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Rearrange PA top 20 to your personal tastes |
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Logan ![]() Forum & Site Admin Group ![]() ![]() Site Admin Joined: April 05 2006 Location: Vancouver, BC Status: Offline Points: 37240 |
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^ I made the dated comment too before methinks, but I like some music that has dated (of its era, has nostalgia value and sentimental qualities even if I was not alive at the time). ELP has not dated well for me. I agree that others seem more timeless. I love the dated feel of kinds of loungey music and exotica/tropica and those retro sounds are being used by modern bands, often by ones into neo-psychedelia and art pop and jazzy music, in I think lovely and interesting ways. ELP is kitschy I feel, and I like plenty of kitschy things, but it feels tacky to me too often and kind of yobish. I can't easily relate to ELP's music, and I don't think that its general audience would suit me or my personality. I would not expect modern audiences generally to appreciate ELP much no matter how popular it has been. I don't know how many new fans it is generating or how much it is still influencing popular music. It doesn't have the cool cachet of a lot of vintage stuff that has been re-visited in music. It didn't age as well as other things that do feel of their time, one might say.
Edited by Logan - October 18 2021 at 22:11 |
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siLLy puPPy ![]() Special Collaborator ![]() ![]() PSIKE, JRF/Canterbury, P Metal, Eclectic Joined: October 05 2013 Location: SFcaUsA Status: Offline Points: 15344 |
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^ the problem with ELP is that they sound dated bands like Pink Floyd, Jethro Tull, Yes etc are timeless i think that's why ELP hasn't held up as well as the others just my take on sheet
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Logan ![]() Forum & Site Admin Group ![]() ![]() Site Admin Joined: April 05 2006 Location: Vancouver, BC Status: Offline Points: 37240 |
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^^^ I honestly don't know how popular The Eagles are now amongst modern audiences generally, with a wide variety of ages, and across different music genre fans around the world as I never liked the band and haven't delved into such things. I do know that it has been very popular and has sold a lot and I expect it could sell out a large or very large venue in various regions. I don't know how relevant to the average person the Eagles is considered now-- don't know if it they are even still making albums. The only Eagles song I even can think of is "Hotel California". Would you say that it's as big as BTS right now? BTS doesn't do well either at RYM despite the huge popularity.
Yes one can say that rateyourmusic, PA etc. etc. are niche music sites. PA I would think is more niche than RYM and I would say that both sites have niches within them. With ELP's popularity now, I don't know how much of that is from old nostalgic fans. We are both too young to know it at its height. If I saw the concert goers I'd get some idea if it's appealing to a wide range of ages and ethnicities. I don't know how relevant it is to cross-sections of society around the world. I'm not saying that ELP is not popular, although I doubt it's very popular still or a household name as it once was, and I doubt that it will be very popular with a diverse audience let alone with "niche" sites such as RYM. Maybe it remains more of a household name and hip with general audiences of all ages in some places. I asked my kids (both teenagers) and neither of them had heard of ELP or The Eagles. They do know about classics such as Pink Floyd and not just from me. I think a band which Lorenzo dislikes seeing four of in RYM's top ten prog chart (and it has three in PA's top ten) remains more relevant to audiences of all ages and across music likes. It's more iconic generally. I prefer Pink Floyd to Genesis, Yes, Rush, Jethro Tull and many other popular names in Prog myself. I suspect ELP audiences generally to be more the older Facebook crowd. Grandpa music, but of course it has fans of all ages. By the way, interesting read Lorenzo, thanks for sharing. Although we disagree on various things, it's cool to have different opinions.
Edited by Logan - October 18 2021 at 21:17 |
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TheLionOfPrague ![]() Forum Senior Member ![]() ![]() Joined: March 08 2011 Location: Argentina Status: Offline Points: 1066 |
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Of course, it's subjective. I wasn't around at the time these bands were either but I love Floyd, Genesis, Yes and ELP who were among the most popular (as well as Mike Oldfield or Moody Blues) and some of the not so popular like Magma, Soft Machine, Faust, Solaris, Dixie Dregs. But I tend to prefer the symphonic ones over the krautrock, zehul, RIO, etc. ones. I gravitate towards more song-orianted music than experimental, even if I like both.
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I shook my head and smiled a whisper knowing all about the place
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siLLy puPPy ![]() Special Collaborator ![]() ![]() PSIKE, JRF/Canterbury, P Metal, Eclectic Joined: October 05 2013 Location: SFcaUsA Status: Offline Points: 15344 |
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^ what many fail to understand is that some artists just don't stand up over the test of time. If i had been around during the ELP days and seen them live and lived through the initial prog scene then they might rate much higher. However
as someone who has come to all classic prog well after its time, i have
to say that the more cutting edge experimental bands are more
interesting to me. That means Gentle Giant,
Gnidrolog, Van der Graaf Generator, Comus etc are much more interesting
than the more crossover sounds of Pink Floyd, ELP, Genesis etc. However
that doesn't mean i don't like those bands either, it just means they
won't rank high in my own personal world. |
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TheLionOfPrague ![]() Forum Senior Member ![]() ![]() Joined: March 08 2011 Location: Argentina Status: Offline Points: 1066 |
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Because people rating on RyM or ProgArchives is just a niche group. Look at the ratings of Eagles' albums at RyM, they don't have a single album in the TOP 500 of their respective year, let alone top 500 of all time. Would you doubt they are on of the most popular bands on the planet? Or far more popular than tons of artists that are better rated? ELP are more popular than some artists that are rated better on RyM/PA like Van der Graaf Generator and Gentle Giant. And I'm not talking about the '70s, right now too. When they did that reunion show in 2010 they were headlining a festival playing for +30.000 people. I don't think Gentle Giant or VDGG are headlining any festivals (I wouldn't complain if they did, VDGG are definitely amazing and much better than other artists that are).
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I shook my head and smiled a whisper knowing all about the place
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Nogbad_The_Bad ![]() Forum & Site Admin Group ![]() ![]() RIO/Avant/Zeuhl & Eclectic Team Joined: March 16 2007 Location: Boston Status: Offline Points: 21324 |
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I'd be interested in a collaborators ranking, sounds fun.
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Ian
Host of the Post-Avant Jazzcore Happy Hour on Progrock.com https://podcasts.progrock.com/post-avant-jazzcore-happy-hour/ |
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jamesbaldwin ![]() Prog Reviewer ![]() ![]() Joined: September 25 2015 Location: Milano Status: Offline Points: 6052 |
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@Logan @Lewian I try to answer you. I don't expect you to share my position - I just hope you understand it better. On a theoretical level, as Christian says, a ranking of quality (ie the beauty of the art-work, regardless of its popularity and its historical importance) could contain many records by the same band. But on a level, how can I say? Empirical, it cannot happen. We are not in such a narrow artistic field where only a few artists stand out over the others. Furthermore, if the most present artists correspond to the most popular ones, it follows, I would say almost mathematically, that we are facing a ranking of popularity, not of quality. RYM both in the general chart and in the prog chart has clear preferences for certain artists with many fans, especially in America. You notice this from the big names and form some recent names, with few reviews, which are not even considered in Europe. Pink Floyd, that is the most famous prog group (which is actually much less prog than the other famous ones) TOTALLY DOMINATE the prog top 10. Four titles out of seven, 4/7. For me this is enough to say that the RYP ranking counts as ZERO. Not even the Beatles in The Rolling Stones chart have 4 discs in the top 7. Then there are 3 KC discs: 4 + 3 = 7 discs out of 10 for only two bands. It is not serious. And in fact, as Christian says, it is only the sum of the votes given by RYP members. This ranking tells us who attends RYP, it does not help us to draw conclusions about the quality of the music, it helps us to understand musical trends, the activity on the internet of fans of various musical groups, the popularity of some artists in the Anglo-Saxon world, etc. I'm sorry that some forumists were disappointed with my tranchant judgment, but it was only aimed at that ranking, I dont talk about the RYP site - it is an excellente database to discover new artists. It's true, Greg, in RYP Rock Bottom and Soft Machine III they are in a higher position than in progarchives, and EL&P are in a lower position: I appreciate these aspects, but I think they depend on casualities, perhaps due to the fact that Wyatt is now become an idol of rock connoisseurs in general, he has gone beyond the confines of prog, while EL&P are not very popular outside prog fans. Anyway, I could say that on RYP Rush surpass Van der Graaf - and PFM and Banco are absent from the Top 50. In my opinion, the Progarchives ranking is much more balanced and studied than that of RYP: In the first 10 places no band prevails. PFs have 3 discs, but starting from the third position. Genesis have 2 discs starting from the second position. KCs have 2 discs starting from the fourth position. Yes hold the first position and the eleventh. Immediately after the tenth position come two VdGG albums (thank God before Rush: I would put Pawn Hearts and From H to He in the top 10 instead of Genesis or Yes or Animals). On Progarchives the contributors with their reviews can influence the ranking more than the simple forumists, and this seems smart to me. Here I could talk about what I think about the Progarchives ranking. But the discussion would be long. I will limit myself to saying that there are 4 categories of prog music with a heavy metal matrix: too many, in my opinion, and there are too many artists included, according to a definition of prog that is, in my opinion, very expanded (too expanded). In the first 100 albums there are 3 by Miles Davis, one of the greatest jazz players (including one from 1959): but would it make sense if those records were in the Top 10 of a prog chart? It wouldn't make sense to me. Yet, if we evaluated only the quality of the music they could be in the top 10 ... because as jazz music we are at the top: jazz, or jazz-rock at the most but not prog. All this musical matter determines a very dispersive ranking, and so it happens that Rock Bottom comes after Rush, some heavy metal groups and Miles Davis or other jazz-rock fusion artists who are actually jazz musicians. (This does not happen on RYM.) I would be in favor of a ranking made by the Progarchives collaborators, based on a narrower range of genres, and divided by decade. The rankings then must have a clear criterion. If only the beauty of the music is judged, some historical formations could remain out of the first places. This is the criterion I use in my reviews, taking it from Scaruffi. Piero Scaruffi does not look at the popularity or the history importance of the albums, he only gives a vote to the beauty and in this way he crushes some historical bands and exalts some little known bands. I often diverge from his evaluations, he crushes some bands I love in a severe, almost sarcastic way (his most famous criticism is the Beatles one), but I recognize that he has his own criterion, his own consistency. His ranking is serious. Two years ago I posted the Ondarock editorial team's ranking here on Progarchives, an Italian site, where, for example, Close to the Edge was in the first place, Pawn Hearts on the second place and In The Court of on the third place. Rock Bottom is the 6th album and Soft Machine IIi the ninth album. In my opinion this is a ranking based on quality done in a serious way, and in fact the editors of the magazine did it, not the readers. Four years ago I posted another ranking, made by the classic rock magazine Mucchio Selvaggio (The Wild Bunch, title taken from the Peckinpah movie) where a compromise was made between beauty and historical importance of prog albums. The ranking was made by the editors, not by the readers. They considered only the prog albums of the seventies, not counting jazz-rock or krautrock or electronic music. If you restrict the range of prog action it is also easier to evaluate a record because here on Progarchives it often happens to be faced with beautiful records, which deserve 5 stars, but which no one would put in the first places of a prog ranking, because they are not so much prog. (For example, I decided to evaluate only the beauty, without looking at whether I consider that record prog or not prog.) In my opinion the chart of Mucchio Selvaggio is a serious ranking. And it wasn't even a real chart: there were (if I remember correctly) three levels: the first 10 albums, the essential ones, the best, then another 15 albums (beautiful and important to have for a collector) and then the last 25, often minor albums, or beautiful but extreme albums, which not everyone likes. This also seems to me a good way to make a ranking, which also avoids putting all the albums in a row, it is limited to grouping them into levels. These are my thoughts on the charts. Edited by jamesbaldwin - October 18 2021 at 15:03 |
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Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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progaardvark ![]() Special Collaborator ![]() ![]() Crossover/Symphonic/RPI Teams Joined: June 14 2007 Location: Sea of Peas Status: Offline Points: 52608 |
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I'm also a big fan of the site. I've been using it for years to catalog my collection (still not finished) and love that I'm able to catalog it based on which issue of an album I own. I don't really bother looking at their charts as I tend to be an outlier. I wish the process of getting an artist profile approved, release correction approved, or cover art approved would be quicker, but alas, it's a volunteer site like here, so I wholly understand why this is so. Crowd-sourced genre assignment based on album is also a plus.
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i'm shopping for a new oil-cured sinus bag that's a happy bag of lettuce this car smells like cartilage nothing beats a good video about fractions |
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Lewian ![]() Prog Reviewer ![]() ![]() Joined: August 09 2015 Location: Italy Status: Offline Points: 15151 |
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@Lorenzo: While not entering the discussion about specific artists, I don't think it can be used as an argument that some artists such as PF, Can, Lamar, Radiohead are strongly represented in the top 10, be it prog or general. If people just rate according to quality, there is no rule that says that no band can have 3 in the best 10. In fact, using a constraint to avoid this would be a bias against objectivity. (Of course assuming that objectivity is possible, which I don't believe anyway, but for argument's sake. ![]() Given that in fact the lists are aggregates of user votings and users tend to be fans of certain artists, one should expect there is a tendency to "clump" certain artists in such lists. Same happens here with Yes, Genesis, PF. That's for sure not "objective" (even if most users have a wide appreciation for different kinds of music, fandom will bias them in favour of (1) knowing and (2) rating highly further stuff of their supported artists), but not avoidable using mass voting in order to put a list together. Pitchfork journalists could do better in this respect, but of course their preferences come with other problems. (In fact, to add a maybe contentious musical statement, I fully support ranking much of PF, Can, and Radiohead over much of Yes and Genesis. But then I'm prone to love electronic noises, of which Yes and Genesis just don't have enough.
![]() Edited by Lewian - October 18 2021 at 05:26 |
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Sacro_Porgo ![]() Forum Senior Member ![]() ![]() Joined: July 15 2019 Location: Cygnus Status: Offline Points: 2062 |
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I'll add this though: my understanding is that those Kendrick albums are far and away critical darlings. Care to point me to the critics who didn't like GKMC or TPAB?
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Porg for short. My love of music doesn't end with prog! Feel free to discuss all sorts of music with me. Odds are I'll give it a chance if I haven't already! :)
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Sacro_Porgo ![]() Forum Senior Member ![]() ![]() Joined: July 15 2019 Location: Cygnus Status: Offline Points: 2062 |
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Hm. I apologize. I was expecting it to be a taste thing (because most of these sorts of complaints are taste things), but that's a pretty well reasoned response. I can't say I take the rym top albums list too seriously either, other than to confirm to me that the "underground/alternative" factor of Radiohead or Pink Floyd or some other artists up there must be pretty contrived at this point. I do think it's worth noting however, that because of the way that list is made, it never really had a shot at being anything other than a popularity contest, and of course the most popular music is well known, commercially successful, and English.
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Porg for short. My love of music doesn't end with prog! Feel free to discuss all sorts of music with me. Odds are I'll give it a chance if I haven't already! :)
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Logan ![]() Forum & Site Admin Group ![]() ![]() Site Admin Joined: April 05 2006 Location: Vancouver, BC Status: Offline Points: 37240 |
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Pink Floyd is very popular and so not surprising for a general music site. But at PA, there are three Pink Floyd albums in the top 9 (3,6,9), so it's not that different. RYM has Rock Bottom, Pawn Hearts and Third in the top 22, which is better than at PA in regards to those three taken together. Just for having Rock Bottom in the top 20, I prefer RYMs list (number 55 at PA). And Third being another fave (at 22 in RYM), and at PA that ranks number 153. Neither the PA nor RYM list is terribly diverse (top 20), nor really adventurous I might say. Of course popular bands will be well-represented with albums at both sites in top lists
Edited by Logan - October 17 2021 at 22:30 |
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jamesbaldwin ![]() Prog Reviewer ![]() ![]() Joined: September 25 2015 Location: Milano Status: Offline Points: 6052 |
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Greg, for now I tell you only this: on RYM 1 Pink Floyd 2 3 Pink Floyd 4 5 Pink Floyd 6 7 Pink Floyd ![]() ![]() ![]() |
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Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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Logan ![]() Forum & Site Admin Group ![]() ![]() Site Admin Joined: April 05 2006 Location: Vancouver, BC Status: Offline Points: 37240 |
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Since we're talking progressive rock, I do think this chart makes more sense to compare to PA's than the general music chart at RYM. https://rateyourmusic.com/charts/top/album/all-time/g:progressive-rock/exc:live,archival/#results
How would you rate RYMs progressive rock genre chart compared to Prog Archives (say the top 25 of each)? Here is the PA one for comparison: Be fascinated to see your calculations. I would rather be able to filter it so that it is one album per band in both PA and RYM, although I actually can by skipping.
Edited by Logan - October 17 2021 at 22:04 |
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jamesbaldwin ![]() Prog Reviewer ![]() ![]() Joined: September 25 2015 Location: Milano Status: Offline Points: 6052 |
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No, my tastes have absolutely nothing to do with it. Suppose my favorite bands were Radiohead and Pink Floyd: I would have written exactly the same thing. (I love Ok Computer, Wish You Were and In the Court of ... the top 3 of RYM). I just don't think a general ranking is serious, ranging from jazz to rock, rap to folk etc. if it produces so many albums by the same groups, including some artists like Kendrick Lamar, who is present with 2 albums in the top 20 and he has made 4 albums in total, moreover with very mixed critical reviews. It is also clear that this ranking favors well-known albums, which have had commercial success, and above all in English. In my opinion, it is a ranking that has no value. I have criteria by which I consider rankings done well, serious, and others that are less serious or worthless. And these criteria have little to do with my tastes. For the rest: RYM is a great site to discover new music, I have nothing to complain about it. Edited by jamesbaldwin - October 17 2021 at 21:58 |
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Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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jamesbaldwin ![]() Prog Reviewer ![]() ![]() Joined: September 25 2015 Location: Milano Status: Offline Points: 6052 |
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When a person writes "You write reviews here about music you don't get" proves to have a sense of superiority. And this sense of superiority prevents you from understanding what I write, for example you didn't understand that my rating on RYM's chart has nothing to do with the music I like or dislike. |
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Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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Sacro_Porgo ![]() Forum Senior Member ![]() ![]() Joined: July 15 2019 Location: Cygnus Status: Offline Points: 2062 |
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Your point is that you don't like a lot of the albums in RYM's chart, which is just ranks albums based on the accumulated ratings of its users, many of whom happed to find all of those albums to be some of the greatest of all time. So, in essence, you have your own taste and it doesn't match the majority. So does everyone.
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Porg for short. My love of music doesn't end with prog! Feel free to discuss all sorts of music with me. Odds are I'll give it a chance if I haven't already! :)
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Logan ![]() Forum & Site Admin Group ![]() ![]() Site Admin Joined: April 05 2006 Location: Vancouver, BC Status: Offline Points: 37240 |
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Ugh, I lost my message. But how successful it was would not necessarily reflect on how internet users at sites like PA and RYM would rate it today (or since the site got going). Heck, my tastes have changed over the last 40 years. This started with talking about the unfairness of ELP not ranking high enough at a website (PA), and I used RYM as an example of how it is ranked at another website with user ratings. And with internet culture, people have been exposed to a lot of old music that they wouldn't have had access to at the time (had only been exposed to the most mainstream, commercial music often). Most of the rock-related music I got to know and love was during the internet stage. It has been said that the underground died with the internet as little known music has gained exposure, some that was very non-commercial. I love that Neutral Milk Hotel album, and would rate it higher than things I knew in my youth such as The Police and Queen --mind you, my tastes were never that mainstream. A lot of popular music went out of fashion. A lot of virtually unknown music became fashionable in certain circles. The internet has changed things, and I don't see why past commercial success should really reflect on the ratings of modern-day users. In Prog, I will favour lesser known artists like Art Zoyd to big ones like Rush, and would rate according to my appreciation of the music. Had I known Art Zoyd when I was young, I still believe I would have preferred it. I was lucky in the 80s to be exposed to University radio that played a lot of quirky, lesser known music such as Henry Cow, but then that was due to my tastes that it interested me when turning the radio dial. If we at PA cared heavily about the most successful in their day bands, or most successful today, then maybe we wouldn't be in this niche. I am not a big admirer of most popular music. I don't think the ratings "should" reflect on an acts past commercial success. It should moreso reflect on how a group of individuals collectively enjoy the album when it is being rated imo. -------------------------------------------------------------- By the way, just in case it's missed. Here again is RYM's progressive rock as genre chart: https://rateyourmusic.com/charts/top/album/all-time/g:progressive-rock/exc:live,archival/#results Feel free to bash at will, but to me it is no worse than PA's (and a little better per my tastes). That said, I don't "get" why people get as passionate about popularity charts as some do, or the need to rank things as much as they do. I guess it comes from being pattern seeking animals and a desire for validation.
Edited by Logan - October 17 2021 at 20:53 |
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TheLionOfPrague ![]() Forum Senior Member ![]() ![]() Joined: March 08 2011 Location: Argentina Status: Offline Points: 1066 |
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It's not just about rating averages in websites, you can look at their popularity in real life which can differ considerably as shown in the cases of The Police or Queen among others. Their tickets sold or how the albums did in the charts. ELP did considerably better than Camel or VDGG for instance. Of course this doesn't mean they are better as obviously commercial success and quality are different things. The opposite in RyM would be In the Aeroplane over the Sea (Neutral Milk Hotel), which has a very high rating but it didn't get much attention or commercial success, while some more classic albums are not rated that highly.
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I shook my head and smiled a whisper knowing all about the place
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