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Psychedelic Paul View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Psychedelic Paul Quote  Post ReplyReply Direct Link To This Post Topic: Live Albums
    Posted: 2 hours 34 minutes ago at 15:22
I could easily select nine favourite live albums by Tangerine Dream, so I will. Smile

5 stars 2006: Tangerine Dream - Tempodrome Berlin (DVD/Video) - http://www.youtube.com/watch?v=g48ZXWsFCoA
5 stars 2007: Tangerine Dream - Orange Odyssey - http://www.youtube.com/watch?v=2_kdXiP3jQ8
5 stars 2007: Tangerine Dream - One Night in Space - http://www.youtube.com/watch?v=qYpEO2P38PM
5 stars 2008: Tangerine Dream - Live at Loreley - http://www.youtube.com/watch?v=1wjCZ9fyyq0
5 stars 2009: Tangerine Dream - The London Eye Concert - http://www.youtube.com/watch?v=dyzPGKH0U58
5 stars 2009: Tangerine Dream - Live in Los Angeles (DVD/Video) - http://www.youtube.com/watch?v=2n5n72n3Syk
5 stars 2009: Tangerine Dream - Rocking Out the Bats - http://www.youtube.com/watch?v=dEStd5YJdLs
5 stars 2010: Tangerine Dream - Zeitgeist: Live in Lisbon - http://www.youtube.com/watch?v=Thpd59FmvAE
5 stars 2012: Tangerine Dream - The Electric Mandarine Tour: The Zurich Switzerland Concert -  http://www.youtube.com/watch?v=GyiKD3YUEDI
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Post Options Post Options   Thanks (0) Thanks(0)   Quote verslibre Quote  Post ReplyReply Direct Link To This Post Posted: 3 hours 21 minutes ago at 14:35
Okay, five classic live albums. This could change in as soon as fifteen minutes.

ELP – WBMFTTSTNE
Kansas – Two for the Show
King Crimson – USA
Rush – Grace[ Under Pressure: 1984 Tour/i]
Tangerine Dream – Poland–The Warsaw Concert
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Post Options Post Options   Thanks (0) Thanks(0)   Quote verslibre Quote  Post ReplyReply Direct Link To This Post Posted: 3 hours 31 minutes ago at 14:25
P.S.

Originally posted by moshkito moshkito wrote:

It made for a lot of bootlegs in those early days ... because the equipment could not exactly duplicate things, for at least 3 or 4 more years, when things got better, but it almost took Christopher Franke leaving to make it happen, which was a suggestion (for a time) that Christopher was a slight problem, even if Edgar would not state that in the book. Edgar made it look like he was specially patient with Christopher for a long time, but before the end of the decade, it was over and things changed, and TD started using more efficient equipment, instead of the behemoth old stuff.


Franke left in 1987. The equipment they were using at the time was a mix of analog and digital and was more stable than anything they were using ten years earlier. They still toured with some modular gear that was basically for show. Franke left because after eight (1980-87) straight years of constant recording and touring that yielded a plethora of original albums, live documents and film soundtracks, they'd agreed to take a break, but suddenly Edgar got more offers and reversed that decision. Franke said he was done and left with his half of the gear (his studio was in West Berlin, Edgar's was in Austria at the time).
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Post Options Post Options   Thanks (0) Thanks(0)   Quote verslibre Quote  Post ReplyReply Direct Link To This Post Posted: 3 hours 40 minutes ago at 14:16
Originally posted by moshkito moshkito wrote:

If, the Live album in America was complete, and I'm positive that the TD folks have the tapes for it, they taped everything just like Frank Zappa did!, it would show how valuable and important it was ... and how difficult it was for Christopher Franke to get his equipment to come up and be ready for it to work properly, which took over 20 minutes. It was well known, then, how difficult a lot of the early synth stuff was and how it behaved differently on the open air stages, where the equipment, eventually had to warm up ... not that it was an issue in Southern California, but one nonetheless.

It made for a lot of bootlegs in those early days ... because the equipment could not exactly duplicate things, for at least 3 or 4 more years, when things got better, but it almost took Christopher Franke leaving to make it happen, which was a suggestion (for a time) that Christopher was a slight problem, even if Edgar would not state that in the book. Edgar made it look like he was specially patient with Christopher for a long time, but before the end of the decade, it was over and things changed, and TD started using more efficient equipment, instead of the behemoth old stuff.


Encore is an essential entry in Tangerine Dream's discography, no doubt about it ("Monolight" is worth the price of admission), but portions of it aren't actually taken from the tour. This is most evident in "Desert Dream," which uses music sourced from their Oedipus Tyrannus score from 1973 (which was included in the amazing box set, In Search of Hades).

A legitimate, unadulterated concert from the 1977 North American tour, remastered, is found in the third volume of The Official Bootleg Series, a 2xCD. As we all know, the Detroit stop was long one of their most popular and oft-circulated American shows. Tracklist:

CD1

1. Cherokee Lane (12:39)
2. Monolight (21:54)
3. The Emerald Beyond (18:21)

CD2
1. Patterns in the Ivy (14:04)
2. Face of the Earth (13:32)
3. Conjuration (6:30)
4. Signals from Above (11:01)
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Big Sky Quote  Post ReplyReply Direct Link To This Post Posted: 4 hours 27 minutes ago at 13:29
Originally posted by rik wilson rik wilson wrote:

TOP FIVE LIVE:  Soft Machine-Elton Dean Era
                           Dixie Dregs- Bring 'Em Back Alive
                           Hatfield and the North-Live at the BBC
                           Brand X- Timeline
                           Anglagard- Nearfest 2003
 


Bring Em Back Alive is a phenomenal live album from the Dixie Dregs.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Big Sky Quote  Post ReplyReply Direct Link To This Post Posted: 4 hours 29 minutes ago at 13:27
Yes: Yessongs
ELP: Welcome Back My Friends to the Show That Never Ends
Genesis: Seconds Out
Rush: Exit....Stage Left
Mahavisnu Orchestra: Between Nothingness and Eternity

Lot of miles on each of these albums. Many of the live versions of the songs from each of these albums is superior to the studio version. The Mahavisnu Orchestra live album contained tracks recorded during the Trident sessions later released 26 years later on The Lost Trident Sessions album.

As good as Dream, Sister Andrea and Trilogy are on the studio release, they do not have the fire that was realized on the live album. Between Nothingness and Eternity showed the Mahavisnu Orchestra at their peak abilities, even as they were fraying apart. Few bands could match them live.

Each one of these live albums showed these bands at their best, firing on all 12 cylinders. Production mars some of the quality of these albums, especially ELP and Yes's releases, but the performances are absolutely first rate.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote rik wilson Quote  Post ReplyReply Direct Link To This Post Posted: 5 hours 32 minutes ago at 12:24
TOP FIVE LIVE:  Soft Machine-Elton Dean Era
                           Dixie Dregs- Bring 'Em Back Alive
                           Hatfield and the North-Live at the BBC
                           Brand X- Timeline
                           Anglagard- Nearfest 2003
 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: 8 hours 1 minutes ago at 09:55
Originally posted by moshkito moshkito wrote:

Originally posted by Logan Logan wrote:

^ Tangerine Dream's Ricochet and Encore (1977) are both loved from me, as well as some later lives.


Hi,

To my knowledge "Encore" is the same as "Live in America"


I had assumed you were talking about the same.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: 8 hours 19 minutes ago at 09:37
Originally posted by Logan Logan wrote:

^ Tangerine Dream's Ricochet and Encore (1977) are both loved from me, as well as some later lives.

Hi,

To my knowledge "Encore" is the same as "Live in America"
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: 8 hours 45 minutes ago at 09:11
^ Tangerine Dream's Ricochet and Encore (1977) are both loved from me, as well as some later lives.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: 9 hours 1 minutes ago at 08:55
Originally posted by Logan Logan wrote:

...
Tangerine Dream - Ricochet (released 1975)
...

Hi,

The Live in America album that followed it, and had pictures of the lasers on the trees at the Greek Theater (the Observatory famous for Laserium is right above the Theater btw!!!), is also a very good show ... were it not that many of the pieces were cut down and not shown properly ... the show was way longer than the 4 sides of a LP that measured nearly 79 minutes or so.

If, the Live album in America was complete, and I'm positive that the TD folks have the tapes for it, they taped everything just like Frank Zappa did!, it would show how valuable and important it was ... and how difficult it was for Christopher Franke to get his equipment to come up and be ready for it to work properly, which took over 20 minutes. It was well known, then, how difficult a lot of the early synth stuff was and how it behaved differently on the open air stages, where the equipment, eventually had to warm up ... not that it was an issue in Southern California, but one nonetheless.

It made for a lot of bootlegs in those early days ... because the equipment could not exactly duplicate things, for at least 3 or 4 more years, when things got better, but it almost took Christopher Franke leaving to make it happen, which was a suggestion (for a time) that Christopher was a slight problem, even if Edgar would not state that in the book. Edgar made it look like he was specially patient with Christopher for a long time, but before the end of the decade, it was over and things changed, and TD started using more efficient equipment, instead of the behemoth old stuff.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: 9 hours 35 minutes ago at 08:21
This is an excellently presented, well thought-out topic, kudos and I wish I could answer it better (more clearly and on-point).

Originally posted by Jared Jared wrote:


I have been thinking about this quite a bit recently... there are Live albums and then there are LIVE albums. During their prime, most Prog Bands from the 70's released at least one live offering, but the question is, did the quality of said album really enhance their discography while they were at their height of artistic creativity? Show another dimension to the band? In effect, was the 'whole' we received, greater than the sum of the studio parts?

Please list your Favourite FIVE Live Prog albums from the classic era, which you feel no collection should be without?


I have decided to limit this to live albums that were released in the 70s. There are other classics into the 80s that I wanted to list, but one has to draw the line somewhere. And also I tend to favour only mentioning one per band per list. I did make live album topic some months ago but done differently and for all years. Linking to it not to promote my own topic but because it might prove a good reference and others shared lists there already Live Albums Topic (click) .

I won't say every collection (and I take issue with that phrasing with PA's ratings), but I do think these are all worth checking out or at least considering for serious site users wo are 70s progressive explorers, and I seriously believe that they all enhance the discography. There are "bigger" names with amazing live albums worth mentioning too.   I know Magma can be marmite for instance, but I do think that for the serious music aficionado at this site, this is one they should check out. In fact, at least one person at this site found the Magma Live to be an excellent recommendation when asking about Magma releases to explore (1981's Rétrospective Vol. 1 & 2 has been the one I have played the most, and there are various superb archival releases).

Some might argue that Miles Davis is not Prog, I won't disagree with that, and some say that he never made Prog... That is more explorable. I would say that he made albums in the late 60s into the mid 70s (the electric Miles period) that are worthy additions to our J/F category and a particularly Prog-like one is his live Dark Magus (I might like Agharta the most but that and Pangaea and Live Evil are all excellent, I think)

Five of my favourite 70s live albums that I feel very worthy of serious collectors and explorers at this site to at the least consider spinning

Magma - Magma Live (released 1975)
Tangerine Dream - Ricochet (released 1975)
Miles Davis - Dark Magus (released 1977)
Kraan - Kraan Live (released 1975)
Area - Are(A)zione (released 1975)

{edit, I had listed a different Miles Davis than I intended to when copy-pasting my choices from my list in that other more inclusive live albums topic}

Originally posted by Jared Jared wrote:

On the other side of the coin, were there bands who in your opinion, released a number of great studio albums and were very important within the movement who, for one reason or another either didn't release a live offering or did, but through under-rehearsing, muddy production, poor track choices, unnecessary brevity, or simply a 'going through the motions' performance lacking passion, failed to reach anywhere near their potential?

Please list FIVE Prog bands from the classic era, who you have always felt short-changed by and wish they could have done better during their purple patch?


Now this is a harder question for me. i have not read through the responses, but with cursory scan it looks like I was not the only struggling.

For less than stellar sound quality recording/production, Henry Cow's Concerts and the archival Robert Wyatt and Friends - Theatre Royal Drury Lane 8th September 1974. Not saying they are less enjoyable for it, but for one who likes clean releases. And maybe my copies are of "lesser" audio quality. Off on my own thing, Geinoh Yamashirogumi is a band I suggested for PA and was added to it and I just felt that band deserved more recognition for Osorezan in particular. I promoted it a lot. I would not say they have many classic Prog albums, but I want to highlight Geinoh Yamashirogumi - Live ''Hirakareta Gassho'' Junen No Tenkai (released 1979) which features Osorezan,

Edited by Logan - 2 hours 49 minutes ago at 15:07
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Finnforest Quote  Post ReplyReply Direct Link To This Post Posted: 11 hours 4 minutes ago at 06:52
^
I share your opinion that they should be here now. This is not a purist site as one can tell by looking at our list of bands....but I'm in the post-agitation phase of my PA career. Wink
...that moment you realize you like "Mob Rules" better than "Heaven and Hell"
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: 19 hours 28 minutes ago at 22:28
Originally posted by Finnforest Finnforest wrote:

...
Grateful Dead Movie Soundtrack
...

Hi,

For a band so well known for their live shows, and one of the best sound systems ever for any band, the GD has never really featured a great live album ... and I think this is so, because of 10K recordings of the band live, and we have no idea which of those was a great show or not!

Kinda sad, really, because when you see some of it on the toob, or eve hearing the Daily Doug talking about it, he's impressed by the quality and the musicianship in a lot of the shows he has featured. And I wish that PA would really bring them home ... they are the only one band, that I would love to see here, and respected by the so-called progressive music fans, instead of ignoring them and consider a lot of the work they did ... just crap ... musically they had more than most progressive bands do in their whole show, without the egotistical soloing to show how great the folks were. The GD did not need to show off ... they knew what they were about and doing it!


Edited by moshkito - 19 hours 27 minutes ago at 22:29
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: 19 hours 37 minutes ago at 22:19
Originally posted by richardh richardh wrote:

...
Pink Floyd seemingly don't have a great live album other than Live in Pompei which like the above was a visual experience and not just a live album.
...

Hi,

I think they could have some excellent live albums ... IF ... large IF ... they would have been able to bottle up their QUADRAPHONIC setup. This was done, at least, at the Hollywood Bowl in 1972, and on the first shows of THE WALL, both on the film premiere before its regular release (we saw one of those shows in SF ... and it was QUAD. The live show of THE WALL, was also in QUAD in LA ... where a lot of very neat things were done in the setup ... as I mentioned before, the example, was the girl saying "look at all those guitars" in the back of the theater, and she literally walked to the front ... let's say to touch the guitars ... it was a neat moment, but something that RW ruined for his version of the shows. DSOTM, was almost too much about the movie screen and lasers ... and if it had QUAD, I didn't notice it, though the dialogue and fun stuff was all over the theater itself, in LA ... but nowhere near the quality and touch of The Hollywood Bowl show a couple of years earlier.

SW is testing some parts of his new album in very experimental locations around London ... I bet he is trying to see if he can duplicate the QUAD experience, so the music appears to be more important and less of a show ... it would become a sensory experience, as the QUAD thing was then.

But these days, the thing is getting as many people into the large venue as you can and use the cheapest lights and sound possible. When I saw KC a few years back in Seattle, their sound was fine, and nice ... but you know what? If it had the sonic boom of QUAD it would have made the whole thing even better. Instead, it was just another rock show, albeit with a much better line up and music!

I suppose the Sphere in Las Vegas is the nearest one can get to the quality of the QUAD ... and I bet SW would love to be there and design a show, although I bet that he already knows and thinks that the sound system in there is stupid, and only sounds good because there are thousands of speakers everywhere ... but I am betting that the mixing side of it is cheap and ridiculous, and you can not see it with any of the bands they have had so far. You would need a Tangerine Dream, a Pink Floyd (not just RW) and a band that is not just raising the volume to make you think this is great stuff. Like DP used to do in the old days, as well as BS.

I walked out of both of those shows, btw .. it was impossible to enjoy the shows as loud as they were. Same with the Rolling Stones ... I lasted 20 minutes there!


Edited by moshkito - 19 hours 35 minutes ago at 22:21
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Post Options Post Options   Thanks (0) Thanks(0)   Quote richardh Quote  Post ReplyReply Direct Link To This Post Posted: 20 hours 4 minutes ago at 21:52
ELP - Welecome Back My Friends..
Be Bop Deluxe - Live In The Air Age
Rush - Exit Stage Left
Manfred Mann's Earthband - Live In Budapest
Genesis - Live In London 1980 *

The last choice is not an official release and was a BBC recording but to this day is my favourite live recording of a classic prog band. Much of that is to do with the set list as they play the so called 'Duke Suite' which rivals Suppers Ready. I don't particularly like the more revered Seconds Out because of sound quality issues (no dynamics) but mainly because of set list. I don't need a live version of Suppers Ready as the album version is perfect imo.

Yes made good live albums and were probably the greatest live band I ever saw. I would pick a later live album as showcasing that personally and for me Yes Symhonic was the perfect realisation of what they were about.

Pink Floyd seemingly don't have a great live album other than Live in Pompei which like the above was a visual experience and not just a live album.

Jethro Tull were obviously a great live band but I'm not aware of a live album that captures them in their classic era. 

King Crimson seem to have a sh*t ton of late career live albums. Seems to be saturation. Classic era no idea.

PFM - I don't like Cook that much. They were fast turning into a jazz rock combo even by 1974 and the majesty of the band on Per Un Amico and Storia Di Un MInuto is largely missing imo.

Gentle Giant- I'm not keen on their live albums to be honest. Perfect in the studio band if ever there was.

ELP were the ultimate improvisonal live band. Although I can respect people picking Pictures At An Exhibition I would rather enjoy the evolution of that peice of music through their many live versions such as the Works tour version from 1977. I find that interesting in itself. The original performance back in 1970 at the Isle Of Wight festival provides a rough and ready template from which to go from.

I would love to have seen Be Bop Deluxe and Manfred Mann's Earthband during the seventies. They were bands that I reckon were better at playing live than producing studio albums. I had the opportunity as both bands came to the newly opened Swindon Oasis around about 1977 but I was still feeling my way into music and didn't have someone to appreciate that that was the thing to do like say an older brother.


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Post Options Post Options   Thanks (0) Thanks(0)   Quote Finnforest Quote  Post ReplyReply Direct Link To This Post Posted: Yesterday at 16:05
Off the top of my melon, five that I love... (Prog, prog-related, and close enough for me)

Song Remains the Same
Yessongs
All the World's a Stage
Grateful Dead Movie Soundtrack
Arriving Somewhere But Not Here
Allman Brothers Fillmore East (Honorable Mention)


Can't think of five letdowns right now, but Yesshows would be one. My track selection for that album would have been radically different and I'd want it as long as Yessongs (3 vinyls).

...that moment you realize you like "Mob Rules" better than "Heaven and Hell"
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Lewian Quote  Post ReplyReply Direct Link To This Post Posted: Yesterday at 15:36
Personally I'm not a collector kind of guy and I think people should just buy what they want, so the "no collection should be without" department is pretty empty here.

However I love a good live album, and here are five, three classics and two dark horses:
Genesis - Live
Yes - Yessongs
Renaissance - Live at Carnegie Hall
Kraan - Live
Hölderlin - Live Traumstadt 
Last letter typed and already some others come to mind, but I leave it at that. 
Curious whether a Can Live album released in the seventies would've sounded different than all the material that was made available much later. I agree with Jared that we didn't get a proper 70s Manfred Mann's Earth Band live album, and I also imagine VDGG could've given us something more than Vital.


Edited by Lewian - Yesterday at 15:36
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Jared Quote  Post ReplyReply Direct Link To This Post Posted: Yesterday at 12:49
Thank you everyone for your comments...

For me, Five examples of live albums which elevated the bands music to another level would include:

Colosseum: Live, ELP: Welcome Back, Grobschnitt: Solar Music, Renaissance: Carnegie Hall & Hawkwind: Space Ritual

MMEB did a couple of live albums during the 70's/ 80's, but are unexceptional, as with Nektar's Live In New York and Moodies' Caught Live +5. I wished ELO had made a better live album of their earlier material, say after Eldorado. I'm not a big fan of VDGG's Vital; too aggressive and Punk for me, without Jackson's sax, and I suppose I wish Focus had held back until after Hamburger to release a live cut, because Rainbow is too slight.... just a few thoughts.
Music has always been a matter of energy to me. On some nights I believe that a car with the needle on empty can run 50 more miles if you have the right music very loud on the radio. Hunter S Thompson
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Post Options Post Options   Thanks (0) Thanks(0)   Quote ThyroidGlands Quote  Post ReplyReply Direct Link To This Post Posted: Yesterday at 12:32
Originally posted by moshkito moshkito wrote:

MAGMA, for me, is best when you see them live ... a recording is nice, but not really as far out as the experience of being there and feeling it ... the three times I saw them here on the West Coast (SF in 1999) and later twice in Portland, verified that really well ... I would not trade any of the live experiences for any live albums of theirs.
I guess seeing Magma must be one of the most impressive experiences for almost any progressive rock fan (or music fan, why not). Magma came to Argentina only once, in 2017, as part of a small tour through Latin America. They played at the ND Ateneo, a venue with about 250 seats (approximately), a concert I couldn’t attend because I didn’t know the band. Unfortunately, they only filled half of the place.
The only album that was officially released in Argentina was the inaccessible Kohntarkosz, in 1975, shortly after its first release in September of '74. For that same reason, it's understandable that the band didn't have much exposure. If they had at least released MDK, Hhaï/Live orÜdü Ẁüdü, they might have had a small fanbase.


Edited by ThyroidGlands - Yesterday at 12:32
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