Roger Waters~Animals Reissue...Issue |
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rogerthat
Prog Reviewer Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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I find both Hackett and Latimer highly emotional and on occasion more so than Gilmour. There is more than one way to express emotions. That is why I have resisted the canonization of Gilmour in this thread so hard, as if he's the ABCD of guitar. There's room for everyone. I will leave it there.
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SteveG
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Perhaps I find Hackett more technical then moving and emotional.
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rogerthat
Prog Reviewer Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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Again, I don't see how he's more melodic than Blood on the Rooftops/Firth of the fifth/Horizons/Ripples. I could go on. And this is coming from a guy who has all their classic albums on CD.
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SteveG
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Edited by SteveG - June 15 2021 at 06:15 |
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SteveG
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Nogbad_The_Bad
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Latimer has a beautiful tone, he's the nearest comparable to Gilmour in my opinion.
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Ian
Host of the Post-Avant Jazzcore Happy Hour on Progrock.com https://podcasts.progrock.com/post-avant-jazzcore-happy-hour/ |
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rogerthat
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We'll just have to disagree on that. I don't think anything Gilmour did with Floyd comes close to Blood On the Rooftops. I also don't think Hackett imitates Gilmour. If there's anyone he imitates, it's Fripp.
Edited by rogerthat - June 15 2021 at 05:31 |
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SteveG
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rogerthat
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I don't really find him any more melodic than Hackett, Latimer or Rothery. Maybe compared to classic/hard rock guitarists.
Edited by rogerthat - June 15 2021 at 05:26 |
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SteveG
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Something remiss in these Gilmour topic posts is his incredible sense of melodicism. He is quite unique in this group of guitarists in that regard, imho. |
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rogerthat
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The problem as I see it is you took my statement too literally. Look, Steve Perry singing Dylan would not sound as good to Dylan fans because we all get attached to the sounds of the original. Again, when I said Hackett can do everything Gilmour can do, I simply meant that he is very well able to play slow and soulful solos for ballads as well as heavier, faster material. I don't think ANYONE can pass the requirement of a guitarist having to sound exactly like the other and it would also be completely unnecessary. When these musicians got Hackett on board for Shine On, they wanted him to play it as a Steve Hackett solo, NOT to sound like Gilmour. I am sure he would play it very differently if he was specifically asked to play it note for note the way Gilmour did. He would probably also swap his Gibson for a Strat.
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Dellinger
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^ OK, perhaps I was harsh at describing it harsh, and perhaps I'll be needing to hear this new version a few more times. Bit it certainly doesn't sound as beautiful to my ears... adding lots of stuff that wasn't there originally doesn't necessarily make it better. And about Gilmour surely not being able to play many things from Hackett, I myself said so on my post you are quoting. I was mentioning this version of a Gilmour song played by Hackett not to make less of Hackett, but because you were saying how Hackett can do all that Gilmour does and more... and I'm just saying how he couldn't... in a way... sure, he can play all the notes (something Gilmour surely would have trouble, or just couldn't do, with Hackett's songs), but for me, he couldn't make it sound quiet the same, he couldn't achieve the same beauty... or not the same kind of beauty, I mean, once again, he can do so very beautiful stuff of his own. But in the end, it's not a matter of one being better than the other, it's just that they are both able to do different kind of things, and in a different way, and both can achieve beauty to thoroughly enjoy, and both might have trouble playing what the other can. Just as with Dick Parry and Mel Collins... there is also the thing about Mel Collins playing Wright's parts, which in theory I might have liked, but I have trouble finding the melodies I love so much within his playing (actually, perhaps Latimer might have been the right choice to attempt this cover, both for the guitars and for the flutes playing Wright's parts).
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rogerthat
Prog Reviewer Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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I don't agree with your assessment that he sounds soulless. He's playing it differently, he's changed the divisions, he's added lots of stuff that isn't even in there in the original and if you're too attached to the original, that's going to disorient you. But it's all blues guitar so it's not supposed to sound note for note the same. For that matter, even Mel Collins has played the solo very differently from Dick Parry but that doesn't make him an inferior saxophonist to Parry. However, the thing is Hackett can still get there, he can play the entirety of the solo. Can Gilmour play Dancing With The Moonlit Knight, Musical Box or Shadow of the Hierophant? No. Because Gilmour doesn't do tapping, he doesn't do sweep picking. So you don't want that argument of whether Hackett can play in Gilmour's territory because Gilmour would fare much worse vice versa. The larger point is Hackett has done both extremely soulful and sensitive leads and also more technical work. Gilmour doesn't have that range. To me, he is overspecialised. And that's where he needed the fire and fury of Waters. Without each other, they are incomplete. And yet they squabble on. It's a shame.
Edited by rogerthat - June 13 2021 at 07:06 |
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Dellinger
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About Hackett being able to do everything Gilmour can do, I really really doubt it (though I do am sure that Hackett can do a lot that Gilmour can't)... before, I might have agreed with you, but not anymore, for I have just heard the new cover album Still wish you were Here, in which Hackett plays the guitars on Shine on you Crazy Diamond, and he just wasn't able to get it right (not as far as what I love about Gilmour, anyway); yeah, sure, he played all the notes all right... and perhaps with a few extra notes added, but it really sounded souless, rushed, or whatever... I really thought Hackett could have done better with Gilmour's parts (perhaps it's Latimer whom could give it a try). |
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Catcher10
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Neither do I.....
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rogerthat
Prog Reviewer Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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I do not find BBK or Buddy Guy sleepy. Just Gilmour in his Division Bell/On An Island mode. BBK plays with a lot more variation than Gilmour on those albums. OTOH a song like Comfortably Numb gives Gilmour the perfect opening to play an intense and melancholic solo.
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Catcher10
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I'm good with that since it is your opinion of his playing. But you have to remember that these older rock guitarist influence is not really from the rock/hard rock establishment. It comes from the blues and/or soul and R&B genres, especially those from UK. They wanted to be the next Buddy Guy, BB King, Muddy Waters, Robert Johnson or Albert King. This is why most of them picked up the guitar in the first place, so that "sleepy" playing is the blues influence, which turned into rock guitar playing for them, but still the American blues is what is in their bones from hearing it as kids. Jimmy Page would not be who he is without the blues....
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rogerthat
Prog Reviewer Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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In that case, it becomes about perspective. My point is there are clearly contemporaries or players who rose to prominence a decade before or after Gilmour who would rank above him. Yeah, he is great, undoubtedly, but IMO he is also not so great that I can listen to an album full of sleepy ballads. He needed Waters to add gravitas to the songs just as Waters needed him to make his grand concepts sound, well, musical.
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Progishness
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I think that is a matter of opinion!
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Catcher10
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Never said he was the one of the top guitarists from a poll perspective, because I know where those polls end up. You could be ranked #100 and still be highly regarded. I remember that RS poll and it's not the top say 20 but the bottom 50 that is a huge mess, I remember mentioning how on earth could Kurt Cobain even be listed??? All you can say is he played the guitar, but to be a top 100....nahh!
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