot; I respect them, but very often they don't touch me. I have the impression that often there's too much showing off in their music, doing something in order to show that they can, complexity for complexity's sake, and then sometimes doing something ridiculous because "yes, we can do that, too". Of course this is personal, if you feel touched by their music, fine by me.

That said, I love the whole first album and there's quite a bit of material on the next few that I like, too. They could actually write really good melodies, and also generate a lot of energy and power, and you can find a lot of musicality - just top musicians. Still... too often something's missing for me.
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