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Topic ClosedIs Robert Fripp Overrated?

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Genital Giant View Drop Down
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Direct Link To This Post Posted: August 06 2014 at 19:39
Fripp is a completely unique guitarist. He can do some stuff with his picking technique that I've never heard another guitarist come close to. Like his ability to jump strings while playing fast lines perfectly is pretty uncanny. The opening of Lark's Tongues in Aspic III is a good example. That's insanely difficult to play with a pick as accurately as he does.
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Direct Link To This Post Posted: August 06 2014 at 16:47
Originally posted by Imperial Zeppelin Imperial Zeppelin wrote:

But BB King is overrated LOL
Like any other joint.

Edited by Dayvenkirq - August 06 2014 at 16:47
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Direct Link To This Post Posted: August 06 2014 at 16:45
Originally posted by Mirror Image Mirror Image wrote:


Originally posted by Rednight Rednight wrote:

Originally posted by LSDisease LSDisease wrote:


Originally posted by Blacksword Blacksword wrote:

^^^ and I'll take an original composer over some "look at me mum" shredder any day of the week. I grew up all excited about long haired guitarists who could play really fast and use classical references in their music. Then I discovered the likes of Lifeson, Gilmour and Fripp and all those 'heroes' just seemed a bit... you know..

Plus they mostly made predictable sh*t music imo...
Lifeson is better than the remaining two.

Lifeson is better? What a maroon! Though respectable, Mr. Zivojinovic is a very talented strummer with an average bag of tricks in store. Long live Fripp.

I don't understand the need to dismiss Lifeson's musical ability. Have you actually listened to one of Lifeson's solos before? Go listen to his solo on Emotion Dector and tell me he's just a 'strummer with an average bag of tricks'. One of the great things about Lifeson, like many of the great prog guitarists (you know the list), is he plays for the song and not his ego. So while he has chops galore, he doesn't need to 'show off' what he knows. What he played was perfect for Rush and no other guitarist could have fit the bill.

Hey, I like Lifeson. I was simply responding to the Rush fan's negligent statement about him being better than Fripp. The former has worked hard to attain some technical level of playing equal to or better than the latter, but it's just no contest. Fripp is a prog god. Hyperbole, sure, but that's more true than saying his and Gilmour's playing doesn't rate compared to Lifeson's. Keep up the good work, Alex.
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Direct Link To This Post Posted: August 06 2014 at 09:35
But BB King is overrated LOL
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Direct Link To This Post Posted: August 06 2014 at 08:53
Originally posted by twosteves twosteves wrote:

Howe was just described as "the BB King of Prog"---in a recent very interesting interview. I like that.

Wow, that's a very accurate statement!

Originally posted by Gerinski Gerinski wrote:

Fripp, Lifeson or Howe had a special quality beyond their technical ability. Fripp was the most technical of them but they all shared uniqueness and, as somebody already said, they did not just played for the ego (well, Fripp may have sometimes) but for the music.
As good as Gilmour or Latimer certainly were, I see them as more traditional guitarists.

I couldn't agree more with what's said here.
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Direct Link To This Post Posted: August 06 2014 at 08:48
Fripp, Lifeson or Howe had a special quality beyond their technical ability. Fripp was the most technical of them but they all shared uniqueness and, as somebody already said, they did not just played for the ego (well, Fripp may have sometimes) but for the music.
As good as Gilmour or Latimer certainly were, I see them as more traditional guitarists.
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Direct Link To This Post Posted: August 06 2014 at 08:19
Howe was just described as "the BB King of Prog"---in a recent very interesting interview. I like that.
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Direct Link To This Post Posted: August 06 2014 at 05:50
Originally posted by Mirror Image Mirror Image wrote:

Originally posted by Rednight Rednight wrote:

Originally posted by LSDisease LSDisease wrote:


Originally posted by Blacksword Blacksword wrote:

^^^ and I'll take an original composer over some "look at me mum" shredder any day of the week. I grew up all excited about long haired guitarists who could play really fast and use classical references in their music. Then I discovered the likes of Lifeson, Gilmour and Fripp and all those 'heroes' just seemed a bit... you know..

Plus they mostly made predictable sh*t music imo...
Lifeson is better than the remaining two.

Lifeson is better? What a maroon! Though respectable, Mr. Zivojinovic is a very talented strummer with an average bag of tricks in store. Long live Fripp.

I don't understand the need to dismiss Lifeson's musical ability. Have you actually listened to one of Lifeson's solos before? Go listen to his solo on Emotion Dector and tell me he's just a 'strummer with an average bag of tricks'. One of the great things about Lifeson, like many of the great prog guitarists (you know the list), is he plays for the song and not his ego. So while he has chops galore, he doesn't need to 'show off' what he knows. What he played was perfect for Rush and no other guitarist could have fit the bill.

I never understood the need to dismiss any player's ability relative to another. It's completely fine to have no liking for their music or songs, but skill and musical ability shouldn't be denied simply because of a personal bias or two. I personally never got into Rush that much, but I don't deny their impact, creativity, or songwriting ability. My father and I were actually having a very similar discussion to this at a cookout just this past weekend. Another gentleman who was all about British rock and the punk wave incessantly denied certain bands and player based entirely upon their choice of guitar brand/political affiliation, lol.

Fripp has always been Fripp; he's his own dimension of playing. Very few guitar players have that "it" factor for me; Howe is another one. Both those guys were so ahead of their time in their own era, it's astounding. I admire those levels of individuality in guitar players; I think we could use a little more of it today!
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Direct Link To This Post Posted: August 05 2014 at 21:06
you know what?

I remember a critic reviewer named "Bill Blynan" or something like that, in a music magazine publication called "The Kite", September 1973, referred to Fripp's playing style as:

 "Star Trek guitar".........

.......I suppose that if Star WARS had been released by 1973, instead of May 1977, Fripp's sound would have been considered "light-saber guitar"...........however, despite this lapse in time by 4-5 years, you get the point.


"Naked we come, bruised we go...Nude pastry for the slow soft worms below" ---James D. Morrison; "Throw out yer gold teeth & see how they roll...the answer they reveal: Life is Unreal" ---Steely Dan
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Direct Link To This Post Posted: August 05 2014 at 20:01
Originally posted by Rednight Rednight wrote:

Originally posted by LSDisease LSDisease wrote:


Originally posted by Blacksword Blacksword wrote:

^^^ and I'll take an original composer over some "look at me mum" shredder any day of the week. I grew up all excited about long haired guitarists who could play really fast and use classical references in their music. Then I discovered the likes of Lifeson, Gilmour and Fripp and all those 'heroes' just seemed a bit... you know..

Plus they mostly made predictable sh*t music imo...
Lifeson is better than the remaining two.

Lifeson is better? What a maroon! Though respectable, Mr. Zivojinovic is a very talented strummer with an average bag of tricks in store. Long live Fripp.

I don't understand the need to dismiss Lifeson's musical ability. Have you actually listened to one of Lifeson's solos before? Go listen to his solo on Emotion Dector and tell me he's just a 'strummer with an average bag of tricks'. One of the great things about Lifeson, like many of the great prog guitarists (you know the list), is he plays for the song and not his ego. So while he has chops galore, he doesn't need to 'show off' what he knows. What he played was perfect for Rush and no other guitarist could have fit the bill.
“Music is enough for a lifetime but a lifetime is not enough for music.” - Sergei Rachmaninov
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Direct Link To This Post Posted: August 05 2014 at 19:46
^ Have you heard Alex's solos?
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Direct Link To This Post Posted: August 05 2014 at 19:05
Originally posted by LSDisease LSDisease wrote:


Originally posted by Blacksword Blacksword wrote:

^^^ and I'll take an original composer over some "look at me mum" shredder any day of the week. I grew up all excited about long haired guitarists who could play really fast and use classical references in their music. Then I discovered the likes of Lifeson, Gilmour and Fripp and all those 'heroes' just seemed a bit... you know..

Plus they mostly made predictable sh*t music imo...
Lifeson is better than the remaining two.

Lifeson is better? What a maroon! Though respectable, Mr. Zivojinovic is a very talented strummer with an average bag of tricks in store. Long live Fripp.
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Direct Link To This Post Posted: August 04 2014 at 09:04
Thanks again Dean and I appreciated. SmileThumbs Up
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Direct Link To This Post Posted: August 03 2014 at 15:33
Originally posted by O666 O666 wrote:

Originally posted by The Doctor The Doctor wrote:

^ I know, right. Some people on here do nothing but make sarcastic comments and become argumentative easily. Uh. Wait.   

Are you angry with me Doc? and you Dean? I think you pointing me in this thread. 
No he isn't, neither am I, and No we are not picking on you in this thread. 

You asked why people make negative comments. I answered - some people like to make negative comments to make other people react. The internet term for that behaviour is trolling, the "I hate Yes" thread is an example of a troll-thread. This is not a comment on your posts here.

Chester (Doc) responded with a self-deprecating joke (ie he made a joke about his own behaviour). He was not commenting on your posts here.


peace out.
What?
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Direct Link To This Post Posted: August 03 2014 at 12:14
Originally posted by dr wu23 dr wu23 wrote:

Originally posted by tamijo tamijo wrote:

It's the complexity of the silence between the cords, that is the true heart of the matter.
 
Over the years I have heard some musicians say, especially with guitarists,  that what a guitar player doesn't play is just as important as the notes he does play.
 

Heard this too--always thought that Howe was very aware of that too---at least I hear that in his playing.
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Direct Link To This Post Posted: August 03 2014 at 11:08
Originally posted by tamijo tamijo wrote:

It's the complexity of the silence between the cords, that is the true heart of the matter.
 
Over the years I have heard some musicians say, especially with guitarists,  that what a guitar player doesn't play is just as important as the notes he does play.
 
One does nothing yet nothing is left undone.
Haquin
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Direct Link To This Post Posted: August 03 2014 at 10:08
Originally posted by SteveG SteveG wrote:

Originally posted by tamijo tamijo wrote:

It's the complexity of the silence between the cords, that is the true heart of the matter.


You mean the time between the notes relates the color to the scene?Wink
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Direct Link To This Post Posted: August 03 2014 at 09:58
Originally posted by The Doctor The Doctor wrote:

^ I know, right. Some people on here do nothing but make sarcastic comments and become argumentative easily. Uh. Wait.   

Are you angry with me Doc? and you Dean? I think you pointing me in this thread. 
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Direct Link To This Post Posted: August 03 2014 at 09:52
Originally posted by Dean Dean wrote:

Originally posted by O666 O666 wrote:

Originally posted by twosteves twosteves wrote:

Originally posted by O666 O666 wrote:

Rating RF?! Underrate maybe but overrate..... I dont understand some of members. I saw strange posts these days in PA. One guy said "I hate Yes" and other guy write "Genesis hit me" (in positive attitude) and now "Robert Fripp is overrated". I think some guys come in wrong address!! Maybe some of you dont like Progressive music. Maybe some guys try to show themselves "Different Guys". Who knows.


I know what you mean--but I hate VDGG and usually dive for cover when I say itLOL ---but prog is a big universe and you can't expect to appreciate all of it---but not thinking Fripp is the great and powerful Oz and not liking Yes or Genesis is totally not acceptableWink

Good point. I dont like many of giants in PA like many members but I cant talk about them negative!! You get my point and I get yoursWink
Thanks.
Like every other forum on the interweb, this website has trolls. Stern Smile

I NEVER IGNORE MUSICIANS ABILITIES." I like or I dont like " isnt a reason to Ignore artists. 
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Direct Link To This Post Posted: August 02 2014 at 11:42
Originally posted by LSDisease LSDisease wrote:

Originally posted by Dayvenkirq Dayvenkirq wrote:

... 
If you mix 10 simple songs into one song you won't have one complex song you will still have a simple song ... cos to have it complex those riffs must interact with each other in multiple ways.
Now you've just made yourself yet another out-of-place statement. Not only does it have nothing to do with the thread, it also has very little to do with what we were discussing previously - how in some cases simple chords can be used to create a complicated piece of music (which I've already explained, and I'm not intending to repeat myself).

Game over.


Edited by Dayvenkirq - August 02 2014 at 21:12
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