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Syntharachnid View Drop Down
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Direct Link To This Post Posted: July 15 2006 at 19:29
Originally posted by The Wizard The Wizard wrote:

Originally posted by avestin avestin wrote:

I never had problems with his voice, I liked them since the begining and my wife as well. She also says it reminds her a bit of David Bowie.

My mother said the exact same thing.

My mother said he sounds like Alice Cooper. Confused
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Direct Link To This Post Posted: July 15 2006 at 18:44
Honestly I think Peter Hammill is an amzing vocalist, one of the very best in all prog. VDGG, for me is a great band because they are so different to anything I've heard before. Pawn Hearts Is one of my favorite albums ever...I don't see how anyone could not like VDGG. 
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Direct Link To This Post Posted: July 15 2006 at 17:26
My favourite album happens to be Still Life, but that album is completely different to H to He and Pawn Hearts, both of which I also rate as 5 stars.

I agree, H to He is an excellent starter album, although I still stay work through chronologically, to see how a band develops over time.  I try to do that as much as possible with bands with a large discography.
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Direct Link To This Post Posted: July 15 2006 at 17:10
for starters H to He.. which I have  been recommended in the past to those who didn't/couldn't get into Pawn Hearts.. and it worked..  it's a  fabulous album.

Godbluff as well though I prefer H to He.
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Direct Link To This Post Posted: July 15 2006 at 16:53
In your opinion the other albums are stronger throughout, Micky Wink

I wouldn't recommend Pawn Hearts as a starter though.  I still recommend going through them chonologically, as I feel if one listens to Pawn Hearts, then may feel disappointed with earlier works.  I'd prefer to love the early works and then get even more excited about later works!

It's like buying "Relayer" or whatever you feel is your favourite Yes album and then the person loving it so much, they feel disappointed with "The Yes Album", for example, because they've listened to the best album first.  They won't feel the same way about "The Yes Album" if they'd heard it before "Relayer".

Does that make sense?
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Direct Link To This Post Posted: July 15 2006 at 16:46
Originally posted by N Ellingworth N Ellingworth wrote:

I find it amazing that people say that Pawn Hearts is not suitable for newcomers to VDGG, it was my first (and currently onlyEmbarrassed) VDGG album, I loved it on the first listen.



hahha... for you sure... but  plenty have have been turned off by an intro via that album.  It's not a universally loved album.. if you seriously want to start recommending albums to people.. start thinking about what THEY might like as opposed to what you like.  Other albums they did are stronger throughout and don't require you to make an effort to appreciate. Which is important if trying to turn someone on to a group.  Once you have nibble.. then you yank the lineWink
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Direct Link To This Post Posted: July 15 2006 at 16:28
I find it amazing that people say that Pawn Hearts is not suitable for newcomers to VDGG, it was my first (and currently onlyEmbarrassed) VDGG album, I loved it on the first listen.
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Direct Link To This Post Posted: July 15 2006 at 13:09
I think I did!

I know it sounds a bit squeeky and out of tune... but I'd like to hear a 5 year old play that!  I'd like to hear most Sax players play that actually!

Jaxon is one of my favourite sax players.  I wish he'd have played flute more however.  I love "My Room (Waiting For Wonderland)".  The flute solo is beautiful.

She didn't care for "Refugees" either, because of his falsetto voice.  Yet she likes Jeff Buckley!


Edited by Geck0 - July 15 2006 at 13:10
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Direct Link To This Post Posted: July 15 2006 at 13:06
Originally posted by Geck0 Geck0 wrote:

Oh of course it's the entry point and I don't hate the track at all and I always love to hear it live.  I just have other tracks that I prefer over it.  Killer probably doesn't reach my top 5.  The sax in the middle is mindblowing though!My friend hates it though, she says it sounds like a 5 year old is playing it!  Grrr!!!!!!


I would tell her that it must be one talented 5 year old then.
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Direct Link To This Post Posted: July 15 2006 at 12:58
Oh of course it's the entry point and I don't hate the track at all and I always love to hear it live.  I just have other tracks that I prefer over it.  Killer probably doesn't reach my top 5.  The sax in the middle is mindblowing though!

My friend hates it though, she says it sounds like a 5 year old is playing it!  Grrr!!!!!!
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Direct Link To This Post Posted: July 15 2006 at 12:55
Originally posted by Geck0 Geck0 wrote:



Indeed.  The only KC you'll hear in VdGG are when Fripp guests for them and even then, they sound nothing like KC!  The closest they get to a KC sound is "Meurgly's III (The Songwriter's Guild)" from World Record.And I find it amusing how people like Killer.  Yet it's a great tune, but it's also not one of their best.  I guess it's easily accessable and more tuneful than most VdGG.  It seems this tune first draws people in.  I think it did with me as well.Killer now however isn't my favourite tune.I mean, come on "Fishes can't fly, fishes can't fly, neither can I, neither can I"!  It's Fish, Peter, not Fishes!Or maybe that was his point...

    
Well, just look at the title of the album.

I would agree that "Killer is not the best tune, but it's still pretty darned good. It's the entry point. I will always be grateful for that.
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Direct Link To This Post Posted: July 15 2006 at 12:54
You need to try more, my friend.  You cannot say you dislike all VdGG until you've heard all VdGG!
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Direct Link To This Post Posted: July 15 2006 at 12:52
How ironic. Killer is the only VDGG tune I can listen to, really. The rest of their stuff just doesn't do much for me.
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Direct Link To This Post Posted: July 15 2006 at 12:48
Indeed.  The only KC you'll hear in VdGG are when Fripp guests for them and even then, they sound nothing like KC!  The closest they get to a KC sound is "Meurgly's III (The Songwriter's Guild)" from World Record.

And I find it amusing how people like Killer.  Yet it's a great tune, but it's also not one of their best.  I guess it's easily accessable and more tuneful than most VdGG.  It seems this tune first draws people in.  I think it did with me as well.

Killer now however isn't my favourite tune.

I mean, come on "Fishes can't fly, fishes can't fly, neither can I, neither can I"!  It's Fish, Peter, not Fishes!

Or maybe that was his point...


Edited by Geck0 - July 15 2006 at 12:49
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Direct Link To This Post Posted: July 15 2006 at 12:38
A lot of people have mentioned a similarity between KC & VdGG........but I just can't see it.....(albeit Pawn Hearts & Present are the only VdGG I've heard...Embarrassed..)...for two reasons........KC are a guitar (=Fripp) driven band & VdGG seem to go out of their way to avoid dependence on a strong guitar lead; secondly, vocals seem to have always been an afterthought, at best, for KC, whereas....Ying Yang
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Direct Link To This Post Posted: July 15 2006 at 12:28
    I also had trouble with VDGG. I had heard three of their albums, and nothing really grabbed me. As I saw more posts about them, from people with similar tastes, I decided to give it another try. I still didn't see the appeal, but there was something there that gave the impression of a very good band. Then a friend told me to try "H to He Who Am the Only One." That did it. "Killer" grabbed me, and the beauty of the music began to unfold. "The Least We Can Do" immediately became accessible after that. Next was "Godbluff," and now it's "Still Life." I suppose "Pawn Hearts" will be next.
   Hammill's voice can take some getting used to. I wouldn't say he is a great singer in the classic sense, but he is very unique. Sometimes he sounds a bit like Bowie, or Iggy Pop. The next moment he can scream it out like the best rock and rollers. The similarity to KC is obvious with the darkness, and especially in the sax. As I hear more of it, I am also seeing a relationship to Genesis. Now, those are comparisons to two of my top prog bands, and two other great artists. That's got to say something.
   My advise is, don't give up too fast. You could be missing out on something.   
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Direct Link To This Post Posted: July 15 2006 at 12:13
Originally posted by Odd24 Odd24 wrote:

The song "Sleepwalkers" alone has more time signatures in it than the complete Bitches Brew sessions 4 CD Box by Miles Davis

 



I'm not sure what your point is here. This is apples and oranges and a poor comparison, imo. Most of the compositons on BB were deliberately arranged as a series of modal funky repetitive grooves and repetitive riffing, with the intent on creating a hypnotic effect.


So much music. So little time.
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Direct Link To This Post Posted: July 15 2006 at 12:09

In my last tranche of CDs wot I bought, I decided to buy stuff from bands I hadn't heard before - to a fair degree influenced by threads, reviews & recommendations from peeps here. So, although I'm no spring chicken, and have been listening to bands like KC, Floyd, Zep, and a few weirdies since the early 70s, it's only in the last few weeks that I bought my first VdGG, Rush, Gnidrolog, Dream Theater, Porcupine Tree, Riverside & RPWL, all basically on spec (I'm a risktakin' kinda guy....Cool..)

Surprisingly,"Pawnhearts" "clicked" with me from the second listen....."lemmings" has that catchy, if staccato-tempoed riff, and I can't see how anyone can resist that track, at least........."Present" I'm less sure about......I like the improvs; but my wife made an interesting comment when we listened to "Every Bloody Emperor" - she said "I feel a West End musical coming on...."......I suppose the point is that, more than most bands, Hammill's  voice is an instrument more than a commentary or an accompaniment......that doesn't mean I necessarily like his voice...Big smile.....(although it's light years better than that of the vocalist of a certain Welsh prog band mentioned earlier....Shocked....) but I certainly will get more of the 70s VdGG......make no mistake, however; KC still rule in the Thing household.....Evil Smile
"Every man over forty is a scoundrel." GBS
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Direct Link To This Post Posted: July 15 2006 at 11:55
Originally posted by Rocktopus Rocktopus wrote:

Originally posted by Tony Fisher Tony Fisher wrote:

Originally posted by pero pero wrote:

Originally posted by Tony Fisher Tony Fisher wrote:

Originally posted by laplace laplace wrote:



I tend to listen to VdGG mixed in with King Crimson, I find them to be mutually complimenting.


Interesting! King Crimson are the other major 70s band I don't like much, except for a couple of tracks on the first album.

Perhaps it's just the dark, avant-garde style of VDGG that puts me off. In the end, there is no good and bad; it's all just a matter of taste and opinion.

If you don't like VDGG and KC what do you like?

Genesis are also dark.



Genesis (who are only somewhat dark on Trespass), Camel, Strawbs, Mostly Autumn, Horslips, Gentle Giant, Tull, Floyd (after AHM), Gryphon, Renaissance, Wishbone Ash, BJH, The Enid and many more.

There's far more to prog than VDGG and KC, but I tend to pick up that many fans of these bands think that they are the be all and end all.



That's not fair, or even close to correct. Most fans of KC and VdGG knows that there is far more to prog than just them. You are the one who keeps mentioning the same symphonic prog/prog folk bands again and again. While most other people here likes hundreds of bands (including most of your own favorites) from all the different sub genres.


his generalization may not be correct... but his reply was to a post that sure appeared that way didn't it hahaha
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Direct Link To This Post Posted: July 15 2006 at 11:49
Originally posted by Tony Fisher Tony Fisher wrote:

Originally posted by pero pero wrote:

Originally posted by Tony Fisher Tony Fisher wrote:

Originally posted by laplace laplace wrote:



I tend to listen to VdGG mixed in with King Crimson, I find them to be mutually complimenting.


Interesting! King Crimson are the other major 70s band I don't like much, except for a couple of tracks on the first album.

Perhaps it's just the dark, avant-garde style of VDGG that puts me off. In the end, there is no good and bad; it's all just a matter of taste and opinion.

If you don't like VDGG and KC what do you like?

Genesis are also dark.



Genesis (who are only somewhat dark on Trespass), Camel, Strawbs, Mostly Autumn, Horslips, Gentle Giant, Tull, Floyd (after AHM), Gryphon, Renaissance, Wishbone Ash, BJH, The Enid and many more.

There's far more to prog than VDGG and KC, but I tend to pick up that many fans of these bands think that they are the be all and end all.



That's not fair, or even close to correct. Most fans of KC and VdGG knows that there is far more to prog than just them. You are the one who keeps mentioning the same symphonic prog/prog folk bands again and again. While most other people here likes hundreds of bands (including most of your own favorites) from all the different sub genres.
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