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When was the game up for prog rock? |
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AFlowerKingCrimson ![]() Forum Senior Member ![]() ![]() Joined: October 02 2016 Location: Philly burbs Status: Online Points: 19016 |
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I agree. 1974 was the beginning of the end (at least as far as traditional prog goes). I'm not saying (and I don't think you are either) that it was on it's last legs at that point but that's when the cracks started to appear on the wall(as Rick Wakeman might say). The Moody Blues, ELP, Yes and KC all seemed to take an extended break and Genesis had to deal with trying to find a new singer after PG left(which ultimately resulting in an in band replacement). The interesting thing is that towards the end of the 70's when prog was starting to die out in the US and the UK in particular it was just getting started in other parts of the world especially South America.
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siLLy puPPy ![]() Special Collaborator ![]() ![]() PSIKE, JRF/Canterbury, P Metal, Eclectic Joined: October 05 2013 Location: SFcaUsA Status: Offline Points: 15347 |
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So true! The 70s certainly was a special time and in a good way! The artists had the upper hand in terms of creativity The 80s was probably the most controlled decade in terms of creativity at least in prog |
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ExittheLemming ![]() Forum Senior Member ![]() ![]() Joined: October 19 2007 Location: Penal Colony Status: Offline Points: 11420 |
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Fripp disbanding King Crimson and Gabriel departing Genesis were in hindsight, potentially pivotal moments in Prog's subsequent decline in popularity. I think both happened circa '74-75 and although there were plenty of great Prog albums that followed, the writing was on the gob flecked Roxy wall as far as enduring career longevity was concerned. Robert Fripp and Peter Gabriel were prescient enough to both correctly intuit future music developments with WOMAD, Real World Studious under the broad umbrella of 'World Music' and the New Wave oriented 'Guitar Gamelan' of Discipline, Three of a Perfect Pair and Beat all mirroring a new aesthetic perspective that even the archly reactive Prog cognoscenti who populate these forums appeared ready to buy into.
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Mormegil ![]() Forum Senior Member ![]() ![]() Joined: January 03 2010 Location: NE PA Status: Offline Points: 7766 |
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The game is still on!
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Welcome to the middle of the film.
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Lewian ![]() Prog Reviewer ![]() ![]() Joined: August 09 2015 Location: Italy Status: Offline Points: 15216 |
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Actually one could say the seventies (or rather 67-76) were an anomaly with all this outpour of creativity and complexity (and, to some extent, escapism) that could gain popularity. Normally what appeals to the masses is more simplistic (I'm not again straight simple music though). One could argue that what happened afterwards "corrected" the "excesses" of the early seventies. I suspect the more natural place of prog and the prog lovers is a niche, not the focus of public attention, and a niche is where we are now.
Edited by Lewian - October 26 2021 at 03:55 |
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Lewian ![]() Prog Reviewer ![]() ![]() Joined: August 09 2015 Location: Italy Status: Offline Points: 15216 |
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Probably any genre can only be really hot for a few years. Prog got more of a backlash than others though. Often what follows the years when a genre is hot and fresh is that it changes more or less smoothly into something else, and often the pioneers and some of their followers just go on unaffected. So there was something special about how prog was replaced in the public view by disco, punk and the like, and how many prog musicians changed their direction, obviously mostly pushed by their record companies. Sure, prog survived and some shapeshifting took place fairly successfully, still nobody can deny there was a significant break going on 1976-1981.
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Sean Trane ![]() Special Collaborator ![]() Prog Folk Joined: April 29 2004 Location: Heart of Europe Status: Offline Points: 20438 |
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Yeah, I'd say this is one of the most recurring un-Trump fake news or urban legend, along with CDs having killed vinyls (cassettes did) If anything, if prog died, it hara-kiried (committed suicide) itself .
Edited by Sean Trane - October 26 2021 at 06:19 |
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let's just stay above the moral melee
prefer the sink to the gutter keep our sand-castle virtues content to be a doer as well as a thinker, prefer lifting our pen rather than un-sheath our sword |
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Blacksword ![]() Prog Reviewer ![]() ![]() Joined: June 22 2004 Location: England Status: Offline Points: 16130 |
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I remember an interview with Danny Baker, who worked for MM or a similar publication at the time, and he said that the editor walked into the office one day and instructed the staff to ignore the outcome of the readers polls, and start listing the likes of Joe Strummer et al, as the most popular guitarist, Rat Scabies best drummer etc... Don't know if he was exaggerating, but it seems there was a conscious effort by the music press to move things along, by 77 or so.. |
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Ultimately bored by endless ecstasy!
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Rick1 ![]() Forum Senior Member ![]() ![]() Joined: April 14 2020 Location: Loughborough UK Status: Offline Points: 2998 |
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I didn't expect this to generate so much discussion. Having lived through it all, it's almost as if prog bands were willfully chasing commercial success by the late 70s. There were some exceptions, mainly from Europe including Henry Cow's last album, for instance. Many punks were in fact proggers as well (e.g. Capt Sensible). Record companies became risk averse too. Prog rock itself (and up to the present) became conservative and this includes the neo-prog of the early 80s (I was an avid participant). After that, for me, prog returned when I went to see The Orb at Brixton in 1991. The reason? To get my first sighting of Steve Hillage for over 10 years so past and future came together.
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chopper ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: July 13 2005 Location: Essex, UK Status: Offline Points: 20035 |
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There was a time in the 70s when prog rock bands dominated the Melody Maker best band/album/guitarist/drummer etc charts. Yes, Genesis and ELP always dominated the various categories. I don't know when this stopped or even if MM carried on doing these charts but I suspect there was a time when other bands took over and prog was no longer the dominant genre.
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Blacksword ![]() Prog Reviewer ![]() ![]() Joined: June 22 2004 Location: England Status: Offline Points: 16130 |
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I suppose it depends on whether you consider 'the end' to mean, when prog bands stopped shifting millions of units and selling out arena's and stadiums. As you suggest, the music has always been there, but when did prog cease to be a popular music movement, and the bands household names. I would suggest that was sometime in the late 70's or early 80's. It's all rather subjective really, and while many blame the rise of punk, I don't entirely agree. I think the 'golden era' was probably over 76 or so, when the big bands were approaching their 30's, and it was simply time for the 'next thing' Many of those punk characters from the 70's grew up listening to some kind of prog, but a) they couldn't play it and b) they faced different social pressures and influences growing up and wanted to write songs about that, instead of abstract concepts and musical complexity It became about the message, rather than the composition and the musicianship. IMO.. |
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Ultimately bored by endless ecstasy!
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Frenetic Zetetic ![]() Forum Senior Member ![]() ![]() Joined: December 09 2017 Location: Now Status: Offline Points: 9233 |
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I don't think anything had a hand in "killing" prog; cultures and people just move on to new tastes and styles.
You can then argue with 20/20 hindsight that X killed Y, and could probably make a reasonable argument. I definitely don't think one band or album or event would have, nor could have, sealed that deal anyway.
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"I am so prog, I listen to concept albums on shuffle." -KMac2021 |
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Necrotica ![]() Special Collaborator ![]() ![]() Honorary Colaborator Joined: July 28 2015 Location: California Status: Offline Points: 3407 |
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As many people have said, I don't think punk had much of a hand in killing prog music. I see the situation as more of the 1983 Video Game Crash effect, in which there was an oversaturation of bands who lost the plot on what progressive rock was "meant" to accomplish, and a mix of that and changing trends led to the genre's decline. Not to mention, a lot of bands were either changing or breaking up before the punk movement even started - King Crimson's original 1974 breakup being a solid example of this.
Then again, I wasn't alive back then so that's all just my speculation. And right now, there's a ton of great modern prog for people to check out... you just have to dig deeper than before to find it.
Edited by Necrotica - October 25 2021 at 21:33 |
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Take me down, to the underground
Won't you take me down, to the underground Why oh why, there is no light And if I can't sleep, can you hold my life https://www.youtube.com/@CocoonMasterBrendan-wh3sd |
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siLLy puPPy ![]() Special Collaborator ![]() ![]() PSIKE, JRF/Canterbury, P Metal, Eclectic Joined: October 05 2013 Location: SFcaUsA Status: Offline Points: 15347 |
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Prog is probably stronger than ever.
I think it was last year that Gentle Giant's Octopus actually hit the top 40 albums in the UK. All those classic groups that were ignored during their prime are finally famous! The 80s was anomaly and a forced one by the recording industry. Punk and disco didn't kill the original prog scene. Record execs did. Thankis gawd for indie movements!
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moshkito ![]() Forum Senior Member ![]() ![]() Joined: January 04 2007 Location: Grok City Status: Offline Points: 18159 |
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Hi, I was thinking just similarly ... we've CREATED a past, by making sure that the "top five" belong to an era that is long gone, and then we seem to complain that no one has been able to break that as well since. The whole thing has been about "changes" in the music scene, however, the one thing I would accept is that beyond the 70's the corporate control of music was much stronger than the effort of the huge bands that we love, and the result was ... that the great movement that gave us outstanding music, slowly disappeared into the past. Today, the corporate control is not as big, but somehow, the music business and the quality of the music is still somewhat towards the ability of the corporate control material ... that were the music "scenes" that helped seem like "prog" and "progressive" died. The music, today, is too much ... the same ... and there are not a lot of great new things being shown and played. Heck, I can easily point to Space Pirate Radio compared to other "progressive" music shows, who continually play the same thing over and over again, as examples of "progressive" instead of helping show the future in music. In this sense, a lot of the music has died since the FM stations (in America) were bought out and taken down for (supposedly) popular (crap) music! |
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
www.pedrosena.com |
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Atavachron ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 30 2006 Location: Pearland Status: Offline Points: 65695 |
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You mean 'Calling Occupants of Interplanetary Craft' ? They
also covered 'Ticket to Ride' on their first. Richard and Karen were
insane, let's face it.
But it does show
just how strong the prog movement was-- There was a time when every
rock band was, wanted to be, or was envious of, progressive rock
bands. Prog even found its way into commercial trade music with quotes
from Yes and ELP and Genesis showing up in The Rockford Files, In
Search of, and almost every note of Muzak piped into your doctor's
office. |
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"Too often we enjoy the comfort of opinion without the discomfort of thought." -- John F. Kennedy
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Sacro_Porgo ![]() Forum Senior Member ![]() ![]() Joined: July 15 2019 Location: Cygnus Status: Offline Points: 2062 |
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I think the reason punk got pitted against prog (aside from having basically the opposite musical stereotype: shorter and simpler is better!) is because 1. prog was kind of the status quo of "serious rock music" and had been for some years, and 2. punk's ethos is all about aggressively denouncing the status quo, whatever that may be. It was more timing than anything. If The Clash had somehow popped up in 1967 they would've been anti-Beatles and hippies of any sort, and if The Sex Pistols had somehow occurred in 1987 they would have been anti-Guns N Roses and anti-Bon Jovi. Prog and disco just happened to be the targets of the day when those bands hit the scene.
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Porg for short. My love of music doesn't end with prog! Feel free to discuss all sorts of music with me. Odds are I'll give it a chance if I haven't already! :)
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Sacro_Porgo ![]() Forum Senior Member ![]() ![]() Joined: July 15 2019 Location: Cygnus Status: Offline Points: 2062 |
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Okay but the Carpenters covered Klaatu on their last album.
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Porg for short. My love of music doesn't end with prog! Feel free to discuss all sorts of music with me. Odds are I'll give it a chance if I haven't already! :)
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AFlowerKingCrimson ![]() Forum Senior Member ![]() ![]() Joined: October 02 2016 Location: Philly burbs Status: Online Points: 19016 |
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^ Yep. Even Psychedelic Paul knows prog is still around and isn't just music from the past eventhough his ipod might tell a different story. ;)
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Atavachron ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 30 2006 Location: Pearland Status: Offline Points: 65695 |
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I suspect it was more about the changing tastes of the public rather than prog itself having a premature death. It lasted for about ten years which is about as long as most major musical eras, and not bad considering the pabulum most of the world tends to favor-- don't forget it wasn't just Disco or Punk, it was Seals and Crofts, the Carpenters, Steve Miller and Hall & Oates that helped supress rock of a progressive nature. Very well-written article by Simon Reynolds on Virgin Records and Draper's important work there : |
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"Too often we enjoy the comfort of opinion without the discomfort of thought." -- John F. Kennedy
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