jethro tull (crest of a knave) |
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grantman
Forum Senior Member Joined: December 03 2015 Location: CANADA Status: Offline Points: 732 |
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Posted: December 25 2020 at 11:29 |
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My introduction to tull i brought on cassette in the 90,s minus two songs DOGS IN THE MIDWINTER and THE WAKING EDGE in reviewing this album it kinda pales in comparision to earlier tull, but the sound and production i found very good similiar to ROOTS TO BRANCHES notable stellar guitarwork by martin barre especially the track RAISING STEAM the masterwork on the album is by far BUDAPEST other fairly decent songs are JUMPSTART ,STEEL MONKEY and the farmers lament FARM ON THE FREEWAY is a tribute to farmers everywhere,there is much better tull elsewhere ,but this one i have a personal connection with, wondering if steven wilson is going to do a mix of it, one sticking point with me was apparently the use of a
drum machine, other mentions. I believe this album beat out metallica at the grammys, good one for ian and tull i say. out of five stars. Edited by grantman - December 25 2020 at 18:57 |
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Lewian
Prog Reviewer Joined: August 09 2015 Location: Italy Status: Offline Points: 14742 |
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I'd agree with you on this one. Good but not top notch; what really shines is good old Martin on guitar.
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Logan
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I only really know "Steel Monkey" well off the album, and only then do I know it well because I once compare/contrasted it to/with Art Zoyd's "Baboon's Blood" in a poll (both simian titles and both from 1987). The JT song trounced the Art Zoyd one with 20 votes to five, and one vote for both.
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dr wu23
Forum Senior Member Joined: August 22 2010 Location: Indiana Status: Offline Points: 20623 |
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Haven't played it in ages....Farm On The Freeway was decent.......Anderson is fond of Budapest and thinks it;s one of his best things.
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One does nothing yet nothing is left undone.
Haquin |
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BarryGlibb
Forum Senior Member Joined: August 28 2010 Location: Melbourne, Oz Status: Offline Points: 1781 |
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Fantastic "comeback" album after Anderson's vocal cord issues. 3 of the 9 tracks (on the CD version) have drum programming; Steel Monkey, Dogs In The Midwinter and Raising Steam. The other 6 tracks have either Gerry Conway or Doane Perry on drums. I bought it when it came out and it is Tull back to form. I love it. Yes, Martin Barre shines.......as he mostly does on every other album.
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The Doctor
Special Collaborator Honorary Collaborator Joined: June 23 2005 Location: The Tardis Status: Offline Points: 8543 |
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I played that album to death back in 1987. It was one of my favorites and is still one of my favorite Tull albums (behind Thick as a Brick, Songs from the Wood and Aqualung, of course). And it's definitely the best hard rock/heavy metal album of 1987. And "Said She Was a Dancer" was the best Dire Straits song Dire Straits never did. And that was one of my favorite songs on the album, along with Budapest and Farm on the Freeway. Such a great return to form for Ian. Sadly, their next album wouldn't live up to what they accomplished on Crest.
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I can understand your anger at me, but what did the horse I rode in on ever do to you?
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A Crimson Mellotron
Prog Reviewer Joined: September 10 2020 Location: Bulgaria Status: Offline Points: 4135 |
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A good album, but not as good as their 70s releases.
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Cristi
Special Collaborator Crossover / Prog Metal Teams Joined: July 27 2006 Location: wonderland Status: Offline Points: 43717 |
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Depends on what releases we're talking about. Even Tull had a couple of weak releases in the 70s. Crest... is a solid release in their close to 20 years of existence (1987). Not good enough?
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Sean Trane
Special Collaborator Prog Folk Joined: April 29 2004 Location: Heart of Europe Status: Offline Points: 20250 |
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Crest was welcomed by many (even in the greater public) after the
disastrous Wraps and I was kind of surprised by it, mostly because I
never thought Tull would survive and had chocked in the wrap Many
diss The Mad Flauter's voice sounding like Knofler's at this stage, but
I don't even notice it. I am mostly unimpressed by the two ZZTop-esque
(opening & closing) tracks , but it's got it's share of OK (but no
more) tracks like Buda & Freeway Farm. Outside two clunkers (Edge
& Dancer), the rest is standard run-of-the-mill Tull stuff. If this had been recorded with 70's technology, it might have equalled SW or WC, maybe stlightly better than Too Old. |
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let's just stay above the moral melee
prefer the sink to the gutter keep our sand-castle virtues content to be a doer as well as a thinker, prefer lifting our pen rather than un-sheath our sword |
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SteveG
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A very solid but divergent album from Tull. The music was definitely written to fit Ian's vocal problems but seems to work extremely well. And I like Dire Straits so that I guess that helps. 4/5 stars.
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A Crimson Mellotron
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Well, it wouldn't be in my top 5 (probably even top 7) Tull albums.
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Cristi
Special Collaborator Crossover / Prog Metal Teams Joined: July 27 2006 Location: wonderland Status: Offline Points: 43717 |
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maybe not top 5, but 7 JT albums better than this one, I'll probably disagree with your opinion here.
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Cosmiclawnmower
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As a 'Comeback' it was a great success and definately put the band back in the public eye. Personally i have mixed feelings about the individual tracks (favourite being 'Farm on the Freeway') but overall was very pleased to see Tull back and MLB's guitar work is cracking (as always). I saw Tull supporting Marillion at Milton Keynes in 1986 which was ok but a bit underwhelming and did wonder if that would be that.. Then saw IA and MLB with basically Fairport convention as their backing band at Cropredy 1987 just before the lp was released and it felt like JT reborn with a really kicking performance.
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Logan
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This boils down to taste, and as the saying goes "In matters of taste, there can be no disputes." I found 1976's Too Old to Rock 'n' Roll: Too Young to Die! to be poor, but if another finds that to be one of JT's best, well, there's no accounting for tastes. Best commonly is used in such a subjective manner (a reason why I am more likely to use the word favourite is such topics). |
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Cristi
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obviously a matter of taste, when and how did I say it is not?!
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Logan
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I didn't mean to say or even imply that you did, Cristi. I'm just adding to the discussion in my own way. Sorry if I present my intent (and ideas commonly) unclearly (I do have neurological issues that people should be aware of that makes it harder to discuss ideas). Commonly in discussion ideas get explained further as need be. My thing is that there's commonly not much point or value in disagreeing on matters of taste from my perspective, and I tend to avoid terms such as best because it can confuse subjective notions with objective notions. One person's opinion might be that slavery is a good thing, and that might come from a position of taste (a personal bias at least), but I would still disagree with it from my perspective and values (and by thinking from the slave's perspective). I will only agree that that is that person's opinion. To use a variant, adjacent example (not saying this is the same, but this kind of thing has happened to me): If I say "My favourite Jethro Tull is Benefit" and another says "I disagree with you. Thick as a Brick is the best", well there's been some kind of a miscommunication as we are at cross-purposes. I, in this case, never said that it was the best even if it's best for me, and it would be silly to disagree that Benefit is not my favourite (unless one has reason to think that I am intending to deceive or be/am mistaken). I often use other's ideas as a jumping off point for my own, and sometimes people take that to mean that I'm implying an intent or judgment of what others write that is not my intent. Many of us use language a little differently, make different assumptions, and take different approaches when exploring ideas, which can make dialectic harder and less fun or enjoyable. I know I have got things wrong and have misunderstood intent at times and will continue to do so. I know I need to be a little more patient, charitable, good-humored and nuanced. The forum discussion is at its best for me when are not only actively engaging with people's ideas, but we're building on those, synthesising ideas, learning to appreciate different perspectives, learning from each other, employing a level of empathy, approaching consensus, and laughing together of course. Edited by Logan - December 28 2020 at 15:33 |
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Cruelman
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It's little bit like a "KNOPFLER TULL" album, but very good. :)
Ian proved that quality records could be taken in the kitchen at that time. Remembering the destruction of Aqualung's sound in in overpriced studio, they must have been pleased. |
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omphaloskepsis
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It's easily my favorite Tull album since the 70s. I played it a few weeks ago when I went on a Dire Straits jag.
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Octopus II
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Crest Of A Knave was certainly an improvement on the Under Wraps album.
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dr prog
Forum Senior Member Joined: September 25 2010 Location: Melbourne Status: Offline Points: 2502 |
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I really like Part of the machine, Farm on the freeway, The waking edge.
Hopefully Wilson gets to this album and removes the reverb from Budapest . I’ll do my own remix on Dogs in the midwinter |
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All I like is prog related bands beginning late 60's/early 70's. Their music from 1968 - 83 has the composition and sound which will never be beaten. Perfect blend of jazz, classical, folk and rock.
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