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Petrovsk Mizinski ![]() Prog Reviewer ![]() ![]() Joined: December 24 2007 Location: Ukraine Status: Offline Points: 25210 |
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LMAO!
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Petrovsk Mizinski ![]() Prog Reviewer ![]() ![]() Joined: December 24 2007 Location: Ukraine Status: Offline Points: 25210 |
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Hence why I mentioned just the the song Diary Of A Madman. The whole album per se isn't progressive, but the song Diary Of A Madman is at the very least prog related, if not even straight out prog. As for Ozzy being a 'songwriter', Ozzy was not that greatly involved in the writing process actually, which is why the other members of the band, well particularly Bob Daisley and Lee Kerslake anyway, wanted the band to be called Blizzard of Ozz, because the bulk of the writing process was done by Randy And Bob Daisley and felt it wasn't just a solo project by Ozzy. Listen to a song like Diary of A Madman, and there is no way Ozzy had a great deal of input on it, it really is something that could only have been written by someone of high musical ability like Randy, perhaps possibly with Daisley in there.
As for your comment on the Bay Area scene and the term progressive metal being thrown around, you say it wasn't until Maiden appeared. The thing that is confusing me is, Maiden had well and truly appeared by 1981, wheras thrash was virtually unknown at that time, and Metallica's release, the No Life 'Till Leather demo tape had not been released until 1982 which was a seminal recording in thrash metal history, so I'm not sure how your argument works there.
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Atavachron ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 30 2006 Location: Pearland Status: Online Points: 65624 |
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^ my point is that Maiden were doing 'progressive metal' before Metallica had even recorded, making them a pioneer of the form.. Metallica didn't start getting progressive till well after Maiden had tipped the balance
interesting about Daisley's perspective on Diary, but I have to say the idea that Ozzy "was not that greatly involved in the writing process" is beyond rational credibility-- of course Randy wrote the bulk of the chord progressions, that's one of the things a great guitarist does in rock, but it simply is not believable Ozzy was somehow not involved in almost every aspect of both those amazing records ..and BTW, I think most of Diary is highly progressive, but ultimately it was a brilliant pop album more than it was progmetal Edited by Atavachron - April 10 2008 at 03:19 |
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Certif1ed ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: April 08 2004 Location: England Status: Offline Points: 7559 |
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Not entirely convinced - "Number of the Beast" (1982) is hardly a progressive album - at least, no more so than Black Sabbath's "Heaven and Hell" (1980). If you're saying Maiden "tipped the balance" with their earlier albums, then I kinda get your drift, but "Beast" was a regressive step. Don't get me wrong - it's a superb album, but none of the tracks hold a candle to some of the earlier material - in terms of progressive music. It's my favourite Maiden album, but it ain't very progressive. The world needed a band like Metallica in 1982, because MSG were about the only band doing anything really interesting in metal WRT to progressive music.
"Piece of Mind" (1983) isn't particularly progressive either - "Kill 'Em All" (1983) is leagues ahead in terms of introducing new techniques and a new approach to metal. It also sports the strongest evolutionary approach to form (which is the strongest link to progressive music) in that while the structures are only long because they're a bit drawn out in places, the method Metallica used to develop and transform riffs and fragments of riffs is all over the album - it was a natural way for them to write, and holds perfectly with the composed/improvised core of Progressive Rock. It perfectly consolidated the somewhat tangential approach of Priest, and the simpler song-oriented structures of Metallica's peers (Megadeth, et al).
1984 is even more interesting - "Powerslave" contains some of Maiden's finest chart hits, such as "Aces High" and "2 Minutes to Midnight" alongside the sprawling meandering mess that is "Rime...". That piece annoyed me a bit at the time, as it reminded me of Raven's "Run Silent, Run Deep" on their "All For One" album (1983), except with added filler. Yes it's long. Yes it has lots of sections. But it's based on riffs that are oh-so-similar, and I've yet to listen to it all the way through, as I always find something more interesting to do.
Compare and contrast with "Ride the Lightning", which is in a different dimension altogether, every song containing interesting structures, from "For Whom The Bell Tolls", with it's minimalist and hugely dramatic approach, each riff idea leeching from the others in a way that turns Sabbath up to 11, to the title track and its structures that compete well with later Prog Metal tracks such as "Pull Me Under" in terms of complexity.
There's no doubt in my mind that at this point at least, Metallica were way ahead of Maiden in terms of progressive music. I need to listen to later Maiden albums - but it's hard to imagine anything that can compete with "Master of Puppets" or "...And Justice For All". Personally I think Metallica win by several miles - but it's impossible for me to comprehend how anyone could think Maiden were more progressive, especially as they essentially stuck to the same ideas and sonic textures - especially in terms of rhythm.
The other point is that Priest pioneered the form LONG before Maiden, and one could easily consider some of UFO or the Scorps early material as prototype Prog Metal. Even Thin Lizzy should come under consideration - not to mention Skid Row.
The one thing I would add is that it's Rhoads' solo playing that's been an inspiration on some parts of the Prog Metal genre - and Classical influenced Metal (for want of a better term) - by which I mean Malmsteen and all the Yngwie wannabes - and the heroes like Jason Becker (not wishing to tar all shredders with the same brush).
Mind you, the less said about Quiet Riot the better...
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Atavachron ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 30 2006 Location: Pearland Status: Online Points: 65624 |
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- oh absolutely, I speak of the first two, particularly Killers but both could easily be seen as progressive metal (though perhaps not ProgMetal yet)
- that's a fair perspective, I agree about it being natural for them to gravitate toward longer compositions
- true, unfortunately Maiden stopped their progressive movement whereas Metallica began notching it up.. but that doesn't negate the structural breakthroughs and implications of those first two Maiden albums, credit must be given even if the band was eventually outdone |
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Certif1ed ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: April 08 2004 Location: England Status: Offline Points: 7559 |
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I'm still not completely convinced about "structural breakthroughs and implications" - I rather feel that this was simply taking Priest's earlier excursions to a more tailored conclusion.
I'll definitely go back to these albums and re-listen (always a pleasure!), but albums like "Sad Wings..." and particularly "Sin After Sin" and "Killing Machine" ("Hell Bent for Leather" in the US), thanks in no small way to Simon Philips, are packed with structuring and technique ideas that, while not perfectly executed, are what I would call the breakthrough point.
Just me trying to get to the root of it as usual - I actually find your comments very helpful for homing in on the "important questions" ![]() Edited by Certif1ed - April 10 2008 at 08:35 |
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The important thing is not to stop questioning.
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Easy Money ![]() Special Collaborator ![]() ![]() Honorary Collaborator / Retired Admin Joined: August 11 2007 Location: Memphis Status: Offline Points: 10680 |
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I'm probably not near the expert on metal as you guys, but in considering the Maiden/Metallica debate there is something that is hard to define, I guess you could call it "emotional tone" or something.
I remember when Master of Puppets first came out, I was really suprised to hear this serious, introspective and melancholic tone in the music that really reminded me of the progressive rock I enjoyed as a youth in the early 70s. At that time, I had not heard music that serious since the decline of the early progressive bands. "Master ..." deals with post-teen angst in a way that recalls Quadrophenia, The Lamb ... and much of Black Sabbath and even The Strawbs and some of earlier Moody Blues etc. I don't recall Maiden having a similar impact, just my 2 cents yawl. Edited by Easy Money - April 10 2008 at 12:54 |
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Help the victims of the russian invasion:
http://www.jazzmusicarchives.com/forum/forum_posts.asp?TID=28523&PID=130446&title=various-ways-you-can-help-ukraine#130446 |
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salmacis ![]() Forum Senior Member ![]() Content Addition Joined: April 10 2005 Status: Offline Points: 3928 |
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As ever, I find it hard to add much to what Certif1ed said. For my money, though, here are the albums I personally would nominate as being influential to progressive metal;
Judas Priest- Sad Wings Of Destiny (still their best album, IMHO)
Rainbow- Rainbow Rising (it's this album that I think links most closely to bands like Dream Theater and perhaps more obviously, Symphony X)
Budgie- Never Turn Your Back On A Friend (check out those long form compositions like 'Breadfan' and 'Parents'; their albums are often somewhat inconsistent, however...as an aside, Metallica covered 'Breadfan')
Rush- 2112 (well, the title track anyway)
Diamond Head- Lightning To The Nations (this lot influenced Metallica, and check out a track like 'Am I Evil' with its quotes from Holst's 'Planets' and the guitar duelling in 'Lightning To The Nations' itself)
Metallica- Ride The Lightning (this is their best album, IMHO), Master Of Puppets, And Justice For All (though I've always found this one a bit over-complicated and poorly produced, personally)
Black Sabbath- Volume 4, Sabbath Bloody Sabbath, Sabotage (they went way beyond the sound of their first three albums on these, IMHO)
I think Iron Maiden had a definite influence from progressive rock, myself, and in turn had one on the early prog metal acts too. Almost every album they put out has one track which bears its influence clearly to varying degrees (save 'No Prayer For The Dying' which, coincidentally or not, I find to be their weakest album by miles!). It is Iron Maiden and the Judas Priest of 'Dreamer Deceiver' I can hear most clearly in Queensryche's sound, for example. So much so, in fact, that I find it odd that people object to Iron Maiden's inclusion here under 'prog related' and accept Queensryche readily...though I'm usually loathe to use that 'X is here, so should Y be' argument.
The band I think that carries on where acts like Sabbath left off with the approach on that Volume 4/Sabbath Bloody Sabbath/Sabotage period is probably Opeth, but also have elements of Camel and Genesis in their sound too. I can also hear the influence of thrash bands like Metallica and Slayer on Mastodon, alongside the 70s progressive rock influences. I personally find the path these two acts have taken rather preferable to, say, Symphony X and Dream Theater (I like DT a lot sometimes, I must point out, but quality control is an issue for me where these are concerned) as I think they tap into the dark, malevolent strain that bands like Sabbath had early on more effectively and are far better when it comes to all-round dynamics and subtlety too. Pain Of Salvation approach it sometimes too, IMHO.
It's probably that subtlety issue I have with Symphony X and Dream Theater; their idea of subtlety means to do an AOR-style ballad IMHO, which is different from mine. Perhaps it's because I grew up hearing the more English, folk-tinged pastoral sounds of Genesis, Yes, Floyd, Camel, Caravan et al. and I find that rather lacking in some prog metal bands. Edited by salmacis - April 10 2008 at 13:34 |
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Statutory-Mike ![]() Forum Senior Member ![]() ![]() Joined: February 15 2008 Location: Long Island Status: Offline Points: 3737 |
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I agree with you in the sense that the only prog metal song on 2112 is 2112 itself..you can't really call any of the other tracks heavey..although they still are all bloody brilliant
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Certif1ed ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: April 08 2004 Location: England Status: Offline Points: 7559 |
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Apologies for the long quote - just trying to keep it all in context. I've made subtle edits to make the flow easier to follow.
I think you make a very good point about pioneers of tech guitar - it's easy to get mired in that single thread, and I tried to stick to bands/musicians who also had progressive ideas WRT form/structure - as that is my #1 criteria for "measuring" Progressive music.
There must be other elements of Prog Metal that haven't been explored and would be helpful in getting to the root of the music - what about Prog Metal bands that don't heavily rely on guitar technique or complex forms?
As I'm not familiar with a very broad spectrum of PM bands, it'd be helpful to find some other criteria to trace back.
Again, some great points here - but "Influential" isn't necessarily a good yardstick - in fact, in terms of Progressive music, influence can be a handicap. I for one hear at least as much Metallica influence in Dream Theater's music as Iron Maiden or Yes - perhaps even more so.
As I said earlier, although Queensryche - and Fates Warning - were commonly known as Progressive Metal bands back in the 1980s (although I never heard Iron Maiden being referred to as such!), I have been absolutely mystified as to how they aquired the accolade, hearing neither complexity nor innovation in their music, rather technical superiority in some aspects - which is not the same thing.
You seem to back up my points about UFO and Priest rather nicely though - thanks for that.
I've never tried to analyse "Diary" - I'm always more attracted to "Mr Crowley" for the obvious reasons, and "I Don't Know" as one of the earliest ever thrash metal pieces ("Exciter" by Priest was the first, as far as I'm aware). Rhoads was a great innovator - I'll certainly be tearing that one to pieces when I get home!
What other aspects of Prog Metal do you think we should be tracing back, apart from guitar techniques and formal complexity? Edited by Certif1ed - April 10 2008 at 15:07 |
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The important thing is not to stop questioning.
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Atavachron ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 30 2006 Location: Pearland Status: Online Points: 65624 |
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perhaps my perspective is slightly different-- as the NWOBHM began hitting the U.S. West Cost, the San Francisco metal scene was also peaking, and the two began to interface by about 1982.. we had much local metal (Exodus, Metallica, Testament) but we also had a new form that was emerging, and people, mostly musicians, were calling it 'progressive metal' ..this was just a handful of bands that never really were successful and a tiny local following - bands as Anvil Chorus, Blind Illusion, Bleu Food, Vienna - the one band at that time we all could point to as being both metal and progressive was Maiden and until real ProgMetal had formed with Voivod and others, there wasn't really such thing as progmetal.. for technically skilled heavy rock you had Priest and Rush but very little between the two.. Maiden bridged that gap and for a brief time, were progressive metal when most fans wanted either trad. Metal or trad, Prog
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Atavachron ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 30 2006 Location: Pearland Status: Online Points: 65624 |
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notably higher ambition, musical competency and musicological/historical understanding in rock and roll.. as I've said many times on this forum without too much shame, I believe Brian Wilson was the grandfather of progressive rock music, the first popular artist to truly take rock seriously, to record it with greater care and with an emphasis on modern technologies, infuse other musics with authenticity, not to mention a major move toward experimentalism and avant garde, i.e. Smiley Smile (1967) ..other influences may point at the earlier heavy psych bands as well Edited by Atavachron - April 10 2008 at 22:35 |
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StyLaZyn ![]() Forum Senior Member ![]() ![]() Joined: November 22 2005 Location: United States Status: Offline Points: 4079 |
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Off Topic..... OK, I just picked up that Brubeck and listened to it today. Good stuff. And I am convinced that Blue Rondo a la Turk must be done in the Progressive Metal fashion. I searched YouTube and ELP did a version, but I would love to hear (don't shoot me) Dream Theater give it a go. |
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BigHairyMonster ![]() Forum Senior Member ![]() ![]() Joined: August 08 2004 Location: United States Status: Offline Points: 115 |
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Well, if we must insist upon playing with boxes...
Why is it that we need an exact time, date, band an album to refer to as the beginning of prog metal. I don't believe that this is the case. Rather, I think several earlier attempts at odd-meter time signatures and heavy riffage contributed to the eventual first prog metal release. Odd-Meter - The Beatles, Touch, Brubeck, and numerous others contributed odd signatures to numerous songs early on...but were not necessarily very heavy. However, I would mark "Helter Skelter" and "Revolution" as having a very big eventual influence on Metal. Heavy - Black Sabbath, Deep Purple, Judas Priest and others were heavy but not necessarily playing in odd-meters. DP did use an orchestra very early on, and I would mark this as an influence. While I would agree that there is a definite starting point timewise for what is popularly known as progressive metal genre (just as there were several metal bands that existed before the Heavy Metal tag came into regular usage), and several bands that were successful (Queensryche, Rush, Dream Theatre, etc.), I believe that there were several other notable moments that many here are overlooking: Comments have been made regarding Rainbow Rising. This to me is a classic prog-metal album. Yes, it is metal...we were calling it metal when it was released. Led Zeppelin - A band that has been tossed around with the hard rock/metal tag forever. They never put out a prog-metal album, but the had numerous prog-metal moments scattered about. Sir Lord Baltimore - Who? Only the first metal band. Heavy riffage with the rare odd-meter here and there. Blue Cheer - Vincebus Eruptus is ripping riff metal, with occasional odd-meter. Queen II - Yep, Queen. This to me is one of the earliest albums that fits my mind's idea of prog metal...not the entire album, but a good 75% of it. Alice Cooper's Muscle Of Love - Again another good candidate for this class for the heavy riffage and unusual arrangements and rhythmic shifts. It is rather sad that after 7 pages of this thread that Captain Beyond was only briefly mentioned. If there was one album that fully qualifies as a defining starting point for Prog Metal, their debut would be it. As heavy as any Sabbath or Priest album, with the blues sensibility of Zeppelin, and with odd-meter that was as complex as anything Crimson was doing at the time, this is a sadly overlooked gem...probably as important to the development of prog metal as Time Out was to jazz. One other sadly overlooked prog metal gem is III Sides To Every Story by Extreme. Possibly the greatest lost prog-metal album of the 1990s. Of course, this is all just my opinion...but in my world that is all that matters. ![]() |
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Big Hairy Monster's debut CD "View" coming soon! www.bighairymonster.com |
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jammun ![]() Prog Reviewer ![]() Joined: July 14 2007 Location: United States Status: Offline Points: 3449 |
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Voyage of the Beagle, I say. When did those early Sabbath/Deep Purple/Led Zep riffs evolve into Master of Puppets? There's your answer. |
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KrakAtack ![]() Forum Senior Member ![]() ![]() Joined: March 06 2008 Location: San Diego Status: Offline Points: 165 |
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You have the great Dave Brubeck. I have had the police show up several times when I lived in the burbs and Take 5 was emanating from my Bose 901's at 1000 watts per channel.....lol |
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The Whistler ![]() Prog Reviewer ![]() ![]() Joined: August 30 2006 Location: LA, CA Status: Offline Points: 7113 |
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Has anyone mentioned Iron Butterfly?
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"There seem to be quite a large percentage of young American boys out there tonight. A long way from home, eh? Well so are we... Gotta stick together." -I. Anderson
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KrakAtack ![]() Forum Senior Member ![]() ![]() Joined: March 06 2008 Location: San Diego Status: Offline Points: 165 |
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Budgie- Never Turn Your Back On A Friend (check out those long form
compositions like 'Breadfan' and 'Parents'; their albums are often
somewhat inconsistent, however...as an aside, Metallica covered
'Breadfan')
Metallica also covered Crash Course in Brain Surgery and In For The Kill. Budgie definitely takes a lot of points as one of the pioneers. Of course there were many other groups who contributed bits and pieces to the prog heavy metal uprising.....Check out MC5 - High Time, Spontaneous Combustion, Armageddon, Eloy, Hawkwind, Golden Earring, Man, Uriah Heep, Pink Fairies, King Crimson, Mahogany Rush, Lucifer's Friend, Stray, Iron Butterfly, some early Scorpions with Uli John Roth and even some Taste songs.......and, of course, Blue Oyster Cult......... http://krakatack.googlepages.com/heavyrockgroups ![]() Some man clips: http://www.dekeleonard.com/media/devilsgloves.mp3 http://www.dekeleonard.com/media/7171551.mp3 |
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The Whistler ![]() Prog Reviewer ![]() ![]() Joined: August 30 2006 Location: LA, CA Status: Offline Points: 7113 |
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Jethro Tull was wrapped up in the whole Sabbath/Purple/Led Head scene too ya know...big influence on Iron Maiden as well.
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"There seem to be quite a large percentage of young American boys out there tonight. A long way from home, eh? Well so are we... Gotta stick together." -I. Anderson
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KrakAtack ![]() Forum Senior Member ![]() ![]() Joined: March 06 2008 Location: San Diego Status: Offline Points: 165 |
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I forgot Alice Cooper......Some great proto prog metal songs on Love It To Death and Killer.........also Arthur Brown, Kingdom Come(both Arthurs and the other one), Vanilla Fudge, and I have dozen's of little known groups which I will have to look at again to put their names here........
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