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Rednight View Drop Down
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Direct Link To This Post Posted: August 23 2017 at 15:47
The boys were gods, really. And Love Beach wasn't altogether bad. It's Emerson, Lake, & Powell and onward that I could never warm up to. Should have packed it in after 'Beach.
"It just has none of the qualities of your work that I find interesting. Abandon [?] it." - Eno
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Direct Link To This Post Posted: August 23 2017 at 01:54
Originally posted by Tom Ozric Tom Ozric wrote:

My two-bob's worth - Works 1 is mostly a class act. I enjoy the individual facets here that make ELP what they are (were). Lake's singer/songwriter approach is hit and miss - as others have said - Hallowed Be Thy Name is excellent. Carl's side is very interesting. Keith's Piano Concerto is a bit more 'elitist' but a very pretty listen. The group side is classic.
The left-over fragments which make up Volume 2, even if a bit of an afterthought, is also good, Carl's work especially.
And Love Beach. Well, I like the bulk of it. Had it been presented in a better package (I.e. not a 'honky version of Pablo Cruise', as Hugues so aptly described in his review of the album) I'm certain it wouldn't get (as many) bad raps that it does. Sure, still some cheeze to cut through, but still some fine things to be heard.

Love Beach is still recognisable as ELP and has some good moments. However to go from Brain Salad Surgery to Love Beach in only 5 years is enough to give anyone a headache ( pun intended)
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Direct Link To This Post Posted: August 23 2017 at 01:51
^ sorry it's just so dull to me.
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Direct Link To This Post Posted: August 21 2017 at 17:37
Originally posted by richardh richardh wrote:

I always found it off that C'est La Vie got so much attention.
 
Really? I love it.
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Direct Link To This Post Posted: August 21 2017 at 14:40
My two-bob's worth - Works 1 is mostly a class act. I enjoy the individual facets here that make ELP what they are (were). Lake's singer/songwriter approach is hit and miss - as others have said - Hallowed Be Thy Name is excellent. Carl's side is very interesting. Keith's Piano Concerto is a bit more 'elitist' but a very pretty listen. The group side is classic.
The left-over fragments which make up Volume 2, even if a bit of an afterthought, is also good, Carl's work especially.
And Love Beach. Well, I like the bulk of it. Had it been presented in a better package (I.e. not a 'honky version of Pablo Cruise', as Hugues so aptly described in his review of the album) I'm certain it wouldn't get (as many) bad raps that it does. Sure, still some cheeze to cut through, but still some fine things to be heard.

Edited by Tom Ozric - August 21 2017 at 14:46
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Direct Link To This Post Posted: August 21 2017 at 13:45
Lyrics to 'Hallowed Be They Name' are from Sinfield btw.....at least I think they are.
For me the first 4 studio albums and Pictures are the ones worth owning.
Works 1 and 2 have some decent tracks but overall are just not that interesting.
One does nothing yet nothing is left undone.
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Direct Link To This Post Posted: August 21 2017 at 10:50
Originally posted by omphaloskepsis omphaloskepsis wrote:

Originally posted by richardh richardh wrote:

Works Volume One is still for me the album I struggle to get my head round in terms of ELP back catalogue. It's easy to have an opinion about the others whether negative or positive but Works really showed what a challenge it was to keep this band from careering off the road ( and they did of course!) . I absolutely love Pirates  and the version of Tank as well as the Buddy Rich inspired Food For Your Soul but there is some 'dodgy' stuff on Lake's side and I've never been quite convinced by the long version of Fanfare For The Common Man. As a 2 minute 'hit' it was fine. Emerson's piano concerto is good but does it really belong on a group album? (but you could say this about a lot of the album of course) 
Apparently it was originally intended to be 3 separate solo releases but Atlantic records were not keen. I think they could have called it a day after this album but presumably they were obligated to release further albums even though creatively there was just nothing left. Shame really and this must have been a big regret for them. 
ELPowell is another story. Carl not available so Cozy was drafted in although I gather that Simon Phillips was up for it and would have been a better choice imo. It's quite a fragmented album idea wise (but then that's typical ELP I suppose) and some bits work while others don't. Its a pity they didn't stick with this line up for a bit longer as I think it had the potential to grow into something interesting but Palmer was always going to return once his Asia commitment was over.
 

How strange...I listen to Works Vol 1 more than any ELP album.   The lyrics to Hallowed be Thy Name are genius. Check out the words within words theme.   I purchased Works Vol 1 when it came out... I was 13.  Maybe that has something to do with my love affair with Works 1.   Whatever anyone says...Works Vol 1 is a one of kind album.   
 
We must be very similar ages! Yep Hallowed Be Thy Name is perhaps the only 'salvageable' song from that solo side. I always found it off that C'est La Vie got so much attention. Closer To Believing is okay but mainly for the beautifull orchestral/choir arrangement which raises it considerably.
I was thinking yesterday ( yes it has been known to happen!) but what if they had released it as a normal ELP single album? What would be your track listing to keep it to the 40-45 minutes traditional length of an album taking any tracks you like from Volume One? (nothing from Vol Two , sorry!). Of course anyone can answer this (not that I can stop anyone lol)
 
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Direct Link To This Post Posted: August 19 2017 at 18:35
It's interesting to observe how Works Vol 1 merely highlighted the fissures and flaws that existed as early as the band's s/t debut i.e. ELP had come full circle back to a point where portions of albums had to be given over to appease the individual members e.g. For all intents and purposes, The Three Fates is solo Emerson, Lucky Man is solo Lake (the drums and iconic Moog were added after the track was completed) and Tank was written by Keith for Carl and includes a lengthy drum solo. The first three sides of Works Vol 1 mirror this phenomenon perfectly, albeit on a much larger scale. I adore Keith's Piano Concerto but it doesn't belong anywhere near a progressive rock album or even an ELP album. By 1977 ELP clearly didn't work as a collaborative unit. That said, for me the s/t debut is routinely hyped and Works Vol 1 routinely undervalued.


Edited by ExittheLemming - August 19 2017 at 20:56
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Direct Link To This Post Posted: August 19 2017 at 10:52
Originally posted by richardh richardh wrote:

Works Volume One is still for me the album I struggle to get my head round in terms of ELP back catalogue. It's easy to have an opinion about the others whether negative or positive but Works really showed what a challenge it was to keep this band from careering off the road ( and they did of course!) . I absolutely love Pirates  and the version of Tank as well as the Buddy Rich inspired Food For Your Soul but there is some 'dodgy' stuff on Lake's side and I've never been quite convinced by the long version of Fanfare For The Common Man. As a 2 minute 'hit' it was fine. Emerson's piano concerto is good but does it really belong on a group album? (but you could say this about a lot of the album of course) 
Apparently it was originally intended to be 3 separate solo releases but Atlantic records were not keen. I think they could have called it a day after this album but presumably they were obligated to release further albums even though creatively there was just nothing left. Shame really and this must have been a big regret for them. 
ELPowell is another story. Carl not available so Cozy was drafted in although I gather that Simon Phillips was up for it and would have been a better choice imo. It's quite a fragmented album idea wise (but then that's typical ELP I suppose) and some bits work while others don't. Its a pity they didn't stick with this line up for a bit longer as I think it had the potential to grow into something interesting but Palmer was always going to return once his Asia commitment was over.
 

How strange...I listen to Works Vol 1 more than any ELP album.   The lyrics to Hallowed be Thy Name are genius. Check out the words within words theme.   I purchased Works Vol 1 when it came out... I was 13.  Maybe that has something to do with my love affair with Works 1.   Whatever anyone says...Works Vol 1 is a one of kind album.   


Edited by omphaloskepsis - August 19 2017 at 10:53
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Direct Link To This Post Posted: August 19 2017 at 10:17
Originally posted by presdoug presdoug wrote:

^ Oops, I forgot to mention Tarkus in my previous post. I love the whole album, actually. Especially side one. They opened their Ottawa concert with that, and inserted music from other albums of theirs in the middle of things, which was cool.


That must have been awesome to see live Cry
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Direct Link To This Post Posted: August 18 2017 at 10:28
^Spelt correctly! That would have been a fine track had it not been recorded using those plastic Korg sounds of the time.
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Direct Link To This Post Posted: August 18 2017 at 01:44
Originally posted by verslibre verslibre wrote:

Originally posted by richardh richardh wrote:

ELPowell is another story. Carl not available so Cozy was drafted in although I gather that Simon Phillips was up for it and would have been a better choice imo. It's quite a fragmented album idea wise (but then that's typical ELP I suppose) and some bits work while others don't. Its a pity they didn't stick with this line up for a bit longer as I think it had the potential to grow into something interesting but Palmer was always going to return once his Asia commitment was over.
 
Cozy (RIP) had a powerful style that lent itself well to the streamlined sound they went for. Greg sounds fantastic. There's too much reverb on the album, but it was 1986. ELPowell is a great album up through "Step Aside." I can take or leave the rest, the two CD bonus tracks included.
 
The album by 3 is crap. Even Keith's sounds were crap.

I like Desde De La Vida (not sure if I've spelt that correctly but can't be bothered to check) but the rest is boring US radio orientated fodder.
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Direct Link To This Post Posted: August 18 2017 at 01:42
Originally posted by YESESIS YESESIS wrote:

Originally posted by richardh richardh wrote:

Works Volume One is still for me the album I struggle to get my head round in terms of ELP back catalogue. It's easy to have an opinion about the others whether negative or positive but Works really showed what a challenge it was to keep this band from careering off the road ( and they did of course!) . I absolutely love Pirates  and the version of Tank as well as the Buddy Rich inspired Food For Your Soul but there is some 'dodgy' stuff on Lake's side and I've never been quite convinced by the long version of Fanfare For The Common Man. As a 2 minute 'hit' it was fine. Emerson's piano concerto is good but does it really belong on a group album? (but you could say this about a lot of the album of course) 
Apparently it was originally intended to be 3 separate solo releases but Atlantic records were not keen. I think they could have called it a day after this album but presumably they were obligated to release further albums even though creatively there was just nothing left. Shame really and this must have been a big regret for them. 
ELPowell is another story. Carl not available so Cozy was drafted in although I gather that Simon Phillips was up for it and would have been a better choice imo. It's quite a fragmented album idea wise (but then that's typical ELP I suppose) and some bits work while others don't. Its a pity they didn't stick with this line up for a bit longer as I think it had the potential to grow into something interesting but Palmer was always going to return once his Asia commitment was over.
 


Works Volume One is not that good until it gets to the Palmer stuff imo. Idk, for the most part I like it but real step down from the earlier albums and then I guess they were never the same after that. But those first four studio albums are still good enough to make them one of the three best prog bands ever imo.

yep agree with thatSmile
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Direct Link To This Post Posted: August 16 2017 at 19:55
Originally posted by richardh richardh wrote:

Works Volume One is still for me the album I struggle to get my head round in terms of ELP back catalogue. It's easy to have an opinion about the others whether negative or positive but Works really showed what a challenge it was to keep this band from careering off the road ( and they did of course!) . I absolutely love Pirates  and the version of Tank as well as the Buddy Rich inspired Food For Your Soul but there is some 'dodgy' stuff on Lake's side and I've never been quite convinced by the long version of Fanfare For The Common Man. As a 2 minute 'hit' it was fine. Emerson's piano concerto is good but does it really belong on a group album? (but you could say this about a lot of the album of course) 
Apparently it was originally intended to be 3 separate solo releases but Atlantic records were not keen. I think they could have called it a day after this album but presumably they were obligated to release further albums even though creatively there was just nothing left. Shame really and this must have been a big regret for them. 
ELPowell is another story. Carl not available so Cozy was drafted in although I gather that Simon Phillips was up for it and would have been a better choice imo. It's quite a fragmented album idea wise (but then that's typical ELP I suppose) and some bits work while others don't. Its a pity they didn't stick with this line up for a bit longer as I think it had the potential to grow into something interesting but Palmer was always going to return once his Asia commitment was over.
 


Works Volume One is not that good until it gets to the Palmer stuff imo. Idk, for the most part I like it but real step down from the earlier albums and then I guess they were never the same after that. But those first four studio albums are still good enough to make them one of the three best prog bands ever imo.
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Direct Link To This Post Posted: August 16 2017 at 19:46
Originally posted by presdoug presdoug wrote:

^ Oops, I forgot to mention Tarkus in my previous post. I love the whole album, actually. Especially side one. They opened their Ottawa concert with that, and inserted music from other albums of theirs in the middle of things, which was cool.


Yeah the first side of Tarkus is awesome, I love it. And man that concert sounds great. Wish I could travel back in time and go to it but oh well.
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Direct Link To This Post Posted: August 16 2017 at 10:47
Originally posted by richardh richardh wrote:

ELPowell is another story. Carl not available so Cozy was drafted in although I gather that Simon Phillips was up for it and would have been a better choice imo. It's quite a fragmented album idea wise (but then that's typical ELP I suppose) and some bits work while others don't. Its a pity they didn't stick with this line up for a bit longer as I think it had the potential to grow into something interesting but Palmer was always going to return once his Asia commitment was over.
 
Cozy (RIP) had a powerful style that lent itself well to the streamlined sound they went for. Greg sounds fantastic. There's too much reverb on the album, but it was 1986. ELPowell is a great album up through "Step Aside." I can take or leave the rest, the two CD bonus tracks included.
 
The album by 3 is crap. Even Keith's sounds were crap.
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Direct Link To This Post Posted: August 16 2017 at 06:55
Originally posted by chopper chopper wrote:

Originally posted by richardh richardh wrote:

I gather that Simon Phillips was up for it
 

Well, he does have the main qualification.




That and he can play the the drums. I would have change my name to Andy Peters if it had got me in. They may have been disappointed though.

Edited by Blacksword - August 16 2017 at 06:56
Ultimately bored by endless ecstasy!
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Direct Link To This Post Posted: August 16 2017 at 06:27
Originally posted by richardh richardh wrote:

I gather that Simon Phillips was up for it
 
Well, he does have the main qualification.
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Direct Link To This Post Posted: August 16 2017 at 06:10
^ Oops, I forgot to mention Tarkus in my previous post. I love the whole album, actually. Especially side one. They opened their Ottawa concert with that, and inserted music from other albums of theirs in the middle of things, which was cool.
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Direct Link To This Post Posted: August 16 2017 at 00:30
Works Volume One is still for me the album I struggle to get my head round in terms of ELP back catalogue. It's easy to have an opinion about the others whether negative or positive but Works really showed what a challenge it was to keep this band from careering off the road ( and they did of course!) . I absolutely love Pirates  and the version of Tank as well as the Buddy Rich inspired Food For Your Soul but there is some 'dodgy' stuff on Lake's side and I've never been quite convinced by the long version of Fanfare For The Common Man. As a 2 minute 'hit' it was fine. Emerson's piano concerto is good but does it really belong on a group album? (but you could say this about a lot of the album of course) 
Apparently it was originally intended to be 3 separate solo releases but Atlantic records were not keen. I think they could have called it a day after this album but presumably they were obligated to release further albums even though creatively there was just nothing left. Shame really and this must have been a big regret for them. 
ELPowell is another story. Carl not available so Cozy was drafted in although I gather that Simon Phillips was up for it and would have been a better choice imo. It's quite a fragmented album idea wise (but then that's typical ELP I suppose) and some bits work while others don't. Its a pity they didn't stick with this line up for a bit longer as I think it had the potential to grow into something interesting but Palmer was always going to return once his Asia commitment was over.
 
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