How to define and classify "Progressive Rock"? |
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Psychedelic Paul
Forum Senior Member Joined: September 16 2019 Location: Nottingham, U.K Status: Online Points: 39950 |
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I wasn't being entirely serious about Pavlov's Dog.
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Cristi
Special Collaborator Crossover / Prog Metal Teams Joined: July 27 2006 Location: wonderland Status: Online Points: 43528 |
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are you serious with this statement or just joking around again?
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David_D
Forum Senior Member Joined: October 26 2010 Location: Copenhagen Status: Online Points: 15097 |
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Well, I don't know how many times I have to do that before you talk about my points of view in a way so I can recognise them - and that is said very nicely. Before you do that, I can't really discuss with you. Edited by David_D - August 28 2022 at 14:16 |
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quality over quantity, and all kind of PopcoRn almost beyond
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Jaketejas
Forum Senior Member Joined: March 27 2018 Location: USA Status: Offline Points: 1988 |
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That would be responding to the question as if it were question #1. But, I wonder if the real question is more in line with question #2 ... which is more of a nuts and bolts question.
Perhaps a follow-up question might be. In your opinion, which band most exemplifies each of the different subgenres of prog? How has that subgenre evolved (I didn't say for the better or for the worse) from decade to decade? Perhaps which band most exemplifies each subgenre for each decade? And, which band was the most difficult to characterize from the PA groups? And, what might be emerging new subgenres of prog? Edited by Jaketejas - August 28 2022 at 13:38 |
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Psychedelic Paul
Forum Senior Member Joined: September 16 2019 Location: Nottingham, U.K Status: Online Points: 39950 |
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Symphonic Prog is the only 100% genuine prog genre in my view and almost everything else on ProgArchives is up for debate as to whether it's really prog or not, apart from Pavlov's Dog, who are genuine bona fido prog.
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Jaketejas
Forum Senior Member Joined: March 27 2018 Location: USA Status: Offline Points: 1988 |
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How to define and classify Progressive Rock?
I think it might be time to revisit the purpose behind the question. Is it a personal question - such as, what does prog rock mean to you and how has it changed your life for the better (obvioiusly, for the better)? Or, is it a question that has to do more with the system? For example, I, Joe Newbie Progger, want to search a prog rock website in order to find out about the different forms of progressive rock music for the purpose of seeking music that I might like. How do I go about it? And, how did the people who put this website together figure out such a system? Or, is it more of a contrarian question, such as: How in the world can you even begin to define the undefinable? And, what about all those bands who write music in umpteen different genres? To me, the second question might be the more interesting one, especially since we have many artists who come here sheepishly asking the question ... what genre is my band? |
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nick_h_nz
Collaborator Prog Metal / Heavy Prog Team Joined: March 01 2013 Location: Suffolk, UK Status: Offline Points: 6737 |
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^If you must regurgitate without offering anything further, or even addressing the previous rebuttal I gave you… 🙄
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David_D
Forum Senior Member Joined: October 26 2010 Location: Copenhagen Status: Online Points: 15097 |
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quality over quantity, and all kind of PopcoRn almost beyond
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David_D
Forum Senior Member Joined: October 26 2010 Location: Copenhagen Status: Online Points: 15097 |
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Thank you for your opinion, siLLy_puPPy. Edited by David_D - August 28 2022 at 12:48 |
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quality over quantity, and all kind of PopcoRn almost beyond
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David_D
Forum Senior Member Joined: October 26 2010 Location: Copenhagen Status: Online Points: 15097 |
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"Prog" is not an objective fact, but a matter of choice how it's best to define it, or what/which definition(s) it's best to use. Edited by David_D - August 28 2022 at 11:32 |
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quality over quantity, and all kind of PopcoRn almost beyond
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siLLy puPPy
Special Collaborator PSIKE, JRF/Canterbury, P Metal, Eclectic Joined: October 05 2013 Location: SFcaUsA Status: Offline Points: 15242 |
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I can’t believe this discussion is still a thing 🥶
I think this site defines the term progressive rock perfectly What else needs to be discussed? |
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https://rateyourmusic.com/~siLLy_puPPy |
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nick_h_nz
Collaborator Prog Metal / Heavy Prog Team Joined: March 01 2013 Location: Suffolk, UK Status: Offline Points: 6737 |
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For me, genre definition is never not ad absurdism. Or, at least, the attempt to narrowly pigeonhole music into arbitrary boxes. Genres, and even worse, sub genres offer either a cornucopia or cacophony of choice, depending on one’s viewpoint. People often forget that all genres are labels that have been given retrospectively, and only after people have decided it is something different enough to warrant its own label. There are also very few genres that have not evolved their definition, and breadth of style within, over time. It is completely normal for what is contemporarily described as a typical example of a genre to sound very different from the first examples to be described by that genre. Even though I don’t consider prog a genre, per se, it is no different from the various genres that exist, and continue to be coined in that what was is contemporarily regarded as prog is vastly different from what once was. The arguments on this forum tend to come from older listeners who have stuck more rigidly to what prog was, and aren’t so happy about what is recognised as prog today. You can find the same in metal, pop, hip hop or probably any other fanbase - where people decry that what people these days call [genre] is not what they think [genre] is, because that’s not what [genre] was. In these cases, history is viewed more important than style, and I guess that is where David is stuck.
While I agree that prog is probably a troublesome name for the style, it would not be dramatically less troublesome if it were called something different. There would still be people unwilling to recognise that styles change over time. All music progresses. That doesn’t make it prog. But, conversely, it doesn’t mean something that has progressed is not prog. It is inevitable that any genre that is newly invented to describe whatever sound or style people feel the need to give a new label to, will evolve and change over time. Whether one believes that prog is broad and meta-genre (like me), or is more narrow and a genre in and of itself, it is inconceivable to me that one can not recognise that what is (or isn’t, depending on how you want to look at it) will differ over time. It’s funny, to me, seeing people say something from the past isn’t prog as it’s not really any different to what another bands were doing at the same time - even though there were still a minority of bands doing this, and it was still new, original, and unique - while at the same time insisting on a band from today playing retro prog is the epitome of prog today. And there are such people on this forum. There are certain users who as soon as I see “last post by [user]” I can guess what will be written before I view it. That doesn’t mean one needs to like everything. I can freely admit that within some genres, I prefer only some eras. But it seems that a lot of people who don’t like a lot of modern prog (unless it sounds like classic prog), simply can’t recognise that if something is generally accepted as prog by others, then it probably is, and they should just accept it is a part of prog they don’t like. It’s actually really interesting to see how prog is regarded inside and outside PA - as (as broad as some complain PA can be) this site has a narrower view of prog than you are likely to find on social media and much of the media. What is or isn’t prog can also change dramatically based on where one is in the world. In NZ and Australia, a lot of what is near universally thought of as prog would probably not be prog “enough” for PA, even if it would surprise the bands and their fans that anyone might not think they were prog. Expectations differ, and that is probably the biggest reason there are arguments over prog. It’s not so much the definition, so much as people’s expectation of how that definition meets reality. |
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Lewian
Prog Reviewer Joined: August 09 2015 Location: Italy Status: Online Points: 14692 |
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@nick: Because of what you wrote there, I tend to think that the term "prog" or "progressive" is a bad and potentially misleading choice as a genre label in the first place, inviting much of the trouble that can be had when trying to define it. Many say that "prog rock" is just a label and should be separated from the term "progressive", but progressive stuff (that can therefore not be captured by referring to fixed genre labels and can't therefore be pure "prog rock") keeps flooding in and subverting the boundaries (actually prog rock could still be quite progressive when not constrained by a fixed label definition). With which I personally have no problem, but it tends to reduce the genre definition problem ad absurdum.
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David_D
Forum Senior Member Joined: October 26 2010 Location: Copenhagen Status: Online Points: 15097 |
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I can't imagine to avoid stylistic considerations. The question is only to what degree one weights historical factors.
Edited by David_D - August 28 2022 at 09:40 |
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quality over quantity, and all kind of PopcoRn almost beyond
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nick_h_nz
Collaborator Prog Metal / Heavy Prog Team Joined: March 01 2013 Location: Suffolk, UK Status: Offline Points: 6737 |
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Would it not be impossible to avoid a stylistic classification? Style as a noun refers to by one definition, a particular manner in which something is done; and by another the distinctive attributes of something, determined by its design. Prog is a style. Historical context can be useful in explaining when, where and how some examples of the style first took place, but is realistically relevant only to those particular times and bands. If you attempt to base a definition of prog upon that history, rather than the style, it doesn’t allow a great deal of evolution or innovation, or (indeed) progression. You would largely be left wi5 classic symphonic prog, neo-prog, and today’s retro prog. But, then, I suspect that maybe this is perhaps what you would prefer, anyway? |
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David_D
Forum Senior Member Joined: October 26 2010 Location: Copenhagen Status: Online Points: 15097 |
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Paul, your classification seems to me to be more stylistical than historical.
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quality over quantity, and all kind of PopcoRn almost beyond
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David_D
Forum Senior Member Joined: October 26 2010 Location: Copenhagen Status: Online Points: 15097 |
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That seems very good to me, even not so precise - but of course, if you don't want it to be more precise, then it's fine.
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quality over quantity, and all kind of PopcoRn almost beyond
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David_D
Forum Senior Member Joined: October 26 2010 Location: Copenhagen Status: Online Points: 15097 |
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Thank you very much for this informative post and answer of yours.
Yes, I would say so, and I don't really see the point of doing it here - more in context of some research.
Edited by David_D - August 26 2022 at 05:26 |
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quality over quantity, and all kind of PopcoRn almost beyond
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nick_h_nz
Collaborator Prog Metal / Heavy Prog Team Joined: March 01 2013 Location: Suffolk, UK Status: Offline Points: 6737 |
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I don’t know if it’s just me (it ain’t me, babe), but I’ve noticed a lot of throat singing utilised in various prog pieces in the last couple of years. Throat singing is pretty much associated with just three territories, Tuva, Siberia and (yes, that great barbecue state), Mongolia. This is slightly off topic, but I really like the way it has been used, when I’ve heard it. But in these current days where things are examined under the microscope, is it cultural appreciation, or cultural appropriation? I’m being only half serious, but prog is definitely a style of music that thrives on appropriation, and this is kind of one of the things that makes it what it is - the borrowing and blending of otherwise quite disparate sounds. Quite often, until a band labelled prog has created whatever fusion of styles, sounds and genres, no other band has done so previously. And it’s that initial fusion that makes us think “this is prog”, and undeniably it is “progressive”. The question then becomes is everything then that sounds like that initial fusion is still prog. It almost surely isn’t so progressive in a general sense - though if it changes the sound of the band that now uses it, it is certainly still progressive in that individual and specific sense. Conversely, is everything progressive, prog? The easy answer to the second question, is no. There are bands that are undeniably progressive in their approach to music, but who are unlikely to be considered prog. KoRn are a progressive rock band, but I’d never call them prog. That said, I know a couple of people who are willing to call them “prog adjacent” (not necessarily the term they use, so much as one I know is used in the PA forum, and therefore will be understood), and you can definitely hear their influence in some prog metal bands. (I inadvertently created a debate at the time of Gojira’s Magma when I said that I had always felt Gojira might be at least somewhat influenced by KoRn, and Magma was the album where you could really hear a resemblance. While the majority of Gojira fans rabidly turned on me, there were quite a few people that agreed, and either had always heard the same, of had never thought about it until I mentioned it, and then realised they could hear it, too. Personally, I think some of the most progressive music is not prog. I was one of the few that could happily agree with Steven Wilson, when he infamously said he felt the most progressive music being made (at that time) was in hip hop, not rock. It was a hard pill to swallow for many fans, but he wasn’t wrong. Progressive music is not restricted to rock. And, personally, I don’t believe prog is either. Prog is not a genre, so much as a mindset that can exist in any genre. It is meta genre. This is why we recognise that there is folk, some of which is prog folk; there is rock, some of which is prog rock; there is metal, some of which is prog metal, etc. etc. Sometimes what is prog in a genre is not called that, but one shouldn’t get too worked up over the signifier and signified. The signified remains what it is, whatever the signified. Thus some prog jazz is called that, and some is not. The nomenclature doesn’t matter too much. For example, no one really ever talks about progressive, or prog, math rock. There is no need, because it is pretty much impossible to be a math rock band, and not be prog. Everything that makes a math rock band a math rock band, is pretty much in the definition of prog as espoused by PA. The biggest problem of what is prog goes back to the near beginnings of this longwinded ramble. What is progressive, and prog, initially ceases to be over time. The first post rock bands were truly progressive, and while there are still some almost inarguably prog post rock bands around these days, the majority are playing variations on styles that are no longer new or original. This doesn’t make those bands derivative or boring. Far from it. Some of the “by numbers” post rock bands are making some absolutely wonderful music. The problem comes when they are looked at for submission in PA, and whether they are prog “enough” (or at all). Whether right or wrong, these bands face an additional hurdle that most (eg) retro symphonic and neo bands would not. Because most retro symphonic and neo bands are absolutely not progressive in any way, but they sound enough like the classic prog style, they get entry. Sounding enough like the classic post rock style (which was progressive, and has been recognised as prog by PA), on the other hand, isn’t enough. It’s a double standard of sorts, that shows that PA, despite people like David thinking and asserting that inclusion is too broad and encompassing “all music”, is far from that. It may look that way, but take almost any genre apart from those that mine the classic sound of what prog is/was, and it takes a lot more to get admitted into PA. One of the criteria for acceptance into PA is quite clearly stated that a band or artist must be recognised as prog outside PA, and there are many bands that are (on social media, in prog magazines and on prog websites, and routinely playing prog festivals, and/or having their gigs and appearance advertised by their being a prog band), but are still rejected. As broad and accepting a place as the likes of David might believe PA is, it’s still considerably narrower than almost anywhere else (including RYM, since David so often brings that site up). As for me, outside PA, I don’t give a damn if something is prog or not. So much prog bores the pants off me. I listen to far more that is not prog than is - at least by the definitions of PA, and even narrower definitions of the likes of David. But almost everything I listen to is, or at one point in time was, progressive. For me, Duran Duran is as prog as many of the bands in PA. They were absolutely progressive when they first appeared. Much of the ‘90s “grunge” scene was progressive. Alice In Chains, Soundgarden, Screaming Trees, all prog in their own way. Much of the nu-metal progenitors were progressive. Faith No More, Deftones, KoRn, System of a Down, all prog in their own way. I really don’t give a crap about labels or genres, outside my remit as a PA collaborator, because how a band is labelled has absolutely no bearing at all on whether or not I will like it. Why would I choose to be bound by arbitrary and subjective labels? |
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Logan
Forum & Site Admin Group Site Admin Joined: April 05 2006 Location: Vancouver, BC Status: Offline Points: 35750 |
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