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Petrovsk Mizinski View Drop Down
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Direct Link To This Post Posted: March 05 2008 at 01:18
Originally posted by telecaster90 telecaster90 wrote:

Shane Gibson
 
Chris Broderick
 
And of course...
 
Broderick is awesomeThumbs%20Up It's a shame he didn't stay on with Nevermore.
Megadeth is probably the easiest gig his had so far, not that it's necessarily a bad thing, but unless he gets a solo spot with Megadeth, the full extent of his talent and technique won't get a chance to shineThumbs%20Down
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Direct Link To This Post Posted: March 04 2008 at 01:59
if that batio video wasnt sped up like it appeared to be, then i guess i dont know what to say. the three minute mark was, i dont know, the man looked like he was on crack. in a glam metal cheese explosion. metal method \m/ ! im somewhat stunned. some one correct me please
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Direct Link To This Post Posted: March 04 2008 at 01:52
Fender Standard Telecaster w/ Dimarzio ToneZone(bridge)
Schecter C-7 Blackjack w/ '59(neck) and JB(bridge)
Line6 Flextone III XL
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Direct Link To This Post Posted: March 03 2008 at 23:39
Originally posted by MisterProg2112 MisterProg2112 wrote:

I can't choose Smile
 
I absolutely love that DVDBig%20smile.
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Direct Link To This Post Posted: March 02 2008 at 22:23
Originally posted by burritounit burritounit wrote:

Haven't anybody mentioned Michael Angelo Batio? or A.J. Minette from The Human Abstract?
 
In my opinion Batio isn't worth mentioning, he is a tad obnoxious with his "quad guitar". I do admit he's talented but he doesn't have to be THAT flashy.
 
If you don't know what I'm talking about take a look..
 
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Direct Link To This Post Posted: March 02 2008 at 22:20
I can't choose Smile
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Direct Link To This Post Posted: March 02 2008 at 16:33
Haven't anybody mentioned Michael Angelo Batio? or A.J. Minette from The Human Abstract?
"I've walked on water, run through fire, can't seem to feel it anymore. It was me, waiting for me..."
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Direct Link To This Post Posted: March 02 2008 at 12:25
I've never liked that typical American shred sound. I am more into the Britsh style of soloing as bands like Judas Priest, Iron Maiden, Def Leppard or Saxon. Those bands play fast and technical But they also know how to rock and put it in a framework of a song. Lot of shred guitarists lack energy.
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Direct Link To This Post Posted: February 29 2008 at 20:06
Originally posted by HughesJB4 HughesJB4 wrote:

Originally posted by 1800iareyay 1800iareyay wrote:

Originally posted by HughesJB4 HughesJB4 wrote:

I'm surprised at the lack of discussion on Shawn Lane. It always saddens me that someone of such supreme talent was so unrecognised outside of jazz fusion guitar circles, and even then, he wasn't exactly as well known as Holdsworth. I'm not much of a fusion head, more of a shred head, but he probably has even more of a following among the shred movement than jazz fusion (Just my guess, from what I have observed). I only discovered Lane last year, after reading about Rusty Cooley naming him as a big influence. Lane's style might not be for everyone, but for those that his playing 'spoke to', it was truly a gift to the music world and the lives his music touched and inspired.

I agree. Shawn Lane is one of the precious few who could convey emotion while playing fast (the only other I can think of is Steve Morse). People like Vai and Satch can bring the emotion, but they gotta slow down first. It's a crying shame they took down most of Shawn's vids on YouTube (as well as Vai's. All I can find now is the duel from Crossroads).
 
I was actually really saddened when they took down the best quality videos of Get You Back and Grey Flying Pianos, because they were some of my favourite Shawn Lane songsCry
 
 
They put Get You Back and Grey Flying Pianos (the REH good quality vids) back on youtube!Big%20smileBig%20smile
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Direct Link To This Post Posted: February 26 2008 at 08:17
^ I'd like to add Greg Koch (Blues/Country) and Scott Henderson (Blues/Fusion) ... Big%20smile
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Direct Link To This Post Posted: February 25 2008 at 13:13
Originally posted by HughesJB4 HughesJB4 wrote:

Originally posted by MikeEnRegalia MikeEnRegalia wrote:

Originally posted by HughesJB4 HughesJB4 wrote:

Ron 'Bumblefoot' Thal is absolutely amazing IMO and is often overlooked. Any other fans here on PA?



Big%20smile
 
So that's one other fan so far, anymore?
 
An academic friend was based in LA ten  years ago, and seemed to spend more time checking out the dumper bins in some of the bigger record stores in Hollywood. However, he did come out with some excellent shred albums each for a dollar(!), and sent me a number of duplicates he found, e.g. albums by Marty Friedman (on what I felt a strange chocie for a metal shredder the Kitaro produced Scenes album) , Ron ThalMichael Lee Firkins (more the country rock end of shredding?), Buckethead (also appeared with Hellberg/Shrieve on one of the most impressive acoustic jazz fusion albums of the 90's Octave of the Holy Innocents), Chris Poland (now with his band Ohm), Marc Bonilla (now with California Transit Authority), Gary Hoey (great version of Wipe Out on his Bug Alley) and Greg Howe (perhaps the one who has moved deepest in jazz rock fusion in the last 10 to 15 years).
 
 
I really liked Ron Thal's Hermit (for instance, I Can't Play The Blues works so well on a number of different levels, whilst the range of compositions allow for a range of styles to be laid down) - however, in the UK Ron Thal albums are either unavailable or outrageously overpriced on CD format (I managed to buy Bumblefoot last year after several years of waiting).
 
Also check out that other Swedish shredder, Mattias IA Eklundh's solos - would you believe he too can  be found playing with Jonas Hellberg, this time on Hellberg's latest album Art Metal -
 
Freak%20Guitar:%20The%20Road%20Less%20Traveled
 
Freak%20Guitar
 
Both albums have 20+ tracks, so instead of long solos you get to listen to him provide 2 to 4 minute snapshots of tunes, and therefore hear a much broader cross-section of musical styles in tight arrangements, for which his shredding has been adapted.
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Direct Link To This Post Posted: February 25 2008 at 12:44
Originally posted by 1800iareyay 1800iareyay wrote:

Originally posted by HughesJB4 HughesJB4 wrote:

I'm surprised at the lack of discussion on Shawn Lane. It always saddens me that someone of such supreme talent was so unrecognised outside of jazz fusion guitar circles, and even then, he wasn't exactly as well known as Holdsworth. I'm not much of a fusion head, more of a shred head, but he probably has even more of a following among the shred movement than jazz fusion (Just my guess, from what I have observed). I only discovered Lane last year, after reading about Rusty Cooley naming him as a big influence. Lane's style might not be for everyone, but for those that his playing 'spoke to', it was truly a gift to the music world and the lives his music touched and inspired.

I agree. Shawn Lane is one of the precious few who could convey emotion while playing fast (the only other I can think of is Steve Morse). People like Vai and Satch can bring the emotion, but they gotta slow down first. It's a crying shame they took down most of Shawn's vids on YouTube (as well as Vai's. All I can find now is the duel from Crossroads).
 
Shawn Lane did a large body of work with that bass great, Jonas Hellborg, so perhaps if you check out Hellborg's name on You Tube you might be lucky and see Lane too. Otherwise, Lane is on Hellborg's Indo-jazz fusion CD Icon and the accompanying DVD Paris. I also believe that the Abstractlogix site has a number of videos with Lane and Hellborg. Lane started with the country rock band Black Oak Arkansas, but I first came across him on (ex. Santana) Michael Shrieves' Two Doors CD, and then through a good half dozen album collaborations with Jonas Hellborg and Jeff Sipe. Lane was particularly interested in the music of the Nusrat Fateh Ali Khan,  considered to be one of the greatest 'Qawwals' vocalist - some which ca be heard in Lane's guitar playing - and the occasional wordless vocals (e.g. on Two Doors).
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Petrovsk Mizinski View Drop Down
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Direct Link To This Post Posted: February 25 2008 at 00:33
Originally posted by MikeEnRegalia MikeEnRegalia wrote:

Originally posted by HughesJB4 HughesJB4 wrote:

Ron 'Bumblefoot' Thal is absolutely amazing IMO and is often overlooked. Any other fans here on PA?



Big%20smile
 
So that's one other fan so far, anymore?
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Direct Link To This Post Posted: February 20 2008 at 14:11
Steve Morse being the new guitarist of my fave band fits very well being him one of those "virtuosos". Blackmore being very classical. Although I loved Tommy Bolin's solos.
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Direct Link To This Post Posted: February 20 2008 at 14:09
Well I never liked very fast typical metal bands solos. I hate them (the solos) they they're the best guitarist. I rather prefer technique and improvisation.
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Direct Link To This Post Posted: February 20 2008 at 13:57
Jean Luc Ponty...'nuff said.
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Direct Link To This Post Posted: February 19 2008 at 13:35
Originally posted by HughesJB4 HughesJB4 wrote:

Ron 'Bumblefoot' Thal is absolutely amazing IMO and is often overlooked. Any other fans here on PA?



Big%20smile
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Direct Link To This Post Posted: February 19 2008 at 12:40



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Petrovsk Mizinski View Drop Down
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Direct Link To This Post Posted: February 19 2008 at 02:17

Ron 'Bumblefoot' Thal is absolutely amazing IMO and is often overlooked. Any other fans here on PA?

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Direct Link To This Post Posted: February 13 2008 at 04:46
Originally posted by Exodizer Exodizer wrote:

I have a real hard time believing that with this guy (I'm responding to the shawnlane comment I'm not totally sure on how to quote someone though so it might not have worked it doesn't show up in the preview)
and This guy
They both are horrible guitarists though
 
Michael Angelo, while technically impressive, not always the most musically impressive. He can put feeling in his playing sometimes and he has a few good songs, but not a great fan in general.
Rusty Cooley, sometimes plays too over the top for me, but I suggest you check out the band he is in,  Outworld, which shows his restraint and ability to leave space for the other instruments.
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