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TODDLER
Forum Senior Member
VIP Member
Joined: August 28 2009
Location: Vineland, N.J.
Status: Offline
Points: 3126
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Posted: February 04 2014 at 20:12 |
My favorite is In Hearing. I especially like the production on the drums. I like the sound of the snare drum on "Breakthrough" and of course the playing which comes across more sophisticated. I like Pete French as the vocalist, Vincent Crane is a wizard on keys, the guitar is produced well and fits the style of writing perfectly. It's a collection of dark songs which cross boundaries of Prog rock many times throughout the album, but especially to notice in the instrumental sections. The vocals are very open and grab your attention. The perfect amount of echo on Pete French's voice is utilized to produce a haunting affect on the listener. When he sings..."There must be a way outta here" on "Breakthrough" it's reminiscent of commonly used dynamics in musicals. It's producing the effect to the story line of the song and is well thought out by the band. "Black Snake" contains one of the strangest organ solos ever written in Progressive rock. It's very counterpoint in 1 particular section of the solo and the choice of notes to be held or sustained while other notes are being played are of the most creepy, blood thirsty, body freezing effect to make your mind drift off or travel to the darkside....whether you understand the darkside and the underworld or not..it makes no difference because Vincent Crane will take you there with the music. Even if it creates a small insignificant vibe like a long walk down a short, dark hallway....it will draw you in and creep up on you like arpeggiated equilibrium. I suppose Vincent Crane was a "dark child" himself, lighting candles..and practicing spells according to the reports of Chris Farlowe. Demonology, dark cloaks, an incense burner and the desire for death. The investigators decided to trace the pattern of Crane's final moment. Demons were awaiting!...and his appointment could not be broken. Think about the piano intro to "Death Walks Behind You". Vincent Crane made this band dark and interesting.
Edited by TODDLER - February 04 2014 at 20:22
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poeghost
Forum Senior Member
Joined: December 13 2013
Location: U.S.A.
Status: Offline
Points: 175
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Posted: February 04 2014 at 18:56 |
This was tough for me to decide. It's a very close tie for Death Walks and In Hearing Of. I would have chosen Death Walks years ago, but these days I like In Hearing Of a little more. So that is what I voted for.
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proggman
Forum Senior Member
Joined: October 14 2013
Location: Sweden
Status: Offline
Points: 1458
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Posted: February 03 2014 at 21:38 |
Death Walks Behind You
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When he rides, my fears subside. For darkness turns once more to light. Through the skies, his white horse flies. To find a land beyond the night.
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ole-the-first
Forum Senior Member
Joined: January 03 2012
Location: Russia
Status: Offline
Points: 1534
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Posted: February 03 2014 at 02:43 |
'Death Walks Behind You', followed by the debut LP, 'Made In England' and 'Atomic Rooster '80'. Never liked 'In Hearing Of Atomic Rooster'.
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This night wounds time.
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Cactus Choir
Forum Senior Member
Joined: July 26 2008
Location: England
Status: Offline
Points: 1043
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Posted: February 03 2014 at 02:40 |
There's very little between the first three LPs which are all very good in terms of quality. In Hearing Of shades it due to featuring Pete French's great hard rock vocals, Paul Hammond's superb drumming, plus probably my favourite Rooster track Breakthrough.
The later funk and metal combos were quite enjoyable but I think their peak era was the proggy/hard rock albums they made 1969-71.
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"And now...on the drums...Mick Underwooooooooood!!!"
"He's up the pub"
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verslibre
Forum Senior Member
Joined: July 01 2004
Location: CA
Status: Offline
Points: 18755
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Posted: February 03 2014 at 01:19 |
DWBY, followed by the debut.
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Sagichim
Special Collaborator
Honorary Collaborator
Joined: November 29 2006
Location: Israel
Status: Offline
Points: 6632
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Posted: February 03 2014 at 00:36 |
In Hearing Of...
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Man With Hat
Collaborator
Jazz-Rock/Fusion/Canterbury Team
Joined: March 12 2005
Location: Neurotica
Status: Offline
Points: 166183
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Posted: February 02 2014 at 18:44 |
D-Death.
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Dig me...But don't...Bury me I'm running still, I shall until, one day, I hope that I'll arrive Warning: Listening to jazz excessively can cause a laxative effect.
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dr wu23
Forum Senior Member
Joined: August 22 2010
Location: Indiana
Status: Offline
Points: 20671
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Posted: February 02 2014 at 15:42 |
While the first 4 or 5 are all pretty good , Death is by far the best....imo.
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One does nothing yet nothing is left undone. Haquin
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presdoug
Forum Senior Member
Joined: January 24 2010
Location: Canada
Status: Offline
Points: 8780
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Posted: February 02 2014 at 15:38 |
The inimitable Atomic Rooster-I like all of their different phases and resultant recordings. This poll looks at studio records only, though Play It Again is live in part. There are also no best of compilations included here. My choice is definitely End Of The Day from 1982. In this record, the Death Walks lineup of Crane-du Cann-Hammond is reunited on record again. (though also with an added bass player in Big John McCoy) End Of The Day is great as it fuses together John du Cann's aggressive but vibrant guitar with Vincent Crane firing on all six cylinders, musically, and Paul Hammond pounding an infectious beat. McCoy is no slouch, either. It even includes a new version of Tomorrow Night. And the whole recording has a great production to it, better than the original Death Walks Behind You album. Unfortunately, EOTD went under the radar for many fans, and unjustifiably so. So what is your favorite studio effort?
Edited by presdoug - February 02 2014 at 15:49
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