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Snow Dog ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: March 23 2005 Location: Caerdydd Status: Offline Points: 32995 |
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Thats actually rather good.
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American Khatru ![]() Forum Senior Member ![]() ![]() Joined: March 28 2009 Location: New York Status: Offline Points: 732 |
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^ The YouTube down the page of Sarkozy getting pied might be better
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![]() Why must my spell-checker continually underline the word "prog"? |
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PROGMONSTER2008 ![]() Forum Senior Member ![]() Joined: December 09 2007 Status: Offline Points: 610 |
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The formula is playing rock music in a jazz/classical format. You can forget all forms of metal pretty much. The music isn't in the same class. You can be as talented at playing an instrument as you want but you gotta come up with something great before even playing a note first ![]() ![]() Edited by PROGMONSTER2008 - July 10 2009 at 20:03 |
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infandous ![]() Forum Senior Member ![]() ![]() Joined: March 23 2006 Location: United States Status: Offline Points: 2447 |
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We are all so fortunate to have the premier authority on what is "good" prog music here with us in the forum. So, it is your tastes that decide what is good music and not our own? I don't think so. Much of today's music that is categorized on this site as prog is easily as innovative, interesting, and GOOD as anything done by the 70's prog bands. You keep mentioning a "formula" that those bands used, when in fact there is no such thing. Those bands were, for the most part, quite different from each other and you'd be hard pressed to come up with a formula that encompassed them all. However, if the formula you are referring to is that of making every effort to be new, unique, and different from other bands and types of rock music, then I suppose I could agree with you. But if that's the case, there is loads of very good prog being made today, whether you listen to it or not. Edited by infandous - July 10 2009 at 13:14 |
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Atavachron ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 30 2006 Location: Pearland Status: Offline Points: 65602 |
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Prog is a monster that got loose sometime in the late 60s and by the time anyone realized what had happened, a resilient, ever-mutating creature was unleashed.. fortunately
Edited by Atavachron - July 10 2009 at 03:09 |
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PROGMONSTER2008 ![]() Forum Senior Member ![]() Joined: December 09 2007 Status: Offline Points: 610 |
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I was too young to be part of the prog era, but growing up I hardly liked any rock music until I found old style prog. That's because prog was a step above standard rock music. I was lucky enough my dad had a Rhodes, Hammond and Moog in the lounge room so I was brought up listening to fusion and jimmy smith jazz on the organ. If modern style prog was good I'd be listening to it. But the only prog I like being made today is the prog which follows the old formula
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Rocktopus ![]() Forum Senior Member ![]() ![]() Joined: March 02 2006 Location: Norway Status: Offline Points: 4202 |
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Oh yes, that's what you said about prog back then: "Its all about clever melodies and memorable tunes" Complete bullsh*t! Just because you and your friends only accepted singalong progsongs that stuck to some "true prog" formula, doesn't mean anyone else ever agreed with you. And what the f**k did I write that follows "the modern" version? Is that the impression you get if actually read my posts? Is the modern version any version disagreeing with your own? |
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Over land and under ashes
In the sunlight, see - it flashes Find a fly and eat his eye But don't believe in me Don't believe in me Don't believe in me |
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StyLaZyn ![]() Forum Senior Member ![]() ![]() Joined: November 22 2005 Location: United States Status: Offline Points: 4079 |
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Imagine that, a defining Prog thread. I don't think we've ever done this.
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American Khatru ![]() Forum Senior Member ![]() ![]() Joined: March 28 2009 Location: New York Status: Offline Points: 732 |
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Forgive me if I haven't read the whole thread to this point yet (not going to have time today!), but, while I agree you have to incorporate the styles of classical and jazz as underpinnings, I don't see enough use of the word blues in the responses (except notable Lazland just above me - I like the R Buckminster Fuller avatar). American blues was a huge preoccupation and influence, probably thanks to it's dissemination on vinyl, influence on the great young musicians of the late sixties-early seventies who made a superlative music which did not all sound the same but came to be labelled Progressive Rock by others.
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![]() Why must my spell-checker continually underline the word "prog"? |
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lazland ![]() Prog Reviewer ![]() ![]() Joined: October 28 2008 Location: Wales Status: Offline Points: 13794 |
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The range of artists who fall under the prog banner, be they the classics from the 70's or the modern bands have such a huge range of influences that it is almost impossible to define properly or succinctly. There are classical, jazz, folk, blues, metal influences in a variety of bands, and others are almost impossible to state what influences made them compose the music they did.
So, I will add my ten pounds to the debate by giving an extremely succinct definition, which probably won't help anyone at all: IT'S BLOODY GREAT MUSIC ![]() ![]() |
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Enhance your life. Get down to www.lazland.org
Now also broadcasting on www.progzilla.com Every Saturday, 4.00 p.m. UK time! |
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Mr ProgFreak ![]() Forum Senior Member ![]() ![]() Joined: November 08 2008 Location: Sweden Status: Offline Points: 5195 |
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^ what about Psych/Space and Avant-Garde? There are many prog bands that don't have a lot to do with classical music.
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J-Man ![]() Prog Reviewer ![]() ![]() Joined: August 07 2008 Location: Philadelphia,PA Status: Offline Points: 7826 |
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I think that is a very good definition. My definition is probably...
Classical music with rock instrumentation. Yours is longer, but mine sums it up in a nutshell. |
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The Pessimist ![]() Prog Reviewer ![]() ![]() Joined: June 13 2007 Location: United Kingdom Status: Offline Points: 3834 |
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I think in a nutshell, it is modern music that is taken to the very extreme edges of the imagination.
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"Market value is irrelevant to intrinsic value."
Arnold Schoenberg |
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Certif1ed ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: April 08 2004 Location: England Status: Offline Points: 7559 |
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I don't think that's always the case - take "21st Century Schizoid Man" as a classic example - the melody is a fairly simple rock melody. The jazz influences come in the treatment of the riffs and the addition of the sax. What I'm saying is that the jazz influences are in the approach more than the melodies. There's very little Classical influence in that song too - and the same goes for a fair amount of Genesis, which has a stronger folk root than Classical or jazz - although the jazz approach can't be denied, you did specify melodies. I agree that it's not standard rock music.
I don't think that's the reason it's called progressive rock - I think the reason is probably more like it sounded different to the rock music they were used to. Also, "busier" is not a criteria - Genesis music is not particularly "busy" in many places, "Moon Child" is hardly a "busy" piece, and nor is much Pink Floyd. The music could be exciting and new without being busy. I think that more equal contributions from musicians is a fair general point - although people like Rick Wakeman are obvious exceptions... Varied instrumentation is a good point.
Not at all - it was a name given to the exciting new sounding music emerging from certain clubs (such as UFO, Roundhouse and Marquee) and "scenes" (such as Ladbroke Grove) in London in the late 1960s. Pink Floyd were one of the leading lights of the Progressive / Underground scene in 1966-7. Out of these scenes came most of the bands that would be leading lights in Progressive Rock, and some that would play a large part in the evolution of Heavy Metal. Imagine that all you'd heard was "She Loves You Yeah, Yeah, Yeah" and "Ferry Across the Mersey" - or even "Eight Miles High" - and then you heard "Astronomy Domine" for the first time That would have sounded a bit different to the run of the mill, I'd suspect! Notably, "AD" is a heavy song with riffs, like "Saucerful of Secrets", "Set The Controls for the Heart of The Sun" and "Careful With That Axe, Eugene". These songs seem to be largely responsible for sparking off the Krautrock scene, and with it, heavy metal bands like The Scorpions and UFO.
Isn't "21st Century Schizoid Man" real Prog? ![]() It's certainly heavy metal, as much as Black Sabbath, Blue Cheer, Spooky Tooth or Steppenwolf were, like the Floyd songs I mentioned.
I'd disagree with "not purposely set at breaking boundaries and inventing" - I rather think that this was one of its raisons d'etre, otherwise why do so much stuff that was so wildly different to standard rock music? Besides, much of ELPs stuff doesn't sound like mildly heavy rock - and even Gentle Giant and Jethro Tull could get pretty heavy.
Those bands are among the heaviest of the time - and don't forget the Yardbirds, the Who and Spooky Tooth. While the Beatles weren't consistently heavy, they did write heavy songs, like the title track on Sgt Pepper and "Helter Skelter".
I don't rate either as "poor" - they both came up with innovations that are still influential to this day - probably more so than the Prog Rock groups. They don't have as much jazz influence as Hendrix, Cream, etc., it's true - but there is still some there (e.g. Kirk Hammett had lessons from Joe Satriani, who was in turn a pupil of the great Lennie Tristano and Bill Evans). This is probably because jazz was less popular by this time - and certainly less innovative. The Progressive Jazz introduced by Stan Kenton and perfected by Tristano was taken to its apex by luminaries such as Sun Ra and Miles, and there wasn't much left to do with it - people got bored of it.
There's no formula. Think about the 1970s Prog bands and try to come up with a formula other than on a purely technical basis that unites what they did - it's very difficult. 1970s Prog is all about the approach - even keyboards are optional. In 1970s Prog, everything is optional - except the norm, which was to be avoided. When it was understood that the general record-buying public wanted more stability and less invention in their music, the great Proggers either dumbed it all down to keep the cash coming in, or carried on in this inventiveness and sank to wider obscurity.
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The important thing is not to stop questioning.
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Mr ProgFreak ![]() Forum Senior Member ![]() ![]() Joined: November 08 2008 Location: Sweden Status: Offline Points: 5195 |
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The problem is that if there's something that's not prog then it's "following formulas". ![]() |
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PROGMONSTER2008 ![]() Forum Senior Member ![]() Joined: December 09 2007 Status: Offline Points: 610 |
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Maybe we should separate Old prog from New prog. 2 completely different styles of music
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PROGMONSTER2008 ![]() Forum Senior Member ![]() Joined: December 09 2007 Status: Offline Points: 610 |
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The truth?
![]() I'm telling you what music was labelled prog. You're following the modern version which is going on a completely opposite and wrong tangent. The real proggers naturally did their thing and it was new. Todays version of prog is about doing something new just to be different but it doesn't even put a shivver down the spine. The only good proggers today are the ones who follow the true prog formula and it will progress naturally because it's quality
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Mr ProgFreak ![]() Forum Senior Member ![]() ![]() Joined: November 08 2008 Location: Sweden Status: Offline Points: 5195 |
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^ I think that metal and pop could be excluded when talking about "Classic Prog", but since the 80s those genres are definitely a part of the big picture.
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Rocktopus ![]() Forum Senior Member ![]() ![]() Joined: March 02 2006 Location: Norway Status: Offline Points: 4202 |
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I mentioned because the eastern influences are rarely mentioned when there's talk about influences. Everyone mentions jazz and classical which is obviously correct too. It was related to that part of the discussion, not so much that it has to be included when defining of the genre (but I'd rather include that eastern influence on western music than metal). |
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Over land and under ashes
In the sunlight, see - it flashes Find a fly and eat his eye But don't believe in me Don't believe in me Don't believe in me |
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Mr ProgFreak ![]() Forum Senior Member ![]() ![]() Joined: November 08 2008 Location: Sweden Status: Offline Points: 5195 |
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There are numerous aspects of music that contribute to the prog status ... and of course their importance varies greatly, depending on who you ask. I don't really think that it makes sense to enumerate them in a concise definition of prog. In my definition it's surely covered by the reference to the key bands of the classic prog era ... many of them has eastern influences. |
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