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Direct Link To This Post Posted: June 09 2014 at 16:01
Originally posted by progbethyname progbethyname wrote:

Originally posted by lazland lazland wrote:


Originally posted by progbethyname progbethyname wrote:

^ Well Done Mr. Gorgeous.

Another fine, interesting list where most of the songs I can definitely speak very highly of.
I'm glad that you are getting back into ARENA, and I feel maybe you are being a tad hard on good old Pepper's Ghost. I thought it was a fine album, but you are right that it wasn't better than say, IMMORTAL?

I also love Die Young by Sabbath. 1980's heaven and hell where DIO came to the forefront and busted out a great album   With the band, which does fly a little under the radar. My beloved Prog metal heroes FATES WARNING did cover that song in 1986 and nailed it. John Arch's pitch in his vocals is truly something to be revered just like the great DIO.

Once again. Thank you very much for your fun musings. I enjoy your commentary and its allowing me to resurface my classics in my fairly large album collection of Prog no less. ;)

Drink up! Enjoy the day. Happy Friday!   

Ummm? Maybe ARENA's FRIDAY's DREAM maybe up next for you. What a song. You can't ask for a better closing for a 7 track album. Tight and sophisticated. (How I like my women. . Bad joke.)


Hug
That Fate's Warning version was, indeed, a corker.
I was rather hard on Pepper's Ghost, but, as you know, Immortal?, and, especially, The Visitor were so much superior. I actually think that Arena's masterpiece is still to hit us, and I hope it's the next one.
As Jane Austen undoubtedly said to Napoleon II, thanks for reading!LOL


I would list 'Pride' or Immortal? as masterpieces, but I like your thoughts nonetheless.
I look very much forward to the next Area album. I'm sure there will be one.
I know seventh Degree of Separation didn't agree with a lot of people, but I still quite liked it but not at first listen! The album grows on you like crazy. It's very sneaky in its charming ways. ;)

It is definitely on the "listen again" list. I really want to like it, honest!LOL

The blog gas taken a rest over the last couple of days, owing to domestic duties, and, tonight, a rather intense Game Of Thrones.

Bloody incredible hour of televisionApprove
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Now also broadcasting on www.progzilla.com Every Saturday, 4.00 p.m. UK time!
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Direct Link To This Post Posted: June 09 2014 at 14:11
Originally posted by lazland lazland wrote:


Originally posted by progbethyname progbethyname wrote:

^ Well Done Mr. Gorgeous.

Another fine, interesting list where most of the songs I can definitely speak very highly of.
I'm glad that you are getting back into ARENA, and I feel maybe you are being a tad hard on good old Pepper's Ghost. I thought it was a fine album, but you are right that it wasn't better than say, IMMORTAL?

I also love Die Young by Sabbath. 1980's heaven and hell where DIO came to the forefront and busted out a great album   With the band, which does fly a little under the radar. My beloved Prog metal heroes FATES WARNING did cover that song in 1986 and nailed it. John Arch's pitch in his vocals is truly something to be revered just like the great DIO.

Once again. Thank you very much for your fun musings. I enjoy your commentary and its allowing me to resurface my classics in my fairly large album collection of Prog no less. ;)

Drink up! Enjoy the day. Happy Friday!   

Ummm? Maybe ARENA's FRIDAY's DREAM maybe up next for you. What a song. You can't ask for a better closing for a 7 track album. Tight and sophisticated. (How I like my women. . Bad joke.)


Hug
That Fate's Warning version was, indeed, a corker.
I was rather hard on Pepper's Ghost, but, as you know, Immortal?, and, especially, The Visitor were so much superior. I actually think that Arena's masterpiece is still to hit us, and I hope it's the next one.
As Jane Austen undoubtedly said to Napoleon II, thanks for reading!LOL


I would list 'Pride' or Immortal? as masterpieces, but I like your thoughts nonetheless.
I look very much forward to the next Area album. I'm sure there will be one.
I know seventh Degree of Separation didn't agree with a lot of people, but I still quite liked it but not at first listen! The album grows on you like crazy. It's very sneaky in its charming ways. ;)
Gimmie my headphones now!!! 🎧🤣
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Direct Link To This Post Posted: June 09 2014 at 14:07
Originally posted by lazland lazland wrote:

A stormy, showery day in West Wales, punctuated by some domestic chores and bliss which are not, really, overly crucial to tonight's blog. Suffice to say wife and mother in law are watching the Simon Cowell final thingy together, No. 1 son is sitting with Grandad to make sure he is okay, and I am ironing whilst listening to prog. The joys of multi generational living, eh?
Tonight, new Mostly Autumn again. Third listen, now, and it gets even better with each spin. A review will follow next week, but, to repeat, it is a work of genius and love, and utterly essential. 
Following that, given that the lovely Anne Marie played so beautifully on her flute on the denouement, I moved onto another highlight of 2014, the new Panic Room album, Incarnate. As I type this, the exceptional bluesy, yet full of Mid Eastern promise, wall of sound of Into Temptation is blasting out of the speakers. A great track from a really enjoyable album.
Then, the staggeringly exceptional new IQ, Road Of Bones, which I am so glad to see is attracting rave reviews from around the world. In 2014, not 1974.
Therein lies the point of tonight's blog. It is becoming something akin to Thought For The Day on Radio 4, I suppose. A thought to be published, and then expanded to mean a little bit more, to get the reader/listener under the skin of the author....
Well, tonight's thought is really rather simple. We can, and some do, spend an infinite amount of time debating why Genesis "sold out" after Gabriel/Hackett/Collins (delete according to taste or opinion) left, or why Relayer is simply so much the album TFTO should have been, or what on earth Fripp meant when he resurrected Crimson with that bloody awful racket in the 1980's. I could go on.
But, to me, the whole point of this site is summarised listening as I am to the staggering IQ title track washing over me now, and the fantastic music that preceded. 2014 has been, thus far, a fantastic year. I have purchased, and listened to, some wondrous music. I do not think that prog has ever been in such a rude state of health as it is now since those halcyon days in the 1970's. Some of my 2014 purchases have been recommended by fellow collabs, some of if I would have got anyway. The point is this....to listen to new material and experiences is why I come here so often. To be influenced by people I trust and like, to have that frisson of a new musical experience, to listen to something that is so incredibly NEW as to be shattering, that is the whole point of PA.
Prog rock. Not something to stand still. Not a genre of music stuck in the past, but a genre making great new music in 2014, and strong enough to move confidently into the future.
So, to you lovely people, new to this wonderful site, please do not feel that you have to knock Collins era Genesis, or Rabin era Yes, or prog that smacks of......gasp.......commercialism in order to fit in, or be a "true" prog fan. We have seen, heard, and read it all before. Open up to the real reason this site is here. Spin those top ten albums of 2014 according to collabs of Prog Archives, your Ultimate Guide to Progressive Rock Music, and damn well enjoyApprove
Nos Da. 
Oh, and a postscript, because this darling blog is written as I go along. Or, should that be, made up as I go along?....
Now blasting out. The superlative Harvest Of Souls from the equally superlative Dark Matter. 
Well.....isn't nostalgia okay sometimes?........well.....isn't it?!.........Wink




Once again Steve, you exhibit such a wonderful, fresh and enthusiastic attitude in the land of laz. ;)
I do feel 2014 has had some nice surprises and BIG TIME quality albums.
I would love to get a top 10 from you sometime soon.
If I may. I'd like to share a top 5 that I have so far this year. It may spark some interest and by the way, I think you are Dead on about the latest IQ offering. Oh and you make such a strong case for the lastest Mostly Autum album. It sounds like my ears should really grace it's presence. ;)

Anyway. Here is my 5 so far. I think the world of all these albums.

1) IQ--The Road Of Bones
2) ELOY--Reincarnation Live On Stage
3) Vanden Plas--Chronicles Of The Immortals: Path 1-The Netherworld.
4) Hibernal--Replacements
5) Lacuna Coil--Broken Crown Halo.

Gimmie my headphones now!!! 🎧🤣
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Direct Link To This Post Posted: June 07 2014 at 23:27
Originally posted by lazland lazland wrote:

Originally posted by rushfan4 rushfan4 wrote:

Originally posted by lazland lazland wrote:

Today, I listened to the new Mostly Autumn cd, Dressed In Voices, on the Amazon Cloud player during my lunch hour, having pre-ordered it on the self same site.

Yes, I know I should probably have ordered it from the band directly on their website, but it is better than those old illegal downloads, isn't it? At least the band get their royalties. Yes, I know that Amazon are a bunch of tax avoiders. Actually, I do know a little bit about this, given my work. Amazon, whilst acting in a morally questionable way, to say the least, are not doing anything illegal whatsoever. It is their right to base themselves in Luxembourg, and if governments around the world do not have the guts or gumption to start charging corporate tax to income earned in a particular country at the point of sale, rather than allowing these complex residency and transfer pricing rules as they do now, what is a cozy large corporation to do, eh?

Actually, I am not supposed to comment on such things, really, so let us all forget what I wrote above, and state for the record that The Infernal Revenue are right in all things they do, Amazon are fantastic, so are the government, and we can all carry on with this hypocrisy.....sorry......corporate friendly tax regime without any semblance of shame whatsoever.

Yes, dear friends, I do, indeed, get a tug of moral regret whenever I click on that old Amazon button to buy something. I spent over £200 on there this weekend. If there were a UK built alternative, as efficient, as cheap, and with a marvellous, super cloud thingy which allows me to listen to a new purchase before the cd even arrives in my letter box, then I would use said service. However, there isn't, so I can't.

Also, I learnt, some time ago as a fairly politically active creature, that pointless protests are just that.....pointless. Is the entire UK population going to boycott Amazon because of their tax arrangements? No, only a very small proportion, certainly not enough to make a difference. Why? Well, half of the people probably do not even know of those arrangements, and, if they did, most would blame the government, which wouldn't be that far off the mark, really. Also, more to the point, Amazon gives us what we want. A huge range of shopping, easily accessible, delivered quickly and cheaply, and, as with today, the chance to listen to something before I actually have it. If only they had decent competition, eh?

The album itself, on first listen, might just be the finest released by this great band. Very dark, certainly in the subject matter, it hopefully might herald a springboard for greater commercial success. It would certainly be deserved. I did speak to Bryan Josh at a gig in Cardiff, and a really pleasant bloke he is, too. The marriage to Olivia would seem to have sparked a massive creative spark for them both, because she sounds magnificent.

I perused your blog again just to see if you might have mentioned your thoughts on this album.  It is times like these where it sucks that these albums are imports.  That is pretty much double the price of a normal album, and triple what I would pay to purchase the download.

Dressed in Voices [Import]

Mostly Autumn (Artist) | Format: Audio CD

Price: $28.47


Hey, Scott. Funnily enough, I discuss it in a bit more detail in tonight's blog, which I am still writing.

That is expensive, really. And, it is a real shame, because, as you will see when I post later, I think this is their masterpiece. 

Can you get to listen on Spotify at all?
Yes.  Listening to it now.  Excited to find it here.  I don't think that they were on Spotify the last time I checked.  Great stuff so far.
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Direct Link To This Post Posted: June 07 2014 at 16:06
A stormy, showery day in West Wales, punctuated by some domestic chores and bliss which are not, really, overly crucial to tonight's blog. Suffice to say wife and mother in law are watching the Simon Cowell final thingy together, No. 1 son is sitting with Grandad to make sure he is okay, and I am ironing whilst listening to prog. The joys of multi generational living, eh?

Tonight, new Mostly Autumn again. Third listen, now, and it gets even better with each spin. A review will follow next week, but, to repeat, it is a work of genius and love, and utterly essential. 

Following that, given that the lovely Anne Marie played so beautifully on her flute on the denouement, I moved onto another highlight of 2014, the new Panic Room album, Incarnate. As I type this, the exceptional bluesy, yet full of Mid Eastern promise, wall of sound of Into Temptation is blasting out of the speakers. A great track from a really enjoyable album.

Then, the staggeringly exceptional new IQ, Road Of Bones, which I am so glad to see is attracting rave reviews from around the world. In 2014, not 1974.

Therein lies the point of tonight's blog. It is becoming something akin to Thought For The Day on Radio 4, I suppose. A thought to be published, and then expanded to mean a little bit more, to get the reader/listener under the skin of the author....

Well, tonight's thought is really rather simple. We can, and some do, spend an infinite amount of time debating why Genesis "sold out" after Gabriel/Hackett/Collins (delete according to taste or opinion) left, or why Relayer is simply so much the album TFTO should have been, or what on earth Fripp meant when he resurrected Crimson with that bloody awful racket in the 1980's. I could go on.

But, to me, the whole point of this site is summarised listening as I am to the staggering IQ title track washing over me now, and the fantastic music that preceded. 2014 has been, thus far, a fantastic year. I have purchased, and listened to, some wondrous music. I do not think that prog has ever been in such a rude state of health as it is now since those halcyon days in the 1970's. Some of my 2014 purchases have been recommended by fellow collabs, some of if I would have got anyway. The point is this....to listen to new material and experiences is why I come here so often. To be influenced by people I trust and like, to have that frisson of a new musical experience, to listen to something that is so incredibly NEW as to be shattering, that is the whole point of PA.

Prog rock. Not something to stand still. Not a genre of music stuck in the past, but a genre making great new music in 2014, and strong enough to move confidently into the future.

So, to you lovely people, new to this wonderful site, please do not feel that you have to knock Collins era Genesis, or Rabin era Yes, or prog that smacks of......gasp.......commercialism in order to fit in, or be a "true" prog fan. We have seen, heard, and read it all before. Open up to the real reason this site is here. Spin those top ten albums of 2014 according to collabs of Prog Archives, your Ultimate Guide to Progressive Rock Music, and damn well enjoyApprove

Nos Da. 

Oh, and a postscript, because this darling blog is written as I go along. Or, should that be, made up as I go along?....

Now blasting out. The superlative Harvest Of Souls from the equally superlative Dark Matter. 

Well.....isn't nostalgia okay sometimes?........well.....isn't it?!.........Wink

Enhance your life. Get down to www.lazland.org

Now also broadcasting on www.progzilla.com Every Saturday, 4.00 p.m. UK time!
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Direct Link To This Post Posted: June 07 2014 at 15:34
Originally posted by progbethyname progbethyname wrote:

^ Well Done Mr. Gorgeous.

Another fine, interesting list where most of the songs I can definitely speak very highly of.
I'm glad that you are getting back into ARENA, and I feel maybe you are being a tad hard on good old Pepper's Ghost. I thought it was a fine album, but you are right that it wasn't better than say, IMMORTAL?

I also love Die Young by Sabbath. 1980's heaven and hell where DIO came to the forefront and busted out a great album   With the band, which does fly a little under the radar. My beloved Prog metal heroes FATES WARNING did cover that song in 1986 and nailed it. John Arch's pitch in his vocals is truly something to be revered just like the great DIO.

Once again. Thank you very much for your fun musings. I enjoy your commentary and its allowing me to resurface my classics in my fairly large album collection of Prog no less. ;)

Drink up! Enjoy the day. Happy Friday!   

Ummm? Maybe ARENA's FRIDAY's DREAM maybe up next for you. What a song. You can't ask for a better closing for a 7 track album. Tight and sophisticated. (How I like my women. . Bad joke.)


Hug

That Fate's Warning version was, indeed, a corker.

I was rather hard on Pepper's Ghost, but, as you know, Immortal?, and, especially, The Visitor were so much superior. I actually think that Arena's masterpiece is still to hit us, and I hope it's the next one.

As Jane Austen undoubtedly said to Napoleon II, thanks for reading!LOL
Enhance your life. Get down to www.lazland.org

Now also broadcasting on www.progzilla.com Every Saturday, 4.00 p.m. UK time!
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Direct Link To This Post Posted: June 06 2014 at 17:27
^ Well Done Mr. Gorgeous.

Another fine, interesting list where most of the songs I can definitely speak very highly of.
I'm glad that you are getting back into ARENA, and I feel maybe you are being a tad hard on good old Pepper's Ghost. I thought it was a fine album, but you are right that it wasn't better than say, IMMORTAL?

I also love Die Young by Sabbath. 1980's heaven and hell where DIO came to the forefront and busted out a great album   With the band, which does fly a little under the radar. My beloved Prog metal heroes FATES WARNING did cover that song in 1986 and nailed it. John Arch's pitch in his vocals is truly something to be revered just like the great DIO.

Once again. Thank you very much for your fun musings. I enjoy your commentary and its allowing me to resurface my classics in my fairly large album collection of Prog no less. ;)

Drink up! Enjoy the day. Happy Friday!   

Ummm? Maybe ARENA's FRIDAY's DREAM maybe up next for you. What a song. You can't ask for a better closing for a 7 track album. Tight and sophisticated. (How I like my women. . Bad joke.)

Gimmie my headphones now!!! 🎧🤣
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Direct Link To This Post Posted: June 06 2014 at 16:49
As regular readers of this little blog will know, Friday night is usually Mr Laz going on  a bus eight miles to town for drinkies with my two best mates. However, this week, one is in Majorca, and the other in Bournemouth, so I didn't bother, and, instead, took Mrs Lazland for Friday night Steak Night at one of our two local hostelries. Romantic devil, eh?

Said steak was palatable, and, on return, Mrs Gorgeous put the goggle box on, and I settled down to some hard earned end of week prog. This, then, is a bit of a Brucey Bonus (don't worry, only UK people over the age of 40 will know what the hell I am on about!), as Friday is usually only drinking, and not listening.

I gave the new Mostly Autumn album, Dressed In Voices, a second spin. It has, in all honesty, merely confirmed my initial thoughts from earlier this week. It is the band's masterpiece, and the rating in my forthcoming review presently stands at a proud five stars. I will, though, give it a few more listens before putting fingers to keyboard.  The emotion, and the bleak, bloody, story behind a stirring, almost symphonic wall of sound (although this is an album which fuses that with more traditional Celtic fused folk, heavy bursts, and even a little bit of country music), reach parts that only the finest music reaches. They have threatened to release something indispensable for a few years, and now Bryan has come up with the goods, an album which should lift them to the pinnacle of the Premier League of prog. Some of the staggering sounds produced by Iain Jennings on keys, and their interaction with Josh's soaring guitars, defy belief, and Olivia is not only growing into the perfect foil for her new husband's vision, but a mighty fine vocalist in her own right. Very highly recommended, a review will follow shortly.

Then, as lovely wife continued to watch Cops At Play, or some such thing, a little mix to wind down the working week, and prepare for the weekend.

Anderson, Bruford, Wakeman & Howe. Birthright. Yes East, and a very humane song based upon a real island race's struggle for justice after we dropped a rather big nuclear test bomb on their island. I really wish that this project had not fallen away under the weight of politics and Union, because this was a fine LP.

Anthony Phillips. End Of The Affair. A beautiful acoustic piece from Private Parts and Pieces Seven. I never have understood people who think such joy is boring. 

Arena. Purgatory Road. From Pepper's Ghost, and an album I gave a rather lukewarm three star rating to, and rather offish comments about this track being "rock by numbers". Perhaps I was being a little bit harsh, although it is by no means their finest, and this album was a slight disappointment after a good run of classy albums. 

Camel. Rajaz. The title track from my personal favourite from this great band, which makes the fact I have not reviewed it even more strange. Note to self. Stop blogging, and do more reviews! A gorgeously melancholic look at life, the band, and Latimer, in particular, never sounded so good. Camel got better over the years, in my opinion, and the lilting guitar solo captures Andy at his most mournful, with that hint of Mid Eastern promise.

Fleetwood Mac. Say You Will. The title track from the reunion studio album, a nice little Nicks number which is pleasant without being anywhere near essential.

Black Sabbath. Die Young. Those whom the Gods love.......and Dio is no longer with us. He wasn't a spring chicken, but neither was he that old. I loved the Heaven & Hell album, and this is the highlight from that masterpiece. Classic heavy rock at its best, from pounding riffs to thoughtful reflection.

Peter Gabriel. Downside Up. The Ovo version, not the live one with Melanie. This is sumptuous, and I must urge those who have shunned the great man's soundtrack albums to reconsider, because as much effort to produce exceptional music goes into these as the more "traditional" Gabriel music albums. Elizabeth Fraser's fragility is wonderful, and the closing beats are a wonder to behold.

Marillion. A Few Words For The Dead. From Radiation. I have never really understood why this album attracts so little affection. It is the band at the height of their experimental, progressive (not trad prog) phase, and this builds up from a thoughtful  start to a shuddering climax. I had the pleasure and honour of getting an advance preview of the album in the studio, as it was mixed by Phil Beaumont in my old hometown of Oswestry. I asked, and I got!

Judie Tzuke. Bully. Genius, from the album Secret Agent, a track which can only be interpreted in the most personal manner. It will mean different things to different people, with memories flooding in as a result. The deceptively quiet start to the denouement builds to the most incredibly emotional wall of sound that voices can produce. Highly recommended as an artist and album to those who appreciate quality female singer songwriter's.

It's getting lateish, and Mrs Wife wants a bit more than my physical presence with earphones stuck in!

Thanks again to all of you who take the trouble to read, and, indeed, comment, on my musings. I am, indeed, honoured.
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Direct Link To This Post Posted: June 06 2014 at 15:28
Originally posted by rushfan4 rushfan4 wrote:

Originally posted by lazland lazland wrote:

Today, I listened to the new Mostly Autumn cd, Dressed In Voices, on the Amazon Cloud player during my lunch hour, having pre-ordered it on the self same site.

Yes, I know I should probably have ordered it from the band directly on their website, but it is better than those old illegal downloads, isn't it? At least the band get their royalties. Yes, I know that Amazon are a bunch of tax avoiders. Actually, I do know a little bit about this, given my work. Amazon, whilst acting in a morally questionable way, to say the least, are not doing anything illegal whatsoever. It is their right to base themselves in Luxembourg, and if governments around the world do not have the guts or gumption to start charging corporate tax to income earned in a particular country at the point of sale, rather than allowing these complex residency and transfer pricing rules as they do now, what is a cozy large corporation to do, eh?

Actually, I am not supposed to comment on such things, really, so let us all forget what I wrote above, and state for the record that The Infernal Revenue are right in all things they do, Amazon are fantastic, so are the government, and we can all carry on with this hypocrisy.....sorry......corporate friendly tax regime without any semblance of shame whatsoever.

Yes, dear friends, I do, indeed, get a tug of moral regret whenever I click on that old Amazon button to buy something. I spent over £200 on there this weekend. If there were a UK built alternative, as efficient, as cheap, and with a marvellous, super cloud thingy which allows me to listen to a new purchase before the cd even arrives in my letter box, then I would use said service. However, there isn't, so I can't.

Also, I learnt, some time ago as a fairly politically active creature, that pointless protests are just that.....pointless. Is the entire UK population going to boycott Amazon because of their tax arrangements? No, only a very small proportion, certainly not enough to make a difference. Why? Well, half of the people probably do not even know of those arrangements, and, if they did, most would blame the government, which wouldn't be that far off the mark, really. Also, more to the point, Amazon gives us what we want. A huge range of shopping, easily accessible, delivered quickly and cheaply, and, as with today, the chance to listen to something before I actually have it. If only they had decent competition, eh?

The album itself, on first listen, might just be the finest released by this great band. Very dark, certainly in the subject matter, it hopefully might herald a springboard for greater commercial success. It would certainly be deserved. I did speak to Bryan Josh at a gig in Cardiff, and a really pleasant bloke he is, too. The marriage to Olivia would seem to have sparked a massive creative spark for them both, because she sounds magnificent.

I perused your blog again just to see if you might have mentioned your thoughts on this album.  It is times like these where it sucks that these albums are imports.  That is pretty much double the price of a normal album, and triple what I would pay to purchase the download.

Dressed in Voices [Import]

Mostly Autumn (Artist) | Format: Audio CD

Price: $28.47


Hey, Scott. Funnily enough, I discuss it in a bit more detail in tonight's blog, which I am still writing.

That is expensive, really. And, it is a real shame, because, as you will see when I post later, I think this is their masterpiece. 

Can you get to listen on Spotify at all?
Enhance your life. Get down to www.lazland.org

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Direct Link To This Post Posted: June 06 2014 at 15:20
Originally posted by lazland lazland wrote:

Today, I listened to the new Mostly Autumn cd, Dressed In Voices, on the Amazon Cloud player during my lunch hour, having pre-ordered it on the self same site.

Yes, I know I should probably have ordered it from the band directly on their website, but it is better than those old illegal downloads, isn't it? At least the band get their royalties. Yes, I know that Amazon are a bunch of tax avoiders. Actually, I do know a little bit about this, given my work. Amazon, whilst acting in a morally questionable way, to say the least, are not doing anything illegal whatsoever. It is their right to base themselves in Luxembourg, and if governments around the world do not have the guts or gumption to start charging corporate tax to income earned in a particular country at the point of sale, rather than allowing these complex residency and transfer pricing rules as they do now, what is a cozy large corporation to do, eh?

Actually, I am not supposed to comment on such things, really, so let us all forget what I wrote above, and state for the record that The Infernal Revenue are right in all things they do, Amazon are fantastic, so are the government, and we can all carry on with this hypocrisy.....sorry......corporate friendly tax regime without any semblance of shame whatsoever.

Yes, dear friends, I do, indeed, get a tug of moral regret whenever I click on that old Amazon button to buy something. I spent over £200 on there this weekend. If there were a UK built alternative, as efficient, as cheap, and with a marvellous, super cloud thingy which allows me to listen to a new purchase before the cd even arrives in my letter box, then I would use said service. However, there isn't, so I can't.

Also, I learnt, some time ago as a fairly politically active creature, that pointless protests are just that.....pointless. Is the entire UK population going to boycott Amazon because of their tax arrangements? No, only a very small proportion, certainly not enough to make a difference. Why? Well, half of the people probably do not even know of those arrangements, and, if they did, most would blame the government, which wouldn't be that far off the mark, really. Also, more to the point, Amazon gives us what we want. A huge range of shopping, easily accessible, delivered quickly and cheaply, and, as with today, the chance to listen to something before I actually have it. If only they had decent competition, eh?

The album itself, on first listen, might just be the finest released by this great band. Very dark, certainly in the subject matter, it hopefully might herald a springboard for greater commercial success. It would certainly be deserved. I did speak to Bryan Josh at a gig in Cardiff, and a really pleasant bloke he is, too. The marriage to Olivia would seem to have sparked a massive creative spark for them both, because she sounds magnificent.

I perused your blog again just to see if you might have mentioned your thoughts on this album.  It is times like these where it sucks that these albums are imports.  That is pretty much double the price of a normal album, and triple what I would pay to purchase the download.

Dressed in Voices [Import]

Mostly Autumn (Artist) | Format: Audio CD

Price: $28.47

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Direct Link To This Post Posted: June 06 2014 at 15:14
Originally posted by Guldbamsen Guldbamsen wrote:

Funny you should pick THE one JBH track that I deeply adore.......and it's the live Berlin version too!!
Safe to say that I agree with everything you said about it.

Oh and very nice touch with the Duke's suite too! Recently I've been playing the early 80s stuff a lot, and those two along with Mama, Home By The Sea and Second Home By The Sea never fail to touch me. The ploinking 80s electronic sound really does suit the sweetness of Phil's vocals incredibly well, I find.

Yep. It really is time people realise that the talents of three three did not disappear simply because they stopped writing stuff like SEBTP, or even WAW. That first side of the eponymous album is amongst the finest ever performed, although the second let them down a bit, not because it was "commercial", but because it wasn't very good. Duke, on the other hand, had class oozing from every track.
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Direct Link To This Post Posted: June 05 2014 at 17:53
Originally posted by lazland lazland wrote:


Originally posted by progbethyname progbethyname wrote:

Steve. I'm so glad to hear about another ARENA appreciator where one does realize just how professional 'Songs From The Lion's Cage' is. Solomon is a beautiful 14 minute epic about the parabolic tales and lessons of King Solomon. I nearly weeped with joy in the last minute and a half when Keith Moore performs that lights out guitar solo...so epic...so moving. Overall a wonderfully biblically themed album with a dark nature infused in it. 10/10, especially for the album's artwork!! ;) Funny enough I feel the same about their 2nd album, PRIDE which is just as dear to me. "SIRENS' is a 13min epic that carries the same formula as Solomon. Very grand finish. Such panache!!

Genesis's Duke. I could not agree more. I got a lot out of this album. Not only is it Prog to me in every sense of the definition (if there really is one. ) but its an album that can teach you a lit about the human condition, and Duke's Travels' has that lovely soldering on attitude. It's like when one is faced with an oddity or hardship you move on and don't give up. That's a mentality I get especially when I hear the last 2 minutes of the song.

Once again. Inspiring and uplifting. Thank you.

Cheers

Thanks Nicholas. I'm getting back into Arena in a big way, and later Genesis still, thankfully, has a lot of love about. I'm really glad you are enjoying the lists, although there was no music today. I worked some fairly long hours at home, had supper and promptly fell asleep on the settee!LOL I'm getting oldUnhappy


Na. You are not old just getting a bit older. I think the music you are listening these days will keep you well beyond your years.
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Direct Link To This Post Posted: June 05 2014 at 16:54
Funny you should pick THE one JBH track that I deeply adore.......and it's the live Berlin version too!!
Safe to say that I agree with everything you said about it.

Oh and very nice touch with the Duke's suite too! Recently I've been playing the early 80s stuff a lot, and those two along with Mama, Home By The Sea and Second Home By The Sea never fail to touch me. The ploinking 80s electronic sound really does suit the sweetness of Phil's vocals incredibly well, I find.
“The Guide says there is an art to flying or rather a knack. The knack lies in learning how to throw yourself at the ground and miss.”

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Direct Link To This Post Posted: June 05 2014 at 16:39
Originally posted by progbethyname progbethyname wrote:

Steve. I'm so glad to hear about another ARENA appreciator where one does realize just how professional 'Songs From The Lion's Cage' is. Solomon is a beautiful 14 minute epic about the parabolic tales and lessons of King Solomon. I nearly weeped with joy in the last minute and a half when Keith Moore performs that lights out guitar solo...so epic...so moving. Overall a wonderfully biblically themed album with a dark nature infused in it. 10/10, especially for the album's artwork!! ;) Funny enough I feel the same about their 2nd album, PRIDE which is just as dear to me. "SIRENS' is a 13min epic that carries the same formula as Solomon. Very grand finish. Such panache!!

Genesis's Duke. I could not agree more. I got a lot out of this album. Not only is it Prog to me in every sense of the definition (if there really is one. ) but its an album that can teach you a lit about the human condition, and Duke's Travels' has that lovely soldering on attitude. It's like when one is faced with an oddity or hardship you move on and don't give up. That's a mentality I get especially when I hear the last 2 minutes of the song.

Once again. Inspiring and uplifting. Thank you.

Cheers

Thanks Nicholas. I'm getting back into Arena in a big way, and later Genesis still, thankfully, has a lot of love about. I'm really glad you are enjoying the lists, although there was no music today. I worked some fairly long hours at home, had supper and promptly fell asleep on the settee!LOL I'm getting oldUnhappy
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Direct Link To This Post Posted: June 05 2014 at 09:32
Steve. I'm so glad to hear about another ARENA appreciator where one does realize just how professional 'Songs From The Lion's Cage' is. Solomon is a beautiful 14 minute epic about the parabolic tales and lessons of King Solomon. I nearly weeped with joy in the last minute and a half when Keith Moore performs that lights out guitar solo...so epic...so moving. Overall a wonderfully biblically themed album with a dark nature infused in it. 10/10, especially for the album's artwork!! ;) Funny enough I feel the same about their 2nd album, PRIDE which is just as dear to me. "SIRENS' is a 13min epic that carries the same formula as Solomon. Very grand finish. Such panache!!

Genesis's Duke. I could not agree more. I got a lot out of this album. Not only is it Prog to me in every sense of the definition (if there really is one. ) but its an album that can teach you a lit about the human condition, and Duke's Travels' has that lovely soldering on attitude. It's like when one is faced with an oddity or hardship you move on and don't give up. That's a mentality I get especially when I hear the last 2 minutes of the song.

Once again. Inspiring and uplifting. Thank you.

Cheers
Gimmie my headphones now!!! 🎧🤣
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Direct Link To This Post Posted: June 05 2014 at 00:56
Thanks for posting the links, DavidBig smile
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Direct Link To This Post Posted: June 04 2014 at 21:19
Originally posted by lazland lazland wrote:

Then, before dinner doing some ironing, I put The Tansads live LP, Drag Down The Moon, on. The Tansads formed in 1990 and came from Wigan. If you think The Levellers, or Chumbawumba, you would be close. Punk folk, with an attitude, they came near to success, but never really made it. The heart of the band were the Kettle brothers, and the gorgeous Janet Anderson. I am not sure how to post a You Tube link, but if you put Tansads in the search tab, you will see them. I saw them live three times, including the 20th anniversary reunion gigs that are definitely on YT. A great band, whose attitude was forged by the Thatcherite destruction of the industry of the North West where they lived. Two fingers up to a sh*te society, and never mind the bollocks. True working class punk, not the plastic cobblers of McLaren and co. For those of you going to see Pendragon at The Citadel in St Helens, that was this great band's spiritual home.
 
Thank you for reminding me about these guys Steve, and I hope you don't mind if I put a few tubes into your blog as a testament to how good they were at what they did...
 
 
 
 
Following the reunion gigs at The Citadel, St Helens in the second week of July 2010, part of the band morphed into Merry Hell:
 
 
More info about The Tansads can be found at http://www.tansads.com, and a DVD compiled from footage recorded at the reunion concerts can be purchased from their website for £12.99 (+ £1.50 postage in the UK): http://www.tansads.com/dvd.html  Smile
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Direct Link To This Post Posted: June 04 2014 at 16:35
Originally posted by lazland lazland wrote:

Genesis. Duke's Travels and Duke's End. A massive two fingers to those who thought Genesis stopped making progressive music after a certain Mr Hackett left. Duke is an album of utter genius and these two closing pieces are utter bombast with attitude. Yes. Real attitude, with emotions searing through every single thumping beat...



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Direct Link To This Post Posted: June 04 2014 at 15:53
I had an e-mail today inviting me to review a new album. This is one of the privileges of being a collaborator on this site, that artists give you a free album in order for their wares to be publicised on the world wide intertit. It can, of course, also be a little bit difficult sometimes, because unless you review honestly, then you lose all credibility as a reviewer. Prog fans, especially, can smell bullsh*t at a fairly long distance. So, who to potentially upset? Regular readers, or the hard pressed artist who have put their all into said work? No choice, really. It has to be the latter, because a dishonest, brought, review is always a crime on a site such as ours.

Having said that, I am sure I will enjoy this one when I get to listen to it at the weekend. The last one was genuinely excellent.

I now have a fair old immediate queue of albums to review, three from 2014 (two purchased and one freebie), and an excellent three year old album which I took my time getting, but utterly love. The identities can wait for the day I post the reviews! In addition, I still have a shed full of albums which I need to at least put on record as having an opinion on, and adding to the archival nature of the site.

You might think that this would give me a bit of a kick in order to move on swiftly, get said albums on, and scribe away. Well, no. My life is governed by personal circumstances, moods, priorities, and other issues. I review for pleasure, not for pay, so it is done when I am generally in the mood.

Tonight's mood was for a bit of a mix whilst keeping half an eye on the football. There is no particular sense to tonight's playlist, aside from the fact I wanted to play them!

Anglagard. Hostsjed. Instrumental prog at its finest. The great Swedish band from an album I really must get around to reviewing. I find this track gorgeously pastoral and relaxing after a hard day's work, but with enough mood swings to keep you on your toes.

Arena. Solomon. A marvellous track to end In The Lion's Cage, the band's debut, another album I am to get around to reviewing (actually, there does seem to be a bit of a theme developing in this playlist and blog!). This remains a firm fan favourite nigh on twenty years after it burst onto our decks. Nolan and Pointer created something special with Arena, which made the last album even more of a disappointment, really. This track is bombastic, feeling, moody, and never fails to grab the attention, and ends terrifically uplifting.

Barclay James Harvest. Hymn. This is the live Berlin version, and is my favourite track from a great old band. I adore this song, with its lyrics specifically about the dangers of drug use somewhat ironically creating something deeply spiritual and movingly beautiful.

Blackmore's Night. Wind In The Willows. From Under A Violet Moon, an album with criminally low ratings on this site, and another I will get around to reviewing when I retire, this features a delicious vocal between John Ford of Strawbs fame and the lovely Candice Night. A late evening treat, if ever there was one.

Boomtown Rats. Rat Trap. I wrote the other night about "true punk" from The Tansads. In the same vein, I will never forget an English lesson taken by a student teacher just before Christmas in 1978. He said he wanted to play us a song with deep meaning, open to interpretation, and worthy of intelligent discussion. This came on the cassette deck, and half the morons I shared a class with spent the remainder of the lesson pogoing or gobbing, because it was "punk". The lesson was abandoned in chaos. This is a great piece of music, which is about the finest lyric describing working class life in 70's Belfast. I can forgive Geldof anything for this track.

Wishing Tree. Fly. The gorgeous collaboration between Steven Rothery and Hannah Stobart, this is a highlight of the wonderful Ostara. Rothers is releasing a solo album this year, which I will, of course, buy. I do hope, though, we get more from these two, because it is fantastic.

Genesis. Duke's Travels and Duke's End. A massive two fingers to those who thought Genesis stopped making progressive music after a certain Mr Hackett left. Duke is an album of utter genius and these two closing pieces are utter bombast with attitude. Yes. Real attitude, with emotions searing through every single thumping beat.

Mostly Autumn. Passengers. I mentioned on Monday that I have the brand new album, which I will play a few times over the next week, or so, before reviewing. This, though, is the simply beautiful Heather Findlay singing the simply beautiful title track from the simply beautiful album released in 2003. It is a testament to the talent of Olivia Sparnenn (now Josh!) that Heather is not missed nearly half as much as one expected.

Alan Parsons Project. Limelight. Mmmmmm.......Gary Brooker. What a great piece of music this is. Stereotomy is another album on the retirement to review list!

It has been a hard day's work and last night was hard night's caring. Tell you what, though. Music like this tonight lifts me up so high I never want to come back down.

Nos da all.
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Direct Link To This Post Posted: June 04 2014 at 15:50
Originally posted by progbethyname progbethyname wrote:

^ Sounds absolutely great, Steve. I'm so glad we are now 3 pages into your passions in Prog and in life. It's an honor.    It's sounds like you are getting a ton out of your musical library these days (older and new) and I have to say I feel deeply every little bit of the joy you are feeling. I recently picked up a brand new stand alone DAC player from the UK greats, ARCAM. I cannot believe the heightened resolution that I am hearing even with my already stellar audio equipment. Just when you think things can't get better, they do. Anyway, I feel a little like you these days where a sense of rebirth and reflection had been done on my part because I am now re listening/revisiting all my Prog and non Prog favourites because there is so much in the music that I just couldn't hear before. It feels truly wonderful and I felt it would be a good idea to share it with you and others on here.

Have a good day my friend and looking forward to your next list because its very inspiring. As you know I relistened to English Electric pt2 because of the kind, thoughtful words you had to say about the track 'judas Unrependent.'


 

Cheers Nicholas. That Judas Unrepentant is a mighty fine piece of music. Hopefully, there is more for you to explore in tonight's list..............
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