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Formentera Lady
Forum Senior Member
Joined: August 20 2010
Location: Germany
Status: Offline
Points: 1840
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Posted: September 01 2011 at 11:05 |
Genesis brought me into prog, not King Crimson. I bought all KC albums in a very short succession end of the 80s/beginning of the 90's, most on vinyl. And, honestly, I don't remember which I bought first. Back then I listened to all albums in a row and decided, that the Wetton era would be my favourite KC era. My favourite track of their debut is the title track. What struck me of this album was the release date. I thought, 1969 and it was already so mature and contained already all the elements that Genesis and Yes much later adopted...
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tdfloyd
Forum Senior Member
Joined: April 06 2008
Location: USA
Status: Offline
Points: 1004
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Posted: September 01 2011 at 10:49 |
I was in my early teens when I heard the title track on FM radio. Was totally floored. I did not know who did it and it wasn't until later when I found out. My first KC album was The Young Person's Guide to KC and that when I first heard Epitaph. Incredible! I then got ITCOTKC. Fantastic cover especially on an album. I'm not a big fan of 21st century and Moonchild can drag a bit, but the 2 big songs are unbelievable!!
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Icarium
Forum Senior Member
VIP Member
Joined: March 21 2008
Location: Tigerstaden
Status: Offline
Points: 34076
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Posted: September 01 2011 at 10:20 |
i actualy bought In wake of the Poseidon before i bought In Court of the Crimson King, so i was was awear of the sonic booom i was waiting for, so i liked it emidietly, it can be why i like In Wake of the Posiedon so much as i dooooooo
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Kotro
Prog Reviewer
Joined: August 16 2004
Location: Portugal
Status: Offline
Points: 2815
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Posted: September 01 2011 at 10:14 |
I must have been 8 or 9 years old. My dad had been "feeding" me stuff like the Moody Blues, Led Zeppelin, Barclay James Harvest and Jethro Tull. He then showed me Tubular Bells and I was blown away. "I want more of this", I said. He looked at me, then went to the shelf and came back with that frightening face on his hands. He put it on and told me to listen closely. "I can't hear a thing, dad!" "Get your hear closer to that speaker." "Oh, yeah, I can here some noises there, but they're so quie... DA DA DARAN DAN DAN... Ahhh! My ears!" Sudenly the album cover made sense. And my dad was a sadist. Bless him. During days after school I would neglect homework and just listen to the thing over and over again. Side One was probably more played than Side 2, it took me a while to get into Moonchild and In the Court of the Crimson King. Probably not the album that definitly converted me to prog (I dabbled a lot in classic hard rock, blues rock and pop before really pledging allegiance to prog), but definitly one that helped my future embracement of the movement.
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Bigger on the inside.
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Adams Bolero
Forum Senior Member
Joined: January 07 2009
Location: Ireland
Status: Offline
Points: 679
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Posted: September 01 2011 at 10:13 |
It blew my mind especially the title track and 'I talk to the wind'. It opened up musical horizons for me that I didn't know existed.
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''Nobody realizes that some people expend tremendous energy merely to be normal.''
- Albert Camus
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irrelevant
Collaborator
Honorary Collaborator
Joined: March 07 2010
Location: Australia
Status: Offline
Points: 13382
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Posted: September 01 2011 at 10:00 |
Listened to it about a year ago, I was underwhelmed. Schizoid Man is pretty cool though.
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Ricochet
Special Collaborator
Honorary Collaborator
Joined: February 27 2005
Location: Nauru
Status: Offline
Points: 46301
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Posted: September 01 2011 at 09:55 |
14 yrs? 15 yrs? I don't remember, but for sure it was dad trying to give me a lesson in prog, KC and Fripp badassery altogether. He even sat with me through the whole, pointing out things, such as the second part of "Moonchild" ("So special! Nobody pulled something like that back then!").
Thanks dad!
Alas, I wasn't impressed by it. I found "21st Century Schizoid Man" beyond repugnant. My first KC eargasm was easily the next in line ITWOP (heard a few days later). Overall, it took me 5 more years to finally come to think of it as a flawless masterpiece.
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chopper
Special Collaborator
Honorary Collaborator
Joined: July 13 2005
Location: Essex, UK
Status: Offline
Points: 20031
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Posted: September 01 2011 at 09:44 |
Actually I can't remember when I first heard it but I was around 12 when I first heard the live version of "Tarkus" from Welcome Back My Friends..., and it was a long time before I knew why the audience cheered when Lake sang the bit from Epitaph.
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marktheshark
Forum Senior Member
Joined: April 24 2005
Location: United States
Status: Offline
Points: 1695
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Posted: September 01 2011 at 09:40 |
I finally went and bought the recent 5CD+1DVD box set for this and yes, now that they finally have the original 8 track multi-channel masters it does sound incredible. I can't believe those masters have been lost all these decades.
I was 12 when it first came out. I was a record-buying fanatic at the time and for weeks whenever I was hanging out at my favorite record store, a huge store called Giant Music, I kept seeing on the new release display this album with that weird face staring out. No title, no artist's name, just that surreal face. I finally asked one of the clerks what the heck was this album about. He said something about a new group that came out of nowhere and that the album was a real mindblower. Being an aspiring drummer at the time, I asked how were the drums on it and he said amazing.
So, I eventually coughed up the 4 bucks for it and took it home. I was immediatley blown away by Schizoid Man. But being more into the hard driving sounds of Hendrix, Cream, The Who among others, I was pretty bored with the rest of the album. For the next few years, Schizoid was pretty much the only track I would repeatedly listen to.
I can't say that this was the album that hooked me into prog. That really didn't come until later with Yes's Fragile. But over the years I would revisit the rest of the album until eventually it became one of my favorites.
So what do you remember of your first exposure to this landmark album? Was it the one that hooked you into prog? Or was it something else and you backtracked to it?
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