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Topic ClosedIs the original Prog left-wing?

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Upbeat Tango Monday View Drop Down
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Direct Link To This Post Posted: January 23 2016 at 09:37
I don't think so. Hell, I don't even think all members in any given band 70's band shared the same political ideology. But let's try...

Genesis leaned towards socialism
Yes leaned towards religion
Rush leaned towards classical liberalism (libertarianism if you are from the US and don't know what liberalism really means)
ELP leaned towards...who knows =S

So, short answer: NO






Two random guys agreed to shake hands. Just Because. They felt like it, you know. It was an agreement of sorts...a random agreement.
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Direct Link To This Post Posted: January 22 2016 at 16:22
60's and 70's?

It's rather rare to see an artist who spend most of his time on weed and/or acid being conservative. Especially in Europe.

Frank Zappa might be an exception?
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Direct Link To This Post Posted: January 21 2016 at 15:55
Originally posted by altaeria altaeria wrote:

It's Progressive Rock . 

Progressive Rock . 

Progressive Rock .

I think that answers the question. 



Yep. Of course, there are different ways of being "progressive": artistic, technological, political. Prog is all three!

Or to put it differently: Prog started as an attempt to create the art music for a future, egalitarian, post-materialist society, the kind of society the Counterculture was intending to build.



Edited by WeepingElf - January 21 2016 at 16:10
... brought to you by the Weeping Elf

"What does Elvish rock music sound like?" - "Yes."

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Direct Link To This Post Posted: January 21 2016 at 15:48
It's Progressive Rock . 

Progressive Rock . 

Progressive Rock .

I think that answers the question. 

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Direct Link To This Post Posted: January 21 2016 at 11:40
Originally posted by moshkito moshkito wrote:

Originally posted by presdoug presdoug wrote:

             Then there was the obscure band German Oak from the early 70s, musically sort of in the style of early Amon Duul 2; but they  went so far as to include a few little excerpts of Hitler speaking in between songs, and their debut album was recorded in an old WW2 Bunker. Again, this was in a sort of leftist spirit ridiculing and mocking the older generation and the extreme right wing, fascist Nazis, who were still  a thorn in that younger generation's side. 
                  
 
And Amon Duul 2 used this and satirized it more than once. Their album "Made in Germany" is where you can here it ... I think it is "La Krautoma".
Thanks for the reference, I will check that out.Thumbs Up
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Direct Link To This Post Posted: January 20 2016 at 14:54
Originally posted by presdoug presdoug wrote:

             Then there was the obscure band German Oak from the early 70s, musically sort of in the style of early Amon Duul 2; but they  went so far as to include a few little excerpts of Hitler speaking in between songs, and their debut album was recorded in an old WW2 Bunker. Again, this was in a sort of leftist spirit ridiculing and mocking the older generation and the extreme right wing, fascist Nazis, who were still  a thorn in that younger generation's side. 
                  
 
And Amon Duul 2 used this and satirized it more than once. Their album "Made in Germany" is where you can here it ... I think it is "La Krautoma".
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Direct Link To This Post Posted: January 20 2016 at 10:56
Originally posted by moshkito moshkito wrote:

Originally posted by cstack3 cstack3 wrote:

The origins of prog were, I believe, firmly rooted in protest to the Viet Nam war, arms race between USA and USSR (in which Great Britain was swept up), and other largely left-wing causes.  ...
 
AND, the IRA conflict, which would make many London'ers very close to it. And I still find that ""Epitath" is more about that conflict than Vietnam ...
 

Thanks for reminding me of "The Troubles" in Northern Ireland!  I'm not sure what Fripp & Co. were writing about, but always assumed it was the posturing of the West (as NATO) vs. Soviet Union.  "Upon the instruments of death the sunlight brightly gleams" etc. 



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Direct Link To This Post Posted: January 19 2016 at 17:31
Originally posted by Lewian Lewian wrote:

In Germany in the late sixties and seventies, certainly conservative leanings were associated with a conservative stance on culture, and all rock music, all that smelled remotely of excess, questioning values like "work hard, earn money, found a normal family and shut up" and perhaps, god forbid, of not respecting some laws (drugs!) was left to the lefties, although some of them were not that much into politics. (I'd guess it was similar in the UK and most European countries, although perhaps not as extreme as in Germany.)

Michael Karoli (Can) once said: "What made us different from all the other bands was that all the others had some kind of message and we didn't, we just wanted to play music." This is an attitude I love because I listen to the music for the music only; still they were up against the conservative establishment through the culture that was associated with it.
A very interesting scene created by early prog bands in Germany, and as you put it, what they were up against. Symphonic Prog band Wallenstein used to be called "Blitzkrieg", in total defiance and ridicule of their countries' Nazi past. (They kept the name for the title of their first album.)
             Then there was the obscure band German Oak from the early 70s, musically sort of in the style of early Amon Duul 2; but they  went so far as to include a few little excerpts of Hitler speaking in between songs, and their debut album was recorded in an old WW2 Bunker. Again, this was in a sort of leftist spirit ridiculing and mocking the older generation and the extreme right wing, fascist Nazis, who were still  a thorn in that younger generation's side.
                     A little later came Triumvirat's concept album Spartacus, depicting the story of the famous gladiator who tried to overthrow the Praetorian spirit of Imperial Rome. It kind of has a somewhat leftist feel to it, to me.
                  
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Direct Link To This Post Posted: January 19 2016 at 15:49
Originally posted by cstack3 cstack3 wrote:

The origins of prog were, I believe, firmly rooted in protest to the Viet Nam war, arms race between USA and USSR (in which Great Britain was swept up), and other largely left-wing causes.  ...
 
AND, the IRA conflict, which would make many London'ers very close to it. And I still find that ""Epitath" is more about that conflict than Vietnam ...
 
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Direct Link To This Post Posted: January 19 2016 at 11:39
The origins of prog were, I believe, firmly rooted in protest to the Viet Nam war, arms race between USA and USSR (in which Great Britain was swept up), and other largely left-wing causes.  

Examples include "Epitaph" by King Crimson, "Harold Land" by Yes and many others.  Activism regarding the environmental degradation common to the era was also an essential component of early prog. 

I don't know that prog musicians actively campaign for politicians anywhere, but like all people, they have their sentiments and expound on these through their music.  That is why prog doesn't have the "Love, Love Me Do" aspect of pop, it is more intellectual. 


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Direct Link To This Post Posted: January 19 2016 at 10:41
Originally posted by zravkapt zravkapt wrote:

Let's keep it simple...

"Progressive rock" is an adjective, not a cultural movement. Most rock musicians in the 1970s (and most 20-somethings at the time) were generally speaking 'left-wing'. Some people like Wakeman or Ian Anderson could be described as 'right-wing'(which proves that 'Prog' was anything but a united movement). 
 
...
 
This would be quite incorrect, and almost all compendiums of "progressive rock" history will ascertain that. But if all you know about progressive music and Prog, is about Wakeman and Anderson, then you have already lost the value of all of this music a long time ago.
 
"Progressive" was/had a cultural side ... but we, prog-journalists (if you will) don't believe in anything except a rock guitar god with 6 strings and a keyboard player with 15 pieces around him!
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Direct Link To This Post Posted: January 18 2016 at 11:13
In Germany in the late sixties and seventies, certainly conservative leanings were associated with a conservative stance on culture, and all rock music, all that smelled remotely of excess, questioning values like "work hard, earn money, found a normal family and shut up" and perhaps, god forbid, of not respecting some laws (drugs!) was left to the lefties, although some of them were not that much into politics. (I'd guess it was similar in the UK and most European countries, although perhaps not as extreme as in Germany.)

Michael Karoli (Can) once said: "What made us different from all the other bands was that all the others had some kind of message and we didn't, we just wanted to play music." This is an attitude I love because I listen to the music for the music only; still they were up against the conservative establishment through the culture that was associated with it.
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Direct Link To This Post Posted: January 18 2016 at 08:02
Originally posted by Sean Trane Sean Trane wrote:

Don't know who micky is thinking of (Rush does seem to fit his description), neither does The Nuge, but The Jam's Paul Weller spoke for Ta/Bitcher politics
micky's clarified but Rush wouldn't really fit the criteria of being ostracised in their ome country; to my knowledge, they're considered national treasures in Canada.

It doesn't surprise me to know that it was an Italian band - the 1970s was an intense scene in Italian politics. There's the famous story about how the Italian Communist youth latched onto Van der Graaf Generator's music for no discernable reason, so when they did a tour they ended up facing near-riots at their concerts as the audience was packed with Communists there to support them and neo-fascists out to protest/fight with the Communists.
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Direct Link To This Post Posted: January 17 2016 at 05:04
The original Rock In Opposition bands had a collective charter that mandated socialist principles - along with equally mandatory musical complexity.

As for the Bryan Ferry one, from what I gather he hard remarked that 1940s German architecture (described as fascist) was impressive. Well, you can't really have fascist architecture that isn't. Just wouldn't have the desired intimidation inducing effect. Bit like cathedrals and other buildings designed to instill a suitable feeling of imposition upon the proletariat. From this observation the left branded Ferry a Nazi. As Porcupine Tree name checked Albert Speer (Nazi era architect) I'm surprised no hysterical lefty has gone bug eyed with accusations based on less than nothing. The more extremist politically correct use fascist tactics (labeling, simplification and stereotyping) to impose their own values. Still, as bad as that is I would still value a discussion among the left (who at their worst I would see as having an excess of intellectualism as opposed to the right who most evidently, do not).

maybe this is as good a time and place as any for anyone who can help me understand the content of PFM's Passpartu booklet. My Italian is limited in the extreme but the mood of the music is in some contrast to the content of the booklet. Not sure what the lyrics are about either. Looks like lots of terrorist  depictions in there. The 1970s (when Passpartu was released) were a strange time of terrorism, plane hijackings, extreme nationalism, oil problems, Middle East tension, US political scandals, migrant problems and more unlike today where clearly we have learned... oh no, no. We haven't. Plus ca change plus ce'st la meme chose.

Interesting topic. Glad it's up for discussion.
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Direct Link To This Post Posted: January 17 2016 at 05:00
Originally posted by King Of Poland King Of Poland wrote:

Wow, came as quite a suprise to me that so many of them are actually right-leaning. I feel bad for being a leftist and listening to Prog right now. But really, I always thought about Genesis, King Crimson and especially Soft Machine as quite leftist acts, hence the lyrics.


Don't feel bad about being a leftist prog fan. As you grow older, you will realise that over 90% of political statements are pure and utter bollocks, and well over 90% of politicians are a bunch of spineless and shameless careerists.

Just enjoy the music
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Direct Link To This Post Posted: January 17 2016 at 04:06
Wow, came as quite a suprise to me that so many of them are actually right-leaning. I feel bad for being a leftist and listening to Prog right now. But really, I always thought about Genesis, King Crimson and especially Soft Machine as quite leftist acts, hence the lyrics.
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Direct Link To This Post Posted: January 16 2016 at 18:21
Originally posted by Warthur Warthur wrote:

Originally posted by micky micky wrote:

A good case in point. There was once a 70's band, that exibited some quite right wing views.  They were ostraczed in their country and were reduced to playing shows for their lunatic followers. Fast forward 40 years and that band came up for discussion for addition here to PA's.  Were they included?
Which band was this? (PM me if you don't want to stir the argument up again.)


some Italian band whose name escapes me.. LOL Raff and I disagreed strongly on their addition here. Being that she wears the pants.. and I have no backbone ...I caved in and Andrea just rolled with whoever won that power struggle in the early days of the ISP/RPI team.
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Direct Link To This Post Posted: January 16 2016 at 17:40
Left-leaning prog musician:


Right leaning prog musician:

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Direct Link To This Post Posted: January 16 2016 at 17:11
Originally posted by MoebiusStreet MoebiusStreet wrote:

I'm surprised nobody's mentioned Rush.

They're certainly not Progressive - see The Trees for example. Their leaning is at least individualist (as opposed to the Progressive communitarian foundations) - see Anthem, 2112. I don't think you could call them conservative, but at least a little bit libertarian ("his mind is not for rent / to any god or government").

I think Rush are right-libertarian in the vein of Ayn Rand.
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Direct Link To This Post Posted: January 16 2016 at 16:49
well, there are very few artistes in any fields (mailnly public performing arts) who claim to be right-wing, if only to preserve their reputations and airplay space in the medias...

But let's face it, some of those dudes were so hard-up to succeed , they'd try almost anything to make it big... That's not very left-wing, though.

Painters, sculptors and other "plastic arts" artistes mostly build a wealthy address book, so sucking up with the rich & powerful, I suppose you don't vote communist


Originally posted by Warthur Warthur wrote:

Originally posted by micky micky wrote:

A good case in point. There was once a 70's band, that exibited some quite right wing views.  They were ostracized in their country and were reduced to playing shows for their lunatic followers. Fast forward 40 years and that band came up for discussion for addition here to PA's.  Were they included?
Which band was this? (PM me if you don't want to stir the argument up again.)


Don't know who micky is thinking of (Rush does seem to fit his description), neither does The Nuge, but The Jam's Paul Weller spoke for Ta/Bitcher politics









Edited by Sean Trane - January 16 2016 at 16:54
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