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Was Pete Sinfield essential for King Crimson?

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Zappastolethetowels View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Zappastolethetowels Quote  Post ReplyReply Direct Link To This Post Posted: March 19 2024 at 13:02
hardly essential...

he was an additional piece who contributed light shows and fantasy surreal lyrics from their foundation until 1971. 

the guy could not play anything ASAIC

Crimson was all about the music in the end so my answer is no, he was not essential 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Hrychu Quote  Post ReplyReply Direct Link To This Post Posted: March 19 2024 at 07:52
no
“On the day of my creation, I fell in love with education. And overcoming all frustration, a teacher I became.”
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: March 12 2024 at 08:25
Originally posted by Sean Trane Sean Trane wrote:

Originally posted by moshkito moshkito wrote:

Hi,

I'm a believer in the "magic" that makes things work ... and Pete helped in many ways, that helped his name as a writer, and deservedly so.

Would it be different without him? Silly question, since it happened WITH him! We've got to give credit to the resulting response ... some of the albums ended up being very well liked and enjoyed. Time to concentrate on something else other than bizarre questions?

in the still-recent ITCOTCK rockumentary, Frippy still dismisses Sinfield's "aerie-faerie" contributions. 
(there is also a brutal accusation of an original member being "the ultimate cµnt")
But then again, everything in that film is made to have us think that the final KC iteration is the best one ever. 

Hi,

I think, and RF states it, that the band was a total effort, not an individual thing, although he regrets having had issues with at least one member at the time. The thing about PS would be, more than likely, that he wasn't a musician, and why is he here? 

Again, I don't think the album would have been as good/great without all the folks that were in it ... you and I can see their abilities and work on various pieces of music, and how even the lyrics, "aerie-fairie" or "artsy" would not make the album look/appear any worse ... it made it better, despite folks that think that rock lyrics are better than poetry and that folks with poetic works don't belong in rock'n'roll, and should only put together Chuck Berry lyrics, or bubble gum crap lyrics that were so much a part of the radio in those days, BEFORE the American FM radio made that stuff obsolete!

The time for, and of, progressive music in the early days, had a lot of what we think is "aerie-fairie" or "artsy" and eventually lost its taste because those folks did not know how to maintain a true wordsmith alive ... and even folks like Bob Dylan, while a very good poet, is pretty much "anti-poetry" and "anti-art" in the sense that he won't follow any ideas ... it's all about his feel at the moment, nothing else.

Pete Sinfield, is NOT one of my "favorites" in terms of poetry, but he is a good one, and he deserves a lot more respect than the trash he is being subjected to ... even if we think it is not perfect ... it only tells you one thing ... many of those folks hate the arts, because rock music, in general is not really an art ... it's just another popular song ... and in the 21st Century ... the way the audience wants it ... regardless!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Sean Trane Quote  Post ReplyReply Direct Link To This Post Posted: March 12 2024 at 03:30
Originally posted by moshkito moshkito wrote:

Hi,

I'm a believer in the "magic" that makes things work ... and Pete helped in many ways, that helped his name as a writer, and deservedly so.

Would it be different without him? Silly question, since it happened WITH him! We've got to give credit to the resulting response ... some of the albums ended up being very well liked and enjoyed. Time to concentrate on something else other than bizarre questions?

in the still-recent ITCOTCK rockumentary, Frippy still dismisses Sinfield's "aerie-faerie" contributions. 
(there is also a brutal accusation of an original member being "the ultimate cµnt")
But then again, everything in that film is made to have us think that the final KC iteration is the best one ever.


.


Edited by Sean Trane - November 15 2024 at 16:24
let's just stay above the moral melee
prefer the sink to the gutter
keep our sand-castle virtues
content to be a doer
as well as a thinker,
prefer lifting our pen
rather than un-sheath our sword
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: March 11 2024 at 09:17
Hi,

I'm a believer in the "magic" that makes things work ... and Pete helped in many ways, that helped his name as a writer, and deservedly so.

Would it be different without him? Silly question, since it happened WITH him! We've got to give credit to the resulting response ... some of the albums ended up being very well liked and enjoyed. Time to concentrate on something else other than bizarre questions?
Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
www.pedrosena.com
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Post Options Post Options   Thanks (1) Thanks(1)   Quote SteveG Quote  Post ReplyReply Direct Link To This Post Posted: March 11 2024 at 06:12
Yes. Sinfield was as essential as a lyricist to KC as Keith Reid was to Procol Harum and Betty Thatcher was to Renaissance.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote RockHound Quote  Post ReplyReply Direct Link To This Post Posted: March 10 2024 at 17:28
ITCOCK as it is would not have been possible without Sinfield’s lyrics, end everything for the band flowed from there. The flow between Sinfield KC and the later material was nothing short of magical in their later tours.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Jacob Schoolcraft Quote  Post ReplyReply Direct Link To This Post Posted: March 09 2024 at 22:07
Pete Sinfield supposedly misplaced the original recording of King Crimson's performance at the Fillmore East..which was a recording that had been recorded direct and had fine clarity..(surprisingly) but supposedly Sinfield somehow misplaced it at an airport in Morroco. If memory serves me right this incident was briefly discussed by Bob Fripp in the Young Person's Guide To King Crimson booklet which included with the album and I believe released in 76'.

In the 90s Michael Giles discovered a cassette tape of the Fillmore East performance. It turned out to be an audience tape and a good portion of the performance had been cut out...but it was interesting to hear. It was released in the late 90s along with a recording of the band's performance at the Fillmore West ( which imo was not up to par) and BBC tapes . The box set was titled Epitaph.

Robert Fripp had stated that the Fillmore East performance which was recorded...was the best performance of the 69' band. I seem to recall Fripp stating this in a few magazines and further giving clarification that Sinfield lost it. I'm sure a lot of fans would have enjoyed hearing the lost tape. Most or all live recordings of the 69' band are of horrible quality. If the Fillmore East tape had not been misplaced...historically we'd have good recording of a superb performance that I'm sure Steve Wilson could clean up.

Sinfield worked with McDonald and Giles on their album and had they stayed with King Crimson Birdman Suite could have been featured on the second King Crimson album. Although I like In The Wake Of Poseidon the way it is...other people dislike its similarities to In The Court Of The Crimson King. If McDonald and Giles had stayed they definitely would have added a different style to the band's writing. King Crimson's second album would have sounded different and perhaps more appealing to people who find Poseidon boring because it's a repeat of the Court.



Edited by Jacob Schoolcraft - March 09 2024 at 22:11
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Post Options Post Options   Thanks (2) Thanks(2)   Quote mellotronwave Quote  Post ReplyReply Direct Link To This Post Posted: March 03 2024 at 12:30
Peter Sinfield was also the one who had commissioned his friend (the late) Barry Godber to draw something for the KC first LP !
Barry Godber (born 1946) who was a computer programmer passed away early 1970 from a heart attack.
ITCotCK is his only cover painting (a watercolor owned now by Robert Fripp himself)

Edited by mellotronwave - March 03 2024 at 12:45
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Post Options Post Options   Thanks (0) Thanks(0)   Quote cstack3 Quote  Post ReplyReply Direct Link To This Post Posted: March 03 2024 at 11:46
Originally posted by GUD77 GUD77 wrote:

He was definitely an amazing poet and had some really memorable lyrics. I dont remember all the songs he wrote at the top of my head but the work he put into KC and ELP combined is just sublime. Probably something like a 5th Beatle type situation and he should be remember for it

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Post Options Post Options   Thanks (0) Thanks(0)   Quote cstack3 Quote  Post ReplyReply Direct Link To This Post Posted: March 03 2024 at 11:45
I think Peter's lyrics were essential to "launching" King Crimson as a mystical musical force!   "The rusted chains of prison moons are shattered by the sun...." was the starting signal for modern prog.  
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Post Options Post Options   Thanks (1) Thanks(1)   Quote GUD77 Quote  Post ReplyReply Direct Link To This Post Posted: March 03 2024 at 11:42
He was definitely an amazing poet and had some really memorable lyrics. I dont remember all the songs he wrote at the top of my head but the work he put into KC and ELP combined is just sublime. Probably something like a 5th Beatle type situation and he should be remember for it
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Big Sky Quote  Post ReplyReply Direct Link To This Post Posted: March 02 2024 at 11:05
Originally posted by MikeEnRegalia MikeEnRegalia wrote:

Originally posted by Moyan Moyan wrote:

Originally posted by Grumpyprogfan Grumpyprogfan wrote:

For me, lyrics are the least important part of an album, that is, unless they are so corny, schmaltzy, or predictable that they ruin it.

Pete was involved in four KC albums - don't feel his input was essential.
Pete Sinfield was the one who first introduced King Crimson to surreal concepts. The band successfully dealt with fantastical, emotional, and occasionally storyline elements as a result of Sinflied's thoughts. No Sinfield, no early King Crimson's uncanny masterpiece(s). And that was the first stage of the rocket that launched them into orbit.

Never heard of him. But your assumption is invalid. Nobody knows how KC would have developed without him, it's completely possible that they would have found their way towards "surreal concepts" anyway.


Agreed. I have known of Pete Sinfield for about as long as I have been listening to Prog Rock (45+ years). The only essential to King Crimson is Robert Fripp. That has been seen through the various iterations of King Crimson through the years. The constant has been Fripp.

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Post Options Post Options   Thanks (0) Thanks(0)   Quote richardh Quote  Post ReplyReply Direct Link To This Post Posted: March 02 2024 at 10:35
Ensemble album pure and simple. Take out any of them and it falls apart.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Heart of the Matter Quote  Post ReplyReply Direct Link To This Post Posted: March 02 2024 at 07:53
I don't know if this should answer the question, but I just can't imagine ITCOTCK without that "The rusted chains of the prison moons are shattered by the Sun" kick start. After close your eyes in this world, you open them in Crimson world. If that's not essential, what is essential then?
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Post Options Post Options   Thanks (0) Thanks(0)   Quote richardh Quote  Post ReplyReply Direct Link To This Post Posted: March 02 2024 at 00:05
Closer To Believing is my favourite GL song off that side of Works Volume One. I love the romantic imagery and use of choir. C'est La Vie was one the one that got trotted out most possibly so Emerson could play the Honher Accordian but ELP did play CTB on the massive Works tour when they still had the orchestra (eventually dropped for financial reasons). 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote JD Quote  Post ReplyReply Direct Link To This Post Posted: March 01 2024 at 15:14
Originally posted by omphaloskepsis omphaloskepsis wrote:

I'm a lyrics girl.  One of my top ten, all-time lyrics songs is Sinfield/Lake/ELP's "Hallowed Be Thy Name" off of Works Vol. I. 

1. The way Sinfield employs the Lord's prayer is genius and ironic.   
2. The song sounds like the most ominous, darkest Disney, evil cartoon musical number ever.  That's not bad...it's good. Very visual. It's as if the Devil (the madman) is making a deal with the son and tempting him. The devil/madman takes the son to different locations, tempting the son with his kingdom.
3. The inclusion of optimist and pessimist characters energizes the song and adds a tad of comedy. I see the optimist/pessimist as the devil's right and left-hand henchmen, bumbling over each other to please their master.
4. The 11 consecutive rhymes at the end of the song put a huge exclamation point on "My favorite all-time ELP song".  Am I the only one who adores this song like a family heirloom treasure? 

5.. The use of words within words is unrivaled. It's varied too. Sometimes literal and other times Sinfield uses homophones. Wink

There may be an om in moment
But there's very few folk in focus

or 

I give you the state of statesmen
Still I don't see a man in a mansion

We live in an age of cages
The tale of an ape escaping

You needn't be well to be wealthy
But you've got to be whole to be holy
One of my GL favourites for sure. I like the stutter of "Set the place, set the time, S-S-Set the Fuse"
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Post Options Post Options   Thanks (0) Thanks(0)   Quote omphaloskepsis Quote  Post ReplyReply Direct Link To This Post Posted: March 01 2024 at 15:02
I'm a lyrics girl.  One of my top ten, all-time lyrics songs is Sinfield/Lake/ELP's "Hallowed Be Thy Name" off of Works Vol. I. 

1. The way Sinfield employs the Lord's prayer is genius and ironic.   
2. The song sounds like the most ominous, darkest Disney, evil cartoon musical number ever.  That's not bad...it's good. Very visual. It's as if the Devil (the madman) is making a deal with the son and tempting him. The devil/madman takes the son to different locations, tempting the son with his kingdom.
3. The inclusion of optimist and pessimist characters energizes the song and adds a tad of comedy. I see the optimist/pessimist as the devil's right and left-hand henchmen, bumbling over each other to please their master.
4. The 11 consecutive rhymes at the end of the song put a huge exclamation point on "My favorite all-time ELP song".  Am I the only one who adores this song like a family heirloom treasure? 

5. The use of words within words is unrivaled. It's varied too.  Sometimes, literally, and other times, Sinfield uses homophones. The wordplay reminds me of Shakespeare. Remember Hamlet's aside? 
"a little more than kin, and less than kind" 

Sinfield's word-within-wordplay:

There may be an om in moment
But there's very few folk in focus

or 

I give you the state of statesmen
Still I don't see a man in a mansion

We live in an age of cages
The tale of an ape escaping

You needn't be well to be wealthy
But you've got to be whole to be holy




Edited by omphaloskepsis - March 01 2024 at 15:20
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Cosmiclawnmower Quote  Post ReplyReply Direct Link To This Post Posted: March 01 2024 at 13:54
For all the great work he did with KC and the 'Still' lp which i am very fond of in a clunky sorta way, he is still responsible for this:


and i know everyone's got to make a living, but come on..LOLWink

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Steve Wyzard Quote  Post ReplyReply Direct Link To This Post Posted: March 01 2024 at 13:21
Originally posted by Valdez1 Valdez1 wrote:

Is Sinfield still with us BTW?  ...Peter?

Pete is still with us: he just turned 80 last December.

A quadruple-bypass survivor, he is now living in Suffolk.
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