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Free prog vsti recommendations?

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Davesax1965 View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Davesax1965 Quote  Post ReplyReply Direct Link To This Post Topic: Free prog vsti recommendations?
    Posted: October 25 2021 at 09:24
That's quite impressive, thanks ! 

And it integrates with EZ Drummer. Could be a positive purchase there. 

I've toyed with the idea of getting an electronic (mesh head) kit for years and hooking it up by MIDI. The problem is then that I'd be playing it, and my timing is always sloppy. Sax player "swing" thing. ;-)

I won't live long enough to be able to play drums to a level I'd be happy with, either. ;-) 

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Davesax1965 Quote  Post ReplyReply Direct Link To This Post Posted: October 25 2021 at 09:20
Thanks, Mr Lemming, I shall have a quick look. 

EZ Drummer is getting a bit old hat for me. 

Incidentally, I almost feel the urge to do some music. Note "almost". 

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Post Options Post Options   Thanks (1) Thanks(1)   Quote ExittheLemming Quote  Post ReplyReply Direct Link To This Post Posted: October 23 2021 at 07:23
This is maybe going off topic a tad but for me, the only software I've come across that comes even remotely close to the subtle rush/drag tempo fluctuations, groove dynamics and nuanced 'off the grid' rubato of a real live drummer is this (NOT free but still a bargain if you don't have access to a mammal hitting things:





Edited by ExittheLemming - October 23 2021 at 07:25
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Davesax1965 Quote  Post ReplyReply Direct Link To This Post Posted: October 23 2021 at 03:26
One semi useful VST I'll recommend is Toontrack's EZ Drummer series, for those without access to a drumkit and drummer. 

It's not free, though. I've been using the Rock Solid kit for years, I'm sure there's something better out there. You just can't capture the dynamics and spontaneity of having an actual drummer playing with you. 

That's the thing about music: to produce quality music costs money. No way around it.


Edited by Davesax1965 - October 23 2021 at 03:27

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Davesax1965 Quote  Post ReplyReply Direct Link To This Post Posted: October 21 2021 at 08:45
"you can not be telling me that you can "feel" the material in the old days ... because the technical side of you building these things takes away that feel, into a mechanical, and somewhat intellectual side of creating music"

So anyone who builds a guitar then can't play it ?

Does the amount of books you have in a house confer expertise in all subjects ?

Are you incapable of putting a coherent, structured argument together ?



Edited by Davesax1965 - October 22 2021 at 02:37

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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: October 21 2021 at 07:20
Originally posted by Davesax1965 Davesax1965 wrote:

Not a reader ?
...
You have absolutely no idea what you're talking about. Other than that you've "read a book". 

HI,

Our house in SB had over 40K books of Portuguese, Spanish and Brazilian Literature. And I was one of the folks that said that Castaneda's joke was not possible or true, unless a whole society was so destitute ... but then, a book would not show up in that area I don't think. In fact, dad is published in at least 36 languages, so if you think that it means nothing, wake up, please. BTW, you can go to Lisbon and see the majority of the library on one of those places that honor their artists and other dignitaries!

The suggestion about "read a book" is sad, and bad ... everything in it must be trash, or sheep dip!

I am not totally happy when you reply like that, since it implies that you are a musician because you play music, or a composer because you did a couple of things, and honestly, I'm quite OK with that, but I think my attitude, even if naïve compared to yours, is much more positive than yours about the music ... you can not be telling me that you can "feel" the material in the old days ... because the technical side of you building these things takes away that feel, into a mechanical, and somewhat intellectual side of creating music ... my point was, and is, that DURING THAT TIME, some folks, of which TD was major, were learning to create NEW SOUNDS, and USING THEM in a form that was "classical" and could be considered music.

I will never say that you do not know "music", but I question the feeling side of it as a sort of work that is much more than its components. I don't doubt your knowledge in that area, but you are not seeing the side that closes the eyes and flows with the music in another person ... and those are the folks you want and need, if you want to sell more of your material!!!! Instead you shine them on ... weird!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Davesax1965 Quote  Post ReplyReply Direct Link To This Post Posted: October 21 2021 at 03:54
Not a reader ?

I've got an Honours Degree in English Language and Literature. The house is full of books. It's like a library in here. I am absolutely 100% aware of the history of Tangerine Dream and I am also 100% aware of the technology they used, down to circuit diagrams. 

I also build my own synthesizers from components, if you remember. 

Modern man ? I'm 56, Pedro. And I've already said "Yes, there is a compositional use for VSTs but they don't compare to the real instrument." And the synths I build are based on 70's designs and technologies. I think you can absolutely safely class me as an authority on the matter. 

Do me the great favour of ignoring me and I'll happily reciprocate. You have absolutely no idea what you're talking about. Other than that you've "read a book". 

Edited by Davesax1965 - October 21 2021 at 04:09

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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: October 18 2021 at 13:14
Originally posted by Davesax1965 Davesax1965 wrote:

So how were those two posts connected ?

The specific ambient temperature of a venue has no effect on oscillator drift, so long as it's kept constant. Which is why they contain tempco resistors as adjusters. 

And "the next round of digital synths" sounded pretty much like their analogue forbears. If you were, say, Helen Keller. 


Hi,

Sad that you are not a reader, just a musician. TD's book by Edgar, is almost way too technical, explaining a lot of things, including the use and maintenance of the old echo chambers. 

As a modern man and musician, that stuff wouldn't interest you, I don't think! But the history of it all is still there, and while you are using the mechanical side of things, I'm not sure that you have heard, or felt, the changes that these parts and pieces went through to create music. I think you are comparing it all in your mind to what you already know from the particular pieces, and ignoring the mature of the material ... the actual "music" that came from the machine. And the hands that made it work!

I can see why no VST would mean anything to you, I think!
Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Davesax1965 Quote  Post ReplyReply Direct Link To This Post Posted: October 18 2021 at 09:28
So how were those two posts connected ?

The specific ambient temperature of a venue has no effect on oscillator drift, so long as it's kept constant. Which is why they contain tempco resistors as adjusters. 

And "the next round of digital synths" sounded pretty much like their analogue forbears. If you were, say, Helen Keller. 




Edited by Davesax1965 - October 18 2021 at 09:35

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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: October 15 2021 at 09:16
Originally posted by Davesax1965 Davesax1965 wrote:

The reason why two Moogs didn't sound the same was that tolerance of electronic parts was very wide back in the 60's and early 70's. I've seen resistors and capacitors from that time which were much as 20% out. Theoretically, you'd put a trim potentiometer in to make sure you got a correct voltage at one point, but they're actually not there in the older Moog designs. 

Plus, since all the PCBs were hand etched - you draw a circuit on the board using a pen and then acid etch the copper layer off - all the boards are different resistances as well. There's 1001 reasons why two hand built synths don't sound similar and whilst the Moogs are a very simple design, each one is different. 

The "Moog sound" relies on a transistor ladder filter which introduces distortion as the signal passes through several stages of transistor and capacitor filter stages. Because there are two transistors per stage of the ladder, each had to be performance matched (which is a black art in itself) . With modern transistors, you can bet performance is within the required parameters, but if you get hold of System 55 (etc) then you've got a filter which is now nearly 60 years old. So it'll have some degree of degradation in it somewhere. 

As Moog got more established, they produced much more complicated modules like the Bode filter and vocoder, which is basically a many stage filter. So, whilst they're made of slightly better stuff, they're much more complicated electronically and therefore with more individual variation. 

Etc etc etc. If anyone tells me you can replicate this in software - and my job is in software - then they're just *wrong*. You might be able to approximate it, but "approximate" is a very broad term. 

Put it like this. If a VST Arturia Moog Modular and MIDI keyboard sounded exactly like a 60's Moog Modular, they'd be selling it for much more. 

Hi,

You just showed how/why Tangerine Dream had to go through in their early years and how difficult it was for Christopher Franke, at times, to get the proper setup ready in time for the next piece of music, instead of sitting down and having a cup of coffee and donut while he fiddles with his behemoth machines! Add to this the temperatures of various places and how different things would come out. And then, add to this a place that did not have enough electricity to heat the audience and the stage and the equipment ... Poland ... and it became a live album of excellent material! Get a bone on that one!

Sadly, as the times changed, TD could not be fighting with the behemoths any more, and CF ended up having to leave and the next run of folks in his place were folks that could handle a digital synth that could make it sound like some of the old stuff if necessary, something that CF was slow to come to.

You know what would be funny and weird? CF doing a comeback tour and then show up with 5 stacks of behemoths ... I actually might enjoy the freeform material he comes up with a lot more than the pre-fab anything else that we already know ... but the laugh so many folks will have about this "has been" would probably be one of the saddest things we all will ever see ... a man that really helped develop and find things that were needed from the synthesizer, in a way that most could not even imagine.
Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Davesax1965 Quote  Post ReplyReply Direct Link To This Post Posted: October 15 2021 at 08:37
The reason why two Moogs didn't sound the same was that tolerance of electronic parts was very wide back in the 60's and early 70's. I've seen resistors and capacitors from that time which were much as 20% out. Theoretically, you'd put a trim potentiometer in to make sure you got a correct voltage at one point, but they're actually not there in the older Moog designs. 

Plus, since all the PCBs were hand etched - you draw a circuit on the board using a pen and then acid etch the copper layer off - all the boards are different resistances as well. There's 1001 reasons why two hand built synths don't sound similar and whilst the Moogs are a very simple design, each one is different. 

The "Moog sound" relies on a transistor ladder filter which introduces distortion as the signal passes through several stages of transistor and capacitor filter stages. Because there are two transistors per stage of the ladder, each had to be performance matched (which is a black art in itself) . With modern transistors, you can bet performance is within the required parameters, but if you get hold of System 55 (etc) then you've got a filter which is now nearly 60 years old. So it'll have some degree of degradation in it somewhere. 

As Moog got more established, they produced much more complicated modules like the Bode filter and vocoder, which is basically a many stage filter. So, whilst they're made of slightly better stuff, they're much more complicated electronically and therefore with more individual variation. 

Etc etc etc. If anyone tells me you can replicate this in software - and my job is in software - then they're just *wrong*. You might be able to approximate it, but "approximate" is a very broad term. 

Put it like this. If a VST Arturia Moog Modular and MIDI keyboard sounded exactly like a 60's Moog Modular, they'd be selling it for much more. 

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Davesax1965 Quote  Post ReplyReply Direct Link To This Post Posted: October 15 2021 at 08:27
"Imagine marketing a beauty cream that makes you look older?" 

Big smile

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Post Options Post Options   Thanks (1) Thanks(1)   Quote ExittheLemming Quote  Post ReplyReply Direct Link To This Post Posted: October 14 2021 at 09:22
This modular styled freebie (Odin 2) does a decent impersonation of analogue styled retro goodness


Tyrell N6 from u-he is also a ridiculously brilliant analogue synth wannabe for precisely zero dollars


These could never replace the real hardware beasties of course given the practically infinite subtle and nuanced imperfections imparted by analogue circuitry alone which cannot be reduced to zeroes and ones in an algorithm. Two versions of a production line Moog wouldn't sound exactly the same even with the same front panel settings. It's interesting to see the prevailing fashion among plugin manufacturers for DSP processing that adds the sorts of imperfections and audio artifacts that the digital revolution celebrated as being consigned forever to the past. Imagine marketing a beauty cream that makes you look older?




Edited by ExittheLemming - October 14 2021 at 09:23
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Davesax1965 Quote  Post ReplyReply Direct Link To This Post Posted: October 14 2021 at 08:08
Cheap VSTs produce bad sounds, full stop. 

Arturia used to claim that their analogue synth range sounded identical to the original instruments. I can absolutely assure you that they don't. 

VSTs have their place for me insofar as you can write something using a preset, output the MIDI and get a quick example track. You then run the MIDI back through a real instrument and record that for a proper sound. 

Proper instruments are cheap, nowadays. You can just not do quality sounding music on the cheap or for nothing. 

Edited by Davesax1965 - October 14 2021 at 08:09

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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: April 05 2021 at 12:27
Originally posted by Cboi Sandlin Cboi Sandlin wrote:

why dont you use like, real instruments

Hi,

I'm not sure it is possible to learn so much and so many different instruments now, as it was before ... music has changed and the electronic VST's give someone a chance to create something else different from before ... although it is my opinion (sometimes) that most of it is misused so badly that it hurts ... but seeing a lot of the "new" generation of electronics these past 10 years and the amazing work, a couple of things are really easy to see ... 1) how Tangerine Dream had an effect on so much music and 2) how creative some folks have become ... and in some ways that scene is better than ever ... and more varied, and it has stretched much further than just one country!
Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote progaardvark Quote  Post ReplyReply Direct Link To This Post Posted: April 05 2021 at 08:11
Originally posted by Tancos Tancos wrote:

Lists of free stuff, some of which might be useful for your purposes:



https://freedigitalinstruments.wordpress.com (mostly sample libraries; lots of orchestral stuff)

Some of the major makers of virtual instruments offer freebies:

https://u-he.com/products/ (scroll down a bit)


You might also check out KVR (https://www.kvraudio.com), both for the instrument listings and for the forum.

That Podolski synth from U-He had some really cool sounding presets. Thanks for the suggestions!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Cboi Sandlin Quote  Post ReplyReply Direct Link To This Post Posted: April 01 2021 at 08:04
why dont you use like, real instruments
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Tancos Quote  Post ReplyReply Direct Link To This Post Posted: March 22 2021 at 10:50
Lists of free stuff, some of which might be useful for your purposes:



https://freedigitalinstruments.wordpress.com (mostly sample libraries; lots of orchestral stuff)

Some of the major makers of virtual instruments offer freebies:

https://u-he.com/products/ (scroll down a bit)


You might also check out KVR (https://www.kvraudio.com), both for the instrument listings and for the forum.


Edited by Tancos - March 23 2021 at 05:19
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Vompatti Quote  Post ReplyReply Direct Link To This Post Posted: March 22 2021 at 08:38
Slightly off-topic but you might come up with something interesting by playing around with something like Pure Data or SuperCollider.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Davesax1965 Quote  Post ReplyReply Direct Link To This Post Posted: March 22 2021 at 08:04
Seriously, Friso, consider paying a little money for a VST. The quality really goes up for not much money. 

Then again, you can get so many good, cheap keyboards on eBay, and I'd rather have a physical instrument than a VST. But that's another post. ;-)

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