Jon Anderson is said to have felt strained by the restrictions of the pop-oriented rock Yes was playing at the time, and wanted to go back to basics. He pulled on board old Yes members to create a wonderful lineup with fantastic musicians. So, what I (perhaps naively) expected was something along the lines of a classic Yes revival.
But it turns out it was quite different. It didn't quite shake off the Yes sound of that time like on albums 90125 and Big Generator. Much of it features the same things people criticize 80's Yes for, except this time old members of the band are playing it (and Tony Levin). But, this could also be forgiven for either a laidback attitude or age.
It featured multi-movement suites which were very unlike the then-Yes and very much like your stereotypical prog band. So, I ask, did Anderson Bruford Wakeman Howe turn out to be just like Jon Anderson's vision of a revival of classic Yes' sound or was it just another 80's Yes album disguised as a complex prog album?
This question extends to the band as well as their only album, seeing as that's where most if not all of their original material came from.
Edited by aglasshouse - August 29 2016 at 09:53