Prog Rock Cover Songs You Like |
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Barbu
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On Storybook they're playing the main theme of In the Court of the Crimson King and 21st Century Schizoid Man + the Firth of Fifth guitar solo inbetween introducing band members at the end of the show (the Phaedra track). Not really covers, more of a wink to the people in the audience imo and a nice little tribute to these two 70s prog giants. Always liked it. |
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verslibre
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Just because. |
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verslibre
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Squonk19
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I got around to hearing Unitopia's Genesis Medley. It works well because they bring a different pace to the sections. However, it was their take of The Silent Sun at the start which I liked the most - not least because it is the least known.
The Greg Lake covers on Moonchild by Annie Barbazza & Max Repetti work well on the quieter and slower tracks where their chamber music approach gives the songs a haunting quality. Less successful on the louder and faster group tracks though. |
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“Living in their pools, they soon forget about the sea.”
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Logan
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When I saw this topic, I came in to mention the Unthanks/ Rachel Unthank & the Winterset and Robert Wyatt. Love their versions of Sea Song and Nick Drake's River Man. Here's an instrumental "cover" version of Robert Wyatt's Sea Song by Mop Meuchiine (off the album Mop Meuchiine Plays Robert Wyatt). ------------------------------------------------------------- I'm not that big on ELP, but I do really like this cover of "Trilogy" by Jad&Den Quintet. |
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Fischman
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I think Spock's Beard actually improved on George Harrison's "Beware of Darnkess."
I like the whole Rush "Feedback" album. Even though I'm a big Rush fan, I thought going in that the band wasn't suited for those songs, and they would be horrible butcher jobs. I was pleasantly surprised and that's one of the things that even impressed me more about the band; that they had the range do to that playlist.
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Barbu
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Barbu
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Squonk19
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Yes - forgot to mention that one. Big Big Train turned a thoughtful, acoustic-driven song by Ant into something bigger and even more memorable. Covers seem to work best when lesser known songs are reinvented. I agree that many covers by established bands covering their peers tend to be quite safe - it's the old argument, I suppose - if you are going to cover a classic track, do something different with it, otherwise why are you really bothering. I understand tribute/covers bands trying to recreate them as precisely as possible when played live - but popular prog bands in their own right should try more - as the examples above show. Otherwise, stick to creating your own music - which must be artistically more interesting and challenging. |
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“Living in their pools, they soon forget about the sea.”
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richardh
Prog Reviewer Joined: February 18 2004 Location: United Kingdom Status: Offline Points: 28085 |
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and I also really like Dream Theater's cover of Xanadu on the recent expanded release of A Farewell To Kings. They do covers incredibly well.
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richardh
Prog Reviewer Joined: February 18 2004 Location: United Kingdom Status: Offline Points: 28085 |
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^ I love the second half of A Change Of Seasons which features covers of Carry On Wayward Sun and Achilles Last Stand. Probably my favourite DT album actually , the title piece is massively underated imo.
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Dellinger
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I had a difficult time thinking of prog covers I really like. I have just about all of the Dream Theater ones, and even though I enjoy them, they have always been too safe while doing their covers, and don't really add anything to them, so that I usually end up wishing I was listening to the originals (specially since LaBrie may technically be able to sing just about any song, but usually ends up lacking in the character singers like Freddy Mercury, Robert Plant, Jon Anderson, Dio, etc, have). However, I do love that In Held cover by Transatlantic... though I have barely heard the original once or twice in YouTube, I actually liked the Transatlantic version better. However, in general, Transatlantic covers suffer the same flaw of DT ones... too safe (and with an even worse singer). For DT in particular, I wish they would turn up the metal aspect of the classic prog songs... or from the classic hard rock songs, and in the case of metal songs, I would want them to prog up the solos. |
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Barbu
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Big Train cover of Master of Time is pretty strong too.
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Barbu
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Used to buy these prog tribute albums back in the day and almost always sold them back after a few listens, but not this one..excellent from start to end
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Squonk19
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^ Some really interesting covers you've been highlighting. Many thanks.
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“Living in their pools, they soon forget about the sea.”
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Saperlipopette!
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Susanna andd the Magical Orchestra's cover of Rush Subdivisions is one of my absolute favorite cover versions ever
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Squonk19
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I also like the Spectral Mornings EP. Putting vocals on the music definitely gave it a different approach to what is one of my favourite Hackett songs - and great poignancy to the charity. Credit to David Longdon of Big Big Train and Christina Booth of Magenta for their vocal performances.
I've been revisiting the covers Neal Morse normally includes as bonus tracks on live Spock's Beard or Transatlantic albums etc. Some are actually quite good in their approach and not merely carbon copies - including a great Genesis medley. The Transatlantic debut - SMPTe - has a great cover of In Held ('Twas) in I by Procol Harum. |
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“Living in their pools, they soon forget about the sea.”
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richardh
Prog Reviewer Joined: February 18 2004 Location: United Kingdom Status: Offline Points: 28085 |
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I really like the version(s) of Spectral Mornings done a few years ago in aid of Parkinsons. It included members of Magenta although Steve Hackett was also involved so it may not strictly count. I also like Ars Nova's version of Tarkus although a bit of a stretch to say its on the same level of the original. On the same tribute album (Keyboards Triangle), Gerard did a stonking (not a misspelling lol) version of Catherine Parr. It's on a parr (oh dear) with the original version imo. |
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I prophesy disaster
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Snakefinger did two covers that are among my favourite Snakefinger tracks: 1: The Garden of Earthly Delights (original by The United States Of America) 2: Magic and Ecstasy (original by Ennio Morricone)
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No, I know how to behave in the restaurant now, I don't tear at the meat with my hands. If I've become a man of the world somehow, that's not necessarily to say I'm a worldly man.
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Saperlipopette!
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og and Morte Macabre covering Fabio Frizzi. Stunning - just like their whole album
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