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Topic ClosedWhat are you favorite Prog Rock producers

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Aaron View Drop Down
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Direct Link To This Post Topic: What are you favorite Prog Rock producers
    Posted: March 12 2006 at 18:27

??

I don't really know any, I just realized, besides Alan Parsons.  Is it because most of out bands do it themselves? 

If you have any favorite, list why and what albums they have worked on.

Aaron

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Direct Link To This Post Posted: March 12 2006 at 19:32

I have a sincere interest in this, please reply

Aaron

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Direct Link To This Post Posted: March 12 2006 at 19:39
mmm...Alan Parson is not a producer, he is a sound technician!!!...
mmm, let´s see I like Archen Lucanssen...his album always sound excellent
Eddie Offord did a great job helping Yes find their sound...you can really notice that he is not in Going for the one...
Robert Fripp is also very good...but that´s just because I love everything that the guy does.
...I don´t really know many...
"You want me to play what, Robert?"
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Direct Link To This Post Posted: March 12 2006 at 19:44

Bob Ezrin is an excellent producer. Did a great job on The Wall & MLOR.

Greg Lake did a great job on BSS!

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Direct Link To This Post Posted: March 12 2006 at 20:17
England's John Acock,(Steve Hackett/John Hackett/Nick Magnus/Adrian
Legg/Rick Wakeman/Flame Dream/etc.); without a doubt what so ever.As a
youth I learned soo much from him as a producer;as I was a member &
guitarist of Switzerland's prog rock band FLAME DREAM.Mr.Acock use of
Studers,tape and engineering/Mixing is amazing.I am blessed to know
him.Dale Hauskins(Los Angeles guitarist of Switzerland's FLAME DREAM(6LPs
Vertigo Phonogram AG).
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Direct Link To This Post Posted: March 13 2006 at 03:37
Biography by Greg Prato

Unquestionably, one of the most renowned and well-respected producers/engineers in all of rock history is Eddie Kramer. The amount of legendary rock artists he has worked with over his long and illustrious career is staggering — the Beatles, Jimi Hendrix, Led Zeppelin, and Kiss lead his long list of credits, as well as the original Woodstock soundtrack. Born in South Africa, Kramer studied classical piano, cello, and violin as a child, eventually attending the South African College of Music, and moving to England at the age of 19. Shortly after his arrival in England, Kramer recorded local jazz groups in a home-based studio, plus installed hi-fi equipment as a hobby. By 1964, Kramer was hired by Pye Studios and was immediately assigned to work with such esteemed artists as Sammy Davis Jr., Petula Clark, and the Kinks.

During the mid- to late '60s, Kramer made a name for himself with the rock crowd by engineering classic recordings by Traffic, Small Faces, the Rolling Stones (Beggars Banquet), and the Beatles (their singles "All You Need Is Love" and "Baby You're a Rich Man"), becoming a much in-demand studio man in the process — leading to his fruitful association with Jimi Hendrix. Kramer engineered all four of Hendrix's groundbreaking albums the guitarist issued during his brief career — 1967's Are You Experienced? and Axis: Bold As Love, 1968's double album Electric Ladyland, and 1970's Band of Gypsys. Along with his production/engineering duties, Kramer also helped Hendrix create and design a custom-built recording studio in New York City, Electric Lady. Although Hendrix wouldn't live to see its completion in the early '70s, Electric Lady almost automatically became one of the world's most popular recording studios.

In addition to his work with Electric Lady, Kramer continued to man the boards for other projects, including the best-selling Woodstock soundtrack, which made Kramer one of the most in-demand producers of live albums by rock artists of the era. He worked on live recordings by Led Zeppelin, Jimi Hendrix, Kiss, John Mayall, the Rolling Stones, Peter Frampton, Joe Cocker, Curtis Mayfield, Santana, David Bowie, and Derek & the Dominoes. Add to it several of Led Zeppelin's most enduring albums (Led Zeppelin II, Houses of the Holy, Physical Graffiti, and the motion picture soundtrack The Song Remains the Same), as well as overseeing several posthumous Hendrix collections throughout the remainder of the decade (Cry of Love, Hendrix in the West, War Heroes, among others), and you'd think Kramer's plate was full. But this proved not to be the case.

In 1973, two unknown musicians were owed money from Electric Lady from session work they'd done for the studio. But instead of asking for the money, the duo (Gene Simmons and Paul Stanley) asked if Kramer would be interested in producing their new group's demo tape. Kramer accepted, touching off a relationship with theatrical heavy metallists Kiss that would last throughout the '70s — resulting in such hard rock classics as their breakthrough Alive, plus Rock and Roll Over, Love Gun, Alive II, Double Platinum, and Ace Frehley's 1978 solo album (in a strange twist of fate, Kramer chose to work on Kiss' Alive release instead of on the debut of another up-and-coming rock outfit, Boston).

Kramer spent the '80s producing and engineering primarily heavy metal acts (Fastway, Anthrax, Alcatrazz, Raven, Loudness, Triumph, Whitesnake, Ace Frehley's post-Kiss solo outfit, Frehley's Comet, etc.), with varying degrees of success. But the '90s saw Kramer once again getting involved with Kiss for their Alive III set, as well as numerous Hendrix projects (once Hendrix's family got the rights back to his music, Kramer was put back in control of overseeing subsequent releases) — including the tribute albums Stone Free and In From the Storm, plus such further archival releases as First Rays of the New Rising Sun, Live at the Fillmore East, Live at Woodstock, BBC Sessions, and the four-disc box set, The Jimi Hendrix Experience. During this time, Kramer also co-authored the Hendrix-related books Hendrix: Setting the Record Straight and Jimi Hendrix Sessions.

Eddie Kramer continues to engineer/produce artists (including Buddy Guy's Grammy-winning 1995 release, Slippin' In) Kramer has also issued a three and a half hour instructional video, titled Adventures in Modern Recording, and appeared in the 1997 Hendrix documentary The Making of Electric Ladyland.

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Direct Link To This Post Posted: March 13 2006 at 07:27

I've always liked Chris Kimsey, he produced Marillion's Misplaced Childhood and Clutching At Straws and also Killing Joke and some early Cult, there may be many more bands that I don't know of.  He had a way of making everything sound pretty crisp without anything sounding too big which was very rare of rock in the 80's.  None of the albums he has produced that I have heard sound dated.

He may not strictly be a "prog" producer but I would consider buying albums with his name on them.

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Direct Link To This Post Posted: March 13 2006 at 08:25
I must say I usually have no idea who produces an album. That's what interests me in the least. I know Nick Mason produced Steve Hillage's "Green".


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Direct Link To This Post Posted: March 13 2006 at 09:20
Easily Terry Brown (love what he did for Rush) 
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Direct Link To This Post Posted: March 13 2006 at 09:43
Eddie Offord with what he did for Yes.  In the age of vinyl he made crappy stereos and hi-fi's sound like the greatest thing since sliced bread.  "The Yes Album" was a HUGE step forward in fidelity.
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Direct Link To This Post Posted: March 13 2006 at 09:43
Eddie Offord.
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Direct Link To This Post Posted: March 13 2006 at 09:48

Originally posted by s1ipp3ry s1ipp3ry wrote:

Easily Terry Brown (love what he did for Rush) 

Good one!!  He also did excellent work for Fates Warning and many other bands!!

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Direct Link To This Post Posted: March 13 2006 at 14:14
Yeah, I would have to go with Offord as well.
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Direct Link To This Post Posted: March 13 2006 at 15:40

Me too Eddie Offord. He really did a great job with Yes and ELP.

And I always liked David Hentschel, who worked with Genesis.

I like Trevor Horn too, but the albums he produces can seldom be called prog.

And since the Beatles are officially prog these days: George Martin!!!

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Direct Link To This Post Posted: March 13 2006 at 16:19
Originally posted by BaldFriede BaldFriede wrote:

I must say I usually have no idea who produces an album. That's what interests me in the least. I know Nick Mason produced Steve Hillage's "Green".


And Shamal if I remember correctly, among other albums.
"Art is not imitation, nor is it something manufactured according to the wishes of instinct or good taste. It is a process of expression."

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Direct Link To This Post Posted: March 13 2006 at 16:58
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Direct Link To This Post Posted: March 13 2006 at 17:32
Terry Brown, primarily for Moving Pictures.  The production on that album is impeccable.
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Direct Link To This Post Posted: March 13 2006 at 20:14
Rupert Hine is an excellent producer!

Edited by greenback
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Direct Link To This Post Posted: March 13 2006 at 20:22
Originally posted by Chicapah Chicapah wrote:

Eddie Offord with what he did for Yes. 


and ELP as well

the prog producer without peer IMO.
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Direct Link To This Post Posted: March 13 2006 at 20:48

What dose a producer do?

I have always wondered this but i have no idea.

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