How to define and classify "Progressive Rock"? |
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David_D
Forum Senior Member Joined: October 26 2010 Location: Copenhagen Status: Offline Points: 15102 |
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(written in the thread "Eclectic Prog Friends' Imaginative Club", 12 May 2022) Thank you very much again, Logan, for this very informative description of your view regarding the definition of Progressive Rock. I'm afraid to say that I find this way of defining Prog far too including, too colonializing, and I'm worry about that it may even be a potential danger to the very existence of Progressive Rock. |
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David_D
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Even I find the word/term "meta-genre" to be most appropriate in relation to the Progressive Rock definition I've proposed, I'd say that the word/term "umbrella" is the best one to use when talking about how PA defines and uses the term Prog/Progressive Rock.
Edited by David_D - March 02 2022 at 08:52 |
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moshkito
Forum Senior Member Joined: January 04 2007 Location: Grok City Status: Offline Points: 17505 |
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Hi, Should punish those folks with the 12 second version of "Light My Fire" ... several times in a row! Only available on Space Pirate Radio, of course! Otherwise you get the MONO version from the AM radio! That should perk up some ears! That has always been my biggest concern, that many folks are not patiently listening to the music enough to be able to pick up a good understanding. IF THEY DID, they would say a lot more than just like or dislike! Which for me, has really been the biggest signal of all. If those folks had heard what they did not like a few more times, like they did their favorite donut, they might find some music in there!
Edited by moshkito - February 12 2022 at 19:09 |
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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David_D
Forum Senior Member Joined: October 26 2010 Location: Copenhagen Status: Offline Points: 15102 |
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An interesting question is whether it's good to consider and call Progressive Rock "a third stream", a term Edward Macan already used as a possible one in his book Rocking the Classics from 1997, even his definition of Prog was much less including than the one I've proposed (as I mentioned in my OP article). The term "a third stream" would be very appropriate if to consider Prog not just as a part of the Rock genre but including as well parts of the other "main genres" included in my definition. I guess that is the best choice, and it fits very well with using the term "meta-genre".
Edited by David_D - February 12 2022 at 04:01 |
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David_D
Forum Senior Member Joined: October 26 2010 Location: Copenhagen Status: Offline Points: 15102 |
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Yes, in my opinion it's best to call Progressive Rock "a meta-genre", due to it must have Rock as a very important, unifying element for all the sub-genres - right Jaketejas? Otherwise, we must talk about "Progressive Music".
Edited by David_D - February 12 2022 at 09:42 |
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Jaketejas
Forum Senior Member Joined: March 27 2018 Location: USA Status: Offline Points: 1989 |
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That’s right. One person’s trash is another person’s Prog.
Uh … That didn’t come out quite right. Don’t forget the ADD Prog people. They can’t focus for 45 min on an epic concept album with 10 different movements and 5 different opuses, those having intros and outros that last longer than the song itself. That’s why the Crossover Prog subgenre was invented. It is for on-the-go people who want to be hit with Prog within a 3 min song. It’s Prog after it has been edited to its most minimal form. All the Prog with none of the fluff. It was a course correction after Tales from Topographic Oceans. |
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David_D
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I might even agree on that it's very difficult today to draw the line between Prog and non-Prog. I would consider, though, RYM's way to do it being most representative as RYM is the database with far the most Prog ratings.
Edited by David_D - January 24 2022 at 14:38 |
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Jaketejas
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David_D
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But I must say, too, that much has happened the last 15 years, so it's certainly not easy today to describe what Progressive Rock most commonly is considered to be. There's for instance a big difference between PA's and RYM's understanding of Prog.
Edited by David_D - January 23 2022 at 12:42 |
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The Dark Elf
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I think they are available at a Mongolian barbecue.
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David_D
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thank you!
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Atavachron
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I'm unfamiliar with wibbly wobbly and/or timey wimey prog, but I want some. |
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"Too often we enjoy the comfort of opinion without the discomfort of thought." -- John F. Kennedy
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Jaketejas
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You did a great job tying them together! If you have not done so, you might enjoy reading some of the comments in the “Where is Prog going?” thread. There is optimism and pessimism there, but also some excellent reflections. One mentions how in one direction, some are pushing the frontiers of music to the point that, at some point in time it may not sound like music at all. Others have taken the retro path to try to write in the style of the 1970s (and you can throw the 80s in there too), but at some point they may run out of songs for that style. Some think that Prog will bind with other forms of music and morph into new subgenres. There are many other suggestions, and it is a fascinating read. |
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David_D
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Edited by David_D - January 21 2022 at 08:28 |
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David_D
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Thank you very much for your posts, comments and some very good reflections in this thread, Jaketejas. And yes, there exist certainly quite exactly definitions of the various Prog sub-genres, both on PA and RYM, and the main purpose with my definition attempt was, and still is, to point at some common aspects of them and thus tight them together, and contribute to legitimize their usage. At the same time that provides a short and easy to do with definition of "Progressive Rock" itself.
Edited by David_D - January 21 2022 at 08:28 |
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Jaketejas
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I think that was the premise for the movie "Canadian Bacon". They were trying to steal Kansas! I appreciate the amount of time that went into putting together this definition of Prog. Unfortunately, it leaves out some of the subgenres on the site, but it is quite good nonetheless. Of course, there will always be prog-music that doesn't quite fit the mold, and the word "progressive" in fact has connotations that there will come about music that does not fit the mold. I remember asking a friend about their definition of prog, and I was thinking I would get a long-winded explanation about the history of prog, with proto-prog, the Big 6, etc. The answer was simply "It's rock that's got some keyboards in it." As you can imagine, it made me chuckle. But, it just re-emphasizes that each person has their own definition of prog. For all my verbal jousting in the past on this site, I came to realize that the folks managing the different subgenres of Progarchives do a very good job at this classification task. The definitions provided on this site approach "as good as you can get" at trying to classify the wibbly wobbly timey wimey thing that is Prog. If there were no attempts at this, then Progarchives would cease to exist. So, we need a definition of Prog, and we need definitions of the different subgenres of Prog. We may need to add more subgenres in the future, and that's fine. Probably, in terms of the general definition of Prog, broader and more inclusive is better IMHO rather than having endless skirmishes about certain bands that keep getting brought up. I joked about Asia, but if you go to their Wiki site, all their albums are listed as Progressive Rock. And, to me, their sound is quite comparable to the middle period of Genesis. When opinions clash, hairs are split. For those who are primarily interested in the most well-known and well-accepted bands carrying the Prog mantle (e.g., the Big 6 ... basically, any band that Bill Bruford was in plus a couple of others), and fight for that high bar, there can certainly be one bright spotlight on them. But, you have to be careful with high-pass filters. There should be other spotlights, too, and the fora (or forums, if you prefer) are good at doing just that. We no longer live in an age where record labels provide artists with funding, studio time, and engineers and allow them to experiment for a couple or few albums to let the artists develop their chops or sound as they tour incessantly. That age is long gone. The folks aimed at making Prog music (of whatever form) in this age face a completely different environment and different headwinds. A lot of them are consummate DIY, and also need support. These are things I think about when people start bandying about new definitions of Prog. Edited by Jaketejas - January 20 2022 at 12:26 |
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David_D
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All I can say, moshkito, is that you look at it in another way than many others, including the academic books that have been written about Prog, and which I give an account of in my article.
Edited by David_D - January 20 2022 at 09:17 |
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moshkito
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Hi, Let's look at this ... let's take on "chamber music" ... it has a solid definition. "Concerto" has a solid definition suggesting a live performance, although a lot of Mozart would make you and I think that many of these were all adlib compositions. "Symphony" has a solid definition. "Jazz" has a solid definition, and its many variations do not detract from the definition at all ... although I still think that too many of them are about "sound" and not the music itself. But "jazz" is less of a problem since it is more acoustic than almost all rock materials these days, many of which would not stand up to scrutiny, if you unplugged the effects ... in school, you would get a D for it and not get any help from the instructors! But with the loudness and effects, it makes a lot of money, so we can take the definition and shove it down the toilet! The progressive "definitions", almost all of them, were done by people that were not music listeners. They were done by folks that wanted to show their favorite bands even better, and they succeeded well, in the respect. However, as serious music goes, they have been laughed at a lot, although these days, folks like Daily Doug and others are finding that there are some very nice things in the music ... 5 minutes worth, when Mozart has hours and hours and Beethoven has hours and hours ... and a lot of the top ten, is not about its compositions ... (in general) but about its fame, fortune, and voting fans! Drawing a line between Prog and non-Prog, right now is ridiculous, because Prog is one of the worst definitions and not a well thought out idea. And the best example of this is the insanity that the progressive and prog thing has had "special" instruments, some in color, that helped bring the music about ... which is incredible. I didn't get to YES because of a blue guitar that did not even come until 10/15 years later ... or any other silly remark about instruments ... it's like saying Mozart made the violin famous, and everyone else crapped out ... the violin was there before and continued after, and the bizarre definitions that we have do not describe the "music" at all ... they describe 5 songs, so to speak.
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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David_D
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No, it's not quite what I meant, Philchem. A definition must be a good guideline to what should be considered as Prog, but on the other hand, it's fine with some elements for subjective interpretation which leaves possibility for certain individual choices, concerning where exactly to draw the line between Prog and not-Prog. - But a more precise definition can of course be an option, even I can't imagine that it could be possible to eliminate all subjective interpretation.
Edited by David_D - January 20 2022 at 16:35 |
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Philchem8
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Thanks David for addressing my points. I understand all you are saying and was just sharing some thoughts. Upon reflection, I agree the lyrics should not be part of a definition per say, but would be one of the elements to consider if we were trying to identify key characteristics of progressive rock. I understand this not your focus. Still, when you suggest that the definition would leave to subjective interpretation what is and what is not prog-rock, I can't help asking myself how useful it is then to have a definition. Not that I think it is not useful or valuable but maybe to a more limited extent than identifying key characteristics and discussing the degree to which they should be present, an admittedly complex exercise.
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