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Joined: March 04 2008
Location: Retirement Home
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Topic: Periferia del Mondo Posted: April 09 2011 at 16:10
Periferia del Mondo was formed in Rome in 1996 by woodwind player Alessandro Papotto (BANCO del Mutuo Soccorso), guitarist Giovanni Tommasi and bassist Claudio Braico, who were soon joined by drummer Tony Zito and keyboardist Bruno Vegliante. The band has performed several shows in Italy and abroad and has so far released three albums.
I got in touch with the band and Alessandro answered my questions.
Your biography has been covered in your ProgArchives profile so
let's bypass the biography details.
Periferia Del Mondo was formed in Rome in 1996 by woodwinds player
Alessandro Papotto (BANCO del Mutuo Soccorso), by guitar player Giovanni Tommasi
and by bass player Claudio Braico, who were soon joined by drummer Tony Zito
and by keyboards player Bruno Vegliante. The style is a kaleidoscope of
colours: from jazz-rock to psychedelic music, from symphonic to world music. The
band has performed several shows in Italy and abroad, and has released three
albums in CD and LP format: "In ogni luogo, in ogni tempo" (2000), "Un
milione di voci" (2002), and "Perif3ria Del Mondo" (2006). Periferia Del Mondo
also appears in two live productions: the CD "Omaggio a Demetrio Stratos"
(2000), the DVD "Gouveia Art Rock 2004" recorded during a show in Portugal,
and the most recent DVD "Progexhibition 2010" recorded with PFM, BANCO, and with
many other big progressive rock bands. Their studio albums and their shows
often featured important guests such as: Mauro Pagani, Vittorio Nocenzi,
Francesco di Giacomo, Rodolfo Maltese and many others. The albums gained large
appreciation and enthusiastic reviews from radios and papers all around the
world.
On 2008 they played at Rock Festival “ProgResiste Convention” of Verviers
in Belgium where they presented for the first time some songs of their fourth
studio album that they will probably release on 2011.
But which bands were you influenced by and why
did you choose that name?
Each one of us joined the
band coming from different musical worlds, and this is why we liked to give to
the band the name "Periferia del Mondo".
You can't have cognition
about where you're going or from where you come when you are at the
"Outskirt of the
World",
because it's nowhere and
everywhere at the same time. For the same reasons we are influenced by the whole good
music.
How was the music scene in your area when you started
up?
It was the middle of 90's, the dawn of
globalization era: an age in which, on the wave of newborn internet, a lot of
good things lost on the previous years, have been
rediscovered. We think that this has been not only a fashion or a revival, but a
need, for some peoples, to come back to the "substance", regardless from a
comfortably "form". Talking about music world: electromecanic instruments, analog
electronics, vinyl albums and turntables... and with no doubt... "Progressive
Rock". These was also the years when a lot of bands like BANCO and PFM came back
live on stage, and when were born a lot of Progressive Rock Festivals all around
the world.
Let's begin the discography
questions with your debut album. Please tell us more about "In Ogni Luogo In
Ogni Tempo" from 2000.
This
album is something like a "Crossroad", where our ways meet in the sign of
Progressive Rock. A Crossroad that is placed "in every place, in every
time", as for our musical roots. If you like, you can use the word
"Crossroad" as a mention to Robert Johnson.
Please also tell us more about your second
album "Un Milione di Voci" from 2002.
On
this album we shared all of our music roots and all of our interests. It's a big
diversified but homogeneus project, for which we asked for a little help from
our friends: 19 musicians on the whole album. So we could join a lot of different musical
worlds, not only about music styles, but also experiencing different lineups,
recording technics and unusual musical instruments, track after track.
A huge amount
of different musical ideas contained on this double album make it a special
item. For sure, in this album, "a million voices" are
singing.
Please also tell us more about your
third and most recent album "Perif3ria Del Mondo" from 2006.
In
perfect opposition to previous work, this album represents the result of our
quest about a unique musical way to travel togheter, our quest about what really
is "Periferia Del Mondo". So, nor guests nor citations here. Progressive or not, this sound is
pure "Outskirt of the World".
Please also tell us
more about your live album "Omaggio a Demetrio Stratos" from 2001 and the DVD
"Gouveia Art Rock 2004" from 2005.
"Demetrio Stratos 1999 Festival" was our first live opportunity out
of Rome and "Gouveia Art Rock 2004 Festival" was our first big opportunity out
of Italy. Both
these occasions represents some of our most beautiful memories.
What have you been up to since
2006?
We played on 2008
at "ProgRèsiste Convention" in Belgium and then on November
2010 at "Progexhibition" in Rome together with band like BANCO, PFM,
ecc.
What inspires you to create new music and what is your
recording technics?
Our
inspiration is the every day life... and now we're recording our music "by any
means necessary".
Just to give those of us who are unknown
with your music a bit of a reference point or two: How would you describe your
music?
Usually radio and newspapers gave some reference about our
music... they said about us that our musical style is a kaleidoscope of colours:
from jazz-rock to psychedelic music, from symphonic to world
music.
What is your plans for the rest of this
year and beyond?
Now
and for all this year we'll work to the new tracks for our fourth studio
album. To wrap up this interview, is there
anything you want to add to this interview?
These are times in which many bands would like to be more
"Progressive" but maybe less "Rock". In opposition with this matter we would
like to be more "Rock", and maybe, less (but ever) "Progressive". Prog ON !!!
Rock ON !!!
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