Black Velvet wrote: Faaip_De_Oiad wrote: Black Velvet wrote: Faaip_De_Oiad wrote: Haha ! Cymbalism.Com I oughta try that real quick. .. No such thing haha Glad you liked it. I  know i enjoy it. Seeing how i am a drummer and all. ... With an up and coming Zeuhl band !! An up and coming Zeuhl band hey Faaips, this is something I would be interested to hear about Zeuhl definitely has some hell of Drumers to look up to. Would I be wrong to assmusing Mr Carey might be a bit of an influence for you? I'll let everyone here know about everything we do.... that is once i get some more like minded mates. Yes indeedy ! Danny is the drummer i look up to the most.  And i had the pleasure to see him drum in person not to long ago for the first time !.. Very Inspiring ! Nice, I'm going to be heading off to see them play in January, which I'm very excited about. I have not seem him play since last time they were over here in Aus. Hehe, you might be having some trouble finding some like mind mates, but keep looking around. Might be able to get you dad into the act now he is a Zeuhl converty

Right On ! hope you have a sweet time. Rosetta Stoned live is amazing. Great Visuals too !

Haha.. Yeah it's pretty difficult finding people.. but My little brother will do anything i ask. and The Girl With Elfears plays Clarinet i believe. She's done crazier things for me. So i may be lucky there.
... And my dad. I'm sure he'll like to sing. I'll ask soooon.

Faaip_De_Oiad wrote: "Z539;#509;5;ŗΘĴ M-彙Ĥ59;ŕġ"  Hope that's Zeuhl enough...  -_-

Faaip_De_Oiad wrote: Yukorin wrote: Faaip_De_Oiad wrote: "Z539;#509;5;ŗΘĴ M-彙Ĥ59;ŕġ"  Hope that's Zeuhl enough...  -_-   Zeuhl central Faaip! Suspect the pronunciation may be on the tricky side       Neato ! ... And I hope it doesn't always show up like: "Z539;#509;5;ŗΘĴ M-彙Ĥ59;ŕġ". Cause that's even harder to say -_-

Me earlier trying to post a reply

 

...and that's the bleedin' upgrade

 

 

 

Faaip_De_Oiad wrote: BTW, Koenji live at doors is finally on it's way.

Enjoy it Faaip. It's pretty good if you can distract yourself from the lovely Kyoko. By the way, you won't see me! Proppin' up the bar (for a change)

Not Zeuhl perhaps, but its french, beautiful, violent and distubed. A fantastic five star album.


Jean Claude Vannier: L’Enfant Assasin Des Mouches


Album Description (Taken from Amazon)
The debut release from Finders Keepers Records, we present the seminal 1972 album from Serge Gainsbourg’s right-hand man Jean-Claude Vannier. Recorded during the same sessions as Gainsbourg’s highly acclaimed masterpiece "Melody Nelson" it follows in a similar avant-garde rock-opera vein. "L’Enfant Assasin Des Mouches" (The Child Fly-Killer) is a supernatural tale written by Gainsbourg depicting the journey of the young child travelling through a nightmarish "Fly Kingdom". Vannier narrates the story with sparse music concrete sounds coupled with choirs, funky beats, cowbells, wah-wah guitars and ethnic strings. Comparisons could be made with some of Frank Zappa’s "Hot Rats" material and Alain Goraguer’s creepy "Le Planet Sauvage".

White Noise Reviews
Celebrity endorsed discs too often tend to veer between utter claptrap or deeply average music elevated way beyond its level by virtue of extreme rarity. With names like Jim O'Rourke, Jarvis Cocker and David Holmes plastered all over the front you may start to think this might be something different. And you'd be right, this fantastic slab of 70’s exotica from Jean Claude Vannier is the kind of album they most definitely don’t make ‘em like anymore. It has a picture of a naked guy on a beach on the cover ferchrissakes, how could it fail?.
Vannier was most famous as Serge Gainsbourg’s arranger on the classic Histoire de Melody Nelson. There he managed to seamlessly integrate Gainsbourg’s louche vocals with moody string arrangements and funky rock backing. L'Enfant Assassin Des Mouches takes that sound to its extreme conclusion in a suite of instrumentals that runs the gamut of out there styles, cramming strings and choirs against funk backbeats, eastern melodies, clattering percussion, psych wig outs and music concrete.
It’s like getting a quick glimpse of another universe, one where the worlds of popular and experimental music have collapsed in on each other: Where the chopped up found sounds and abrasive tone clusters of Edgard Varese and Pierre Schaeffer sit next to acid guitars: where Harry Partch’s microtonal percussion is welded to blaring horns: where the rules of standard composition and arrangement are bent out of shape, thrown off course by pointillist, pizzicato strings or sudden juxtapositions of music concrete to end up in insane waltzes or full-on choral blow outs.

Yukorin wrote: Faaip_De_Oiad wrote: Went through some major turbulance with the website pay system. Is that the site that moves transactions widely at different speeds at high altitude? Sounds like my old UK bank: ABBEY NAZIONAL

If that site is called 'Squidco' then Yup.

It was all going so well as well! Then I read this:

Jean Claude Vannier - Histoire de Melody Nelson & L'Enfant Assassin Des Mouches with special guests Jarvis Cocker, Badly Drawn Boy, Mick Harvey, Gruff Rhys & Laetitia Sadier 21 October 2006 / 19:30 Barbican Hall Part of Only Connect
Tickets: £20, £25, £30 subject to availability	sold out
Only Connect presents the first ever live performances of two cult classic albums Histoire De Melody Nelson and L’Enfant Assassin Des Mouches from 1971 and 1972 respectively. Produced by long-time collaborator of randy iconoclast Serge Gainsbourg, composer/arranger Jean-Claude Vannier’s otherworldly string and choral arrangements are iconic of the era, and the rediscovery by a whole new generation has won him renewed acclaim. For tonight’s World Premier event, Vannier conducts the BBC Concert Orchestra, Crouch End Festival Chorus, a children’s string quintet plus the inimitable musicians Dougie Wright, Big Jim Sullivan, Herbie Flowers and Vic Flick from the original recordings. Jarvis Cocker, Badly Drawn Boy, The Bad Seeds’ Mick Harvey and The Super Furries’ Gruff Rhys take it in turns to sing Serge for the performance of L’Histoire De Melody Nelson’ and L'Enfant Assassin des Mouches features live sound effects - including ringing bells, ticking clocks, a model helicopter, flies and even a billiards table. Histoire de Melody Nelson Words: Serge Gainsbourg Music: Serge Gainsbourg and Jean Claude Vannier L'enfant Assassin des Mouches Music: Jean Claude Vannier Story: Serge Gainsbourg Produced by the Barbican in association with Finders Keepers

Why does everything have to be revisited? An' why do Stereolab persist on covering everything I like?

Hi Zeuhlians,