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Barbarian
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Joined: May 14 2005
Location: United Kingdom
Status: Offline
Points: 42
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Posted: May 17 2005 at 13:51 |
Tony:
I remember the JBE Slate turntable,it was not a good sounding deck at all & that strange alloy patterned platter looked the pants,Slate or marble even Granite is not a good idea for turntable construction,well most i've heard:JBE,Michell 'Marble ref' etc sound poor.
JBE
JA Michell 'Marble ref'
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Tony Fisher
Prog Reviewer
Joined: April 30 2005
Location: England
Status: Offline
Points: 967
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Posted: May 17 2005 at 11:59 |
Yeah Barbarian, totally correct.
Before the LP12 there was really only the Garrard 401 idler drive, Audio Technica and Technics direct drives, the Pioneer PL12D (my first deck - cheap but real hi-fi), the Sugden and some ancient Thorens decks. None sounded great. Compared to them, the LP12 did sound good because it had the basic formula of spring suspension and belt drive. However, you can do some amazing things with Thorens decks if you have the engineering skills and they can be vastly improved. A guy in my hall of residence upgraded his Garrard 401 to an LP12 with SME 3009 arm and Shure V15 and I remember thinking that I had to have one because it urinated on my PL12D from a great height
The next real rivals were the Systemdek and the JBE slate (anyone remember that?), a deck whose only real fault was that it was direct drive, not belt. The JBE was the first deck to use heavy, non-resonant materials and was innovative though not as good sounding as the Systemdek, which I bought in 1983(?) after comparing it to an LP12 (the dealer made me!). I still have my Systemdek and it still sounds very good with a Mission 774 arm.
Then came a plethora of nearly great decks - the RD11 being one.
Then, in the 90s came the real super decks, all of which eat the Linn for breakfast. The Wilson Benesch is awesome, the SME 10 wonderful, the Nottingham Analogue Hyperspace and Annalog brilliant and the Roksan Xerxes excellent. Some (the Voyd, the Source and the top SME) I ain't had the pleasure of hearing.
The Mitchell and Oracle decks are also worth a look and have real merit (especially lookswise).
But I chose the PT Anniversary because it suits my taste. That doesn't mean it will suit everyone's but I've had no complaints yet. You pays your money...........!
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Barbarian
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Joined: May 14 2005
Location: United Kingdom
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Points: 42
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Posted: May 17 2005 at 09:40 |
oliverstoned wrote:
Yes, but that's not the same suspension system.
Anyway, that's not for nothing that Linn LP12 is a legend.
It's very musical, maybe little less neutral than PT, but VERY musical. |
Oliver:
It is not a legend.The legendary status was brought on by Dealership & audio press through the years,as Tony pointed out the Ex-Linn salesman has admitted there were not good,i too have heard this from ex-linn trained dealers from Morrgate Acoustics & Audio centre in Sheffield,UK.,it goes like this:Ivor Tiffenburn was an excellent buisness man in respect that he had the ability to grasp the market & dealership in such a way as to sell his deck to every Tom,Dick & harry.Linn products themselves are total rubbish & extremely overated.During the 80's we had a boom in the UK in audio circles called the Cottage industry where many a company appeared with their offering & many of those offering were far better sounding than the Linn,but it was the the influence that killed them & that only.Before the cottage boom there was'nt very much in the way of good turntables in the '70's hence the perfect time for Linn to introduce the 'Sondek'...But can i just point out that The initial design was copied from the Thorens 'TD150' by Hamish Roberton who approached Castle precision engineering to manufacture components for the Ariston 'RD11',to cut a long story short there was a lot of falling out & stealing of design approach,Castle though manufactured the shall we say stolen designed components for the early Linn before manufacturing them,themselves at Floors road,Glasgow later on.BTW:I have an extensivly modified Thorens 'TD150',one of many decks & it floors the Linn hands down,which is not hard.
LINN WERE A CON.THE 'LP12' WAS A CARBON COPY OF THE ARISTON 'RD11'
Believe it.
A THORENS 'TD150' IN NEW SURROUND' (STUDY) Introduced in 1960's
ARISTON 'RD11' BEING STRIPPED FOR RE-BUILD
LINN 'SONDECK'LP12...THE INFERIOR COPY.
Edited by Barbarian
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oliverstoned
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Joined: March 26 2004
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Posted: May 17 2005 at 09:05 |
Yes, but that's not the same suspension system.
Anyway, that's not for nothing that Linn LP12 is a legend.
It's very musical, maybe little less neutral than PT, but VERY musical.
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Tony Fisher
Prog Reviewer
Joined: April 30 2005
Location: England
Status: Offline
Points: 967
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Posted: May 17 2005 at 08:10 |
Oliver, I had the Linn set up by the Sound Organisation in York - one of the top Linn dealers. If they can't make it sound right, it won't ever sound right. It didn't, even on their choice of support. The support was not the problem, it was the deck. The guy who did the demo (who has since left their employment) now admits that, although he pushed and praised the LP12 at the time, he didn't actually like the deck!
The PT had identical support and sounded SO superior.
Tony
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oliverstoned
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Posted: May 16 2005 at 13:36 |
I already explain you that the Linn, due to its suspension
design, needs a very steady support, if not efficient vib' cancellers.
If not, it doesn't works.
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Tony Fisher
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Joined: April 30 2005
Location: England
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Points: 967
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Posted: May 16 2005 at 10:19 |
There was certainly no love lost between Ivor Tiefenbrun and Arthur Khoubesserian of Pink Triangle! I never heard the Pink Link but I bet it drove Ivor mad. I suspect it was done partly as a piss take and partly to demonstrate the fairly obvious deficiencies of the LP12.
Linn wouldn't allow any dealer who sold their products to stock PT's stuff as well under pain of losing the Linn franchise. Were they scared of direct comparison?
I am one of very few who have heard a direct comparison since I inherited a Linn LP12 from my father and I bought a PT Anniversary for myself. The PT was MILES better - and I mean MILES!!! Switching from the Linn to the PT was like removing a curtain from in front of the speakers. Yet still the LInn gets rave reviews - God knows how. I wonder if the reviewers have actually listened to it.
Tony
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Barbarian
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Joined: May 14 2005
Location: United Kingdom
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Points: 42
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Posted: May 16 2005 at 08:14 |
[QUOTE=oliverstoned]Actually, Pink triangle is very good, and is Linn's concurrent. The Anniversary SE model is very good.
There is no SE version of the Pink Triangle 'Anniversary'!
Regarding Linn 'Sondek'.Pink Triangle brought out a upgrade kit for the Linn called the ''P-LINK''(PINK LINK)... Which included a repacement top plate with new DC motor mounted at 7 o'clock position instead of the usual 10 o'clock.....Also PT ouboard power supply....In short too the piss out of the Linn.Ivor Tiffenburn (LINN MD) tried taking PT to court but did'nt work.
Edited by Barbarian
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oliverstoned
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Posted: May 13 2005 at 10:43 |
have you seen the nakamichi tape decks?
There are even better
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sigod
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Joined: September 17 2004
Location: London
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Posted: May 13 2005 at 10:01 |
^ These are great photos Oliverstoned.
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I must remind the right honourable gentleman that a monologue is not a decision.
- Clement Atlee, on Winston Churchill
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oliverstoned
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Posted: May 12 2005 at 12:54 |
Ha ha!
i admit that Pink triangle is very good but Roksan is very average...
Linn LP 12 smokes this!!
But as i explain above, YOU NEED TO PUT IT WELL IN ORDER IT WORKS; ITS NOT AS SIMPLE TO PUT IT ON A POOR FURNITURE AND PLUG IT. IT DESERVES MORE!
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Tony Fisher
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Joined: April 30 2005
Location: England
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Points: 967
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Posted: May 11 2005 at 17:04 |
Goose, it's called Pink Triangle because the company owner and designer is gay and wanted his brand to reflect this. Being straight and slightly naive, I didn't have a clue what Pink Triangle meant for ages after I bought the deck. Some bigoted, narrow minded dealers wouldn't stock his products because of this which was an awful shame because the sound quality is second to absolutely none, the build is exemplary and the looks are drop dead - the glass top plate is wonderful. Mine is light ash and looks better than the one in Oliver's post.
And Oliver, the Roksan Xerxes is another excellent deck - far above a Linn Sondek IMHO.
Tony Fisher
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oliverstoned
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Posted: May 11 2005 at 13:52 |
Karnevil9 wrote:
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Why did you delete your message?
Edited by oliverstoned - September 08 2006 at 09:19
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oliverstoned
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Posted: May 11 2005 at 13:51 |
It's a turntable's brand.
Erotic brand!
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goose
Forum Senior Member
Joined: June 20 2004
Location: United Kingdom
Status: Offline
Points: 4097
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Posted: May 10 2005 at 15:33 |
Hang on... why's it called Pink Triangle..?
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oliverstoned
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Posted: May 10 2005 at 12:56 |
...and high end Sota and Microseiki smokes all!!!
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oliverstoned
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Posted: May 10 2005 at 12:54 |
Actually, Pink triangle is very good, and is Linn's concurrent.
The Anniversary SE model is very good.
The pb with Linn is its suspension system which required
the turntable to be on a very stable support and often a good canceller vib system.
If not, it doesn't works at all.
On another hand, Roksan is really average and REALLY BELOW REGA 3!!!!!
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oliverstoned
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Posted: May 06 2005 at 14:52 |
And btw...one more word...
You dislike Rega planar 3 and you dream on Roksan...
What kind of fool are you?
you took bad acid
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oliverstoned
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Posted: May 06 2005 at 13:23 |
>>>
Hmmm...quite confuse
I'm sure it's not your last message, anyway!
First , i NEVER read reviews, i hate it, especially here in France, they are corrupted, they only review bad devices and brands, and they never give good advices.
All i know comes from an audiophile who learn me all.
Second, i don't put all my money in granit, when i'll put the pics on the site, you'll see i put concrete pieces on my speakers and my sub (7 kg on each speaker and 100 kg on the sub).
I have a very very tight budget system.
I go to the best with the few money i have.
But of course, i'm waiting to have extra money to buy granit pieces which are much more nicer aesthetically.
I just dream on very musical gear, i think english are the best for budget musical devices , btw it's curious you don't like Rega planar 3, which embodies the perfect little product which works. Like Linn LP12, which is an absolute reference in its category. Like Qed cables, Nad and rotel integrated amps and cd players, etc...
See you soon, my darling, and keep that britannic phlegm that fits you so well...
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Posted: May 05 2005 at 20:03 |
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