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Topic ClosedDefining Prog ... could it be that simple?

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Direct Link To This Post Posted: July 11 2009 at 06:31
Originally posted by PROGMONSTER2008 PROGMONSTER2008 wrote:

 Here's some good modern prog. http://www.myspace.com/pointgrafenberg the first song Kar 120c is cool stuff. 

Thats actually rather good.
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Direct Link To This Post Posted: July 11 2009 at 06:05
^ The YouTube down the page of Sarkozy getting pied might be betterLOLLOL.  Seriously, I'll have to give some additional listens to this stuff.  Thanks for the interesting link.

Why must my spell-checker continually underline the word "prog"?

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Direct Link To This Post Posted: July 10 2009 at 19:49
Originally posted by infandous infandous wrote:

Originally posted by PROGMONSTER2008 PROGMONSTER2008 wrote:

 

I was too young to be part of the prog era, but growing up I hardly liked any rock music until I found old style prog. That's because prog was a step above standard rock music. I was lucky enough my dad had a Rhodes, Hammond and Moog in the lounge room so I was brought up listening to fusion and jimmy smith jazz on the organ. If modern style prog was good I'd be listening to it. But the only prog I like being made today is the prog which follows the old formula Wink




We are all so fortunate to have the premier authority on what is "good" prog music here with us in the forum.  So, it is your tastes that decide what is good music and not our own?  I don't think so.

Much of today's music that is categorized on this site as prog is easily as innovative, interesting, and GOOD as anything done by the 70's prog bands.  You keep mentioning a "formula" that those bands used, when in fact there is no such thing.  Those bands were, for the most part, quite different from each other and you'd be hard pressed to come up with a formula that encompassed them all.  However, if the formula you are referring to is that of making every effort to be new, unique, and different from other bands and types of rock music, then I suppose I could agree with you.  But if that's the case, there is loads of very good prog being made today, whether you listen to it or not.

 
 
The formula is playing rock music in a jazz/classical format. You can forget all forms of metal pretty much. The music isn't in the same class. You can be as talented at playing an instrument as you want but you gotta come up with something great before even playing a note first Smile. Here's some good modern prog. http://www.myspace.com/pointgrafenberg the first song Kar 120c is cool stuff. Way more interesting than boring bands like tool, porcupine tree, opeth LOL


Edited by PROGMONSTER2008 - July 10 2009 at 20:03
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Direct Link To This Post Posted: July 10 2009 at 13:13
Originally posted by PROGMONSTER2008 PROGMONSTER2008 wrote:

 

I was too young to be part of the prog era, but growing up I hardly liked any rock music until I found old style prog. That's because prog was a step above standard rock music. I was lucky enough my dad had a Rhodes, Hammond and Moog in the lounge room so I was brought up listening to fusion and jimmy smith jazz on the organ. If modern style prog was good I'd be listening to it. But the only prog I like being made today is the prog which follows the old formula Wink




We are all so fortunate to have the premier authority on what is "good" prog music here with us in the forum.  So, it is your tastes that decide what is good music and not our own?  I don't think so.

Much of today's music that is categorized on this site as prog is easily as innovative, interesting, and GOOD as anything done by the 70's prog bands.  You keep mentioning a "formula" that those bands used, when in fact there is no such thing.  Those bands were, for the most part, quite different from each other and you'd be hard pressed to come up with a formula that encompassed them all.  However, if the formula you are referring to is that of making every effort to be new, unique, and different from other bands and types of rock music, then I suppose I could agree with you.  But if that's the case, there is loads of very good prog being made today, whether you listen to it or not.

 


Edited by infandous - July 10 2009 at 13:14
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Direct Link To This Post Posted: July 10 2009 at 03:08
Prog is a monster that got loose sometime in the late 60s and by the time anyone realized what had happened,  a resilient, ever-mutating creature was unleashed.. fortunately







Edited by Atavachron - July 10 2009 at 03:09
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Direct Link To This Post Posted: July 09 2009 at 19:26
Originally posted by Rocktopus Rocktopus wrote:

Originally posted by PROGMONSTER2008 PROGMONSTER2008 wrote:

Originally posted by Rocktopus Rocktopus wrote:

Originally posted by PROGMONSTER2008 PROGMONSTER2008 wrote:

 
Quality prog songs are more about the melody which is thought up even before a note is played.
 


As usual, you confuse your personal progpreferences with the "truth".
 
The truth? Wink
I'm telling you what music was labelled prog. You're following the modern version which is going on a completely opposite and wrong tangent. The real proggers naturally did their thing and it was new. Todays version of prog is about doing something new just to be different but it doesn't even put a shivver down the spine. The only good proggers today are the ones who follow the true prog formula and it will progress naturally because it's quality Big smile


Oh yes, that's what you said about prog back then: "Its all about clever melodies and memorable tunes" Complete bullsh*t! Just because you and your friends only accepted singalong progsongs that stuck to some "true prog" formula, doesn't mean anyone else ever agreed with you.

And what the f**k did I write that follows "the modern" version? Is that the impression you get if actually read my posts? Is the modern version any version  disagreeing with your own?
 
I was too young to be part of the prog era, but growing up I hardly liked any rock music until I found old style prog. That's because prog was a step above standard rock music. I was lucky enough my dad had a Rhodes, Hammond and Moog in the lounge room so I was brought up listening to fusion and jimmy smith jazz on the organ. If modern style prog was good I'd be listening to it. But the only prog I like being made today is the prog which follows the old formula Wink
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Direct Link To This Post Posted: July 09 2009 at 15:33
Originally posted by PROGMONSTER2008 PROGMONSTER2008 wrote:

Originally posted by Rocktopus Rocktopus wrote:

Originally posted by PROGMONSTER2008 PROGMONSTER2008 wrote:

 
Quality prog songs are more about the melody which is thought up even before a note is played.
 


As usual, you confuse your personal progpreferences with the "truth".
 
The truth? Wink
I'm telling you what music was labelled prog. You're following the modern version which is going on a completely opposite and wrong tangent. The real proggers naturally did their thing and it was new. Todays version of prog is about doing something new just to be different but it doesn't even put a shivver down the spine. The only good proggers today are the ones who follow the true prog formula and it will progress naturally because it's quality Big smile


Oh yes, that's what you said about prog back then: "Its all about clever melodies and memorable tunes" Complete bullsh*t! Just because you and your friends only accepted singalong progsongs that stuck to some "true prog" formula, doesn't mean anyone else ever agreed with you.

And what the f**k did I write that follows "the modern" version? Is that the impression you get if actually read my posts? Is the modern version any version  disagreeing with your own?
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Direct Link To This Post Posted: July 09 2009 at 14:03
Imagine that, a defining Prog thread. I don't think we've ever done this.


LOL



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Direct Link To This Post Posted: July 09 2009 at 13:45
Forgive me if I haven't read the whole thread to this point yet (not going to have time today!), but, while I agree you have to incorporate the styles of classical and jazz as underpinnings, I don't see enough use of the word blues in the responses (except notable Lazland just above me - I like the R Buckminster Fuller avatar).  American blues was a huge preoccupation and influence, probably thanks to it's dissemination on vinyl, influence on the great young musicians of the late sixties-early seventies who made a superlative music which did not all sound the same but came to be labelled Progressive Rock by others.

Why must my spell-checker continually underline the word "prog"?

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Direct Link To This Post Posted: July 09 2009 at 13:22
The range of artists who fall under the prog banner, be they the classics from the 70's or the modern bands have such a huge range of influences that it is almost impossible to define properly or succinctly. There are classical, jazz, folk, blues, metal influences in a variety of bands, and others are almost impossible to state what influences made them compose the music they did.

So, I will add my ten pounds to the debate by giving an extremely succinct definition, which probably won't help anyone at all:

IT'S BLOODY GREAT MUSICBig smile


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Direct Link To This Post Posted: July 09 2009 at 10:18
^ what about Psych/Space and Avant-Garde? There are many prog bands that don't have a lot to do with classical music.
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Direct Link To This Post Posted: July 09 2009 at 10:10
I think that is a very good definition. My definition is probably...

Classical music with rock instrumentation.

Yours is longer, but mine sums it up in a nutshell.

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Direct Link To This Post Posted: July 09 2009 at 09:45
I think in a nutshell, it is modern music that is taken to the very extreme edges of the imagination.
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Direct Link To This Post Posted: July 09 2009 at 09:31
Originally posted by PROGMONSTER2008 PROGMONSTER2008 wrote:

No need to define prog because the people who made that name up are the critics and not the bands. But if you want to define what proper prog is, it's jazz/classical based rock music. It's not standard rock music. It's rock music played with a jazz/classical approach. This means classical/jazz influenced melodies. 

I don't think that's always the case - take "21st Century Schizoid Man" as a classic example - the melody is a fairly simple rock melody. The jazz influences come in the treatment of the riffs and the addition of the sax. What I'm saying is that the jazz influences are in the approach more than the melodies.

There's very little Classical influence in that song too - and the same goes for a fair amount of Genesis, which has a stronger folk root than Classical or jazz - although the jazz approach can't be denied, you did specify melodies.

I agree that it's not standard rock music.


Originally posted by PROGMONSTER2008 PROGMONSTER2008 wrote:


This means the bass playing and drumming is busier, the guitarist stands back a bit and contributes equally within a melody, the keyboardist has alot influence with a classical approach and the vocalist uses his voice like an instrument too more so than standard rock music. Not to mention the wind and brass instruments as well. True prog isn't about inventing a style of music, it's just a busy style of music naturally made by musicians with a jazz/classical background and because the music was busy and so much different, exciting, interesting and complex than standard rock, the critics named it progressive rock. 

I don't think that's the reason it's called progressive rock - I think the reason is probably more like it sounded different to the rock music they were used to. 

Also, "busier" is not a criteria - Genesis music is not particularly "busy" in many places, "Moon Child" is hardly a "busy" piece, and nor is much Pink Floyd. The music could be exciting and new without being busy.

I think that more equal contributions from musicians is a fair general point - although people like Rick Wakeman are obvious exceptions...

Varied instrumentation is a good point.

Originally posted by PROGMONSTER2008 PROGMONSTER2008 wrote:

Forget the word 'progressive' it was just a name put forward by standard people who listen to standard music.

Not at all - it was a name given to the exciting new sounding music emerging from certain clubs (such as UFO, Roundhouse and Marquee) and "scenes" (such as Ladbroke Grove) in London in the late 1960s. Pink Floyd were one of the leading lights of the Progressive / Underground scene in 1966-7.

Out of these scenes came most of the bands that would be leading lights in Progressive Rock, and some that would play a large part in the evolution of Heavy Metal.

Imagine that all you'd heard was "She Loves You Yeah, Yeah, Yeah" and "Ferry Across the Mersey" - or even "Eight Miles High" - and then you heard "Astronomy Domine" for the first time

That would have sounded a bit different to the run of the mill, I'd suspect! 

Notably, "AD" is a heavy song with riffs, like "Saucerful of Secrets", "Set The Controls for the Heart of The Sun" and "Careful With That Axe, Eugene". These songs seem to be largely responsible for sparking off the Krautrock scene, and with it, heavy metal bands like The Scorpions and UFO.

Originally posted by PROGMONSTER2008 PROGMONSTER2008 wrote:

 If you just think busy naturally, the clever melodies will come. I don't agree with metal being lumped with great prog music. The prog I know doesn't treat the guitar as the main instrument. It is one of many instruments played equally with minimal riffs and minimal volume.

Isn't "21st Century Schizoid Man" real Prog? Wink

It's certainly heavy metal, as much as Black Sabbath, Blue Cheer, Spooky Tooth or Steppenwolf were, like the Floyd songs I mentioned.


Originally posted by PROGMONSTER2008 PROGMONSTER2008 wrote:

Real prog is meant to have rhodes pianos, Hammond organs, moogs, mellotrons, flutes etc. Real prog is meant to be fun and exciting and it's not purposely set at breaking boundaries and inventing. it's just naturally busy jazz/classical rock with a mild heavy rock feel.

I'd disagree with "not purposely set at breaking boundaries and inventing" - I rather think that this was one of its raisons d'etre, otherwise why do so much stuff that was so wildly different to standard rock music?

Besides, much of ELPs stuff doesn't sound like mildly heavy rock - and even Gentle Giant and Jethro Tull could get pretty heavy.


Originally posted by PROGMONSTER2008 PROGMONSTER2008 wrote:

The real prog bands had Hendrix, Cream, Beatles, Doors to listen too as well as jazz and classical music.

Those bands are among the heaviest of the time - and don't forget the Yardbirds, the Who and Spooky Tooth.

While the Beatles weren't consistently heavy, they did write heavy songs, like the title track on Sgt Pepper and "Helter Skelter".

Originally posted by PROGMONSTER2008 PROGMONSTER2008 wrote:

 But modern bands have been influenced by bands like van Halen and Metellica who I rate as pretty poor bands. 

I don't rate either as "poor" - they both came up with innovations that are still influential to this day - probably more so than the Prog Rock groups. They don't have as much jazz influence as Hendrix, Cream, etc., it's true - but there is still some there (e.g. Kirk Hammett had lessons from Joe Satriani, who was in turn a pupil of the great Lennie Tristano and Bill Evans). 

This is probably because jazz was less popular by this time - and certainly less innovative. The Progressive Jazz introduced by Stan Kenton and perfected by Tristano was taken to its apex by luminaries such as Sun Ra and Miles, and there wasn't much left to do with it - people got bored of it.
Originally posted by PROGMONSTER2008 PROGMONSTER2008 wrote:

The only prog band I like today are the ones who follow the formula left by the 70s band. As long as the melodies are original then the music is original. Stick with the jazz/classical approach and the prog keyboards.

There's no formula.

Think about the 1970s Prog bands and try to come up with a formula other than on a purely technical basis that unites what they did - it's very difficult.

1970s Prog is all about the approach - even keyboards are optional. In 1970s Prog, everything is optional - except the norm, which was to be avoided. When it was understood that the general record-buying public wanted more stability and less invention in their music, the great Proggers either dumbed it all down to keep the cash coming in, or carried on in this inventiveness and sank to wider obscurity.
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Direct Link To This Post Posted: July 09 2009 at 09:17
Originally posted by PROGMONSTER2008 PROGMONSTER2008 wrote:

The only good proggers today are the ones who follow the true prog formula and it will progress naturally because it's quality Big smile


The problem is that if there's something that's not prog then it's "following formulas".Smile
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Direct Link To This Post Posted: July 09 2009 at 08:49
Originally posted by Mr ProgFreak Mr ProgFreak wrote:

^ I think that metal and pop could be excluded when talking about "Classic Prog", but since the 80s those genres are definitely a part of the big picture.
 
Maybe we should separate Old prog from New prog. 2 completely different styles of music
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Direct Link To This Post Posted: July 09 2009 at 08:46
Originally posted by Rocktopus Rocktopus wrote:

Originally posted by PROGMONSTER2008 PROGMONSTER2008 wrote:

 
Quality prog songs are more about the melody which is thought up even before a note is played.
 


As usual, you confuse your personal progpreferences with the "truth".
 
The truth? Wink
I'm telling you what music was labelled prog. You're following the modern version which is going on a completely opposite and wrong tangent. The real proggers naturally did their thing and it was new. Todays version of prog is about doing something new just to be different but it doesn't even put a shivver down the spine. The only good proggers today are the ones who follow the true prog formula and it will progress naturally because it's quality Big smile
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Direct Link To This Post Posted: July 09 2009 at 08:21
^ I think that metal and pop could be excluded when talking about "Classic Prog", but since the 80s those genres are definitely a part of the big picture.
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Direct Link To This Post Posted: July 09 2009 at 06:59
Originally posted by Mr ProgFreak Mr ProgFreak wrote:

Originally posted by Rocktopus Rocktopus wrote:

Prog (and jazz)'s eastern influences are extremely underrated. 


There are numerous aspects of music that contribute to the prog status ... and of course their importance varies greatly, depending on who you ask. I don't really think that it makes sense to enumerate them in a concise definition of prog. In my definition it's surely covered by the reference to the key bands of the classic prog era ... many of them has eastern influences.


I mentioned because the eastern influences are rarely mentioned when there's talk about influences. Everyone mentions jazz and classical which is obviously correct too. It was related to that part of the discussion, not so much that it has to be included when defining of the genre (but I'd rather include that eastern influence on western music than metal). 
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Direct Link To This Post Posted: July 09 2009 at 06:47
Originally posted by Rocktopus Rocktopus wrote:

Prog (and jazz)'s eastern influences are extremely underrated. 


There are numerous aspects of music that contribute to the prog status ... and of course their importance varies greatly, depending on who you ask. I don't really think that it makes sense to enumerate them in a concise definition of prog. In my definition it's surely covered by the reference to the key bands of the classic prog era ... many of them has eastern influences.
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