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Topic Closedwhat Jazz/fusion album are you listening to ?

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Chus View Drop Down
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Direct Link To This Post Posted: August 13 2007 at 20:50
Perhaps time to get a bit egocentric. This one was released in 1994 and he plays flute and saxes
 

Benjamín%20Brea%20-%20Another%20Point%20of%20View

Of course it's mainly smooth jazz, but you have to listen to that top-notch playingSmile
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Direct Link To This Post Posted: August 15 2007 at 20:56
Originally posted by Dick Heath Dick Heath wrote:

Planet X : Quantum - first album of their's I felt sounds like a full jazz rock album, rather than a heavy rock album with the occasional jazzy solo.
 
COMPLETELY AGREE! Thumbs%20Up
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Direct Link To This Post Posted: August 15 2007 at 20:57
Originally posted by darkshade darkshade wrote:

Originally posted by Dick Heath Dick Heath wrote:

Planet X : Quantum - first album of their's I felt sounds like a full jazz rock album, rather than a heavy rock album with the occasional jazzy solo.
 
COMPLETELY AGREE! Thumbs%20Up
 
what an excellent album. I might have to go listen to it next LOL.
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Direct Link To This Post Posted: August 15 2007 at 21:05
SM "Six" period live in France '73!

http://fr.youtube.com/watch?v=ahBzZ55De8k&mode=related&search=

Edited by oliverstoned - August 15 2007 at 21:05
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Direct Link To This Post Posted: August 15 2007 at 21:18

That's not very original, but i recently re-discovered
the best album from the Gong second era -thanks to the excellent 1989 american "Carolina" CD release-,: Expresso II. Not cold at all and a wonder of fluency and
technicity. Thanks to the Moerlen brothers, especially Pierre of course and Holdsworth's brillant guitar work.
This is better than Gazeuse and it's the last good one, Pierre Moerlen's Gong future release will be a terrible disapointment.




For one time, i can only agree with the Allmusic's review, and their rating (4.5/5):

"As interesting and fun as the Daevid Allen period was, the name Gong became more meaningful in the context of the music as percussionist Pierre Moerlen assumed the role of bandleader. An emphasis on percussives of all sorts became clear on Gazeuse, the band's first completely instrumental album, and the music became much jazzier, though never considered jazz.

Expresso II finds Pierre Moerlen's Gong at their peak. Like their previous studio release, Gazeuse!, the album is instrumental, the music is very polished, the sound very clean. Vibes and xylophone dominate on this album, somewhat reminiscent of the sound Zappa achieved through Ruth Underwood on One Size Fits All just three years earlier. The first two tracks, "Heavy Tune" and "Golden Dilemma," are the highlights here, partially due to the fact that the rest of the cuts all blend together and sound quite similar. The listener is pleasantly assaulted with a barrage of vibes, yet what a unique sound it is when heard on a rock-oriented album. Guitar combos rarely get much better than on "Heavy Tune," as Mick Taylor rips out leads over Allan Holdsworth's grinding rhythm guitar. The collective guitar sound achieved is one of restrained power; however, the piece can comparatively be considered a rocker. Gong shifts to a different gear with the following track, "Golden Dilemma," a faster-paced, jazzy piece with incredible solos from guitarist Bon Lozaga. Formerly of Curved Air, Darryl Way's violin is a highlight on "Sleepy" and "Boring" (neither of which apply). "Sleepy," which combines Way's violin with Holdsworth's guitar leads, prefigures the sound of the first U.K. album (Holdsworth went on to form U.K. with violinist Eddie Jobson). A very short album, Expresso II is possibly the strongest of the post-Allen Gong, and an essential album."







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Direct Link To This Post Posted: August 16 2007 at 13:34
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Direct Link To This Post Posted: August 16 2007 at 13:37
 
 
Hey, it counts, doesn't it?


Edited by Chameleon - August 16 2007 at 13:38
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Direct Link To This Post Posted: August 17 2007 at 10:41
 Last night I stopped by  The Virgin Record store here in times square NYC. I was to shook to see a Eberhard Weber live CD because I  don't have any and I don't think there is any besides this very first one. If I am not mistaken 
If you were in the store  the moment I purchased this Significant live CD you would of seen the glow of face of pure happiness an amazement .The live album contains most of my all time favorites song for many years and I have never heard them live .
SILENT FEET
THE COLOURS OF CHLOE
YELLOW FIELDS.
Cry so,Hug beautiful
I have been a Mr. Weber fan for almost 22 years of my young live. Even though I have been in the USA for 20 I have never been blessed with  the honor to experience this master performing in a live concert hall or Jazz club.
 
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Direct Link To This Post Posted: August 17 2007 at 12:46
Just got myself a proper CD of Susan Weinert's Running Out Of Time, one of the very best jazz rock albums with vocals, and Weinert provides some rare beautiful touches to her Holdsworthian guitar playing. Not changed my mind as this being the best jazz rock album of its year 2005 (recorded 2004) IMHO.
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Direct Link To This Post Posted: August 17 2007 at 14:16
just got the latest David Torn album Prezens and hey it got a positive review in The Wire (which has also been reviewing some other ECM albums too)......gonna open it to play............

its also been a loooooong time since i last took out my Supersilent albums to play (and rave abt them here) hehehehe...........
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Direct Link To This Post Posted: August 17 2007 at 22:08
Metheny%20/%20Mehldau
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Direct Link To This Post Posted: August 17 2007 at 22:55
Dave Brubeck's "We're all together again for the first time"   Clap
 
My mother in law gave it to me.LOL
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Direct Link To This Post Posted: August 20 2007 at 09:24
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Direct Link To This Post Posted: August 20 2007 at 13:54


An unusual combination of instruments (drums, electric fretless bass and trombone), but surprisingly it works. Great musical interplay between three absolute masters of their instruments.


Edited by BaldFriede - August 20 2007 at 13:56


BaldJean and I; I am the one in blue.
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Direct Link To This Post Posted: August 20 2007 at 16:54
Originally posted by Chus Chus wrote:

Metheny%20/%20Mehldau
 Man I dont have that album what's it like/
 
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Direct Link To This Post Posted: August 21 2007 at 10:11
Originally posted by darksideof darksideof wrote:

Originally posted by Chus Chus wrote:

Metheny%20/%20Mehldau
 Man I dont have that album what's it like/
 
I have it and the follow up but to paraphrase an Allan Holdsworth quote: two great musicians playing together can inhibit each other, in avoiding the one outshining the other. Brad Mehldau released 3 or 4 really good  to great solo or trio albums prior to joining with Metheny. Having seen the two together at Birmingham's Symphony Hall in May and have my feelings reinforced that this is polite chamber jazz (definitely not jazz rock fusion) which has some highs with  two musicians seemingly playing well within their limits,  but really doesn't  get to the spectular  heights - something you might play at a dinner party but won't get disturbed if the guests talked over it.. 
 
Thanks to Bald Friede now got two of their CDs and been reacquainted with United Jazz & Rock Ensemble. Far more my cup of tea, especially with Barbara Thompson, Ian Carr, Albert Mangelsdorff, Eberhard Weber, Jon Hiseman + others playing.
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Direct Link To This Post Posted: August 21 2007 at 14:54
Originally posted by Dick Heath Dick Heath wrote:

Originally posted by darksideof darksideof wrote:

Originally posted by Chus Chus wrote:

Metheny%20/%20Mehldau
 Man I dont have that album what's it like/
 
I have it and the follow up but to paraphrase an Allan Holdsworth quote: two great musicians playing together can inhibit each other, in avoiding the one outshining the other. Brad Mehldau released 3 or 4 really good  to great solo or trio albums prior to joining with Metheny. Having seen the two together at Birmingham's Symphony Hall in May and have my feelings reinforced that this is polite chamber jazz (definitely not jazz rock fusion) which has some highs with  two musicians seemingly playing well within their limits,  but really doesn't  get to the spectular  heights - something you might play at a dinner party but won't get disturbed if the guests talked over it.. 
 
Thanks to Bald Friede now got two of their CDs and been reacquainted with United Jazz & Rock Ensemble. Far more my cup of tea, especially with Barbara Thompson, Ian Carr, Albert Mangelsdorff, Eberhard Weber, Jon Hiseman + others playing.
 
I wouldn't downrate it so, but perhaps to have something to get you jumping I would suggest Pat Metheny Group albums instead. With all that said, this was worth my time and the execution was superb, mostly a duo (or duel) effort with a couple of tracks containing drums and bass.
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Direct Link To This Post Posted: August 21 2007 at 17:55
Originally posted by Chus Chus wrote:

[
the execution was superb, mostly a duo (or duel) effort with a couple of tracks containing drums and bass.


I won't disagree but this chill out jazz is so cool it lacks any real warmth. I'm left wondering  if this a temporary marriage of convenience, (especially to attract the European audiences), rather than one in which the sparks fly.
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Direct Link To This Post Posted: August 21 2007 at 22:59
Originally posted by Dick Heath Dick Heath wrote:

Planet X : Quantum - first album of their's I felt sounds like a full jazz rock album, rather than a heavy rock album with the occasional jazzy solo.


Love this record, gotta get this back in my car for tomorrow.
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Direct Link To This Post Posted: August 22 2007 at 07:03
Gambale Donati Fierabracci: Live In Australia - it is even on the Wombat Records label LOL  A nice album of live, heavy jazz rock

Edited by Dick Heath - August 22 2007 at 07:04
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