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Nathaniel607 View Drop Down
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Direct Link To This Post Posted: October 25 2010 at 23:47
Originally posted by rogerthat rogerthat wrote:

 
Originally posted by Nathaniel607 Nathaniel607 wrote:

Originally posted by Ivan_Melgar_ Ivan_Melgar_ wrote:

Is exactly the same, it's property of a third person that you are taking for free and using it....This is stealing just as if you took a Ferrari.


Right, look. I'm NOT saying it isn't stealing. I'm NOT saying it isn't wrong. I'm just saying that analogy is flawed. When you steal music, you don't stop that person for selling his CD to someone else. When you steal a Ferarri, it's gone.


But they can bring you to book for using it without paying for it.  Copyright infringement.  The legal position is crystal clear, why are you beating around the bush?  I will tell you where the grey area comes in.  What happens if you lend your CD to a friend?  This was discussed here before and it was agreed that you would be wrong not to stop your friend from making a copy of the CD instead of simply listening to it and giving it back. But how do YOU stop him from making a copy?  That's not in your hands.  If I pick a brand new book, flip through it a few times, hate it and give it to people who collect recycled paper items, it MIGHT make its way into the hands of pirates who may then print illegal copies of it and sell it at dirt cheap prices.  But these things happened before, I don't remember so much resentment back in the day.  

I may have misunderstood Steve Wilson's quote there but piracy is certainly not unique to the music business and if anything it should hurt the movie industry even more (speaking of which, VCRs back then actually allowed you to make copies of movies being broadcast on TV...you'd never need to watch the broadcast of that movie again, so the TV channels stood to lose).   But movie stars still make lots of money, a good movie still fills the halls.  At least here, we have had two movies that ran to packed houses for a whole month or more which doesn't generally happen now with the increased number of releases and multiplexes.  J K Rowling's books sold tons of copies in spite of piracy.  There were huge crowds at leading bookstores here on the day of the launch of the seventh (isn't it?) nook because kids wanted to be the first to get the last Wink Harry Potter book.  That is an important insight:  music has not been able to capture the imagination of a large audience sweeping across tastes for a long time.



 As for bands enjoying popularity but not necessarily making a lot out of album sales, it's just a case of "they will listen because and only because it's for free". If they had no other way than to buy the album, they probably wouldn't.  For the last time, none of this is in any way to justify downloading because what is illegal is illegal. I am simply saying that the real and larger problem lies elsewhere. 


I realise there is absolutely no justification for what is illegal. Because it's illegal. That's just super-obvious lol. It happens anyways though, and I just believe it's not as bad as certain people make it out to be.

Originally posted by rogerthat rogerthat wrote:

Personally, I blame this squarely on excessive segregation and sub-culturalization of tastes because of which audiences are too fragmented for a really large number to listen to ONE album or ONE artist.  Listening to a piece of music that's not your cup of tea won't kill you, but that's where too many people come from and, oh, they have been encouraged to over time by music magazines, 'experienced listeners', even bands in some cases Wink.   A good story is still a good story and a good movie is still a good movie, as simple, but a good song is...no, wait, is it grunge?  Dance pop? Metal?  "It may not be for me then." Wink  As an aspiring writer, I am aware that there are formats within books and preferences likewise as well and the same holds good for movies. But from my experience of talking to people either in person or on the internet, people of different tastes watch the same film or same book and have similar views much more often than is the case with music.


This is a completely different subject, but I think it's also an interesting one Smile. I don't think music and books work the same, though I do agree, a lot of people are trapped in so called "bubles" when it comes to music, and only listen to one genre. But I do truly believe some genres are just not for certain people... never got into punk, lol. To be fair, this can go the other way - I know this guy who listens to quite a wide range of music - metal, pop, punk, indie, post-rock - but seems to pick all the crappiest artists out of each and listen to them Smile.

Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:


It would equally be a felony, because the design, symbols and specifications are trademarked.

When I worked in Volvo, a company was sued because they created exact copy of the buses with symbols and all characteristics.

Even worst, the person from inside or outside the company who provided you the specifications will be in serious trouble, exactly the same as the guy who places music that he doesn't own in a blog..

Iván



Yes - that is a much better analogy for the illegal downloading of music. Still not great really though, since when you're downloading music you're not claiming it as your own and then selling it Smile, but it's still closer than the whole "steal x real thing" as an analogy. Copyright infringiment is a different felony with different consequences. The guy who copied the buses text - he didn't steal any tangebile thing - he stole an idea. Its a different. Not to say it's better or worse; just different.


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Direct Link To This Post Posted: October 25 2010 at 23:06
Originally posted by stonebeard stonebeard wrote:

 

All I'm going to say is that if I could make an identical copy of a Ferrari and leave the original in the lot and drive away with the new copy, I would.

It would equally be a felony, because the design, symbols and specifications are trademarked.

When I worked in Volvo, a company was sued because they created exact copy of the buses with symbols and all characteristics.

Even worst, the person from inside or outside the company who provided you the specifications will be in serious trouble, exactly the same as the guy who places music that he doesn't own in a blog..

Iván


Edited by Ivan_Melgar_M - October 25 2010 at 23:08
            
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Direct Link To This Post Posted: October 25 2010 at 22:48
Originally posted by rogerthat rogerthat wrote:

  For the last time, none of this is in any way to justify downloading because what is illegal is illegal.

Um....what?
"One had to be a Newton to notice that the moon is falling, when everyone sees that it doesn't fall. "
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Direct Link To This Post Posted: October 25 2010 at 22:46
Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:


And at the end, I don't care what people think about sales, the musician and producer own the copyright of an album just as the car dealer owns a Ferrari, but I don't see people claiming that Ferrari should be for free because hey can't pay for one, but I see people saying they download for free because they don't have money.


All I'm going to say is that if I could make an identical copy of a Ferrari and leave the original in the lot and drive away with the new copy, I would.
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Direct Link To This Post Posted: October 25 2010 at 22:32
I'm not going to touch this thread with a twenty-nine-and-a-half-foot pole.
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Direct Link To This Post Posted: October 25 2010 at 22:23
 
Originally posted by Nathaniel607 Nathaniel607 wrote:

Originally posted by Ivan_Melgar_ Ivan_Melgar_ wrote:

Is exactly the same, it's property of a third person that you are taking for free and using it....This is stealing just as if you took a Ferrari.


Right, look. I'm NOT saying it isn't stealing. I'm NOT saying it isn't wrong. I'm just saying that analogy is flawed. When you steal music, you don't stop that person for selling his CD to someone else. When you steal a Ferarri, it's gone.


But they can bring you to book for using it without paying for it.  Copyright infringement.  The legal position is crystal clear, why are you beating around the bush?  I will tell you where the grey area comes in.  What happens if you lend your CD to a friend?  This was discussed here before and it was agreed that you would be wrong not to stop your friend from making a copy of the CD instead of simply listening to it and giving it back. But how do YOU stop him from making a copy?  That's not in your hands.  If I pick a brand new book, flip through it a few times, hate it and give it to people who collect recycled paper items, it MIGHT make its way into the hands of pirates who may then print illegal copies of it and sell it at dirt cheap prices.  But these things happened before, I don't remember so much resentment back in the day.  

I may have misunderstood Steve Wilson's quote there but piracy is certainly not unique to the music business and if anything it should hurt the movie industry even more (speaking of which, VCRs back then actually allowed you to make copies of movies being broadcast on TV...you'd never need to watch the broadcast of that movie again, so the TV channels stood to lose).   But movie stars still make lots of money, a good movie still fills the halls.  At least here, we have had two movies that ran to packed houses for a whole month or more which doesn't generally happen now with the increased number of releases and multiplexes.  J K Rowling's books sold tons of copies in spite of piracy.  There were huge crowds at leading bookstores here on the day of the launch of the seventh (isn't it?) nook because kids wanted to be the first to get the last Wink Harry Potter book.  That is an important insight:  music has not been able to capture the imagination of a large audience sweeping across tastes for a long time. Personally, I blame this squarely on excessive segregation and sub-culturalization of tastes because of which audiences are too fragmented for a really large number to listen to ONE album or ONE artist.  Listening to a piece of music that's not your cup of tea won't kill you, but that's where too many people come from and, oh, they have been encouraged to over time by music magazines, 'experienced listeners', even bands in some cases Wink.   A good story is still a good story and a good movie is still a good movie, as simple, but a good song is...no, wait, is it grunge?  Dance pop? Metal?  "It may not be for me then." Wink  As an aspiring writer, I am aware that there are formats within books and preferences likewise as well and the same holds good for movies. But from my experience of talking to people either in person or on the internet, people of different tastes watch the same film or same book and have similar views much more often than is the case with music.

 As for bands enjoying popularity but not necessarily making a lot out of album sales, it's just a case of "they will listen because and only because it's for free". If they had no other way than to buy the album, they probably wouldn't.  For the last time, none of this is in any way to justify downloading because what is illegal is illegal. I am simply saying that the real and larger problem lies elsewhere. 
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Direct Link To This Post Posted: October 25 2010 at 21:12
I doubt you.
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Direct Link To This Post Posted: October 25 2010 at 21:06
Also, anybody who thinks the nature of music has *anything* to do with the downloading problem is deluded. People would quite cheerfully also acquire clothing and food or any other goods whatsoever for free though it injured other parties if they could do so without risking prosecution. (In many places where the law is not quite what it could be, this is indeed what happens if you doubt me.) If you think they wouldn't you're just silly.

Edited by Textbook - October 25 2010 at 21:06
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Direct Link To This Post Posted: October 25 2010 at 19:35
http://www.freewebs.com/montypythonworld/Text%20-%20Crimson%20permanent%20assurance.jpg
http://4.bp.blogspot.com/_rqKn9yxQ1pQ/TEPe4X3xXFI/AAAAAAAAL6c/VwSoUVCCO60/s400/crimsonpermanent.jpg


Edited by Slartibartfast - October 25 2010 at 19:36
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: October 25 2010 at 17:59
Originally posted by Ivan_Melgar_ Ivan_Melgar_ wrote:

Is exactly the same, it's property of a third person that you are taking for free and using it....This is stealing just as if you took a Ferrari.


Right, look. I'm NOT saying it isn't stealing. I'm NOT saying it isn't wrong. I'm just saying that analogy is flawed. When you steal music, you don't stop that person for selling his CD to someone else. When you steal a Ferarri, it's gone.

Originally posted by Dean Dean wrote:

We're done here. Thanks for your input, no need for you to say any more.


Unhappy

Why'd you have to be like that? I'm not saying it isn't bad; it's talking someone's creative creation that they deserve money for and getting it for free. I just don't like it when people use that anallogy; they aren't really comprable.

Meh. It seems this thread's just starting to garner me hate from some people... I'm not on the side of "download everything and it'll be okay". Obviously this is stupid. If you take everything, no one will make it any more. It's silly. You've got to pay for creative goods like books, cds, movies - or else civilization would collapse. Albums and books are funded by those who buy them. Artist can't afford to make no return on them.

But like this article I've linked to before definitely shows - http://www.cracked.com/article_18513_5-insane-file-sharing-panics-from-before-internet_p1.html - (it's humourus, but cracked use sources) this is not a new thing. People have always been stealing intellectual property, the owners of said intellectually property have always been complaining about losing funds regarding said intellectual property. There's just a new medium doing now. Sure, it's probably on a bigger scale than home taping, but record companies we reporting lost billions then as well.

The only thing I'm against is people labelling downloaders all as heartless, labelling them as single-handedly destroying the industry when it is probably the downloaders keeping it afloat. The downloading could go, and it would make things better.

See, the thing is - and I've said this about a million times - downloading is bad. There's no question to this. But this kind of thing has always been happening in one form or another. Anyways... I'm not sure I want to stay on this thread. I think my position is fairly clear.

EDIT;

Originally posted by Textbook Textbook wrote:

Yeah and big loss for the notion of "infinite music" Nathaniel.


What the hell's this about? There is infinite music! Just like there is infinite of anything convertible into a digital format. Books, movies, CDs. Can all be copied as many times - they won't ever run out. They are a post-scarcity product. (They aren't literally infinite as no one would be able to past it for and infinite amount of time, but they are never-ending.) That's the whole reason copyright laws exist, pretty much. All products used to be scarce - you payed for them because there wasn't a lot of them (ie, you bought a book because a guy had some and you wanted it. As opposed to there are loads of them, you are just paying for the experience). But as soon copying technology came along (the printing press), laws had to be drawn up, because, as a resource, they were worth nothing. They need to be giving artificial value, or creative value, as they could no longer be valued by the fact there wasn't much of them. There was a big argument about this when the eBook was invented. Since eBooks are just a digital file, libraries could just buy one book from the author (effectively removing the need for publishers) then just copy it for everybody. They needed to enforce arbitrary limits on copying the book, and the books lifespan (the files delete themselves after x amount of time or x amount of reads).





Edited by Nathaniel607 - October 25 2010 at 18:21
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Direct Link To This Post Posted: October 25 2010 at 17:28
I know I had to think twice when one of my favourite bands, Elbow, considered quitting over the downloading. After 18 years together they finally broke big in 2008 with fourth album The Seldom Seen Kid and were horrified to realise they weren't making much more money at all despite being mainstream popular and it seemed downloading was to blame. It was easier to sell-out gigs but revenue from CD sales was if anything lower. I think they've now decided to carry on but it shows that good bands really do suffer from it.
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Direct Link To This Post Posted: October 25 2010 at 17:25
Originally posted by Nathaniel607 Nathaniel607 wrote:

 


Orford has the right to be angry, but still; other artist manage. And he says "I have better things to do with my life than to waste the next three or four years making free music for a bunch of people I don’t like.". That's a bit silly. A lot of people still buy albums. Loads of people don't ever download. He's generalizing just a little bit. But still... death threats? A lot of people are complete arseholes.

He's talking about the people who not only download his music, but copy it and make it available to others, I read in sites like Prog Not Frog (Illegal downloading site, where they share what is not theirs) "Greg Walker kills music", only because the guy invested a lot of money in Prog bands that nobody cared about, and he wants to protect his investment.

He doesn't need to like this people, they are STEALING from him.

Still, I don't necessarily agree with this, but I understand the position of Orford.

Originally posted by Nathaniel607 Nathaniel607 wrote:

 Also, there's quite a big difference between getting a free ferarri and free music. When you take a Ferarri, another one doesn't automatically appear; it's an actual thing - there's not infinite of it, like there is with music. Not that that means you SHOULD be able to get it for free; it just illustrates the difference. Plus there's loads of music I want to listen to - I couldn't possibly it all, but I don't even want a Ferarri lol (other than to sell then buy more music). But yeah, in the end, it's right. The final, undeniable point is that people shouldn't illegally downlod music.

Is exactly the same, it's property of a third person that you are taking for free and using it....This is stealing just as if you took a Ferrari.

Iván
            
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Direct Link To This Post Posted: October 25 2010 at 17:06
Old news but has anyone discussed Lars Ulrich yet? I wonder if he will one day be vindicated. People were falling over themselves to call him asshat of the century at the time, but it turns out he was right. And he suffered SERIOUS abuse over it, much worse than Orford I'm sure.
 
Yeah and big loss for the notion of "infinite music" Nathaniel.
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Direct Link To This Post Posted: October 25 2010 at 16:37
Originally posted by Nathaniel607 Nathaniel607 wrote:


Also, there's quite a big difference between getting a free ferarri and free music. When you take a Ferarri, another one doesn't automatically appear; it's an actual thing - there's not infinite of it, like there is with music. Not that that means you SHOULD be able to get it for free; it just illustrates the difference.
We're done here. Thanks for your input, no need for you to say any more.
What?
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Direct Link To This Post Posted: October 25 2010 at 16:35
Originally posted by FruMp FruMp wrote:

Originally posted by cphil cphil wrote:

The illegal distribution or copying of recordings , books etc. It is much more than that, it is CRIMINAL. the millions who do it without blinking an eye , steal from artists but cry crocodile tears when someone breaks into their houses and take their stuff. progbands don't have top 10 hits , so they are hurt the most by unlawful piracy .


Piracy is fantastic, it's given power back to the consumer. It would probably be a bad thing if the entertainment industry wasn't focused on shoveling out mountains of sh*te for mass consumption.

I'm not a hypocrite I give away my music for free.
Sorry chief, that's not an example of not being a hypocrite.
 
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Direct Link To This Post Posted: October 25 2010 at 15:53
Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

Originally posted by harmonium.ro harmonium.ro wrote:

You guys should read Steven Wilson's most recent editorial. It ends like this: So given the choice between someone listening to my music for free or not hearing it at all, I’ll take the first option every time. 

But Martin Orford said here in Prog Archives:

Quote  think it was probably the third or fourth death threat that did it. I get pretty angry when I see people with blog sites not only reviewing my work but also giving it away free via a Rapidshare link as well. Naturally I do my best to report those sites and close them down, and I have received quite a lot of abuse and threats for doing so. I conclude from this that musicians like me and the new breed of Internet music fans are now bitter enemies, and I have better things to do with my life than to waste the next three or four years making free music for a bunch of people I don’t like. 

Plus Steve Wilson isn't the only one with right to allow his music to be downloaded for free, remember that the producers invest money in the band, take the risks and they are affected.

And at the end, I don't care what people think about sales, the musician and producer own the copyright of an album just as the car dealer owns a Ferrari, but I don't see people claiming that Ferrari should be for free because hey can't pay for one, but I see people saying they download for free because they don't have money.

Iván




Orford has the right to be angry, but still; other artist manage. And he says "I have better things to do with my life than to waste the next three or four years making free music for a bunch of people I don’t like.". That's a bit silly. A lot of people still buy albums. Loads of people don't ever download. He's generalizing just a little bit. But still... death threats? A lot of people are complete arseholes.

Also, there's quite a big difference between getting a free ferarri and free music. When you take a Ferarri, another one doesn't automatically appear; it's an actual thing - there's not infinite of it, like there is with music. Not that that means you SHOULD be able to get it for free; it just illustrates the difference. Plus there's loads of music I want to listen to - I couldn't possibly it all, but I don't even want a Ferarri lol (other than to sell then buy more music). But yeah, in the end, it's right. The final, undeniable point is that people shouldn't illegally downlod music.
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Direct Link To This Post Posted: October 25 2010 at 15:35
What has that do with with Steven Wilson's article? I'm pretty sure that Wilson was talking exclusively on his behalf, and was not generalizing. Smile
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Direct Link To This Post Posted: October 25 2010 at 15:33
Originally posted by harmonium.ro harmonium.ro wrote:

You guys should read Steven Wilson's most recent editorial. It ends like this: So given the choice between someone listening to my music for free or not hearing it at all, I’ll take the first option every time. 

But Martin Orford said here in Prog Archives:

Quote  think it was probably the third or fourth death threat that did it. I get pretty angry when I see people with blog sites not only reviewing my work but also giving it away free via a Rapidshare link as well. Naturally I do my best to report those sites and close them down, and I have received quite a lot of abuse and threats for doing so. I conclude from this that musicians like me and the new breed of Internet music fans are now bitter enemies, and I have better things to do with my life than to waste the next three or four years making free music for a bunch of people I don’t like. 

Plus Steve Wilson isn't the only one with right to allow his music to be downloaded for free, remember that the producers invest money in the band, take the risks and they are affected.

And at the end, I don't care what people think about sales, the musician and producer own the copyright of an album just as the car dealer owns a Ferrari, but I don't see people claiming that Ferrari should be for free because hey can't pay for one, but I see people saying they download for free because they don't have money.

Iván


            
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Direct Link To This Post Posted: October 25 2010 at 15:07
Originally posted by Dean Dean wrote:

Well, it's not. So let's move on.


Alright then.

Originally posted by Dean Dean wrote:


see above, above.
 
You cannot equate watching a film with listening to an album - it doesn't work. Unless your interst in music is superficial and transitory of course, but no one reacts to music like that.


But they are sort of similar... in that, if you watch a movie, you're less likely to want to see is again, unless it's AMAZING, but yeah.

And yes, if an album isn't that great, my interest in it might only be transitory... I might listen to an album 3 or 4 times before I decide it's crap, or maybe go through a "phase".

Originally posted by Dean Dean wrote:

Ah, you've lost me. Ouch


What I mean is, if an artist puts his albums up for free download, as part of a business plan, he'll get much less sales that if he passively allows illegal downloading while still condoning buying his albums, but not actively punishing illegal downloaders.

Originally posted by Dean Dean wrote:

I've read one of those studies and read about others - none of them are as conclusive as they appear and none of them are "scientific". Even if you believe what the downloaders answered to the surveys and that they gave truthful answers, you cannot extrapolate those conclusions to the whole population of downloaders. Actual figures are not available to anyone, even to downloaders, everything is a biased guess. I don't believe the industry figures either. The reality is no one can make any claims and back them up with hard facts, so it is all supposition and guesswork. My guess is that the reality is not as "bad" as the industry paints it, and not as "good" as the downloaders claim it is. No conclusions can be made from any of this, but there is no economic model that supports the claim that illegal downloading can or will increase legal sales. If there was suddenly a world shortage of acrylic and aluminium that made the production of CDs impossibe then we would only be talking about legal downloads vs illegal downloads and there is nothing anyone can say that would convince me that anyone who illegally downloaded an album would then go to iTunes and pay for a legal copy of the same album if they really liked it.


Well, this was a pointless paragraph...

Originally posted by Nathaniel607 Nathaniel607 wrote:

Like I said, you simply cannot prove the album would have sold less were it not for illegal downloading. I can't prove the opposite.


I addressed that it cannot be proven either way. There are just so many other variables in the world (overall interest in music).

That particular study was pretty scientific though, as they got each downloaded to give proof of purchase for each claimed purchase.

Yeah - I agree with you that it's not as bad as the industry says and not as good as downloaders say! I don't think it's very likely artists make more sales from the advertisement of downloaders than the amound of sales they would make without illegal downloading - I just think it helps even it out a little bit. I'm not in the position of "illegal downloading is good" by the way. Just don't think it's as bad as some people say.

Originally posted by Dean Dean wrote:

He records albums how he likes and if that means putting an Elvis influenced track on an album like "Ki" that people don't like then he's not forcing people to buy the album. He then says that he knows he cannot force people to buy his album because if they want it they can download it. He is not telling you to download the album - he is just stating a fact of (modern) life. Ulrich and Hetfield can make the same statement about Metallica albums and that certainly wouldn't be them giving you permission to download their albums for free - it would just be an observation that their albums are being made available illegally. Townsend then emphasises this by adding - if you want him to tour then buy his stuff [don't steal it] and he's not saying that just to make a point - he means it. If people download his albums and won't pay for them then he will not tour to promote them. (and why should he).


Yeah, that's kind of what I meant. I know he's not going to mean "go download them". But he's just sort of saying "it happens". And yeah, it's not good for him.

Originally posted by Dean Dean wrote:

There is no concrete evidence of any artist doing this. They either make (some of) their stuff available for free, or they don't. I do not know of any artist who openly support illegal downloading of their music.


Yeah... there never will be really... so I absolutely cannot even begin to prove this exists unless I go ask somebody lol.

Also, some artists give all of there stuff away for free, though. Some examples;

The Minibosses
http://www.minibosses.com/

C418
http://c418.org/

Stuff like that.

But yeah, overall, illegal downloading is bad for music/artists. I just don't see there being no music in 2020 due to all the pirates stealing it all Smile.

If all pirates bought 10x they pirated, it'd probably be fine - but that was just a study of Sweden (I think) and I don't think the sample size was huge, so it can't apply to everywhere... but in my view, if you buy 10x you download, you're doing pretty well. Obviously it'd be better if you bought the other 1/11 as well... but still...




Edited by Nathaniel607 - October 25 2010 at 15:09
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Direct Link To This Post Posted: October 25 2010 at 14:21
Originally posted by Dean Dean wrote:

 
Quote and in many respects that hasn’t changed—sharing the music is still the only thing that really matters to me.
 
Now he moves to the present tense - he's still talking about sharing his music with the world and finding an audience - there is no indication that he is talking about giving the music away.


One of the respects in which that hasn't, indeed, changed, is the fact that he does offer free music (via his Soundcloud) account Star

And Clap for Dean's hermeneutical approach to text are in order! 
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