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Topic ClosedWorst Album in the Symphonic Top 20

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Poll Question: Which of these do you like least?
Poll Choice Votes Poll Statistics
8 [6.45%]
4 [3.23%]
2 [1.61%]
9 [7.26%]
3 [2.42%]
3 [2.42%]
5 [4.03%]
20 [16.13%]
2 [1.61%]
2 [1.61%]
13 [10.48%]
4 [3.23%]
5 [4.03%]
3 [2.42%]
5 [4.03%]
18 [14.52%]
4 [3.23%]
1 [0.81%]
1 [0.81%]
12 [9.68%]
This topic is closed, no new votes accepted

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Direct Link To This Post Topic: Worst Album in the Symphonic Top 20
    Posted: March 25 2009 at 13:52
Originally posted by crimson87 crimson87 wrote:

Hamburger Concerto is a masterpiece , the only flaw I can find on it is that Pierre Van der Linden's drumming was much better than Collin Allen's. And also the fact that Focus III has more jazzy sections.


Ditto.  It's such a shame that they replaced the jazzy van der Linden for a drummer with a more straight-ahead rock approach.  I actually find Allen's drumming quite irritating, but still think the album wonderful.
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Direct Link To This Post Posted: March 25 2009 at 12:17
Hamburger Concerto is a masterpiece , the only flaw I can find on it is that Pierre Van der Linden's drumming was much better than Collin Allen's. And also the fact that Focus III has more jazzy sections.
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Direct Link To This Post Posted: March 25 2009 at 11:23
I voted in a subjective manner for Kansas' Leftoverture, and it had nothing to do with the band's, or the album's, commercial success.  It's about the music, which, while I can respect it and those who like it of course, does not appeal to me much (I don't have Atlas' or Echolyn's albums).  Incidentally, "Carry on my Wayward Son" (a staple of classic rock radio here) is not a song that I would turn off on the radio.  I do find the album rather too arena-rockish for me.  It's similar to music such as Boston's which I also don't care for.  It's a kind of Americana music that just doesn't do it for me. The vocals sound almost preachy and it's pompous in a way that does not tickle me.

More have voted for Hamburger Concerto, and that's one of my favourite here (even though I would put Focus III and II ahead of it), but to me the contrast between the sublime and ridiculous  is masterful -- the way it shifts from humorous to majestic.
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Direct Link To This Post Posted: March 25 2009 at 10:56
I went with Renaissance. I can only listen to them so much.
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Direct Link To This Post Posted: March 25 2009 at 03:10
Originally posted by Rocktopus Rocktopus wrote:

Originally posted by Epignosis Epignosis wrote:

Originally posted by crimson87 crimson87 wrote:

Originally posted by Epignosis Epignosis wrote:

Originally posted by Rocktopus Rocktopus wrote:

[QUOTE=Epignosis]

Kansas's album is one of the only ones up there with any real commercial success, and I wonder if that's why it's so frowned upon.  I think Yorkie said it well.



Some of you Americans, and your way of looking at the world
.

So their no. 5 in the US charts (which I had no idea about, until I googled it just now) is why I don't find it exiting? Very few outside of North America ever registered Leftoverture, or Kansas (the band) existance. They're probably as obscure over here as Van Der Graaf Generator is over there.

Close to the Edge
reached no. 3 in the UK. Nobody seems to have a problem with that. Its just widely regarded as a greater, more progressive yet successful album (and rightly so). 


Some of you Americans?

*looks around*

Surely he doesn't mean me (who listens to music from all over the world).

Get real.

I know it's Kansas's commercial success that makes them somewhat unpopular here because I've heard people here say so.
 
I am sure he wasn't talking about Kansas , he was refering to some popular US albums (Mainly AOR) and for non Americans that poll was somewhat irrelevant since those records weren't popular at all.


Um...he specifically named Kansas.


There are countless examples that some of you, ecpecially from the US (and UK) seem think that every american (and british) band that was popular in the US (and UK) was just as popular everywhere else, and we all share your american experience.

When you or Yorkie explain Kansas' lack of popularity with their "commercial success", it sounds absurd to most of us. That s not the reason for me, or most people from more or less the rest of the world, because they didn' have any commercial success.

Boston, Journey, Foreigner, Styx, Stevie Miller, Hootie and the Blowfish, Kansas and even Billy Joel are all pretty obscure over here. I linked to the other thread because its based on the same... misunderstanding (to put it gently).

Their relative popularity is not the explaination for why they got their 16 votes in this poll. You will have to find a better excuse, if you need one.

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Direct Link To This Post Posted: March 24 2009 at 22:43
CTTE got my vote, of course. I am glad the aforementioned writer does indeed like CTTE. I stand by my statement, with the only caveat being that, if lyrics that are abstract in nature don't appeal to you, then CTTE might be a bit too far off the mark.
   Yet, since most prog, and symphonic prog in particular, has this sort of lyric bent, perhaps my initial statement is still not too far off the mark.
   that's all for me,
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see www.prog-music.info for info on my band that performs
Genesis, Rush, YES and Jethro Tull...
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Direct Link To This Post Posted: March 24 2009 at 22:29

But I think his point was way beyond Kansas , he can explain it much better than I

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Direct Link To This Post Posted: March 24 2009 at 22:15
Originally posted by crimson87 crimson87 wrote:

Originally posted by Epignosis Epignosis wrote:

Originally posted by Rocktopus Rocktopus wrote:

Originally posted by Epignosis Epignosis wrote:



Kansas's album is one of the only ones up there with any real commercial success, and I wonder if that's why it's so frowned upon.  I think Yorkie said it well.



Some of you Americans, and your way of looking at the world
.

So their no. 5 in the US charts (which I had no idea about, until I googled it just now) is why I don't find it exiting? Very few outside of North America ever registered Leftoverture, or Kansas (the band) existance. They're probably as obscure over here as Van Der Graaf Generator is over there.

Close to the Edge
reached no. 3 in the UK. Nobody seems to have a problem with that. Its just widely regarded as a greater, more progressive yet successful album (and rightly so). 


Some of you Americans?

*looks around*

Surely he doesn't mean me (who listens to music from all over the world).

Get real.

I know it's Kansas's commercial success that makes them somewhat unpopular here because I've heard people here say so.
 
I am sure he wasn't talking about Kansas , he was refering to some popular US albums (Mainly AOR) and for non Americans that poll was somewhat irrelevant since those records weren't popular at all.


Um...he specifically named Kansas.
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Direct Link To This Post Posted: March 24 2009 at 22:12
Easily Snow Goose for me. That entire album bores me to tears with the exception of  "Dunkirk."

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Direct Link To This Post Posted: March 24 2009 at 22:11
Originally posted by Epignosis Epignosis wrote:

Originally posted by Rocktopus Rocktopus wrote:

Originally posted by Epignosis Epignosis wrote:



Kansas's album is one of the only ones up there with any real commercial success, and I wonder if that's why it's so frowned upon.  I think Yorkie said it well.



Some of you Americans, and your way of looking at the world
.

So their no. 5 in the US charts (which I had no idea about, until I googled it just now) is why I don't find it exiting? Very few outside of North America ever registered Leftoverture, or Kansas (the band) existance. They're probably as obscure over here as Van Der Graaf Generator is over there.

Close to the Edge
reached no. 3 in the UK. Nobody seems to have a problem with that. Its just widely regarded as a greater, more progressive yet successful album (and rightly so). 


Some of you Americans?

*looks around*

Surely he doesn't mean me (who listens to music from all over the world).

Get real.

I know it's Kansas's commercial success that makes them somewhat unpopular here because I've heard people here say so.
 
I am sure he wasn't talking about Kansas , he was refering to some popular US albums (Mainly AOR) and for non Americans that poll was somewhat irrelevant since those records weren't popular at all.
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Direct Link To This Post Posted: March 24 2009 at 22:07
Originally posted by Rocktopus Rocktopus wrote:

Originally posted by Epignosis Epignosis wrote:



Kansas's album is one of the only ones up there with any real commercial success, and I wonder if that's why it's so frowned upon.  I think Yorkie said it well.



Some of you Americans, and your way of looking at the world
.

So their no. 5 in the US charts (which I had no idea about, until I googled it just now) is why I don't find it exiting? Very few outside of North America ever registered Leftoverture, or Kansas (the band) existance. They're probably as obscure over here as Van Der Graaf Generator is over there.

Close to the Edge
reached no. 3 in the UK. Nobody seems to have a problem with that. Its just widely regarded as a greater, more progressive yet successful album (and rightly so). 


Some of you Americans?

*looks around*

Surely he doesn't mean me (who listens to music from all over the world).

Get real.

I know it's Kansas's commercial success that makes them somewhat unpopular here because I've heard people here say so.
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Direct Link To This Post Posted: March 24 2009 at 21:56
Originally posted by 88melter 88melter wrote:

I thought that blanket statements like that were just what chatrooms needed to make someone's point of view clear.

  I am much more interested in why you do not care for CTTE, and what seems like worthier music to you, than just the fact that CTTE is not your very favorite. Tell me more, and I'll try and respond to any specifics  with some of my own. Without a point of view that is informed by specifics, our opinions do not matter as much, eh?
88melter

I mentioned that I do indeed like CttE, but it was kind of indirect. Sorry if that confused you.

I just didn't like the blanket statement of "Anyone who doesn't like CttE must not be a true symphonic prog fan". That's all.Clown
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Direct Link To This Post Posted: March 24 2009 at 20:48
Originally posted by Rocktopus Rocktopus wrote:

Originally posted by Epignosis Epignosis wrote:



Kansas's album is one of the only ones up there with any real commercial success, and I wonder if that's why it's so frowned upon.  I think Yorkie said it well.



Some of you Americans, and your way of looking at the world
.

So their no. 5 in the US charts (which I had no idea about, until I googled it just now) is why I don't find it exiting? Very few outside of North America ever registered Leftoverture, or Kansas (the band) existance. They're probably as obscure over here as Van Der Graaf Generator is over there.

Close to the Edge
reached no. 3 in the UK. Nobody seems to have a problem with that. Its just widely regarded as a greater, more progressive yet successful album (and rightly so). 
 
Kansas was just big in the US. But is not an important band worldwide , may be a pioneer in US prog. As it was Crucis or Espiritu in my country
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Direct Link To This Post Posted: March 24 2009 at 20:44
Originally posted by crimson87 crimson87 wrote:

I think birdwithteeth said that he liked CTTE. Besides , man If I had to ask for explanations every time someone does not like ELP this would be worst than the Crusades. After all , they are missing it.
 
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Direct Link To This Post Posted: March 24 2009 at 19:05
Originally posted by 88melter 88melter wrote:

88melter here.

   Point taken, but my glowing assessment of CTTE was meant to COUNTER any votes or voters who may believe it to be suitable for inclusion on the 20 worst Symph-prog list. It does not belong there by any stretch of my imagination, at least. I will take it up another notch, and add that, if you are not inclined to put CTTE on the TOP 20, rather than the WORST 20 list, perhaps you are not a symphonic prog fan at all, a position one can hold with integrity, or course, but one that doesn't qualify a person to be voting on what recordings are the worst of a genre that one feels little or no affinity for.
88melter
 
There are some points:
 
  1. This poll is not about the worst 20 list, the starter acknowledeges this albus are the top 20.
  2. The question is which of this top 20 albums you like less.
  3. Nobody here said CTTE uiis one of the worst 20 albums.

Now from my perspective, I like CTTE, rated it with 5 stars because I believe is an icon of Progressive Rock, as much as Foxtrot, Thick as a Brick, Trilogy, In the Court of the Crimson King and many more.

But if you ask me if it's the best album ever, i would say no way, I consider Foxtrot more solid, Thick as a brick more coherent, Hybris much more inspired and ITCOTCK much more transcendental, yes is a good album, boosted to the top because of the magnifiscent Rick Wakeman solo in the title song, but the lyrics say nothing to me and  I dislike jon Anderson's voice to the extreme.
 
I like the album, even more than SEBTP which I don't consider the best album ever neither the best Genesis album, but you are trying to force us to agree with you or else not be considered Symphonic fans.
 
I consider myself a true Symphonic fan, but there are at least 10 or 20 better albums, at least IMHO.
 
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Direct Link To This Post Posted: March 24 2009 at 18:41
Originally posted by Epignosis Epignosis wrote:



Kansas's album is one of the only ones up there with any real commercial success, and I wonder if that's why it's so frowned upon.  I think Yorkie said it well.



Some of you Americans, and your way of looking at the world
.

So their no. 5 in the US charts (which I had no idea about, until I googled it just now) is why I don't find it exiting? Very few outside of North America ever registered Leftoverture, or Kansas (the band) existance. They're probably as obscure over here as Van Der Graaf Generator is over there.

Close to the Edge
reached no. 3 in the UK. Nobody seems to have a problem with that. Its just widely regarded as a greater, more progressive yet successful album (and rightly so). 
Over land and under ashes
In the sunlight, see - it flashes
Find a fly and eat his eye
But don't believe in me
Don't believe in me
Don't believe in me
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Direct Link To This Post Posted: March 24 2009 at 16:43
I think birdwithteeth said that he liked CTTE. Besides , man If I had to ask for explanations every time someone does not like ELP this would be worst than the Crusades. After all , they are missing it.
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Direct Link To This Post Posted: March 24 2009 at 16:42
I think birdwithteeth said that he liked CTTE. Besides , man If I had to ask for explanations every time someone does not like ELP this would be worst than the Crusades. After all , they are missing it.
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Direct Link To This Post Posted: March 24 2009 at 15:52

I thought that blanket statements like that were just what chatrooms needed to make someone's point of view clear.

  I am much more interested in why you do not care for CTTE, and what seems like worthier music to you, than just the fact that CTTE is not your very favorite. Tell me more, and I'll try and respond to any specifics  with some of my own. Without a point of view that is informed by specifics, our opinions do not matter as much, eh?
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Direct Link To This Post Posted: March 24 2009 at 14:51
Originally posted by 88melter 88melter wrote:

88melter here.

   Point taken, but my glowing assessment of CTTE was meant to COUNTER any votes or voters who may believe it to be suitable for inclusion on the 20 worst Symph-prog list. It does not belong there by any stretch of my imagination, at least. I will take it up another notch, and add that, if you are not inclined to put CTTE on the TOP 20, rather than the WORST 20 list, perhaps you are not a symphonic prog fan at all, a position one can hold with integrity, or course, but one that doesn't qualify a person to be voting on what recordings are the worst of a genre that one feels little or no affinity for.
88melter

Oh, I see. So the small minority of people who don't like CttE that much (although I'm not one of them) aren't true symphonic fans. It all makes sense now...

Who died and made you judge and jury?Confused I'm sure there are some people who don't regard CttE as much as you and me, but that doesn't mean they aren't knowledgeable about symphonic prog. Don't make blanket statements like that. You don't know what goes on in other people's minds after all.


Edited by birdwithteeth11 - March 24 2009 at 14:54
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