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Topic Closed1. Equal rated albums- Crossings vs. Nursery Cryme

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Poll Question: Which do you choose?
Poll Choice Votes Poll Statistics
22 [35.48%]
40 [64.52%]
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Direct Link To This Post Posted: October 25 2011 at 17:36
I love both, and Fountain of Salmacis, in particular, I find to be sublime. That said, I´m currently playing the Mwandishi records far more than any Genesis album - hence my vote for Crossings. I´ll probably swing around at some point and fire myself into my old Genesis records. Music is a journey, but it seems that I end up where I started once a year at least, and suddenly I just need a healthy dose of Floyd or Genesis.
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Direct Link To This Post Posted: October 24 2011 at 20:59

Obviously and of course Nursery Cryme.

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Direct Link To This Post Posted: October 24 2011 at 20:57
Originally posted by aginor aginor wrote:

Genesis only jazz influence is Phils drumming influence, i bet Phil have listen to ALOT of Mahavishnu, Herbie Hancock, Weather Report and Return to Forever, most of the other guys were classical and philosophy heads
 
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Direct Link To This Post Posted: October 24 2011 at 19:40
Originally posted by Logan Logan wrote:

Originally posted by aginor aginor wrote:

Genesis only jazz influence is Phils drumming influence, i bet Phil have listen to ALOT of Mahavishnu, Herbie Hancock, Weather Report and Return to Forever, most of the other guys were classical and philosophy heads

^ i love classical, as well as jazz.

Herbie Hancock began with playing classical music as a child, and studied it for his degree in music. Her's a very recent article  on his "return to his classical roots" (In case anyone is interested):


EDIT: Incidentally, I am familiar with Phil Collins'work in Brand x and know about his jazz proclivities.  I know such a what  ifs are insanely silly, but I wonder how Genesis would have been if Herbie Hancock were in it instead of Tony Banks, and how the Mwandishi players works would have been with Collins on the kit instead of Billy Hart.

The classical influence (composition)  shows in both Hancock and Genesis projects.
 
 
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Direct Link To This Post Posted: October 24 2011 at 19:37
Originally posted by Logan Logan wrote:



In this case, both have many ratings, but Nursery Cryme has many more.  So, for instance, if Crossings gets ten votes, I will divide that by 93 to get 0.107526881.  If Nursery Cryme got 10 votes I would divide it by 1127 to get 0.008873114.  If they got the same number of votes, then Crossings would win. In fact, to win, Nursery Cryme will need about 12 times as many votes to win, which may happen as the Genesis album is much better known at PA.
Uh, it was my understanding there wasn't going to be no math on this quiz.
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Direct Link To This Post Posted: October 24 2011 at 19:22
Crossings.
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Direct Link To This Post Posted: October 24 2011 at 15:30
Originally posted by aginor aginor wrote:

Genesis only jazz influence is Phils drumming influence, i bet Phil have listen to ALOT of Mahavishnu, Herbie Hancock, Weather Report and Return to Forever, most of the other guys were classical and philosophy heads

^ i love classical, as well as jazz.

Herbie Hancock began with playing classical music as a child, and studied it for his degree in music. Her's a very recent article  on his "return to his classical roots" (In case anyone is interested):


EDIT: Incidentally, I am familiar with Phil Collins'work in Brand x and know about his jazz proclivities.  I know such a what  ifs are insanely silly, but I wonder how Genesis would have been if Herbie Hancock were in it instead of Tony Banks, and how the Mwandishi players works would have been with Collins on the kit instead of Billy Hart.

The classical influence (composition)  shows in both Hancock and Genesis projects.
 


Edited by Logan - October 24 2011 at 16:15
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Direct Link To This Post Posted: October 24 2011 at 15:13
Genesis only jazz influence is Phils drumming influence, i bet Phil have listen to ALOT of Mahavishnu, Herbie Hancock, Weather Report and Return to Forever, most of the other guys were classical and philosophy heads
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Direct Link To This Post Posted: October 24 2011 at 13:22
Triple quote makes for a really long post...

Originally posted by digdug digdug wrote:

Crossings was disappointing.  Not bad ...but just ok

Nursery Cryme is a 5 star album for me



Not saying this would be the case with you, but commonly when I have found an album disappointing, it's been because my expectations were not met because I had the wrong expectations of the musical qualities (the sound) to expect.  It tends to be with me more that I was expecting something different musically rather than I was expecting that type of music (sound) but I didn't think it was done well (unless it's say, different orchestras/ conductors doing a classical work).

I really got into Herbie Hancock due to Sextant, which was love at first listen for me-- and that is a lower-rated album than Crossings that I would have thought would be generally more palatable to prog audiences than Crossings (like Crossings iit is also a five star album for me, and i love Mwandishi, the first of the trilogy, and that was also love at first listen to me -- in fact that probably fit my common tastes the best of the trilogy).

Crossings was rather more of a challenge for me than Mwandishi or Sextant to wholly like.  I find Crossings very rich, and shall I say, sophisticated, and really rewarded repeat listenings -- there were subtelties for me to absorb over time, and it took a while for it to fully unfold with me.

It helped me having heard two of the Maupin-penned Crossings tracks (the side-two tracks, "Quasar" and "Water Torture") on ther later Maupin album, Slow Traffic to the Right, which are pretty easy listening versions, less dense and experimentalish, of the same tracks (I love those two too in their own way).  I Also for me discovering Eddie Henderson's Realization and Julian Priester's Love, Love, both of which i adore, helped to solidify my love for Mwandishi period style works.

Had I discovered an album such as Crossings when I was more into the Mahavishnu Orchestra kind of music (which was before I was into Davis, Hancock, and most of the Fusion and electric jazz, I'm into now, it might not have appealed nearly so much.

Others are more into the Hancock Headhunters period of music, and those might well be disappointed with Crossings.  I like the Mwandishi and pre-Mwandishi period best for Hancock (though I do like Death Wish, and still haven't heard The Spook....)

Originally posted by Man With Hat Man With Hat wrote:

In a way, I'm interested in seeing Crossings with 1127 ratings and seeing how different it's rating is.


I've wondered the same with a lot of my favourite albums, though I know most of what I like would not appeal much to a general Prog audience.  I'd also be interested to know, if you've heard Crossings, how you would rate it (we share some of the same tastes in music -- though just judging by your JRF ratings, I wouldn't say I  think we have much in common when it comes to that category).

Anyway, for me to imagine Crossings having that many ratings I would have to imagine PA's general audience being very different.  It's important to note that Herbie Hancock was  a much later addition to PA than Genesis, and there was resitance to his addition, and also that his music is not the kind of music that is Prog genre, really, even if he has albums that fit his category at PA very well.  If most people at PA tried Crossings, I don't think they'd like it.  I don't think most at PA would ever get the album (such musical avenues are not going to be as popular at a site like this as, say, Genesis symph type music, and cone could not expect the JRF category to be as generally popular as Symphonic Prog at a Prog site --  bands like Mahavainu Orchestra are quite popular, but I would venture that they are more ina classic prog vein, and of course that was an early addition to the site.  I think a lot of people, though that lot is a minority, didn;t really start exploring albums such as Crossings until after the buzz over the addition of Hancock (and Miles Davis not that long before that).  Certainly there are quite a few here who do enjoy jazz by American black musicians, but it's not PA's core audience, and some of those would only really know bebop well.

One way that an album such as Crossings may get a lot more ratings here (and really it has a lot for a site like this considering various factors) would be if more fans of that kind of Fusion, and artists that make it, come to the site and join to rate because such music has got a lot more representation at PA .  Also, a considerable number of people who have similar tastes to mine at PA have discovered it fairly recently, and more will.

So how would the ratings be if a) more fans of that style join this site and rate it b) more people at this site who are into similar music dicover it and rate it and c) more of the typical Proggers decide to check it out and rate it.

I don't think the ratings will be affected that much.  We'll see how it rates in a couple of years, but I'd be hella surprised if it has as anywhere near as many ratings as Nursery Cryme does now (and NC will have more by then).  One factor that may affect it quite a bit over the next year though is collab ratings, since more collabs who aren't into that kind of music may decide to check it out and review it.

I would doubt that Crossings is very popular at most jazz sites.  As Saperlipopette says, ""Crossings is nowhere near being a favorite or concidered his best anywhere outside of PA".

Like it, love it or not, Nursery Cryme is a Prog classic and one can expect huge popularity and knownness at a site such as this, whereas Crossings would appeal to a niche audience of people at PA.  To me iCrossings is a real classic of its idiom.

Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

NURSERY CRYME  is a masterpiece, CROSSINGS is not even among the best Hancock albums.

Iván


Crossings ranks amongst the best Hancock albums for me, and, though I like Nursery Cryme, it is not a masterpiece for me. I respect differences in taste, but if you mean to express your opinion as if it were objective truth write large, then I firmly disagree with your statements.

I find Crossings deeper and more enjoyable (has rewared my repeat listenings much better).  That said, I also commonly prefer JRF to Symph, although both caqtegories have much that i do like.  Vive la difference.



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Direct Link To This Post Posted: October 24 2011 at 13:02
NURSERY CRYME  is a masterpiece, CROSSINGS is not even among the best Hancock albums.

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Direct Link To This Post Posted: October 24 2011 at 12:46
Nursery has no flaws. The best Genesis album. It's perfect in every way. Crossings is ''just'' very good.
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Direct Link To This Post Posted: October 24 2011 at 10:07
Crossings, easily.
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Direct Link To This Post Posted: October 24 2011 at 10:04
Crossings was disappointing.  Not bad ...but just ok

Nursery Cryme is a 5 star album for me


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Direct Link To This Post Posted: October 24 2011 at 08:58
About Nursery Cryme: I don't think there are any musical weak spots on the album. Not only the epics are impressive, but also the short songs like For Absent Friends and Seven Stones are quite good.
I never listened to Crossings, though, so I won't vote.
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Direct Link To This Post Posted: October 24 2011 at 05:35
I don't like Crossings, i don't like HH and so...
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Direct Link To This Post Posted: October 24 2011 at 05:12
Originally posted by ExittheLemming ExittheLemming wrote:

I just never got on with Crossings and given it's overwhelming popularity, I must be missing out on something pretty damn wonderful (guess it's my loss but I might be coaxed into giving it one last chance)

Considering the kind of music it is, I'm pleasantly surprised of its popularity here. Crossings is nowhere near being a favorite or concidered his best anywhere outside of PA. But they are all wrong, and I'm sure has the potential to eventually open up to anyone (including you) slightly interested in this era of jazz. Its to magnificent not to.

I know I've listened to plenty of great music without noticing the first time around, tried it again years later and loved it.
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Direct Link To This Post Posted: October 24 2011 at 04:34
I love both albums, but since I can safely say that the Musical Box is the best song ever written (in my opinion). I can't do anything else than vote for Nursery Cryme.
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Direct Link To This Post Posted: October 24 2011 at 04:29
Two albums of almost opposite polar value, both an apex of from where they came (Jazz and Rock n' Roll), and both provided incredibly new and challenging directions.  It's no wonder their equally rated.  An irresistible force meets an immovable object. 

That said, my vote goes to Crossings.

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Direct Link To This Post Posted: October 24 2011 at 04:20
I just never got on with Crossings and given it's overwhelming popularity, I must be missing out on something pretty damn wonderful (guess it's my loss but I might be coaxed into giving it one last chance)
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Direct Link To This Post Posted: October 24 2011 at 04:12
Originally posted by frippism frippism wrote:

Hm I think part of the reason why the rating for NC is so high is some fanboyism, as the album to me at least has some major flaws, though it'snot a bad album. Crossings has a fair a million billion ratings less. So maybe "Crossing"'s ratings are more because it is a more quality albums and less because of thousands of Genesis fans who'd listen to anything they make.


I don't know. I really love Nursery Cryme and don't think there's any major flaws on it. To me its kind of perfect although I don't really listen to as often as I once did. I'm listening to it right now thanks to this poll, and I'd still give it a 4.50-5 rating. I guess like me many feel the "magic" it contains (the prog "magic" punks and hipsters love to hate, I guess). Although I love a lot of their music from the Gabriel-era albums wouldn't consider giving any other Genesis album a fivestar, so I can't be a fanboy.

I do however still spin Crossings quite regularly. I never grow tired of it and it would probably be on my list of ten desert island albums.

Edited by Saperlipopette! - October 24 2011 at 04:12
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