Should sound quality determine reviews? |
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JD
Forum Senior Member Joined: February 07 2009 Location: Canada Status: Offline Points: 18446 |
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Determine?? No Be considered and critiqued?? Absolutely.
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Thank you for supporting independently produced music
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handwrist
Forum Senior Member Joined: May 19 2019 Location: Lisbon Status: Offline Points: 135 |
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It depends. Trout Mask Replica good, St Anger snare bad.
I agree with other posters that there is such a thing as overproduction, both in terms of modern compressing habits, and due to sterility of sound (like mentioned Aja vs previous albums). And then it depends also on the type of music being played: Steely Dan wouldn't sound good recorded like Beefheart, and vice versa.
Edited by handwrist - March 08 2020 at 05:41 |
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rogerthat
Prog Reviewer Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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On topic, this is so subjective because I wouldn't say it is about sound quality per se (because most professional albums are well recorded if by that is meant capturing the sound faithfully). It is usually an issue of either mixing or too much compression (too little in odd cases like Aja above). Recordings where the vocals are too much in the background in the mix, overcompressed recordings (see loudness wars), recordings where drums are too loud in the mix or sound too trebly, these are some qualities that I may find irritating, sometimes irritating enough to mar my opinion of the album.
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Mortte
Forum Senior Member Joined: November 11 2016 Location: Finland Status: Offline Points: 5538 |
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I am lo-fi guy, so itīs possible rough production can even rise my rating (I think todayīs music suffers a lot too clean production). But of course if the music sounds as recorded in some very bad equipment from the audience, itīs too much even for me. Got one "Let them eat vinyl" -live release from Beefheart (I think itīs bootie), after buying that never bought anything they released.
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rogerthat
Prog Reviewer Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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No idea about the Jellyfish album. But about Aja, while it's not sterile, I would definitely call it an album that's too well recorded, to the point where all the rock and roll energy is sucked out of it and it sounds more like a jazz ensemble. Entirely possible that that's what they wanted, this topic as with many others becomes about us listeners projecting our likes and dislikes on the album independent of the makers' own goals. That said, for me, Royal Scam is the album I love to play in the mornings on the commute (especially Monday mornings ) because it's so kickass while Aja works better in the evening or on cloudy, rainy days. It's very languid and luxuriant but energetic it isn't.
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Frenetic Zetetic
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As someone that records, mixes, and masters music as a professional hobby I fail to see how your comment contradicts mine. Of course it was analog, what the hell else would they be using...? How does that preclude some recordings sounding more clear than others...? Even other users have chimed in with personal experience with clarity of sound on this one. I have two versions of the album and while the 2008 remix is obviously the most clear, my other copy (assuming a 90's pressing) sounds plenty passable mix-wise.
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"I am so prog, I listen to concept albums on shuffle." -KMac2021 |
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richardh
Prog Reviewer Joined: February 18 2004 Location: United Kingdom Status: Online Points: 28270 |
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so that's all cleared up then
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Catcher10
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I have 3 copies of this brilliant album and my best sounding version is the 2008 Nick Davis remix mastered at 1/2 speed. The blanket from my speakers has been removed, the sound is much more open and revealing compared to my 1972 original issue that is simply veiled, this is a known thing on all Genesis early albums....but I only know this because I have a base to compare, then and now. I do have a 1978 German pressing copy that sounds pretty good, much better than my 1972 version. \ There are many many versions available, not all are done well, if you really want to find those well done records you have to research. I'm not sure what you mean Steve by "Almost all audiophile grade recordings were done back in the day on analogue equipment....." Take for example ITCOtCK, original copy tapes were botched, this is a classic known story. The tape recording heads were either misaligned or very dirty when creating copies for other countries to master from, the original recording had been stolen. They had to use these copies to create what we have today, albeit what Fripp, Tony Arnold and SWilson have done is pretty awesome now. You can read about it here. |
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Catcher10
Forum Senior Member VIP Member Joined: December 23 2009 Location: Emerald City Status: Offline Points: 17863 |
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SQ matters huge to me also, it can very much affect how I respond to the music as well it can determine how much I spin that record. Herc's key word above is "revealing". I have many examples where the SQ is dismal and you don't hear or pick up the nuances that make a passage engaging. There are many delicate sound structures in classic prog, most reissue CDs from the 90's were done horribly, brick-walled to death, which is still occurring BTW, and all u hear is a wall of noise. Dynamics and resolution are gone. Pick up a well recorded, properly mixed and mastered album and you will hear these nuances and it will affect how you react to the music, if not then you have a hearing deficiency. Like Herc my system is very revealing, some may ask "how do you know this?" Two reasons, 1) Go and listen to a high end system, it costs you nothing to do this. 2) I grew up with analog, and clearly remember how my records sounded back in the day, today's analog gear are light years better than what I had in the 70/80s. So my 70's records sound different, but what I hear now are all the nuances that my Lyra Delos cartridge is capable of reproducing, as well the audio gear before and after it that helps immensely. I don't review here, but did on another site that does not exist anymore and it (SQ) clearly makes a different impression.
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ExittheLemming
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Yep, 'Frenetic' is blowing smoke up his backside. Ask yourself the question: why do VST/AAX/AU/RTAS audio plug in manufacturers flood the market with best selling products that offer to 'replicate the vintage analogue productions of yesteryear from right inside your DAW'? Stick the words 'Abbey Road' on the packaging and bedroom producers will be robbing the aged and infirm to buy them.
Edited by ExittheLemming - March 07 2020 at 10:59 |
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SteveG
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friso
Prog Reviewer Joined: October 24 2007 Location: Netherlands Status: Offline Points: 2506 |
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Put on your favorite album on YouTube. Select the lowest possible bitrate and see if you still enjoy the music as much. You won't. Sound quality matters.
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I'm guitarist and songwriter for the prog-related band Mother Bass. Find us at http://www.motherbass.com. I also enter stages throughout the Netherlands performing my poetry.
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Frenetic Zetetic
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It really is as simple as this to me. If it sounds like I'm listening to your band through drywall, over the phone, underwater, it's ruining your art for me.
Oh definitely...but what if you can't hear the complex layers of harmony because of the mixing job? That's my gripe! It's like downloading a 1080P picture in 56K; all that color loss LOL.
This. Few have the actual experience and understanding of the work involved to make a record sound good. Old records sounding fuzzy is fine. New recordings sounding bad is no excuse IMHO! For the record (lol) I think the production on Foxtrot is crystal clear to my ears. |
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"I am so prog, I listen to concept albums on shuffle." -KMac2021 |
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moshkito
Forum Senior Member Joined: January 04 2007 Location: Grok City Status: Offline Points: 17708 |
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Hi, I'm not sure this is totally true. If you have a great singer, that knows what he/she is singing about, you can have a home recording set from the nickel shop at Amazon, and that person will still sound good ... why? The voice -- their instrument -- is flawless in its delivery and no one can miss that! You and I will likely say that it is a shame that it was not recorded with better equipment, but a great singer and deliverer of words is rarely concerned with the external side of their work ... they will still sound good! The quality of the recording, is not the reason why something is great ... it was PF's adjusting to the sonic nature of "sound" that helped DSOTM, and DG makes sure each and every note is heard ... and that it sounds perfect ... and that is more on the player than it is on anyone else ... but you and I will always agree that it makes it all sound even better! You can even hear how good it was in the bootlegs ... which after a few times, you know the difference ... THE PLAYER and the BAND!
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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moshkito
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Hi, A really great example of this is NEKTAR's Sounds Like This ... and the funny thing is ... that was EXACTLY what you heard in concert ... the band was that tight and good!
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
www.pedrosena.com |
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richardh
Prog Reviewer Joined: February 18 2004 Location: United Kingdom Status: Online Points: 28270 |
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It's certainly a tricky subject. My favourite album Brain Salad Surgery has way too much compression and distortion. Eddy Offord was sorely missed especially when you compare it to the previous album Trilogy which was spot on production wise. So I probably should deduct a mark for it but I could never do that! I do like the grainy analog approach of some retro bands such as Elephant 9 and Astra. That is what I really want not the sterile approach that is more typical. However I think the music is always 99% of the thing and sound quality 1%. So really its better to stick to commenting about the music .
Edited by richardh - March 07 2020 at 00:09 |
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Enchant X
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It is a good question , my answer is yes sound quality certainly matters .. remember all the fuss people made when vapor trails from Rush was first released it was a good album had some great songs on it but people focused more on its sound quality than the material itself (it was an over compressed brick wall mess as far as recording quality goes). I have several albums in my collection that I would have added an extra star to had they been better recorded , so yes sound quality is important for a good review these days. But if we are talking a late 60's early 70's album review sound quality isn't as important because we don't expect perfection, technology had not advanced enough at that stage it's amazing yes, jethro tull and King crimson etc albums sound as good as they still do. I noticed a big leap in about 1972 in sound quality then another leap in about 1975. I don't think the modern trend of volume wars is helping sound quality brick walling the dynamic range really bothers me, it hurts the feel of the music I think. Anyway a good question I hope I've helped in some way answer
Edited by Enchant X - March 06 2020 at 22:10 |
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AFlowerKingCrimson
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Yes. I can't imagine anyone giving King Crimson's "earthbound" a five star rating.
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Snicolette
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I think that it can be a segmentof the reviewer's description of the material. However, again, it is subjective, just like all music is. And I do agree with whomever wrote that too sterile is not good (as in overly-produced, or too perfect, lacking in human element).
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"Into every rain, a little life must fall." ~Tom Rapp
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The Dark Elf
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In the immortal words of Ian Gillan, "Yes, can we have everything louder than everything else?"
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